yes. entrenched in the land of hallmark christmas movies. ’tis the season.
two years ago we actually purchased one – our favorite hallmark christmas movie – a season for miracles. and, though we know it by heart – much like my big fat greek wedding or love actually or about time – we watch it over and over, never tiring of its sweet story.
weeks ago, we walked through downtown to mail our voting ballots. having proximity to town and the waterfront – all within walking distance – seems to be one of our leanings for all potential future places to live. the other is to be far away from everything hectic. it’s a toss-up. that late fall day with golden leaves, we walked along the lakefront and then cut in west – past the historic library and library park.
i must never have looked up there, because it took me by surprise.
an angel statue.
there’s history to this statue, but that wasn’t what it brought up for me. instead, it was a reminder of this ultra-sweet hallmark movie, with a very similar angel statue at the center of the fictitious town of bethlehem and a person who looks strikingly like this angel – an angel who is cast as multiple characters in the movie. it’s a heartwarming story.
we spent the rest of the walk, wondering about never noticing this angel statue before and talking about the generosities and grace in the movie we love. it cast a magical quality to our walk that day. we were surrounded by what-felt-like a gentle cloak of hopefulness, of light.
we’ve held off so far. but soon. soon we will pull out this movie and the fleece sherpa blanket on the couch. and we will sit and watch – once again – knowing exactly what is going to happen and still getting teary-eyed. both of us.
it will remind us of those around us without whose goodness we might be lost.
“step confidently,” the stio catalog reads. there is an ad for boots – winter boots – and gorgeous pictures of snowfall and mountains and terrain where confidence could be challenged. we were just talking with 20 about those yaktrax you strap on your shoes to instill a bit of chutzpah as you walk on icy trails. anything to keep us outside. cause stuff happens.
yes. stuff happens.
and it happens fast. without warning.
a couple days ago i was walking from the kitchen to the sunroom – sans yaktrax – to let the dog inside. holiday music was playing and i was busy thinking about my next task as i approached the step down to the tile floor by the back door. i did a little math. i’ve successfully navigated this step – only one – at the very least – one-hundred-twenty-two-thousand times. but, somehow, and i have no idea how, i missed the step and fell flat – kerplunk-kind-of-flat-like-in-cartoons – on my knee. the one time i didn’t reach out my hands to stop myself – i guess those two other falls taught me something – but my knee took the entire brunt of the trip-fall.
i’m not sure the first thing out of my mouth was pretty or anything i’d be proud to mention here. my reaction – as i laid on the cold floor – was incredulous, thinking i was running out of appendages, wondering what vortex in the universe we had fallen into or if mercury was in retrograde or just what was happening here.
the xray technician told me that’s why it’s called an accident – because there is no real reason, but i was about as amused by that as other people to whom i have said those words. no real reason. she said, “stuff just happens!” uh-huh.
the nurse practitioner at the urgent care told me she concurred with the radiologist and – thank goodness – there was no fracture. geesh. she said a few days and we’ll see how it goes.
patience is now in order. time to spend with my knee horizontal doesn’t fall under “my favorite things” column. i’ll be hobbling around and sitting and trying to get things done, in a slew of time i can only label as “fraught”.
“you must begin by knowing you have already arrived. your true nature lives as perfect as an unwritten number, everywhere at once across space and time.” (richard bach – jonathan livingston seagull)
i followed the seagulls on my ten-speed. to the beach, always the beach. later, i followed them in my little blue volkswagen, their screeches out my open window, their soaring showing me the way. and i felt kin to richard bach, his writings about freedom and passion and dreaming and the meaning of life. we met at the beach – crab meadow – and talked telepathically. well, i talked. i don’t know if he was listening. he was on the west coast and i was on the east, though i suppose jonathan livingston may have been able to deliver any message of gratitude i had.
and so we arrived at the fat seagull. it is beyond me why we had never discovered this bar and grill tucked into the downtown of manitowoc. it’s a cheers! kind of place, people who know each other gathered at the bar and around tables, eating, drinking pints, playing games, talking. in the way of wisconsin pubs, there is a vast menu and we order a thursday special to split. the bartender tells us that the two wine glasses they had were broken so he gives us diminutive stemware and charges us less. we choose the bottle still corked, wondering who last drank out of the open bottle and how long ago that might have been. we are kind of strangers in a strange land…17 draft beers and traditional old-fashioneds surround us and our tiny wines.
