we took a hike on easter sunday afternoon. it was just warm enough to shed my coat in the woods; spring hiking is better without the shush-shushing sound of a down coat while you walk.
we went to our bristol woods, masks in pockets as we jumped out of big red, eager to get into the trees, onto the paths that have soothed us. there were a few people there; most of them abided by the six-feet-apart rule, although admittedly, there were a few who caused us to roll our eyes in an astonished unspoken question wondering if they lived in a cave somewhere and had no idea that there was a global pandemic.
the familiar paths did their job. we quietly noticed green sprigs springing up between the leaves, a tonal green as you looked off-path from budding underbrush. here and there forest daffodils at the brink of opening to the world; here and there small white flowers nestled between fallen logs.
the soundtrack of the woods was awakening to spring – orioles’ songs, chipmunks scampering, birds we couldn’t see high in the trees singing arias to the sky, the sound of our feet on the trail.
the gunfire in the background was unwelcome in this reverie of renewal, of spring-really-on-its-way, of escape-from-thoughts-of-covid-19. it was an automatic, a gun designed to kill, single shots punctuated by the rapidfire of a clip. it is always unnerving; yesterday it was particularly so. it seemed mindless to me, paying no homage to these very times, these very days.
in the middle of thousands of people who are desperately trying to save over half a million others’ lives in this country alone, thousands of people who are extending helping hands to countless others, thousands of people who are dedicating resources to feed, mask, shelter thousands of others, thousands of people who are reeling from a loss of life, of job, of any security, of any sense of normal, thousands of people who are frightened to their core that they might be the next to succumb to this pervasive illness, the next to struggle to breathe, i couldn’t, for the life of me, figure out any good reason to be shooting an automatic weapon.
there is a place on a washington island road where the rest of the world disappears. you are walking alongside forest and can see the sky as you look up, tall trees framing blue, the sound of sandhill cranes and red-eyed vireos accompanying your steps. and then you enter this place. the trees gently arc over the road and you are covered by a canopy; we have sheltered in this spot during more than one sudden rainfall. even in the bright day, the green above you – which turns to brilliant umber, rich red, flaming orange during summer’s release on the forest – allows for little light. and at dusk, while the sun sinks into the water hundreds of feet away, walking in the middle of the road, it is dark-dark, the canopy a lure for night creatures, safe in the shadows.
there is a place in a tree in the yard of my growing-up house outside the window of my old room where the branches invited sitting. for hours i would sit there, write, ponder. in the summer the maple seemed to grant me privacy from the world, its branches full of leaves and canopying my little spot. a shelter.
there was a place in the wooden structure in our backyard that had a yellow awning that made a fort. when My Girl and My Boy were little they would play up there for hours, The Boy lining up matchbox cars, The Girl often reading a book. a special space, this little fort, it was hard when it was time to dismantle it and pass it on to friends with little ones.
these places of shelter – places of canopy – provide such a sense of protection, a sense of being held from harm – from the elements, away from others, in our own private place. much like our homes, they can give us pause, a deep breath, safety.
in this time of distancing and stay-safe-stay-at-home, i look around our house and give thanks for its canopy of shelter, for the way it holds us from harm, for the minutes, hours, days, weeks, months and years it keeps us safe.
like many of you, i have laid awake many nights now. exhausted when i lay my head down and then, voila!, wide awake. the middle of the night has many monsters these days. it used to be that as i lay awake and would get hungry and hungrier, i would convince david that the perfect thing, rousing him from sleep, would be to have a 3am bowl of cereal together. since we went dairy-gluten-free i’ve substituted and have chosen a banana in the wee hours. somewhere i read that bananas are sleep aids, so waking david up to have a banana seemed like i was helping him. but now, we have no bananas.
we need to go to the grocery store. but it’s complicated, with disinfecting wipes during our trip there and being absolutely careful upon our return home to wash everything or store it for a period of time. it’s important, vital. we step back from the person who is a personal-space-invader. we make room on the walking path for those coming the other way. we marvel at the recklessness of large numbers of people still gathering in spaces. we weep for those who have succumbed to a disease that is apparently sorely underestimated.
this painting, eve, is a beautiful landscape of color and shape. eve, religiously historic as the first woman.
