reverse threading

the path back is the path forward


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“suffer gloriously.” [merely-a-thought monday]

suffer gloriously

when you watch extreme mountain climbing videos every night you are bound to find morsels of wisdom and inspiration.  chris, one of the denali climbers, tossed us this one:   “i think it’s important to learn how to suffer gloriously.”  he added he “tries to put a positive spin on all his suffering.”  chosen suffering, that is, for who would doubt that there would be suffering on a climb up the highest peak on the continent.  alternatively, his suffering yields reward, a summit, or, at the least, an attempted summit, traversing in elevations few have scaled.

in the early 1980s i taught music in the poorest school of a small county in florida.  z was one of my students – he was in first grade.  i know he suffered.  his home was not far from the school campus with buildings attached by covered walkways, my music shed tucked into a swampy corner, complete with 3″ banana spiders.

z was a student who needed a lot of extra attention.  he craved it.  given his grave family situation, i know his heart had to be heavy, but his smile was light-itself and he loved hugs and music class.  in that school, tucked into the middle of an impoverished neighborhood, where people spent days sitting on rotting porches waiting for the next day, there was much agonizing.  and, clearly, a hell of a lot of surrendered acceptance.  it was deeply inspiring to see children being glorious, even in the midst of hurting.

i heard somewhere along the passing years that z was in prison.  i shudder to think of all who might say it was inevitable.  he was truly stuck in a system that allowed very few to escape.  the ‘subs’, as the area was called, was a breeding ground for glorious suffering, proud faces lined with sweat and worry, ponderous minds sorting for ways to survive.

we went back there about five years ago, drove to what-is-now a fenced-in complex and no longer a neighborhood school so i could stare for a few minutes at the old shed in the swamp.  we drove around the neighborhood and stopped and got out to talk to a couple people rocking on a porch.  we talked about the old school and, with shining faces, they spoke with pride about attending it.  glorious faces.

when we pulled away, they went back to the chairs on the porch, under the collapsing portico away from the steamy sun and tucked into trees covered with spanish moss and yards of dry dusty dirt.  still suffering.

we drove away, a few moments of silence as i took it all in.  in my mind i hugged the little boy z used to be and wished for something better for him.  for a summit.

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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meander-er. [k.s. friday]

meander

“…Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.”  (Robert Frost)

a product of sunday-drive-parents, i am a meanderer.  i’ll choose a backroad.  i’ll choose the woods.  i’ll avoid the six-lane interstate.  i’ll avoid the leader-led-coach-bus-travel tour group. i blame my sweet momma and poppo.

in an obvious life metaphor, choosing to be an artist of any medium -for the long haul- is choosing to be a meanderer.  it’s choosing to live life looking for and celebrating layer cakes – a layer cake of work.  it’s a continual wracking-of-the-brain for the next idea, the next project, next pitch, the next initiative, the next validation of your artistry.  it’s continual exploration and continual growth, surprises and intrinsic rewards of the heart.  and it’s continual worry: how will what you earn equal or be greater than that which you owe.

my parents encouraged my every musical moment.  neither of them was a musician, but their steadfast support reinforced the decisions i made that were more out-of-the-box.  their prideful applause inspired and fed me, lighting a fire even when the embers were falling to ash.  times i would rise and fall and rise again, i blame my sweet momma and poppo.

in somewhat recent days, when i was bemoaning the exponential cost of healthcare, someone asked me if i needed to see a financial counselor, someone who could ‘teach me’ how to budget.  i was stunned at the lack of sensitivity and actual empathy.  “no, thank you.” i responded, while trying to maintain the sound of calm in my voice, “i am actually quite good at budgeting and truly love math.  this is not rocket science.  it is simply a case of not having enough income, even from several jobs, coming in.”  a meanderer.  those sunday drives.

i’ve read plenty of ‘being the youngest child’ articles.  it seems that my profession, lean toward autonomy, artistry, careful rebellion are all because of my place in the sibling line-up.  so, once again, i blame my sweet momma and poppo.

the urge to be off-the-beaten-path, literally and figuratively, to quietly sit in the middle of the woods or i-wish-more-often the top of a mountain, to stand on a wooden stage with a piano, a boom mic, a few songs and a story to tell:  things that are part of my very soul.  the core.  i blame my sweet momma and poppo.

and i thank them from the bottom of my heart.

