it was as we were hiking that the snow started again. it had already laid down a couple inches and the wind was a bit blustery. and then…
they drifted down around us – as if we were in the middle of a snowglobe and someone had given it a gentle shake. we watched them – individually falling – cold enough to see them land without melting.
most of the time, in landing, they are more en masse – like toddlers playing soccer – a beehive of tinies running after a ball – snowflakes swirling together landing, tumbling, piles of tiny colliding flakes sticking together.
but as i watched, cellphone in hand, this one snowflake – all by itself – landed on this leaf. and the leaf, cold enough to keep the flake intact, held the magic so that i could see it. exquisite doesn’t begin to capture it. sometimes adjectives are so incomplete – superlatives even anemic.
this time, the tiny snowflake held its ground, its unsung miracle-ness distinct against the leaf. i was startled to see it as we stood in the falling snow. i was – also – ridiculously thrilled.
its oneness – this singular the-only-one-there-is snowflake – quiet individuality. its presence – without trumpets blaring or the dinging of any notification – silently suddenly here. its tiny-ness – in this vast world – the same as us. a gift.
we are snowflakes falling. it is up to us to choose how. with or without fanfare, conforming or not, with or without humility, a gift or not.
it is reassuring to believe that they whisper. i think they have begun to know us well. our passings-by have informed them – the times in our life together when we are laughing, the times we are upset, the times we are angsting, the times we are tired, the times we are quiet. i’m pretty sure they notice, despite all that is going on in their own world.
it’s been years now that we have a relationship with these trees. just as we watch for them – around the bend in the trail – across the pond – on the other side of the meadow – on the riverbed….they watch for us. they know our stride, our arm-in-arm, the sound of our footfall. they wonder before we arrive and they ponder after we depart.
we photograph them, voice concern about their fallen boughs, marvel at the kaleidoscope of their leaf color, view the sky through their canopy. we are grateful for the way they block the wind and the way they allow sun to filter through to our faces. they watch as we move snakes and caterpillars and turtles off the trail. they stare as we stop and gaze, still with momentary awe that strikes without warning. we see them stalwart. they see us fragile.
and so as we come around another bend – another day – another hike – they shush each other, to hear our voices, our booted feet on the dirt. to watch.
they whisper.
i wonder if they know how much we love when we are there.
neither orange nor red are my favorite colors. but as i glance down nearby, i see two pencils – one a red mechanical pencil and one an orange colored pencil. they are the closest to me and, because i am a pencil person, i’ve been using them for days.
i remember many years ago, my son mentioned that some day he would like a montblanc pen. it’s pretty funny how a little time changes things. now, i’m quite sure, he would not care to have a montblanc; as a matter of fact, i’d bet he wouldn’t care about any brand of pen – even a bic for that matter – as he rarely writes down anything on paper. it is a generation – now grown-up – sans the need of paper, sans the need of pencils, sans the need of fancy-pens.
i’m not sure how i could function without pencils or pens. or, for that matter, notebooks and pads. i am a lover of paper and all things analog, while at the same time also loving the digital world and its conveniences. (take this blog, for instance.)
i have a box of fifty colored pencils that is brand new. it was a gift, along with an adult coloring book – if you haven’t tried this activity, don’t knock it. it’s zen-like coloring pages. i haven’t yet used these new pencils because i have older pencils and didn’t want to use up the new sharp points. ahh, i am my mother’s daughter.
the other day i took out the new tin of pencils and just gazed at the array of color – all beautifully laid out in a spectrum. i suddenly realized that it might be time to try them out. because after taking this photograph of this amazingly beautiful bush out on the trail, i could see that crayola wasn’t going to touch the nuances of staghorn sumac orange and red and yellow. i could see that it would be impossible to shade all the variations – rich – prayer flags burning a place into my memory. i could see that maybe fifty won’t be enough. there’s a set of 72, of 174, of 220, even 520 – the montblanc of colored pencils.
and i could see – gazing at this sheer beauty – i guess i like orange and red a little more than i thought. there’s more to them than meets the eye.
and nature bent way down, furrowing her brow at her canvas. and then, after careful consideration, she took her paint pens to the swallowtail caterpillar and drew stripes – the lightest green, almost opalescent. thinking that wasn’t enough, she took out her most vibrant sunshine-yellow pen and polka-dotted in-between the stripes. she sat back and looked at her work, smiling. “yes,” she thought, “yes, this is right for the swallowtail.” she moved on to the other caterpillars waiting to get their colors.
