i cannot tell you how excited we are about this. for, as in most things, the beginning of something is almost always glorious, full of anticipation and expectation. and the-season-of-the-adirondack-chair is no different.
even with thermals and down vests, even with warm and fuzzy boots, there is no distracting us from the advent of this time, there is no disconcert about temperature or our sedimentary layers of clothing. the possibility just seems limitless.
we easily turn our perfectly lightweight chairs to the sun. we look at each other and smile. and deep inside, we hear bob marley singing, “every little thing is gonna be alright”.
we have waltzed on this patio, sipped wine on this patio, eaten delicious dinners on this patio, played ukuleles on this patio, had band rehearsal on this patio, entertained family and friends and scores of people who are or had been a part of our community on this patio, planned our wedding on this patio, watched our dogga on this patio, had hard and hopeful and healing conversations on this patio, planted tiny farms on this patio, laughed till our bellies hurt on this patio, cried till our bellies hurt on this patio, wished on the moon and the stars on this patio, watched the flame of our firepit dance with abandon on this patio, contemplated on this patio, grieved on this patio, napped on this patio and felt finally-awake on this patio.
and now, a new time will start, overlapping all the other times, weaving in and out of all the rest, a foliated-metamorphic-conglomerate-sedimentary rock life.
and the patio greets the adirondack chairs with glee. they all face the sun. and they smile.
you remember…when we were kids, we played it in a circle. sitting cross-legged. on the floor. like right after duck-duck-goose.
it started with one little girl or boy leaning over to the next and whispering something in that child’s ear. that child whispered in the next ear and that next ear whispered in the next ear and the next and so on…until it came around to the end of the circle.
the child at the end of the circle would then state what he or she heard – whispered to them.
and it was inevitably always completely different from how it started. and everyone would giggle and giggle about how funny it was that this tiny message would be so misconstrued – so distorted – by the end of the circle game. it became a tiny beehive of misinformation.
i recently learned that adults play this too. only it is not with the innocence of children in a cross-legged circle. it is not a game of giggles. it is, however, played in a beehive.
and instead of lighthearted buzzy laughter, it is an effort with meanness and agenda at its core. it takes information that hasn’t been fact-checked or questioned or even properly considered and passes it on. and one person passes it to thirteen people who pass it to thirteen people who pass it to thirteen people and voila! the real-real has been warped beyond repair and the telephone “game” has taken on an air of righteous targeting, the spirit of nasty, baseless and malicious. this now-swiss-cheese-story is punctuated with lies and innuendo and is passed on and on and on – with no thought or respect to truth, no thought or respect for the target.
it’s a far cry from cross-legged giggling children on the floor.
“neither be cynical about love; for in the face of all aridity and disenchantment, it is as perennial as the grass.” (desiderata – max ehrmann)
we wander down roads peppered with aridity and disenchantment. the impact is exhausting. the fallout can be long-lasting. they – aridity and disenchantment – wind around our fragile hearts, pressing, making us short of breath.
we are disappointed. we believed that others were different. we believed we were cared about, appreciated, that we were held in grace.
we are shaken. for some things take us by surprise, some people take us by surprise. we flail and stumble over these rugged rocks slyly hiding just beneath the road’s surface.
we are hurting. for we feel betrayed. aridity and disenchantment pale; they are dim heartbeats of betrayal.
and we find we must take a moment, a respite on the side of the road. our hearts are floundering.
and – somehow, somewhere – we are reminded. just as we were about to pick up the cynicism white flag, we can see it: love.
and we can feel the river flowing through us and we can feel hope rising. for under the snow the grass is greening.
and we turn away from that which causes us profound thirst, that which prevents growth. and we discard that which has been a rude awakening, that which has elicited utter disillusionment.
i’ve reeeally not been a nap person. napping in the daytime makes me feel kind of out-of-it, like i have to start the day all over again. but in these new days of insomnia…sleeplessness…big swaths of night wide-awake…well, the circumstances are a little different.
it is much easier for – him – to take a nap.
fact of the matter is, it’s much easier for him to sleep. any time. any where. sleep. sleep. sleep.
i’m not sure how he does it, but he lays his head down and he’s gone. meanwhile, i am tossing and turning and trying to figure out why his even breathing is so utterly annoying. yes, i know – i am simply jealous of his sleeping, sleeping, sleeping.
and so, i thought i’d give it a chance – a daytime nap. i knew it would never work. i knew i’d lay down and be wide awake, despite being utterly exhausted. i knew the daylight would prevent me from sleeping. i knew he’d sleep in a second and i would be yearning to just get-up and do-something.