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MEANDER from AS IT IS ©️ 2004 kerri sherwood


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weeping man. [d.r. thursday]

Weeping Man copy

we watched global citizen’s concert ‘together at home’ on saturday night.  this virtual concert featured a wide spectrum of celebrities and musicians and raised about $128 million for the world health organization as well as local and regional frontline healthcare workers in support of covid-19 relief.  despite wildly varying opinions about this effort, i would have been proud to play in the midst of this.  it was about humanity.  some of it was pretty raw.  people were in their homes, many the likes of which i will never enter.  they were with their instruments, they were playing or singing songs they felt would resonate with those watching.  a few were, as expected, clearly voice-tracked.  a few were, as expected, a bit ego-tainted.  split-screen performances and technology raised the bar for musicians everywhere.  but it was a moment in time – eight hours in total between online and on-air – when you could see that all of us grieve and yearn the same way.  no matter the size of your mansion or tiny house, no matter the grammys on your shelf or the lack thereof, this global pandemic is just that – global- and is not discerning of your privilege.  it does not care.  it can take anyone.  and so we weep.

if there is a painting that depicts the face-holding grief and prayerful yearning for hope, it is this painting WEEPING MAN.

i wonder if he weeps for those who have fallen ill, those who have died.  i wonder if he weeps for those who refuse to acknowledge the seriousness of this pandemic.  i wonder if he weeps for those on the front lines, helping.  i wonder if he weeps for those who have hidden in extravagant bunkers underground in far away countries.  i wonder if he weeps for our isolation.  i wonder if he weeps watching people intolerant of the isolation that will protect others, people who are selfishly and arrogantly protesting stay-at-home orders.  i wonder if he weeps for the unrelenting non-discrimination of this contagion or if he weeps for the divisiveness of responsibility-taking, the it-doesn’t-affect-me attitude.  i wonder if he weeps for the continuance of humanity.  or if he weeps for the loss of humankind.  or, if he weeps for the lack of humaneness.  i wonder if he weeps because, in the middle of this trying and profound now,  Next will come.  i wonder if this painting is tomorrow’s tomorrow and he weeps with relief and hope.

THIS all exists.  for each of us.   it isn’t always good.  it isn’t always not-good.

there are those moments.  the moments you weep openly, the moments you cover your face to cry, the moments of overwhelm, the moments of absolute weariness that, despite all evidence to the contrary in your tired mind and body, actually do lead to Next.  times you feel alone, times of sorting, times of grief, times of fragile vulnerability, times of regret.  the times you put your face in your hands and weep…

and there are those moments.  the moments you weep openly, the moments you cover your face to cry, the moments of stunning awe, the moments of sheer exhaustion at your goal-line, moments that actually do lead to Next.  times you feel enamored of life itself, times of incredulity, times of unquestionable good fortune, times of serendipity, times of simple all-consuming sweet love.  the times you put your face in your hands and weep…

we recognize it.  we can feel it.  and we know that in another moment he -or she, for there is no pronoun-hogging here- will slowly raise his head out of his hands and Next will have arrived.  (reverse threading, and so he weeps, january 17, 2019)

read DAVID’s thoughts this D.R. THURSDAY

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WEEPING MAN ©️ 2015 david robinson

 

 


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two broken wrists. two and a half months. i kept playing. [two artists tuesday]

tendonitis

out of necessity it was only a few days after i broke both of my wrists that i played.  it seemed that i had nine fingers that were attending this event, and i, relieved to have these nine, worked with what i had.

in the last couple months, my left hand progressed faster than my right.  i had two breaks in my right wrist and, yes, i am older now than i used to be, so the doctor warned me that i needed to be patient.  make that NEED to be patient; healing will take six to eight months, she said.  but all five LH fingers participated in this early-on merrymaking and only my immobilized thumb was excluded on my RH.  and both wrists. they were excluded too.

they changed the cast on my RH from over-the-elbow to one a tad bit shorter; this was happy for me as it gave me more mobility. i kept playing, despite the wad of cast that ended in the palm of my hand.  i am a mom.  i am used to working around things.