we listen to live music and gaze around – at people, at the bar, the old wood floor, the ceiling. it is a study in perfection. we feel alive – out and about – a two hour drive each way – food we didn’t prepare – wine we didn’t pour. we talk about how it feels. we laugh and dance. we don’t realize it’s raining out; it had been a beautifully sunny day. we are glad to be there.
we end this week in uncertainty. we reach backwards, examining all we have done – so far – in life and work, what we have accomplished, what we have not. sixty-something is not youth, nor is it aged. it is somewhere in-between, located wherever we are. we bring all we know – and all we do not know – with us. we try to trust that we have arrived, that we are on the tarmac – or – in the terminal, that we – too – despite our lack of certainty – have flown, screeching and soaring.
“instead of being enfeebled by age, the elder had been empowered by it; he could outfly any gull in the flock, and he had learned skills that the others were only gradually coming to know.”
a merger between old navy and, say, dupont could bring play to the whole wide world. stands of thongophones could be simply everywhere. i can see it…people gathering, favorite flipflops in hand, making music.
it was hard to resist the pull of this two-octaved structure. flipflops – the paddles provided – were chained to the wooden stand, laying on the ground, waiting. it was just a delicious invitation – “try me, try me,” it called. and then, channeling the group chicago, “thongophone, in the park…”.
pretty crazy, it had good pitch for polyvinyl chloride, not necessarily known for its musical talent. and the flipflops? well, everyone knows how i feel about flipflops. they are the symphony of summer, so definitely a good choice.
i, generally, don’t walk up to faux musical structures like this. i usually stand back and watch others discover and play, reveling in their adventuring and exploring sound.
but this time was different.
i played first on the lower octave side. for some reason, the first piece i played was the first piece on my first album, galena. the first day i played galena was also in one of those situations i don’t usually take part in…instead, sitting back and watching others and supporting their fun.
that time was different too.
that time – encouraged (read: pushed) by three girlfriends, playing at the piano in the restaurant in galena, illinois – set me on a road i didn’t know was coming. less than a year and a half later, i released my first album. now, fifteen albums and a variety of singles and blahblah later, i look back.
and i look forward. i’m not sure what’s there. but this past week i stood at my piano and played and sang three songs for d and one of his dear friends. it’s been a long time. i apologized for the dust in the studio. i apologized that it was a little messy in there. d said rob cried. despite the dust and remnants of previous work piled around.
by sheer coincidence, today is the anniversary of that first album – 27 years ago. lots of flipflops ago.
today is a good day for a dustcloth, some garbage bags and a storage bin or two.
it’s not a thongophone in the park. it’s my piano.
the midterms are rapidly approaching. the rhetoric is amping up. the tv ads, the phone calls, the billboards, the texts, the email messages, the political mail in the mailbox – all dedicated to sway our vote.
i realize that this is the way to raise money, that this is the way to get one party ahead of the other. many voters will elect to vote a straight party ballot. some will vote without asking any questions. some will vote without any information at all. some will vote for vapid minds, choosing the rough edges of spewed anger, covert scheming. they are voting on a bandwagon – with truth obscured – and haven’t looked past the exterior of the candidates.
i was chatting quite some time ago with a college professor. he was teaching a class three days a week and was talking about his experiences. “anybody can be brilliant for an hour and a half,” he quipped. i laughed, thinking how true that is.
but it’s the long haul that counts. it’s what’s at the crux that counts. i wonder what is in the center of what motivates the candidates we are considering. what is past the exterior, what are the things they affirm, believe in, wish to move forward?
anyone can look pious, even righteous, in brevity, for short spurts of time. but these same pedestalized people can bring to the table masked and unmasked agenda that is riddled with inequality, marginalization, discrimination, divisiveness, violence, a thwarting of social, racial, gender, financial equity all under the auspices of brilliance. it is our responsibility to peel back the layers, to poke through the season-of-midterm blahblah, to examine the intentions, the integrity, of the people we choose – truly, in every arena – to represent us.