is it possible that the apple of eve and adam, the one in the story from the tree of the knowledge of good and evil, could now be seen as a casualness toward the spread of this pandemic, a cavalier attitude, a lack of regard toward social distancing or the peril facing citizens, medical personnel, workers at essential businesses? the apple that, in the story, changed everything, for all time?
in the last year of my sweet momma’s life, at not quite 94, she would say astonished things like, “i looked in the mirror and i look like an old woman!” we would laugh together when we mentioned her age and that she had earned every last wrinkle, every age spot, every grey hair. never have i seen a more beautiful old woman. in a life that spanned from 1921 to 2015 her hazel eyes saw vast changes, world hurdles, family loss and strife, wild technological advances. and love.
barney was born around the same time as my momma. i wonder about the life he had before he arrived in the basement boiler room. was he a honkytonk piano, a barroom upright, a sunday school accompaniment, the instrument in someone’s drawing room? he was headed to the scrap guy when we met him and we intervened. i suppose as he has lingered in our backyard these last five years he would wonder about the reflection in the mirror, his outer shell, those wrinkles, that peeling laminate, the keys that no longer play. does he realize that chipmunks perch on his brow and snack on acorns? does he realize that birds land, patiently in wait for their respective and restrained turns at the birdfeeder? does he realize that his soul remains rich, his exterior beautiful in its aging?
i laid awake for hours in the middle of the night last night. i looked in the virtual mirror in my mind and saw wooden stages and boom mics, big pianos and blue jeans. i realized, suddenly, that i am older. despite everything that would suggest to me, try to convince me of, the contrary, i have gotten older.
scrolling through social media during this time of distancing it is stunning to see all the ways people are incorporating posting with streaming, youtube, visiting with google hangout, facetime, videoconferencing with zoom, webex, as they try to be there without being there. it’s exhausting.
my 1970s-lingering-self puts on readers and starts to read the directions. the chipmunks are perched on my brow and i resource apps to stay in the loop and do my part to help keep people connected in a time where connection could easily fall away.
i take a deep breath and remember the day that my sweet momma’s iphone facebook status read (from her assisted living facility in tampa) that she was checked in at a miami dolphins game in miami. i quickly and quietly fixed it for her.
and then i giggle and think, ‘heck. if she can do it, i can do it.’
it is the symbiosis of peeling back the layers, honoring the wrinkles, relying on each other’s strengths in the mirror and working together, the virtual birdfeeder our community.
we bought it on our honeymoon. we knew, even by then, that we would need this sign’s lighthearted truth to remind us – some days – of what we even liked about each other. in these days of isolation it’s front and center.
these are profoundly difficult times. without the balance of getting out or having a little space, we are all finding ourselves in close isolation with the others in our home. we two, here, are often together 24/7. we work together in a variety of capacities, so we have gotten a little more accustomed to the dynamics than, say, some of you who have been thrown into the deep end with no feathering of getting-used-to-the-water time. but…that doesn’t mean it’s always pretty. so we are all here, separately together, figuring it out.
we wonder about the future. we worry. we stew. we get excited. we get scared. we get weary.
the stress level is palpable. you can feel the world out-there functioning at a completely different frequency than it had been. it is like that high pitch in your ears, making you teeter on yelling, “make it stop”. we all try to go with the flow, try to make the best of it. we are fortunate to be here together, at home, in a safe place. we seek ways to stay relevant and do meaningful work. we follow stay-at-home orders. we reach out to visit, virtually, with our family and friends. we video-conference with colleagues. we wear leggings and sweatpants on a daily basis. my boy, in a city with ever-exponentially-growing-covid-19-numbers, said that’s a given – sweats, sweats, sweats and the perfunctory button-down shirt. we know what’s visible and what’s not. we desperately hope for the best. we get in each other’s way. we help each other. we brainstorm new ways to cope, new ways to work, some with steep learning curves. we sigh. we take naps, tired and wrung out. all are true.
we wonder about the future. we worry. we stew. we get excited. we get scared. we get weary.
and we try to stay in touch. we desperately miss our children, our family, our friends, the people in our day-to-day life route.
even in times of ‘normal’, if my daughter, whose home is in a covid-19 hotspot and whose work, like too many, has been decimated, texts me with no punctuation and clipped answers, i know i have either a) stepped past the edge of the chatting time limit b) asked too many questions c) said something completely too mom-ish or d) encountered her at a time she needs space for herself. no matter which option, it’s smart (and in my best interest) to back up. she, just like my son, knows she is loved beyond words and i know that, in order for me to stay loved, or, er, tolerated, i need to utter less painintheass words. but i am their mom and it is an intrinsic part of my job.