it never ceases to amaze me what is quietly starring just in our backyard alone. when i opened the little gate to our potting stand, they took me by surprise. they stand out.
since i am a big fan of painting polka dots on rocks, i was instantly fond of the two caterpillars eating their way through the wild vegetation growing between the big flat rock-slabs on the ground. they made me think of children’s books and writing stories of two caterpillars out adventuring for the day, their obvious names “stripe” and “dot”.
i was careful not to disturb them as i tended the parsley and basil, snipping back the spindly ends. they stayed right there, not at all thrown off by my presence. i closed the gate and checked on them later. they had made little headway, maybe an inch or so. but caterpillars, so i surmise, are not in a hurry.
we think we are so brilliant, we humans. we study and research pantone matching systems and cmyk process charts. we bring home paint and fabric swatches. we mix paints on palettes thick with color.
and nature giggles – glancing at her caterpillars and butterflies, flowers and trees, canyons and mountains, sky and prairies, oceans and fishes, birds and rainbows and sunrises – knowing she will always have the upper hand. it comes naturally to her.
and then, there it was. in our pond. the first frog in a couple years.
it was helen, who is steeped in her gift of faith, who told us the significance of having a frog appear. “f-r-o-g,” she said, “fully-rely-on-God.”
it is astounding how very much the appearance of this frog means to us. in the middle of the middle, a nod (or hop) of reassurance is unbelievably gratifying.
not every frog likes a photo shoot, but “hope” participated nonetheless. she was shier than most of our other frogs, but maybe that’s because she’s just getting to know us. one of our frogs – 2020 maybe? named “pando” – actually let me pet it, stroke its head and speak to it up close.
regardless, we’re a tad bit worried because it is so late in the year. she arrived on the equinox and the fall weather will race past the starting gate, sprinting to winter.
and – just when it was beautiful enough – nature raised the bar. and the zinnia produced a round of tiny yellow flowers – a crown atop the center of the already-stunning flower. beauty squared.
it’s like adding a weep-worthy soaring cello line or a mournful french horn to a solo piano piece of music. beautiful enough, raised up.
i’ve been going through old bins in the basement, boxes in the attic. i’ve found old photos and old journals i had forgotten about: pictures of early life in new york, early life in florida. they catapult me way back in time, back to hanging out on the beach, roadtripping with my cherished friend sue, early days of choir-directing, youth groups i led. i took pictures of nearly everything, so it’s the absence of pictures of people or places or events that is noteworthy.
life isn’t always a zinnia.
and sometimes, it’s the long story that makes the short stories more bearable. we survive periods in our lives that seem unsolvable, painful, unending. years later we open the bins and see evidence of our enduring, our fortitude, even our clinging to flotsam and jetsam.
so it must be during the time in-between that we grow a second row of tiny flowers inside, ready and waiting for us, whenever we are ready for them, for those times we couldn’t see the beauty.
the weather this past weekend was stunning. with an invitation to autumn, this september saturday and sunday were blissfully sunny and cooler. a good time to sit on the back patio. a good time to marvel at the plumes on the grasses, to watch the cherry tomatoes ripen. and a good time to work in the dirt, to tend to the herbs, to take a hike, to brush the dogga, to witness the dance of the hummingbirds. in the middle of several ongoing projects – really important things that need our attention – we took the good time.
from a distance they are paintbrushes, sporadically appearing in the meadow, catching plumes of downy fluff that spread like thick contrails, and, catching the wind, fly off. i can imagine plucking one of these paintbrushes, dipping it in paint, touching it to canvas, light strokes of color.
i have some paintbrushes downstairs. they are wood and some kind of fiber, inexpensive brushes i purchased when i was painting the canvas for the hall and the canvases for the living room. i actually didn’t use them. instead, i used a couple of housepaint brushes and, in alignment with that, house paint. latex. in cans. there was nothing about my painting that would be called “fine” – it was big strokes, big spattering, big expression. big brushes to big canvas. i saved the wooden brushes and, even now, haven’t yet used them, though recently bought a few small 8×8 inch canvas boards. i’m not sure why yet.
on the other hand, david cherishes his paintbrushes and knows exactly why to use each of them. his careful hand applying just the right amount of paint, brush to canvas, shaping the narrative of the painting. he recently bought a big roll of canvas. cutting off a five foot square, he painted a replica of a previous painting he had done, a piece that someone wanted but that he had painted for me. it was an amazing process to witness, as he brought the same energy, the same freedom of movement, the same emotion to this emerging painting. and suddenly, a month of hours-each-day later, it was complete. unfettered II had a destination and we shipped it off, like a short-term child he carefully tended and then let go.