how these people manifest in their communication, their compassion, their fairness, their steadfast evenhandedness, their actual brilliance – not the hourandahalf variety – should tell us something important. if a person does not represent the values we uphold ourselves, the ones we would lay out to each and every one of those we love, why would we elect that person to represent us, to reflect us? if our vote was revealed to our loved ones, our children, our family, friends, community, colleagues, would we take comfort, would we have pride, in what was revealed?
for it is in our vote that we truly show what is beyond the exterior. it is in our vote that we truly show what is in our heart.
the threads are stretching, stretching…but not ripping.
barney stretches and yawns, still a piano, always a piano. his soul – tenacious and flexible and resilient – centering back to itself, despite weather, despite weathering. it’s late day and the shadows are long. there are small mounds of birdseed, assorted fallen leaves, bits of white at the leading edge of the keyboard. no matter. his aging exterior belies the zeal inside of him, the sorting of memories being played, sustain pedal lifting notes into the air and holding them there. barney has come to knowing that all the notes are still there – stretched across the atmosphere, lingering. he is not fearful of this process in the sun and the rain, snow and blustering winds.
“if you let your fears control your actions, then you are not going 100 mph through it, enjoying it.” (sue aikens)
barney does little these days. he is home for wildlife, the birds, the chippies, the squirrels – they know him well. but he is still going 100 mph through it, whirling and dancing in his beautiful body in our backyard. one day he will look even less like an upright.
but the chickadees and house finches, the cardinals and robins will glance over at him and think, “there’s that sweet piano.” for they, too, will still recognize him.
we stood in the grocery store in brevard, right by the display. the food lion price for the charming smushy-flat white pumpkin was $8.99. it called to me, “you need me! bring me home!” but i got hung up on the price tag and we didn’t buy it.
we’ve had a pumpkin or two most years, often a pie pumpkin that we place on this funny wrought iron stand with arms, making it look like a pumpkinperson. we’ve gotten gourds – interesting shapes that tickle us. but not yet a white pumpkin, even though i really love how they look.
budgets are sometimes fun-oppressors. but any artist can tell you they are necessary. and any artist can tell you that there’s been at least one time that an $8.99 pumpkin – even one that might do the dishes and sorts socks – has not made the cut.
there is a sweet apple orchard out in the county. there is wine-tasting and a distillery at aeppeltreow, so there are spirits and spirited fun. there are a zillion apples and there are pumpkins and gourds and apple cider donuts. two years ago we picked out our tiny patch o’ pumpkins from their flatbeds and gardens of choices. coming home with a pear-shaped gourd and a couple smaller that were wart-laden we felt rich.
we bought pumpkins in aspen that same year and carved jack-o-lanterns at our airbnb with our daughter, leaving our artwork and extra candles behind for the next guests.
last year we featured our aging pear-shaped gourd in our sunroom, put out some orange happy lights and indulged in apple cider donuts at the orchard. despite the gluten they were worth it.
i think this year we will get a white pumpkin. and maybe two orange ones. three in all. just three.
this darling face was larger than life, a giant print by simon te tai hanging on the wall at our airbnb in charlotte. many times we would find ourselves standing in front of it. it compelled you to do so. is there a “hug-a-sloth” day? we both would like to participate.
other than our sweet dogdog, the next animal face we were close to was the hawk’s.
it was out front in the yard, seemingly enjoying the sprinkler. d watched it out the office window, checking on it while he worked. when he went to turn the sprinkler off and remove the hose from the lawn, it stayed there and watched him. he sent me a photo of it, merely ten feet away, calm and steady. the next time he looked out, it was in the street and in trouble. grabbing a blanket he ran down to it. we have brought other birds to rehab centers so this would not be our first. the hawk was in distress and laid while david talked quietly to it. as he went to gently scoop it up, it flew off, straight up into the tree limbs above.
when i came home d was standing in the middle of the street, staring up, so i knew it had to be something to do with this hawk he had photographed.
there it was. a small raptor perched on a limb 25 feet above us.
we watched it for a while and then thought we should leave it be, believing it must be recuperating from – perhaps – being somehow stunned.
just a bit later, from across the street, at the front door, we watched with horror as this beautiful creature flapped its wings up in the tree and then fell out. grabbing a bin and the blanket we tore out the front door and ran across the street.
i implored him to wait. the eye i could see was closing and i caressed him softly, telling him how grateful the world was for his presence in it, how stunningly beautiful he was.