we wonder about the future. we worry. we stew. we get excited. we get scared. we get weary.
if david, the other artist in my two-artist-household equation, mentions an idea to me, i dig under the idea pile of leaves to find the base of it – to order the details of what the idea means, to parse it out. i can’t start at the top and assume thebigidea will work. i have to see how the ingredients of the idea will work, the steps to get there. if the tiniest piece of the idea doesn’t seem plausible, i argue, how could thebigidea be possible. i don’t mean to be a bigidea killer; i just need to see the practical details. i’m sure he invokes the youareapainintheass eyeroll when i am not looking, but that’s ok. he can’t see me rolling my eyes either.
and so, we wonder about the future. we worry. we stew. we get excited. we get scared. we get weary.
in the biggest way we have seen in decades we have a challenge. to stay healthy. to keep others healthy. what we do affects you and vice-versa. we all have to be responsible. we all have to work together. we are not all favorites of each other. some of us are the biggest pains in the ass to others of us. we are learning, bending, flexing. we are finding out that we are more resilient than we thought, we are capable of negotiating the bumps in the relationship-road. we are gumby in the real world.
and we are all here. separate and together. despite our wildly differing stories, we have a common story. we are here.
and we wonder about the future. we worry. we stew. we get excited. we get scared. we get weary.
i, for one, am grateful for my absolute favorite painintheass even though he is totally a painintheass. for what would i do without him?
there are moments when both dogga and babycat seem to be on the same page. sweetly tuned in to our every emotion, they put aside their own agenda to curl up, their warm bodies tucked in against one or both of us, just being there.
in this time of necessary and vigilant waiting, as we defer to healthcare workers, scientists, the experts, all in their prodigious work, perhaps this is the most potent aid we can offer. to curl our warmth and any practical and safe help we can muster around each other. to acknowledge each other’s worry, each other’s fear, each other’s process. to be tuned in, to listen, to offer words of comfort. to stand with each other, hold each other’s hands, even from afar. to quietly just be there.
the sun lights our room early in the morning. we don’t have room-darkening shades so if artificial measures haven’t been used (read: obnoxious alarm clocks) we wake with the light.
thoughts stream in with the light in this just-past-the-dark-hour. our quiet as we sip coffee, like jiffy-pop starting to pop on a hot stovetop, is punctuated by bits of conversation. the dreams we are climbing out of, the babycat’s snoring through the night, dogdog’s sweet need for early pets, what the weather looks like out our window peering into the backyard, projects we are working on, what is on the docket for the day. ideas, reminiscences patter through. we stretch into the day yawning in front of us, putting on, and trying to keep on, caps of making-good-assumptions. today is a good day to have a good day, as the saying goes.
good assumptions. apparently, they are a high ticket item. for we all are, in the world, surrounded by those who do not make good assumptions. my sweet momma would tell me, “don’t jump to conclusions.” “ask questions,” she would admonish. a difficult lesson worth oft-repeating.
we would sit on the couch at the end of the day, sipping tea and eating chips ahoy cookies. we’d talk about the day, bitter jabs by classmates or exclusionary moments i had endured. “try to find something good,” she’d remind me, while at the same time not underplaying the hurtful behaviors. “make good assumptions.” this is the same woman who, on the emergency room table in the wee hours of the night, in great pain and fearing a broken hip, looked up at a cranky and tired nurse and remarked, “you have a beautiful smile.” it changed the moment; i suspect it changed the rest of the nurse’s day; perhaps it changed all those who she interacted with thereafter and so forth. those undeniable concentric circles.
in early days with david, clearly in the beaky-beaky school of thought, one of the most-oft-repeated things i remember him saying is “ask questions.” don’t assume you know. don’t assume anything. ask. listen.
quite some time ago, mike stated, “God gave you two ears and one mouth for a reason.” watch, ask questions and listen, he advised. don’t make assumptions. the best way to learn, the best way to collaborate, the best way to approach challenge, the best way to move in the world.
momma would smile and look at me, facing down adversity or standing tall on a personal summit, and say, “wowee!”
i can practically hear her now, her eyes dancing, saying, “see? if you ARE going to assume anything, assume awe.”
