reverse threading

the path back is the path forward

Tag Archives: possibility


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bubblepokers. [kerri’s blog on k.s. friday]

from our perch in the sunroom we can watch it snowing. surrounded by glass, we have a good windowseat to the weather as it changes. it looked really beautiful ‘out there’ we agreed, also agreeing to throw on some warm jackets and boots and go ‘out there’ for a walk a bit later, as the snow accumulated.

we lasted sixteen minutes.

the wind was whipping off the lake and the snow was stinging our faces. brutal. it was not fun and it was definitely not comfortable. we pretended to be in the sierras on the pct, trudging our way to camp, to pitch our tent in the snow and rest. sheesh. just the thought of that made us consider a flipflop instead of a thru-hike. same miles, same terrain, different seasons.

“my comfort zone is like a little bubble around me, and i’ve pushed it in different directions and made it bigger and bigger until these objectives that seemed totally crazy eventually fall within the realm of the possible.” (alex honnold)

we both really respect alex honnold. he is an incredible athlete with downright top-of-the-heap courage. he constantly pushes himself, way, way past comfortable, every time expanding where his boundaries of comfort are.

in these years we have found that pushing the boundaries of comfort are necessary. we have found that immense amounts of courage are necessary. we have found that poking that safety membrane around us – as if inside a big luminescent bubble – is necessary. poking from the inside out, not the outside in. no bubble-bursting here.

we’ve made big steps in that poking.

it’s not like we haven’t poked-the-bubble before in our lives, individually or together, as artists, as humans. but – and i’m betting this is a common truth – poking-the-bubble is harder the older you get. and so, as we step out of our c-zones and into things more unknown, hard things, complicated things, scary things, we have a tad more trepidation, a bit of reticence, some good old-fashioned fear. we keep on.

so we are not intrepid snowwalkers, we see today.

no worries. there are workarounds. (not to mention a mostly-warm sunroom where we can sit at a bistro table and watch out the window.)

besides, our pokes are saved for other bubbles.

“the one thing you learn is when you can step out of your comfort zone and be uncomfortable, you see what you’re made of and who you are.” (sue bird)

*****

WATERSHED © 2004 kerri sherwood

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tacet season. [kerri’s blog on not-so-flawed wednesday]

in the initial moments when we clear our barnwood potting stand – pull all the plants for composting, stack the clay pots and garden tools to be put away, brush off the stand, close the wrought iron gate, and then step back – i feel a sadness for the loss of our tiny garden. this year yielded a wild crop of herbs and tomatoes, jalapeños and lavender. we thoroughly enjoyed our sweet potato vines and our miniature licorice plant, the sweet dianthus, our peonies. this summer’s heat and humidity was a boon to our backyard. so it is somewhat hard to see it ending.

but the tacet of our garden – after such an amazing fully-bloomed tutti – is just as important in its performance. the quiet of this time will serve to gather its energy, to bring impact to subsequent growth, to give rest to roots bound by pots.

this winter we will propagate some of our summer plants. it is a new venture, introduced to us by the gift of our dear friend – a small indoor greenhouse. we will be learning what these tiny plants need, trying to help them root, keep them alive, bring them back – out of silence – to a spring in which we have a bit of a headstart.

the clearing of our house is kind of like that, too, as we move from room to room, closet to closet, drawer to drawer, bin to bin. we are still in phase one of all this, but each bit of giveaway, of throwaway, of repurposing gives air to some more space and in that space i can hear the vibrations of possibility gathering.

there are two new fuzzy white pillows in my studio on a metal strapped swivel patio chair we brought up from the basement. it feels like sitting in that chair – sinking in – could lend itself to the expression of the tacet i’ve been in, the long time of fallow. i don’t know what that means. it could just mean gaining clarity. it could mean setting it all aside. it could mean a few new notes that lead to a few new songs. the times d mentions the word “when” i counter with the word “if” because i really don’t know. there’s been a lot of pain and the wounds haven’t yet healed over. the tacet and my reticence continue.

but the potting stand reminds me: even after a period of silence, a period of fallow and nothing really happening, there is actually much in play. energy is stoking up. the time of rest is giving import to the time of sprouting. and, though this summer’s heat and humidity were incredibly generative – much like the middle years of my artist life – so will be next summer’s heat and humidity, even if the conditions are different, even if the heat and humidity are less intense. it is still a growth season.

just like now. the season has not ended with the pulling of plants from pots. negative space defines positive space, silence creates tension, the narrative of our plants continues.

just like mine. i am still in a season of growth.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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when? [kerri’s blog on merely-a-thought monday]

on the same night we waltzed in the rain, we strolled up and down main street, window-shopping. we were too drenched to go in anywhere and that wasn’t the point anyway. we just wanted to etch it all – best as we could – memorize it.

the harbor had always been a refuge and i was grateful to see the post at the information booth – in several languages – declare “may peace prevail on earth”. this tiny microcosm of the world – the village park – this space that drew people and strollers and children and dogs and laughter and music – this space certainly was shining a light on the possibility of community…shared community.

but peace is not prevailing on earth these very days. the people of our country are struggling as are people around the globe. my heart sinks as i think of all the places where real-live people are fighting for their very lives, where real-live people are being dehumanized, where real-live people are starving, where real-live people are being run over by self-centered, extremist regimes.

and i wonder, if not now, when? when might compassion rise among all people? when might we all realize the immortality of our time here, living it with generosity toward each other? when might warring cease? when might evil forces slink away in humiliation – forever defeated?

when might this world come to its senses – to actually prevail in peace?

when, indeed.