later, they changed it yet again to an exos cast, which is removable but much less designed specifically for your hand; it was actually quite uncomfortable and made my hand hurt in places it hadn’t hurt with the ‘regular’ cast on.  i kept playing.

at the point when the coronavirus ceased all my regular doctor appointments, and after only one occupational therapy appointment, i kept playing.

finally, with the phoned-in blessing of my OT, i ordered a splint for my RH – the same one i wear on my LH, releasing my thumb from its cast-prison.  i kept playing.

and then i noticed that my pinky wasn’t responding properly.  nor was my ring finger.  nerve pain was shooting from my fingers up my arm.  and nodules in the palm of my RH were burning, stinging.  no professional pianist i know wants his or her hands to hurt.  i could draw hundreds of analogies here with other body parts and ways-of-living, but i will refrain from doing so and just say that this was disheartening and incredibly worrisome for me.  and i kept playing.

i emailed the doctor and then sent pictures i labeled in photoshop so that my worry would be clear, since i was unable to be there in person; social distancing had put aurora on the don’t-call-us-if-this-isn’t-essential status.  when she called me she said i really needed to come in.  she said that they would take some x-rays and the hand specialist would look at my right hand, in particular.  frankly, i was beyond nervous to walk into a medical center.  they have their hands full (absolutely no pun intended) and i was reticent to be privy to whatever germs were hanging around or to take any focus from the more essential.  but, because i am playing and because playing is what i do, i went.

although there is a slight chance that there is something else going on here, it looks like the palm tendons of my RH fingers are inflamed.  this is likely because i have been playing with casts on.  what’s the expression? damned if i do, damned if i don’t.

when i asked the specialist for a range of time this might last, his answer was ‘probably up to a few months’.  he didn’t ask me a lot of questions to discern what was happening and i tried like heck to fill him in on every-single-last-thing about my hands, but, in as-quick-as-a-flash fashion, he was gone before i knew it.  a-few-more-exercises-and-some-regularly-scheduled-advil advice later, i left the hospital, took off my mask and climbed, sighing, into big red in the parking lot.

and now, out of necessity, i will keep playing.

and worrying.

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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“bacon-wrapped pears” [merely-a-thought monday]

baconwrapped pears

the pressure.  gee-willikers!  you simply cannot browse through any social media platform without seeing family’s and friends’ beautifully-prepared foods or rustic breads fresh out of the oven, off the grill, sizzling on the griddle, staged and plated for photos.

the pressure.  my first question is always one about wondering how, in the middle of this socially-distanced-stay-at-home-pandemic, all-these-people have all-those-ingredients in their homes at-the-ready.  we must be pretty basic shoppers; our larders are not filled with the likes of these ingredients.  we plan ahead; like you, we are shopping very rarely, limiting our exposure.  we miss our peeps at festival; we used to see them almost daily, as we would cruise about town to get fresh fruits and veggies.

the pressure.  neither of us wanted to go out to the store the other day.  we had chicken out to prepare, but, low on or depleted of fresh vegetables and potatoes, a side dish escaped us.  we did, however, have a multitude of pears, because you can’t purchase a normal amount of pears at costco; instead, it is assumed you have an army of pear-eaters and you will all devour them before the dreaded brown spots form on the outside of its smooth green-pear-skin.

the pressure.  what to do with pears, other than just, say, slice and eat them.  we googled.  every pear recipe has goat cheese in it, for good reason.  i love goat cheese and wish we could eat goat cheese, but a dairy free diet precludes that.  so we had to move on.

knowing that you must be sitting on the edge of your seat as you (maybe) read this, i’ll tell you what happened:  we looked in the freezer to see what else was there.  bacon!  now, i really love bacon.  i probably shouldn’t, but i do.  thinking we were being brilliant, we googled what you could make with pears and bacon.  those of you out there in perfect cooking/baking/inspired feasting social media land will say ‘no duh’ when i tell you we found -drumroll, please- bacon-wrapped pears!  simple!  you slice a pear into quarters and wrap bacon around the slices.  place in 400 degree oven and bake.  that’s it!  they were freaking amazing!

