reverse threading

the path back is the path forward


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an endless list. [kerri’s blog on not-so-flawed wednesday]

he says that one day we must go on a trip that is specifically about photography. that we will slowwwwly stroll – wherever it is we are – and i can stop and linger – at any time – and take a picture – or twenty – of any single thing along the way. i am excited about that and we have a really, really long list of the places we might choose as destinations. an endless list, actually.

the funny thing is – this is pretty much how i do every day. on the trail, in our backyard, at the garden center, at our potting stand, in the antique shoppe, at the grocery store, in our ‘hood, in the mountains, on the beach – anywhere.

i have always loved taking photographs. even a dear old friend, who i hadn’t spoken with in about four decades, remembered that i always had a camera in my hand whenever she and i were together. it goes way back…for me, to those pocket instamatic cameras and the cameras with the square bulbs on the top that rotated for the next shot. in college i did photo shoots with my new 35mm manual camera for extra money. i climbed fences to take sunrise shots on beaches. i hiked in rivers to capture the fauna along the edges. i adored being the photography editor of my college paper, toting my camera to disco parties, softball games, campus events, college-sponsored ski trips, lunch with paul simon. if there were no pictures of something or someone from back then, there were good reasons.

there have also been times – along the way – when i have realized that taking photographs would take away from the moment – and, in those times, i have chosen to put the camera away – to simply memorize the moment instead. but this thready heart of mine loves to scroll back through images that place life and time.

it feels somewhat like cheating when you take photographs at a nursery such as i did for today’s image. i wandered about the aisles and aisles, greenhouses and gardens of nearby milaegers, entranced by the vast opportunity to capture color, texture, utter beauty. there is no end to it. even the flowers that are wilting are absolutely divine. i walk, arm in arm with david, and i feel fortunate to see so much that touches so many senses. it is impossible to not feel it. we are surrounded by the glorious.

and so we plan – one day – to take a trip sheerly about photography. i will be excited to plan it, to choose idyllic places and vistas that offer moments like the shimmer of sun on iridescent raindrops.

in the meanwhile, i will carry my iphone and its remarkable camera everywhere i go, capturing everything else that is beautiful, that is evocative, that means something, that will be a source of joy or heart or memory, that is life.

it is an endless list.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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the right shot. [kerri’s blog on d.r. thursday]

there are great white trillium all over the woods now. beautiful big blooms lighting up the underbrush, making the forest brilliant. they precede the may apples and have more pizazz than the maroon prairie trillium. they get our attention.

it’s not easy to capture a good photograph of great white trillium. not because they are elusive or shy, but because they reflect back sunlight and the images tend to be somewhat blurry, details burned out into flat white. i felt fortunate with this photograph. even the specks of pollen off the yellow pistils are visible.

and then i noticed it. the shadow. the tiny dandelion next to the trillium was casting a shadow onto the delicate petal.

when i first noticed – further down the trail – i thought that i had missed my shot – that the interrupted petal somehow blemished the photograph.

the more i studied it, the more i realized how very lucky i had been – to capture the very moment in the sun’s angle that this little dandelion made a distinct shadow on its neighboring wildflower.

sometimes we don’t realize how imperfection is simply perfect.

what looks like wreckage is that which welcomes grace, how a broken road reveals the right path, how organic surpasses the staged, how cobbled-together – all the moments of bliss and the moments we think are shadowed with ruin – our lives really are, how imperfection is actually perfect.

what we thought was the wrong shot is – in reality – the right shot.

*****

read DAVID’s thoughts this D.R. THURSDAY

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what will be the Real? [kerri’s blog on merely-a-thought monday]

it was almost like a reverse-print. the trail revealed only the snow-footprints left behind.

i studied photography a bit in college. this trail was like the negative of the positive. in darkroom speak, a “negative” is a reversed image – the dark is light and vice versa – when you shine light through the negative onto the paper upon which you’re printing, the tones revert back to their correct appearance, to that which is Real.

the snow of the trail had blown off, save for the footprints. as people used to seeing footprints stamped in the snow, it is somewhat odd to see just the snowprints on a dirt trail.

i couldn’t help but ponder the parallel.

what will we leave behind as our footprints in 2025? what impression will we make? what impact will we have? what will people see on the path after we have walked on?

when we shine light through all we are, all we do, all we say in 2025, what will be the Real printed for all time?

