“whatever a house is to the heart and body of man-refuge, comfort, luxury-surely it is as much or more to the spirit.” (mary oliver)
we’ll travel a bit soon. a trip that’s been semi-planned – and postponed – for some time. even before setting out, we know it will be great fun, adventuring with friends, moseying the country with them. there is a sweetness to anticipation.
and it’s funny. every time i get close to going away – anywhere – i have a distinct appreciation for our own home. there is something that rises up for me before a trip – a reminder of how really dear home is to me – our old house, our backyard, this amazing lake just a bit to our east, our dogga, our life here. we take walks in the days before leaving and mother earth does her very best at impressing us – a showcase of unparalleled beauty, a display of what’s-right-here.
and it’s no different this time.
even the unexpected worn-gasket-water-pipe-union spewing water into our basement cannot change this feeling. even d’s all-day wet vac duty, carpet that was soaked, stuff that needed to be moved out of the way, the unplanned cost of an expert plumber – even all that didn’t dim this appreciation of home.
we have traveled a lot together and i have become aware of how true it is that you carry home with you. we’ve taken home – together – overseas and all over our nation. this trip will be just the same – a great exploring – while holding home between us.
we are excited to go, to be fed by new places and new experiences, fodder for our muses, our spirits expanding with the time away.
and, at the same time, here i am – smitten by our own home, my spirit filled before we even leave.
i was stunned to see my eyes on his face. maybe even my nose. ok, maybe – for obvious reasons – more my dad’s, my mom’s. but, sheesh, this ancestral dna, undeniable, is a funny thing.
finnish. i am finnish. and proud of it. though there are millions of us, my most-italian-city-in-the-state-of-wisconsin doesn’t have a lot of finns. we are pretty few and far between. the most finnish we get in these parts is people talk about (while mispronouncing) “saunas” and wonder about the use of the word “sisu” (one of my personal favorites.)
recently, in facebookland, my cousin posted this finnish proverb, “the forest will answer you in the way you call to it.” another cousin wrote that she remembered the story about our relative uuno klami, a famous finnish composer, “one of the most significant composers in the era following jean sibelius”, who brought people out into the forest and encouraged them to “sit quietly” and “listen to the woods”.
my sweet momma used to tell me about him, too. she connected the dots back to uuno as where i drew my composing juju. no one else in our family wrote music and, actually, not many even played instruments. my dad used to brag about how he could “turn on the stereo” as his musical talent. yes, he was a cutie-pie with a dad-sense-of-humor. my mom was insistent. in the ever-so-typical “yeah-yeah-yeah” internal response to which we children seem to default, i didn’t go much further than these conversations, a discuriousness i now regret.
so a couple weeks ago i googled him. it was startling to see his picture. because i felt like i recognized the heavy eyebrow lids – frontal bossing or some such term – slightly drooping eyes, the 11’s furrowed over his nose, his actual nose. geesh. he was not blessed with as high a forehead. now, a few generations later…
but – his woods connection. yes. psithurism: the sound of rustling leaves and wind in the trees. gorgeous. inspiring. evocative. i so agree with him.
his music – as i now begin to listen to it, on his trail – many pieces with only one recording, one interpretation. and – in the way of composers and real life – much of his oeuvre is unpublished.
yet i suspect that the forest knows it all. what he brought to it – his muse – returns to the leaves and the wind and is always there.
every day i hold my breath and touch it. i slowly open the closet, bend down and approach it. i nudge the tiny trap door over to allow space for my hand. the coupling has no idea it wields such power, such angst. but it does. it is disconcerting what 1/2″ pvc pipe can do to your psyche. and so… i reach out and grasp the connection. i daresay i even close my eyes. and every time it is dry i thank our lucky stars. a search of great proportion, text messages and voicemails from our “village” and treks to every plumbing supply house in the area later, we seem to (knock wood!) have solved the problem with a 99¢ rubber gasket and a little repositioning of the pipe. and so we attempt to move on. the ptsd of waterinthebasement demands i test it often; i am trying to release some of this and move from every day to maybe every other day. suffice it to say, the big black plastic bin remains – and will remain – in its spot directly below the offending coupling for some time to come.
this little adventure has set us on a course in the basement. the havoc created a ripe invitation to sort, to clean, to reminisce, to give away. a task undeniably time-consuming and cumbersome, but gratifying nonetheless. the leak itself was smack in the middle of david’s studio, but fortunately had not affected any canvasses. now, at last, as he puts his studio back into place, he will dance with the black bin and his patina-rich easel.
we love patina. perhaps it is because we have patina ourselves. at 60 (whatever) you have no choice but to own it, this “gloss or sheen on a surface resulting from age or polishing”. i never thought of it as “polishing” before. age, yes. polish, no. it seems the opposite. it seems that one removes patina with the act of polishing, an action misguided and not recommended by antique collectors everywhere. which does make me think about all the work we do in this country, in particular, to avoid ‘looking our age’, to eliminate wrinkles and age spots and the bumps and lumps of time-spent-on-earth. seems contrary to the upholding of patina, the celebration of the worn, the shabby-chic, the tattered, the threadbare, the velveteen-rabbit-ness. let’s just call it all wizened-beauty.
much of the basement is dedicated to glorifying wizened-beauty as this is an old house, 93 years worth. in the section of the basement where it is studio, all the pipes and walls are painted bright white. there are spotlight tracks in each area. it does not feel old-basement-ish. instead, it feels to us simply a cozy space, inviting our presence. the studio that holds david’s standing easel, the space that holds paintings-waiting-for-homes, the storage that holds boxes of my cds, all analog in a digital world. that studio also holds two rocking chairs, both with treasured history. one from spaces-of-painting past and one from the nursery upstairs that only exists in memory now. how often we have each rocked in those respective chairs. how much time has gone by. not fancy and definitely sans polish, they hold steadfast. they are there for the times of muse and the times-in-between the muse. and times like now.
the studio in the basement waits, just as my studio where my piano waits. raw opportunity, beckoning each of us as we rearrange, store away, go through, readjust and re-enter.
the gasket, up above and comfy in the coupling, looks down and smiles at what it started.
there was not room on island for an easel, canvases, this cart of paints and this beautiful wooden box of brushes. they waited at home for david’s return.
consumed by many tasks and layers of work since we arrived back home, we are surrounded by boxes and bins still unpacked. there is much to do. we have many other things tugging at us and these packed boxes, although frustratingly in the way, have sunk to a lower rung on the list of things-to-do.
d spent a bit of time rearranging his studio to accommodate some new items passed to him and some things to help store for 20. in those moments, the brushes and paint spoke to him. a bit of time, some available canvas, an easel lit by basement spots. it doesn’t take much for the juju to revive itself, for the muse to gently remind you that it’s there, waiting.
and so, there will be more time. there will be more paint, more sweeps of brush across canvas. the tools of his trade await.
if my sweet momma couldn’t find me in the house, she knew to go outside, round the house to the maple tree just beyond my growing-up-window and look up. there i would be, sitting in a crook, notebook and pencil in hand. it was a place of inspiration for me, a perch for penning thoughts, reflections, poems, stories, lyrics.
i think we all have one…a poetry tree. it may be the kitchen table, an adirondack chair on a porch, a blanket on the beach, a desk tucked away in a quiet spot of the house. or a time that gives us more room to think; for me, it can be walking, blowing my hair dry or those moments that brilliant (or not-so-brilliant) ideas strike in the shower. we have a spot that helps us think, sort, dream, create, rest. a spot that fills us with creative juju. mine was a tree, just like chicken’s.
reverse threading 