ohmygosh, women are beautiful. women are strong. women are underestimated. women are courageous. women are tender. women are emotional. women are smart. women are bold. women are modest. women are utterly and undeniably amazing…
sharing two previous posts that i could not pen better than i did when i wrote them. thank you for indulging me this repetition. with love to the great big tribe called ‘womankind’. xoxo
WOMEN. WE’VE GOT BACKBONE. (dec. 1, 2016)
living with an artist means you get to poke around inside their passion. you get to see the things that paved the way, that set the stage, that were behind the scenes. you get to hear the stories of mountains climbed and deep valleys (read: chasms) scaled. an artist’s story is not a straight line and an artist’s art is fluid.
it also means you get to go through the piles, so to speak. i’ll play songs for him that never made it anywhere, onto any album, nor any stage. he’ll show me paintings or sketches that didn’t get framed or hung or shown or even looked at. sometimes i will just go downstairs into the studio and page through the painting stacks, traveling in time through my husband’s work. color and space and frenetic movement and paintings that breathe air; all tell a story about the place he was in when he painted them.
in a recent stroll through paintings, i stumbled upon this one. i pulled it out and sat down – right there on the floor – to gaze at it. there is just something about it.
grace. strength. i was struck by the beauty of its simplicity.
it made me think of so many women i know. my beautiful girl kirsten, who made her first turkey after spending a day on a snowboard on mountains she had never even seen a short three years ago. linda, tossing hay to a horse with a pitchfork and hugging alpaca, never before retirement dreaming of such a thing. marykay who wisely makes brownies (gf!) for every occasion, creating inroads for people to talk and share and become a part of a whole. jay, who is zealous about the children she works with at schools, a social worker beyond compare. jen, who stretches herself to learn new things at all times, while standing strong for her husband, stunned by changes in their lives over the last year. which brings me to randi, with a similar story and the same dedication and generous spirit. daena, who grades papers and reads elementary school novels in-between playing her handbell parts, because she is more than prepared every school day. susan, who, singlehandedly, day after day raises three young men and teaches them to see this very strength and grace in women. sandy, who quietly and fervently and proudly stands strong for the LGBTQ community. heidi, a writer who bravely serves up pizzas with a frantic pace, because it helps her family. dianne, who tirelessly works side by side with her pastor husband, keeping a full-time job and volunteering for, well, everything. beth, who posts a picture of her stunning chemo-bald self every time another friend is diagnosed with breast cancer. my sweet momma, who was kind every single time and didn’t see differences or lines, even in pain, even in dying.
because it’s true. in this time in our world, who of you cannot think of a woman or women you know who are the picture of strength, the picture of grace. i want to celebrate these women. i want to encourage these women. i want to honor these women. i want to celebrate, encourage, honor each of Us.
please forward this to women you know. not because there is a link to purchase Stuff – but because it is a Truth and as many women (and men) as possible need to see it…just to be reminded. add names to the list. in our herculean (and extraordinary) lives, let’s make this a herculean (and extraordinary) celebration.
i can’t think of a better time to further the celebrating, encouraging and honoring than right now. at a time when each of us WOMEN needs to be seen as strength and as grace.
we ARE women. and we DO have backbone.
WOMEN. YOU MADE IT THROUGH. (dec. 6, 2019)
“i want women to see that you do not get pushed around.” (* attributed below)
this piece today is dedicated to all the women who have made it through, all the women who are making it through, all the women who will make it through.
your fire has brought you to the edge of the battlefield many times and you have still made lemonade; you have still prevailed.
you have made it through intensely emotionally abusive relationships. you have picked up the pieces and you have moved on.
you have made it through physical or sexual abuse. you have risen from the ashes.
you have made it through terrifying health scares. you have pulled up your boot straps and determinedly plodded through with massive courage.
you have made it through society’s prioritizing of body image and appearance. you have been measured by your cleavage or lack thereof, by the indent of your waist, by the clothing you choose, by your hair. you struggle to remember you are beautiful. you stand tall.
you have made it through vacuumous times, the middle of chaos, the middle of multi-tasking. you have created.
you have made it through physical summit experiences. you have scaled mountains. you have boarded down untracked chutes. you have trained your body with weights and exercise. you have run. you have skated. you have pedaled. you have breathed in and sighed an exhale. you’ve run thousands of lengths of playing fields. you took the next painful recuperating step. you dove to the depths. you have been on world stages. you have risen with hungry or fevered children night after night. you have competed. you have given birth.