*****

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children and dreams. [kerri’s blog on merely-a-thought monday]

it made me cry. it was all i could do not to down-and-out messy cry. had i lost control it would have been ugly. i grieved for every single american child as i struggled and hiccuped my way back to some semblance of calm. phil vassar’s lyrics were poignant and profound and deeply troubling.

the concert was amazing. phil vassar is a prolific songwriter, a consummate performer, his voice strong, his ballads clear. i’ve seen him in concert several times and was thrilled to see him again. he is now 63 and, having had both a heart attack and a stroke, he is making his way back – to the attention of the public – for the public forgets quickly.

there are artists you hold onto, particularly when you are an artist yourself. you know when there is something absolutely special about someone – you can feel it. every song, every note, every sung lyric – this man is a master singer-songwriter. there’s nothing really fancy about him…he plays a painted acoustic yamaha piano, often standing (which i can totally relate to). his band is extraordinary and tight, the perfect backup for him.

“cause 419 lakewood had no silver spoons/just an old beat up upright that played out of tune/now i’m singing and living the life that i love/and when i count my blessings i thank god i was an american child/an american child/’cause dreams can grow wild born inside an american child.” (american child – phil vassar)

every american child.

and that’s why i cried. because it’s no longer the same. i cried for my adult children. i cried for my friends’ grandchildren. i cried for the children i don’t know. i cried for what this country has lost, the dreams that have been violently stolen, the hope that has dissolved, the democracy that hangs by tiny filaments.

at the end of the concert, phil vassar – in seemingly no hurry at all – sat on the edge of the stage and chatted with people, took selfies with his fans, signed shirts and hats and cds.

i stood at our seats and watched, both proud of him and a little bit stunned at how very gracious he was – his obvious, deep gratitude to a concert hall that should have been filled.

i knew he couldn’t hear me – and i didn’t go up to tell him – but as i stood there i whispered, “you’re relevant, phil vassar. you’re so relevant.” deep down, he already knows. he’s always been relevant.

an american child. the american dream.

“there is no trust more sacred than the one the world holds with children. there is no duty more important than ensuring that their rights are respected, that their welfare is protected, that their lives are free from fear and want and that they can grow up in peace.” (kofi annan)

“a promise once made/will it shine, will it fade/will we rise with the vision or fall?” (american child – john denver)

*****

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that place. [kerri’s blog on two artists tuesday]

i couldn’t begin to guess how many times i have sat on that beach. i couldn’t begin to describe all the life i have navigated there, all the pondering i have pondered, all the sun and the snow and the rain, the early dawns, the inky skies i have shared with that place. in the mystery that connects you to certain places, it was always my go-to.

and the mystery continues.

we shared time with that beach again. profound time. time wherein i stood by the water’s edge talking to the universe. once again, feet in that sand, touching that water, eyes to that sky.

some of the benches just off the boardwalk have been there forever. the curve of the metal arm, the weather-worn wooden seat – familiar touchstones that date back and back. the seagulls diving, riding the waves, rising in air currents and dropping crabshells to the ground – their caws lodged in memory.

this is not the island’s finest. there are many beaches with less rocks, fewer shells, more shoreline, softer sand, less seaweed, stronger surf. but this is the one.

i left a piece of me – a free-to-be–crazy-with-potential–wildflower-growing piece – behind on this island.

and so i thought that maybe – just maybe – i could go put my feet on this very sand, touch this very water, drink in this very salt air to both reclaim that piece and set it free.

there was no drumroll, no hoopla, no folderol. there were no fireworks or lightning bolts.

as the wind became gusty and it got colder, i merely turned reluctantly away from the water’s edge.

he was waiting for me about halfway up the beach and he held me as i stood in that very sand under that very sun, taking it all in, grateful.

we walked arm in arm to the benches and sat on the oldest one.

it was a long time before we left.

but not before i wrote my name in the sand.

and not before i held her hand – that wildflower.