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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filters. [kerri’s blog on d.r. thursday]

sitting at the oyster bar at the milwaukee public market, there was a young couple around the bend of the bar. they started to take selfies and the young woman would glance at the photo, making self-deprecating comments and talking about using a filter. as a selfie-non-believer (mostly because of my age and the wrinkles that don’t lie) i offered to take a few pictures of them from across the bar, saying that photos are always a little softer from a distance. the young woman happily handed me her phone, adding she’d love if i would take a picture – if i knew how to work an iphone. wow. i guess it’s not just selfies that tell my age.

dogga loves to lay in the snow. any chance he gets he will lay down and stay there for as extended a period a time as we allow. his snow-glee is magical and i try to capture it in photos. in an effort to not disturb him, i took this photo through the back screen door. he somehow knew i was there and turned his head to look at me. i snapped his picture and here it is, sans filter.

i suppose there are many things that act as filters these days. material items like fancy cars or trendy clothing or mcmansion homes – all these things set a tone, create a reality whether or not it is reality, whether or not it is truth-telling or belies the actual. people want to be seen in certain ways and will filter themselves with whatever is available to them to be more certain that you see them in the way they wish. the car, the clothes, the house, the red-heeled shoes – they all precede the person. and our society – with its emphasis on materialism and the laddered measure it creates – reinforces and exacerbates this. we are – sometime or other – all guilty of forming opinions before having even an iota of a chance to speak to a person, to sort out a smidge of who they are, to glimpse their soul.

the young couple was lovely. they were clearly enjoying each other’s company and you could see that joy on their faces. it seemed that it might have been early on in their relationship, but they also seemed a bit smitten with each other.

i wondered later how that look – captured on film – wouldn’t be enough and why, with youth and love on their side and in their photograph, they would need a filter.

i started to take another photograph of dogga through the screen door. he got up from his spot and turned toward me. because he is a smartypants with many lessons to teach us, he repeated something he had heard me say once or twice, reminding me that any kind of filter isn’t necessary.

“wait…get my good side,” he quipped.

*****

read DAVID’S thoughts this D.R. THURSDAY

NAP WITH DOGDOG AND BABYCAT mixed media 36″ x 48″

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lace in the snow. [kerri’s blog on d.r. thursday]

it is in much the same way that arvo pärt appeals to me that this photograph is a win for me. it’s simple – a stem of queen anne’s lace, fallen on the side of the trail, iced in. i felt lucky to come upon such a shot.

one of these days we are going to take a trip – later than sooner, i suspect.  it will be solely for the opportunity to take photographs. we haven’t yet decided on a place, but it doesn’t matter too much – there are photographs everywhere just waiting. like this lace in the snow.

taking photographs reminds us to slow down. it’s impossible to trek fast if i have a camera in my hand. in the rare times i have left it in my bag ahead of time, planning to get a better workout, i inevitably stop and extract it – something has captured my attention, something needs to be on film.

ever since my first 35mm yashica i’ve been the one with the camera. there are big chunks of life where it looks like i wasn’t there. those are the times i was taking the pictures. very much there, just not in the frame. now i wish i had handed off the camera to someone else more – asking for a few more pictures in which i was present.

selfies have taken over today’s social media world. i must say, a selfie at 25 or 35 or even 45 looks waaay different than a selfie at almost-65. i am not a fan. unless of course it can be soft-focus, backlit, and overexposed. in that case, i’m in. otherwise, i want a photo to be taken from a bit further away than the end of my arm.

i continue to wander around with my camera…stopping often on the trail, pulling off to the side of the road in littlebabyscion or big red, grabbing photos of ideas in antique shoppes and boutiques, annoyingly taking candids and posed shots of my grown children when i am near them. i have about 35,000 photos on two iphones, but that doesn’t touch the grand total. 

some photos are obvious – all the tourists gather there, every visitor taking a picture of the iconic whatever-it-is. some photos are obvious – we want remembrances of times spent together, celebrations, festive occasions. some photos are obvious – we portrait our families, we feature our growing children, we capture our pets in everything silly or heartstrung. we photograph the beautiful, the magnificent, the moment-in-time.

and some photos…well, some are a bit more subtle. they are the shadows of the tall trees. they are the tiny birdfeet prints. they are the curl of the petal, about to fall. they are the dew on the grass, the horizon lost in fog, the patterns of an old brick wall. they are the nurselog, the feather, the breaking wave, the caterpillar. and they are lace in the snow. all just waiting to be seen.