and in her waking-up, in the tease of spring, in the liminal space between seasons, mother earth offers up her flowers. it’s a tiny posy of possibility, an olive branch extended to stave off impatience as we pine for warmer days, for everything to green up. and, in this waiting zone, these dried flowers spur our imagination, carry us forward.
it’s the interim times – the periods in-between – the time spent in the hallway before the next door opens – these are the reluctant times. we are reluctant to sit in the hall. we are reluctant to wait and see. we are reluctant to accept a zone of time sans shape. we think it all – the minutes and seconds, hours and years – needs definition. we are reluctant to be still. we don’t understand what feels like a screeching halt. we yearn to move, yet we are frozen in fallow.
but we are morphing. we are beautiful winter nosegays tucked into mason jars. we are march and april. we are stoking up. we are no less beautiful than verdant june and july. we are just different.
and for this time – we are somewhat rustic, somewhat fragile. we are color-muted now to be opulent later. we are the quiet before the fortissimo, meek before rackety. we are simply waiting.
we read the same paragraph over and over again, listen to the same strains of music time and again, sit and pace and sit and pace. we are the dried wildflowers, the straining buds, the transitional space, the interlude. we are the hallway.
the magic dots showed up. it is a happy day to wake up and see them.
with just the right angle of the sun and just the right angle of the miniblinds across the room on the east side windows of the bedroom, they sometimes – but not all the time – appear.
it is a little bit like fairy dust, the twinkle at the end of a magic wand, floating bubbles, glimpses of angel wings. and what could possibly not be good about all that?!
i have awakened in this room most of the 35 years i have lived here, save for bedroom rebuild/remodeling time and other moments here and there. with five windows, there is no shortage of light. it is bright and, though – like rooms in old houses – not big, it is airy.
it is spirit-lifting to wake up and see them…these magic dots dancing on the wall. and, during a time that is testing my spirit in more ways than i care to think about, i am grateful for the dots.
they poke at me, prodding me with mary oliver urgency – “what do you plan to do with your one wild and precious life?” “eh??” they add. “well?” they insist.
they know – these magic dots – that there is much to be done. they know there is much to work through, to see to the other end, to process.
but seeing them reminds me to carry them with me. to not forget the fairy dust, the magic, the bubbles, wings in the middle of it all. to hold it all more lightly.
for, like, the magic dots, it will all disappear as the sun rises and the rays tilt in a different angle. with one turn of the miniblinds, they will be gone.
but in the meanwhile, they invite me to dance with them.
it made me smile as i walked in. these flowers graced the expansive ladies room window in the milwaukee public market. it’s a large decal – produced by a small business in the uk called dizzy duck designs. they call this piece “retro flowers frosted window film.” it was the perfect way to achieve privacy in this space.
i’ve been in a lot of churches, plenty of chapels and many cathedrals along life’s way. i have seen countless stained glass windows. they have depicted the stories of the bible, the stories of the religious institution. there have been folksy windows, tiffany windows, ornate windows with more colored glass than imaginable, geometric windows with monochromatic patterns. the beautifully simple and texturally or story-line overdone, both.
i can’t honestly say – despite honoring the obvious artistry in all of these panels, despite their remarkability, despite their intention of storytelling, despite the serious religious overtones, the shade of light cast into the building – that i have felt anything like what i felt this day as i walked into this ladies room. i have felt other things, but not this.
these wildflowers were charming, captivating. i instantly felt joy. stealing from my dear heidi, “sprinkles” kind of joy.
i stood in front of this window – which i had not seen before – for several extra minutes. i admired each whimsical flower.
i didn’t google the panel till much later. it doesn’t have a behemoth history like magnificent stained glass windows through the decades. it’s just a sweet family-run business, trying to fill a niche and make the places in which people hang out feel good.
bravo, dizzy duck designs! i can’t think of a better reason to be in business.
“spring gets you every time. every year it sucks me in, but then, I’m easy—a few cool blue skies, new grass, wildflowers, and i’m in love. (anne lamott)
if you are averse to talking about cleavage, you should stop here.
because this lens…standing near the east windows of the milwaukee art museum…granted the lake cleavage…something i am – thanks to inheriting more genes from my dad than from my mom – unfamiliar with.
in a cleavage world it is tough to be a non-cleavage girl. not being endowed cuts in so many ways.
i clung onto the cleavage i had – for like five minutes – when i had my babies and was nursing, though i doubt it even counts as a nursing mom. still…i thought, “cleavage! wowza!” but it didn’t stick around. as soon as they were weaned, my cleavage was snatched from me. voila! back to none.
i’m not sure if the universe has a sense of humor about these things. i mean, who doles out the cleavage? and, here’s another important and relevant point: i must say, our society has a thing about it – cleavage, that is…not so much the universe – and bra companies like victoria’s secret grant the world’s best bras – with names and adjectives like “wicked” and “bombshell”, “miracle” and “fantasy” and “sexy illusions” – to people who “have it”. causing things like the day i cried in v’s secret. (read that glorious tale here.) it’s not a fair world out there.
so, it was a given i would walk up to the round lens on the east side of the museum, gaze out at lake michigan and see cleavage. for heaven’s sake!
i looked at david and told him, “look, even the lake has cleavage!!!”
he gazed back, weighing his response carefully. very carefully.