you have made it through falling. you have made mistakes. you have been human. you have forgiven and you have been forgiven.
you have made it through an education steeped in gender-inequality and bias. you have chosen to learn more, to actively seek the resources, rights and opportunities due you, to resist against the discrimination.
you have made it through a system that undermines your success and devalues your value. you have fought for your place.
you have made it through financial challenges of single womanhood, of single motherhood. you have been scrappy and, without complaint, you have layered onto yourself however much it took to get it done.
you have made it through work situations where you’ve questioned how you would be treated were you to be a man. would you be yelled at? would your professionalism be questioned? you have asked these questions. you have stayed, holding steadfast, or you have moved on; you have decided what is best for you and moved in that direction.
you have made it through the skewed-world fray into leadership roles where your every decision is challenged or thwarted. you have overcome; you have triumphed.
you have made it through being-too-young and through aging. and you are not irrelevant.
you have made it through. you have spoken up, spoken back, spoken for. you have written letters. you have marched.
you have been pushed around. but you have pushed back. and, just like the tortoise, you have made it through.
an underpainting is raw. an authentic beginning, an authentic step in heading to a “finished” product. often i am the one who asks david to stop…stop here. there is something that speaks to me from the canvas of underpaintings. something that says, “look. i am here. i am not perfect. i am not done. but i exist.”
maybe it’s the connection to real life, to humanness – the not-done-ness, the not-perfect-ness, the here-existence – that appeals to me.
it is a suggestion of completeness, but not yet really measurable or judgeable. it is a tendency toward finished, but not contrived or overly-intended. it is a step in the direction of a painting that an artist deems done, but a step, a ‘done’, we each see through our own eyes.
it is a parallel of life. a start. a blank canvas. raw color. authentic steps. imperfect. not done. but here.
if there is an icon image for us, this would be it. the full image of david’s daisy painting includes language: you said, “i’ll be the one.” yes. you are.
i was the one holding the daisy. way back when now, in baggage claim, thinking he would have no idea who i was, i texted him i would be the one holding the daisy. we hadn’t ever met yet, but our backandforthandbackandforth email letters had been going on for about six months and it was time to see the face of the other half of the backandforth.
i was nervous in the airport waiting. i got there early, which, in and of itself, is a feat because i am not a way-too-early-to-the-airport person. i visited the mirror in the ladies room a number of times, checking my outfit, my hair, making sure i had no food in my teeth (linda can tell you bill t. had made me paranoid about this). the evening before, i agonized over what to wear. a nice outfit? a dress? leggings and a tunic? i ended up with my favorite old jeans, my boots and a big oversized black chenille sweater. i needed to feel like me.
the girl in the airport restroom was waiting for her fiance to return from the service; their wedding was merely two months away. she asked me who i was there to meet and i told her the (short) version of the story. she laughed and said, “ah. it’s obvious. you two will find out you are soulmates, ” which made me laugh. clearly that was silly.
i only knew his face from a tiny photo on a website. i had seen photographs of his coffee cup in various settings and his paintings (which i loved), but not his face. the identifying daisy in baggage claim – in my belief – was necessary.
that daisy was quivering when this guy with jeans, boots and a black shirt and outer jacket was walking toward me and i realized the girl in the bathroom might be right. a kind face and easy stride, he walked up to me and, laughing, we hugged. we skipped out of the airport, the daisy cheering us on.
the rest is history, as they say. there have been uphills and downhills; the roller coaster for two artists living together would challenge any six flags amusement ride. life beginning together as two grown-up adults is navigable but requires much negotiation. two people with different pasts – one of us with children, one of us without – is full of lessons and storytelling and learning curves. the smack-dab in the middle of middle age brings its own neuroticisms; the late 50s is not necessarily a time that you feel at the very apex of feeling good in your body. we pay attention to health and diet and know our time together is not the decades and decades of our parents’ times together. we try to maximize moments. and we sometimes struggle with the feeling of starting over. not the resilient twenties or thirties of our first marriages, yet starting again with much of the same arduous uphill climb.
so in the roadtrip of this life together were i to assign an icon it would be this daisy. because this daisy in the painting on our wall reminds us: i’ll be the one. yes. you are.
reverse threading 