the pressure.  so then the pressure was to NOT post this pear-bacon-pairing-extravaganza on social media.  we sent a picture to a couple friends who knew of our facebook-meal-snack-drink ogling and we sent a picture to The Girl and The Boy.

our friends responded enthusiastically but our more recipe-savvy children did not.  i suppose they just thought to themselves:  yup.  pears.  bacon.  pears + bacon = bacon-wrapped pears.  yup.  the pressure.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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hope in the midnight sun. [d.r. thursday]

EARTHInterrupted7.THIS ONEJPG

EARTH INTERRUPTED VII 48″X36″

we drew heavy curtains to sleep in the land of the midnight sun.  my grandmother mama dear and i were in the arctic circle in finland and, much to the fascination of my eight year old mind, the sun refused to set.  i remember a twilight like no other – a time of in-between that just lasted and lasted, not day, not night.  it was stunning and magical and wreaked havoc on circadian rhythms, necessitating new practices.

EARTH INTERRUPTED VII makes me think of that twilight, that time in the river of not-this-not-that.  a time of waiting, it appears that the telescope zeroed in on earth detects an interruption, a wafting darkness.  in this time of pandemic, it would seem a portrait of covid-19.

but, as in all other times of darkness, there exists a glow of light.  the blackness is dissipating, the shape of the earth is visible, the twilight is vibrant.  this painting offers radiant hope.

just like pulling back the curtains in lapland, the sun will rise and we will have awakened from the strange twilight.  we will have lost much to the dark.  we will have learned new ways, employed new rituals.  we will be tired and wary, cautious yet sure.  we will have crossed the river of the midnight sun into a new day.

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EARTH INTERRUPTED VII ©️ 2018 david robinson

 


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sunglasses and gunfire. [two artists tuesday]

Sunglasses

we took a hike on easter sunday afternoon.   it was just warm enough to shed my coat in the woods; spring hiking is better without the shush-shushing sound of a down coat while you walk.

we went to our bristol woods, masks in pockets as we jumped out of big red, eager to get into the trees, onto the paths that have soothed us.  there were a few people there; most of them abided by the six-feet-apart rule, although admittedly, there were a few who caused us to roll our eyes in an astonished unspoken question wondering if they lived in a cave somewhere and had no idea that there was a global pandemic.

the familiar paths did their job. we quietly noticed green sprigs springing up between the leaves, a tonal green as you looked off-path from budding underbrush.  here and there forest daffodils at the brink of opening to the world; here and there small white flowers nestled between fallen logs.

the soundtrack of the woods was awakening to spring – orioles’ songs, chipmunks scampering, birds we couldn’t see high in the trees singing arias to the sky, the sound of our feet on the trail.

the gunfire in the background was unwelcome in this reverie of renewal, of spring-really-on-its-way, of escape-from-thoughts-of-covid-19.  it was an automatic, a gun designed to kill, single shots punctuated by the rapidfire of a clip.  it is always unnerving; yesterday it was particularly so.  it seemed mindless to me, paying no homage to these very times, these very days.

in the middle of thousands of people who are desperately trying to save over half a million others’ lives in this country alone, thousands of people who are extending helping hands to countless others, thousands of people who are dedicating resources to feed, mask, shelter thousands of others, thousands of people who are reeling from a loss of life, of job, of any security, of any sense of normal, thousands of people who are frightened to their core that they might be the next to succumb to this pervasive illness, the next to struggle to breathe, i couldn’t, for the life of me, figure out any good reason to be shooting an automatic weapon.