“ahhh, but it’s not a cutie-patootie like you!” he suavely replied.
uh-huh.
a cutie-patootie.
in this american society bent on what-we-are-shaped-like, i don’t think that’ll get me far.
20 sees faces everywhere. and because he does, so do we. taking the donkey chip out of the bag, it was without hesitation i sent him chipface, pointy nose, weak jaw and all. he sent some snide remark back, making me laugh aloud. communication at its best.
i sorted through some of the most brilliant comments i’ve heard in recent days to choose an apt quote for this little guy. i decided to pick the one that is most obvious, the no-duh-est, the thing people who do-as-i-say-not-as-i-do often say. i agree wholeheartedly with chipface. communication IS the biggest thing in any relationship. and lack of communication – with its undercurrents – makes fools of all of us.
christopher wool holds nothing back. his work is stark and transparently void of flowery language. the piece pictured below – “fool” – sold for $7.8 million at a christie’s london sale in 2012. its predecessor “blue fool” sold for just over $5 million and was identical but with blue font. clearly, black is more fashionable than blue. mostly, it makes me laugh aloud to read that someone paid $7.8 million to own the painting of the word “fool”. particularly because christopher is said to not “suffer fools” and his pushback on people must be rampant. i do wonder if you’d only hang this seasonally – say, on april fool’s day – or if it is a piece for the year round…as a reminder…a humbling…a nudge.
david and i attended a talk in chicago between christopher wool and a docent at the art gallery. in pure christopher wool tongue-in-cheek deliciousness, after the docent went on and on about the premise behind one of wool’s photography pieces, after she touted his possible psychological state and the philosophical underpinnings of his work, he shrugged, looked at the audience and – advancing his relationship with that audience by leaps and bounds – merely said, “i took the photograph because i liked it.”
communication at its best. yes. truth. pure and simple.
she said it: “we’re 9 to 5’ers!” and i laughed. “so are we!!” i replied. and, most days, it is pretty much true. sleepynightnight time comes earlier these days – with exceptions – and so does the first coffee in the morning. much earlier. and i like it this way. there is nothing like the sunrise streaming in the window, spilling onto our quilt, dogga at our feet and hot coffee in our hands. perfection.
in life, though, neither of us has spent all our time as a 9 to 5’er – in the traditional sense. though we have both had positions in professional arenas, we have mostly spent our lives either working for non-profits or in entrepreneurial projects and ventures. neither of those are 9 to 5 jobs. they are whenever-wherever-however-you-are-needed jobs.
from an earnings point of view, these are usually not spectacularly paying positions. they are not laden with benefits; they generally do not provide any kind of annuity or retirement.
from a practical point of view, there are often not enough hours in a day to do all the work you invest in when you sign on with a non-profit. it takes a big heart and an absence of calculators and time clocks to keep moving the soul of an organization forward. one would be saddened to divide salary paid by hours worked. instead, it takes true joy and every good intention. because it is about service and about passion, patience and resilience. from indeed, “when working for a nonprofit, the work you’re doing is meaningful. instead of working to grow a company, you’re working to make a difference.” the bottom line is mission. 9 to 5 flies in the face of nonprofit anima.
it is what it is.
we drove – early morning – to milwaukee a couple weeks ago. in the thick of commuter traffic and travelers, i was reminded that this was somewhat unfamiliar for me. it was a little hard for me to grok the unhappy faces of drivers around us. maybe they were heading to the 9 to 5. maybe they were tired of the grind. maybe they were just tired. i don’t know.
it prompted conversation between us about the kind of hours we worked in various service organizations and institutions over the decades. always on some kind of salary, those hours weren’t etched in stone. there weren’t time sheets and – likewise – there weren’t end-of-year bonuses. there were giant ideas and creative collaborations, camaraderie developed through shared interests and abilities, dedication with real-live love at the core. that stuff isn’t etched in stone. it’s soul.
i laughed when kate said they were 9 to 5’ers, for they are now retired and volunteering up a storm. but i agreed. for we are as well.
early to bed and early to rise. we are – at long last – real-life 9 to 5’ers.
reverse threading 