i don’t know when his tiny spirit floated away.
it was profound for both of us. david wrapped him carefully in a blanket and we placed him in the bin, hopeful that our suspicion was wrong and that it might be possible he was simply unconscious for a bit. but the time went by and each time we checked on him revealed no change. we called all the bird rehabilitation centers.
wisconsin dnr asked us to photograph the hawk. “take as many pictures as you can,” she instructed, “that way we can try to determine what kind of hawk it was and maybe a little information about what might have happened.” there were no obvious signs of injury and we know that the avian flu has been seriously problematic, especially for waterfowl and birds of prey.
his face was truly beautiful. feathers the color of bold coffee and caramel, amber eyes just like dogdog’s, a bit of green above his curled beak. really beautiful.
it’s these two faces of wildlife i will remember this past month.
the face of a sloth – though not three-dimensional – friendly and open, practically begging for a giggly snuggle.
and the face of a hawk – transient, evanescent and spirit-filled – visceral and, quite astoundingly, stroked by our fingertips – a moment we shared we will not forget – when this creature crossed over and we were all one, together. on a mysterious bridge that goes both ways.
they move them vertically. not horizontally. vertically.
the yamaha CFIIIs is a powerhouse 9-foot grand. a piano, it is a canvas waiting, blank, black and white.
they move it in, attach the legs. the technician shows up, tunes, voices, listens. the artist plays. the technician futzes some more. it’s a dance, making sure it is ready. the piano is patient and steady.
i have had the good fortune of being a recipient of these pianos. they have been delivered to recording studios, to stages, to televised venues, to big outdoor parks. the CFIIIs and the C7 are THE pianos. hands down.
at the elton john concert in charlotte, north carolina with d, my daughter and her boyfriend, he marveled at the load-in-load-out that it must take to move the ej piano, band, set, lighting, media show every night or so on the “farewell yellow brick road tour”. mostly, he talked about the piano, about how amazing it was, and how much it must cost, and how it must be moved, and how not just anyone gets to play that, for sure.
because most people believe it is moved as is – horizontally – i explained that it’s moved vertically, on its side.
but i didn’t explain how i knew. i didn’t talk about how many extraordinary pianos had been brought to me that way, how many on which i had performed or recorded. we were at elton john’s concert and he is – truly – a shining star.
inside, though, i knew. i could feel it, that urge to run up on stage, grab a boom mic, stand at the piano and play and sing. poking at me like a snickers bar. “i’m still standing. yeah, yeah, yeah.“
the other day – at the daniel stowe botanic garden – there was a small grand in the atrium. my daughter looked at me when we walked in and said, “it says you can’t play it.” i went over to look at it. “no worries,” i said, laughing.
but at the ej concert….now that’s another story. he played and sang and i was proud to also be a yamaha artist.
“my gift is my song and this one’s for you.” (elton john – your song).
the words rang in my ears and my heart attached the exclamation mark. my gift IS my song…all of them…the ones with words and the ones without. the ones with music and the ones without. the ones written and the ones not written yet.
maybe there are still vertical pianos out there waiting. for me.
it’s all a wave. we ride out, we ride in, the surf is gentle and easy, the surf is rough and pounding. as far as we can see into the horizon we know it will all be like this.
“frozen shoulder,” she said.
at the orthopedic specialist at the highly-regarded froedtert hospital, i blinked back tears. i have had appendage challenges the last two years. it’s a wave. in between the normal tides rolling in, we have a brush with a rogue breaker. she’s kind and explains the stages of frozen shoulder, what i might expect. it can take up to 42 months to un-freeze, she mentions, though i refuse to take that in. for nine months now, since the time of my covid booster, it has become my new normal, this painful and incomplete range of motion. she points to the deltoid and explains the vaccination – any vaccination – must go into the deltoid, not through or slip around it; if either of those happen, inflammation will result. i guess the wave of inflammation has roiled in.
the rogue wave passed by david a couple weeks ago, tapping him as it went. we rose to its challenge, just like we’ll rise to this one. it seems that the surf is not as still as we would wish right now, but there are moments of calmer waters.
we are adrift in our sea – each of us – as we go about living. each molecule of the lake party to the elements, each atom of us rawly exposed.
reverse threading 