*****

read DAVID’S thoughts this D.R. THURSDAY

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decorated. [kerri’s blog on not-so-flawed wednesday]

it would appear that nature is decorating for the holiday season. even in the browns and tans and greys of the fallow, color bursts out at us. it’s stunning. the honeysuckle is unmoved though – it is standard fare in the winter to be berried. we, however, stop to appreciate it.

we decorated early this year. right around thanksgiving we put up our eileen-tree (which we named “e.e.”), pulled out the mini-trees i love to place everywhere, added twinkling white lights and silver ornaments. there are snowflakes and pinecones from the forest floor and heartfilled nods to my children-in-younger-days and my scandinavian heritage. we unearthed the boxes of vintage glass ornaments and shiny brites from my sweet momma and poppo and placed those ever-so-gently on the happy-light-lit big branches we now have year-round in the living room. it looks like christmas.

each day goes by faster now it seems. and then it’s friday again. i’m not sure where the time goes. as we make our holiday cards and a few handmade gifts to send out, george winston’s december is on repeat – the quiet of this album is speaking to us this season. bombastic christmas or vocal-gymnastic-laden carols seem like too much noise. restraint seems more in line with our spirits. more serenity.

there are many festivities to choose from – out there. we thought about a concert or two and lingered back. we thought about a holiday festival or two and lingered back. we thought about stores and crowds and lingered back. we will finish making our cards and creations and do a bit of boutique shopping. we may make a cookie or two. the krumkake of ages past nudges us and sip and feast taunts us with a long island italian almond cookie (gluten-free). we sit under blankets in a darkened living room – lit only by happylights. we savor the sparkle. we sit in content silence, we tell stories of past holidays – wistful, tearing up, laughing, lost in memories and hopes for future holidays.

and there is the woods.

whenever we can, we take time out there. the forest reminds us of both the everpresence and the evanescence of it all. it reminds us of the passing of time, the changing of seasons, adjusting to harsh circumstances and it reminds us of the rejuvenation and renewal of spring. we know that beyond the cold and frozen, there will be warmth. it’s all fluid and some things – like transition – are certain. there is silent wisdom – of the ages – you can feel as you place your feet – emanating from the dirt of the trail.

it is no wonder that nature has already decorated – with quiet fervor and vivid color – for the holidays.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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asphalt illusions. [kerri’s blog on not-so-flawed wednesday]

i’ve looked at life from both sides now
from win and lose and still somehow
it’s life’s illusions I recall
i really don’t know life at all

i’ve looked at life from both sides now
from up and down and still somehow
it’s life’s illusions I recall
i really don’t know life at all”

(joni mitchell – both sides now)

puddletrees. they were right there, waiting. trees out a window. trees in a snowstorm. trees in front of us. illusion. reminding me – in the taking of the photograph – that things are not always what they seem.

it’s like story. things are not always what they seem.

“but in this song there are only two sides to things… there’s reality and i guess what you might call fantasy. there’s enchantment and dis-enchantment, what we’re taught to believe things are and what they really are.” (joni mitchell – at a performance 1967)

two sides. we’ve been taught to remember that there are two sides to every story. we learn though – somewhere along the way – that there are often many more sides than two. story is a multi-faceted creature, amorphous enough – and pliable enough – to take on the shape of whatever the storyteller – or the listener – wishes. this is not just dependent on details or fact; this is not simply dependent on reality. this is dependent on intention. even with the truth-telling of true story – with ample substantiation – there are others who will warp story into their agenda. reality and the flipside. brutal.

and so sometimes the don’t-know-clouds, don’t-know-love, don’t-know life takes on monumental proportion.

but there are puddletree moments. pared down. and these are not win or lose, up or down moments. they are simply suspensions of time – when we marvel at the reflection of trees in puddles or a single snowflake on a leaf or the survivors in scorched earth of a controlled burn, when we linger in the harmonic of a ninth or the color of the peony, when we pause in the middle of mayhem to look around us, when we know that just a little beyond reality is dream. and we can see it from here.

life’s illusions in an asphalt puddle. we really don’t know life. what it really is. at all.