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“staying more or less sane…” [merely-a-thought monday]

sane

it’s a wave.  and, like the tide, we ride it out to sea and back in to shore.  we grab handfuls of sand when we hit the beach, to remind ourselves that we are indeed of this earth and this is real.   and then we read or watch the news and see the charts and the numbers-who-are-people-not-numbers and we are back out to sea, on precarious standup boards.

it’s almost a mantra “staying more or less sane.”  we wake in the morning and, for the first few delicious seconds, we don’t remember.  but as we share dreams – the dreams we can remember – we know that even our subconscious are trying to process all this.

we compare notes with others:  what is acceptable to do in these restricted times, what is not.  we are aghast at the impropriety of the suggestion of large gatherings, no matter where they are.  even small gatherings of people not isolating together are questionable. we wonder if we will all be agoraphobic when it’s time to cease restrictions.  we worry that this decision will be made irresponsibly, skewed in the direction of the ever-important dollar and not in the interest of people being healthy, getting better, staying alive.  we are afraid.

we do whatever we can, whatever works; we are all in different places on the what-works-for-you continuum.  outside of working we struggle to fill in time.  we take on new projects; we sit quietly.  we bake loaves and loaves of bread and test new recipes; we cook just whatever is necessary.  we obsessively deep clean the closets, the cabinets, the basement; we pick up around ourselves and disinfect what needs disinfecting.  we organize, organize, organize; we have trouble paying attention, finishing going through the piles.  we watch movies and binge on sitcoms; we look out the window and get lost in thought.  we spend time on our muse; we stay away from that which makes us feel more deeply.  we spend vast amounts of time on social media and video-conferencing apps; we desperately miss those we love and yearn for them.  we get impatient; we wait.

we are a world of people-people, broken and reeling, and we are all trying to stay more or less sane.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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silence. below the noise. [k.s. friday]

silent days 6 feet

sometimes we are silent.  sometimes it’s better that way.  a fluid point, a fine line of balance, there’s so much to say; there’s so much we should avoid saying.  silent days.

we walk or hike outside, we take limited trips to the grocery store.  not a lot of interaction, the way it is supposed to be right now.  with varying cautions about distancing and asymptomatic spreading and aerosol molecules, the experts have my rapt attention. although i do not have the ability to make as much of a difference in this as those who are on the front lines, i need do my part.  responsibly and respectfully.

making do with texts, phone calls, work videoconferences, online hangouts with friends, it’s still much more silent than it ever is, normally.

there are reports of residents hearing birds again in wuhan.  the woodpecker is busy in our backyard, the mourning doves call, the frogs quip to each other in the woods.

and so we walk, quietly.  we cross to the other side of the street, we single-file on the other side of the path.  maybe here and there people answer to our soft hello as we pass.  we shop, rarely, pushing a cart, quickly assembling what we need.  we listen to the sounds that often linger unheard below the noise.

and even above the masks, even in the silence, i can see their tentative smiles.

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read DAVID’S thoughts this K.S. FRIDAY

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SILENT DAYS ©️ 1996 kerri sherwood


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there is a place, a canopy. [d.r. thursday]

canopy

CANOPY 48″x48″

there is a place on a washington island road where the rest of the world disappears.  you are walking alongside forest and can see the sky as you look up, tall trees framing blue, the sound of sandhill cranes and red-eyed vireos accompanying your steps.  and then you enter this place.  the trees gently arc over the road and you are covered by a canopy; we have sheltered in this spot during more than one sudden rainfall.  even in the bright day, the green above you – which turns to brilliant umber, rich red, flaming orange during summer’s release on the forest – allows for little light.  and at dusk, while the sun sinks into the water hundreds of feet away, walking in the middle of the road, it is dark-dark, the canopy a lure for night creatures, safe in the shadows.

there is a place in a tree in the yard of my growing-up house outside the window of my old room where the branches invited sitting.  for hours i would sit there, write, ponder.  in the summer the maple seemed to grant me privacy from the world, its branches full of leaves and canopying my little spot.  a shelter.

there was a place in the wooden structure in our backyard that had a yellow awning that made a fort.  when My Girl and My Boy were little they would play up there for hours, The Boy lining up matchbox cars, The Girl often reading a book.  a special space, this little fort, it was hard when it was time to dismantle it and pass it on to friends with little ones.

these places of shelter – places of canopy – provide such a sense of protection, a sense of being held from harm – from the elements, away from others, in our own private place.  much like our homes, they can give us pause, a deep breath, safety.

in this time of distancing and stay-safe-stay-at-home, i look around our house and give thanks for its canopy of shelter, for the way it holds us from harm, for the minutes, hours, days, weeks, months and years it keeps us safe.

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CANOPY ©️ 2009 david robinson