one of our youtube addictions is to a channel of a man named martijn doolaard, a dutchman who is restoring two stone buildings in the italian alps. slowly, deliberately, patiently – with no expectation, no judgement, no apparent worry – martijn painstakingly goes about this restoration, working from sun-up to sundown, cooking himself dinners that look as beautiful as his vista and relaxing by editing hours of video or by painting. his brushes and his oils are precise. with brush to canvas, he paints landscapes of his surroundings, the environment of peace he has created, his studio the mountainside and sky.
i wonder who will pluck these thistlebrushes. i wonder what medium they will use to paint, upon what canvas they will work. what strokes will be applied to the prickly leaves, the blossoming flowers, the unrealized buds, the underbrush dying from eradication? what colors will be mixed to mimic the rising sun, the blur of a hawk on the wing, the flat bill of the white crane, the camouflage shell of the turtle?
nature has already brought its best in this meadow, in this forest, its brushes to canvas. it has brought its best at the line of surf of the ocean, upon the summit of high mountains, in the deepest of canyonlands, in the setting sun on red rock. it has brought its best in the faces of those we love, those who love us. it has brought its best in the perfection of creatures – domestic and wild.
it’s been a minute since i’ve sung into a microphone. for that matter, i haven’t spoken into a microphone in a while either. i haven’t run cables or tested monitors, used earpieces or balanced sound in a space. i haven’t hung condenser mics over my piano or booms in front of the keyboard. no neumanns or shures, no audix.
it’s not like you forget, though.
we walked past the meadow off-trail and nature had clearly sent in her sound engineer. the meadow hawkweed microphones stood ready and able to amplify all the ambient sounds of the woods. it made me giggle a little thinking about these tiny microphone-like clusters soaking up all the noises around them, running them through some sort of nature-equalizer and tossing them back out through an invisible speaker system.
in every good venue sound system, decisions are made for each and every performance. tiny – sometimes barely perceptible – turns of the dials, slides of the sliders, mutes and unmutes all define what the listener will hear. in the best scenario, the listener hears sound as it really is, nothing distorted. in the best scenario, sound is pure, unadulterated, unfiltered, offered as true, crisp, present, full-frequency-range. the piano sounds luxurious; the voice rides above it. exquisite.
how would nature balance it all – the call of birds, the busy peeper-frogs, the wind in the high leaves of the forest, the wings of butterflies, the tease of chipmunks and squirrels in the underbrush, the crunch of human footfall, conversation, hushed tones of worry, laughter, breath. would nature pare down all tones of negativity, choosing instead to pan to the positive? or would nature allow for all of it – a cacophony of life as it exists in the moment?
the draw of the microphone is powerful. i wonder if the butterflies nearby felt it too.
the flower-power stickers adhering to my growing-up wall and my sister’s volkswagen beetle were these colors. hot pink and orange daisies, yellows, greens, vibrant and happy. and you think that some pantone or pms chart somewhere was the place they originated. but it’s not so.
this is where they came from.
and the tulips stand – proudly but not arrogantly – in their color, in their field. completely present and at ease, they open to the world, giving it all they’ve got. stand in nature and try not to be humbled…it’s impossible.
belleruth naparstek guides you – inside and outside – to quiet. a place of presence, of ease. not trying to push out thoughts or streams of consciousness passing by, but allowing it all to flow. with practice, you can feel the roots growing under your feet, the steady breathing of awareness, calmness.
and, if you are fortunate, you are held gently, right in the middle of tulip petals, and you are reminded, once again, you are alive. “knowing in a deep place that this place is inside of you…that you are better for this…“
and the snow fell gently in the woods, rendering it muted, like the tones of ansel adams’ pine forest, snow.
it was breathtakingly beautiful.
snowflakes slid from the sky, landing on our faces, our eyelashes, our hats and scarves and coats.
everything slowed – a 78rpm record playing at 33.
stretched out into slow motion, we stood and gazed up into the trillions of perfect flakes.
and, in the way of water – a balm, worries washed away and all that was left was peace. achingly gorgeous, we stayed in it, in the serene, a cloud, unwilling to leave the soft-focus-world moments, the snow sanctuary.
“know that the universe is always conspiring in our favor.” (paulo coelho)
reverse threading 