“well, something’s lost, but something’s gained
in living every day.”

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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orange sherbet and milkweed. [kerri’s blog on two artists tuesday]

the orange sherbet sky is a stunning backdrop to most anything but the milkweed’s wisp is anything but most-anything.

we pass by and notice. we pay attention. texture and color and movement from the gentlest breeze – it is a photograph before it was a photograph. my job was simply to snap it.

our days are slower. we linger in not-knowing. we acknowledge time as it sneaks by. and the next week comes before any of us are ready, before it seems possible. even the milkweed is surprised.

we are learning lesson after lesson. that this is life: the things our fingertips touch, the scent on the wind, the view before us, the call of the black-capped chickadee, the ground under our feet. we are caught up by the impermanence of it all. we are realizing the folly in the gathering of stuff. we immerse in the river where there is no stratum. we feel the moment, without knowing the edges of next.

the orange sherbet sky doesn’t dawdle. color has another place to be. and as the sun drops below the horizon, the shadow-gaps fill in.

we stand with the milkweed in dusk, close, loitering in early night and, with gratitude and rest, ready for next.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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one leaf, alone. [kerri’s blog on two artists tuesday]

“to so much of the world, solitude is strange.” (anna quindlen)

i always thought i was an extrovert. i enjoy people and social gatherings of all sorts. back a ways had someone asked me if i was an introvert or an extrovert (or the middle-of-the-road-ish ambivert), i likely would have answered “extrovert”. but then…

then i realized that the true way i rejuvenate, the actual place i go to in order to find calm, is inside, into my own space. it hadn’t occurred to me in all my extroversion that i always sought quiet, calm, peaceful in order to re-enter the fray.

in recent times i have been digging through the basement and the attic, opening bins and boxes with journals and composition books, finding diaries and poems, reflections and no-melody-song-lyrics. some of these were written in a tree just outside my growing-up bedroom window. some of these were written in a tiny basement apartment with wallpaper that looked like red brick. some of these were written in a converted garage and some in a new home in the sun. they are decades old. and they make it clear that i have always sorted to a place of quiet to recharge, to reflect, to express.

this photograph is one of my recent favorites. its bare minimalism speaks to me. one leaf, alone.

artists, sensitive to the ambient, the nuance, the emotional, resonate with everything around them, vibrations conscious and unconscious. individually, in the context of our medium, we ask and answer the questions that pummel our hearts, a call and response to beauty and understanding. and then, the leaf.

the one leaf, alone, stood out. red against the camel-taupe-tan of the trail. i stopped.

if there is no other photograph in all my photographs that speaks to the uniqueness, the singularity, identity, the one-ness of humankind, then this might be the one.

though none of us exist in a vacuum – and the spectrum of introvert and extrovert stretches like a red rock canyon – each of us is – at our core – one leaf, alone. there is a distinct simplicity in that.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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the face on the door. [kerri’s blog on not-so-flawed wednesday]

we are clearly the three musketeers together…20, d and me.

our discussions range from ridiculous kidding to profound artistic center to current events. we cook together and spoil dogdog together. he has been a constant – for thirty years – and our friendship is cherished. he is my brother; after my own big brother was on the other side, he chose 20 to be so.

he has a thing about faces. and so, because he sees them everywhere, so do we. happy faces, silly faces, sad faces, worried faces, upside down faces. i have stopped in my tracks to snap a photo of a face – regardless of the place – just to send to him.

and then, at the coffeehouse in madison, there was this face on the door. 😐 d was engrossed in something else, but 20 and i went off into fits of laughter – talking as if we were the face on the door. it doesn’t take much to entertain us.

it’s a good learning.

because – really – isn’t that the point? to see the tiniest thing with someone you care about and laugh the biggest guffawing-snorting-tears-running laugh. to admire the tiniest thing with someone you care about and be awestruck with the biggest swelling heart. to share the tiniest things – and the biggest things – with someone you care about and know – deep in your soul – they are standing there with you, every fiber.

i’ll always stop for faces now.

well, faces and hearts.

because they’re important. 🙂

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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