“i got you,” i told her.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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kinship. [kerri’s blog on d.r. thursday]

were this monarch to have the tiniest of notebooks and a tinier pencil, i would feel even more kinship with it.

i can imagine that it – perched on the vine-wall that has taken over the fence – is writing gentle poetry, haikus about flying and how sunshine feels on its wings. i can imagine that it – late in the summer, maybe a super-generation butterfly – is pondering the freedom of a bit-longer lifespan, the sky-trip it has booked to mexico as summer ends. it might write of adventures and exploring, of new discoveries, milkweed and other plants it now feeds on.

i wonder if it feels the same way i felt – so many decades ago – sitting in my maple tree, perched against the trunk, writing. it felt like there could be nothing at all wrong in the world, and that, like the monarch’s vibrant colors warning of toxins, my coca-cola it’s-the-real-thing pants and floppy hat would keep away any predators. i wonder if its words flit over sunrises and sunsets, grown-up seagull dreams, innocence and possibility.

we’re sitting in the old gravity chairs we unearthed from up in the rafters of the garage. our feet up, pillows behind our backs, we quietly watch the busy life of our backyard. there’s so much space to just think, to ponder.

the butterfly floats past us, over us, behind us. it lands on the burgeoning vine, the natural privacy screen growing helter-skelter on the fence. it is free to roam. it is free to be.

and then.

i overheard, “he got a monarch.” the butterfly’s vivid orange and black and broad stripes didn’t protect it from the cat prowling for prey next door.

i felt my heart sink. in like manner, my coca-cola pants and dr scholl’s, hard-held value set and a sunrise-sunset horizon full of possibility didn’t protect me either.

*****

read DAVID’s thoughts this D.R. THURSDAY

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an endless list. [kerri’s blog on not-so-flawed wednesday]

he says that one day we must go on a trip that is specifically about photography. that we will slowwwwly stroll – wherever it is we are – and i can stop and linger – at any time – and take a picture – or twenty – of any single thing along the way. i am excited about that and we have a really, really long list of the places we might choose as destinations. an endless list, actually.

the funny thing is – this is pretty much how i do every day. on the trail, in our backyard, at the garden center, at our potting stand, in the antique shoppe, at the grocery store, in our ‘hood, in the mountains, on the beach – anywhere.

i have always loved taking photographs. even a dear old friend, who i hadn’t spoken with in about four decades, remembered that i always had a camera in my hand whenever she and i were together. it goes way back…for me, to those pocket instamatic cameras and the cameras with the square bulbs on the top that rotated for the next shot. in college i did photo shoots with my new 35mm manual camera for extra money. i climbed fences to take sunrise shots on beaches. i hiked in rivers to capture the fauna along the edges. i adored being the photography editor of my college paper, toting my camera to disco parties, softball games, campus events, college-sponsored ski trips, lunch with paul simon. if there were no pictures of something or someone from back then, there were good reasons.

there have also been times – along the way – when i have realized that taking photographs would take away from the moment – and, in those times, i have chosen to put the camera away – to simply memorize the moment instead. but this thready heart of mine loves to scroll back through images that place life and time.

it feels somewhat like cheating when you take photographs at a nursery such as i did for today’s image. i wandered about the aisles and aisles, greenhouses and gardens of nearby milaegers, entranced by the vast opportunity to capture color, texture, utter beauty. there is no end to it. even the flowers that are wilting are absolutely divine. i walk, arm in arm with david, and i feel fortunate to see so much that touches so many senses. it is impossible to not feel it. we are surrounded by the glorious.

and so we plan – one day – to take a trip sheerly about photography. i will be excited to plan it, to choose idyllic places and vistas that offer moments like the shimmer of sun on iridescent raindrops.

in the meanwhile, i will carry my iphone and its remarkable camera everywhere i go, capturing everything else that is beautiful, that is evocative, that means something, that will be a source of joy or heart or memory, that is life.

it is an endless list.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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PRIDE. exclamation mark. [kerri’s blog on two artists tuesday]

the sun, the contrail – elements of an exclamation mark in the sky.

i imagine it is an exclamation-mark for the beginning of PRIDE month – events with themes like “united in pride!” (chicago) and “remember, resist, rejoice!” (milwaukee) and “rise up: pride in protest! (nyc). i imagine it is lifting up the indisputable importance of acceptance of others and pushing back against discrimination and the violence that accompanies it.

we are proudly attending PRIDE – both in milwaukee and chicago. our edm artist son is performing at both festivals. for the last years we have attended both PRIDE events in these cities and i have come away with the big-sky-like feeling of people loving one another. it is a freeing reminder for anyone who has forgotten what it’s like to just care about each other, despite any of the differences that have been politicized into marginalizing people.

i – we – will always be staunch supporters of our son. we will always be staunch supporters of his friends, his extended family. we will always be staunch supporters of the LGBTQ community. we will always question the ugly – people who wish to eliminate LGBTQ freedoms and safety. we will always question those people – who tout their “christian” beliefs, their “jesus-saids” – while their gross bigotry shamefully reveals their empty words. no, jesus did not say anything that would buoy your cruelty. we will always question those people who have voted against the rights and privileges of the LGBTQ community, who have gleefully cheered on the homophobic, patriarchal march into autocracy, who have betrayed their own families.

the exclamation mark in the sky marks the beginning of a month in which we have the opportunity to promote unity, in which we have the chance to truly love one another, in which we might set down the vileness of homophobia and pick up kindness and the embrace of what diversity is.

*****

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fervent fern. [kerri’s blog on k.s. friday]

they unfurled from their tiny seahorse stage into real-live ferns in what seemed like moments. all of a sudden, there they were – a whole corner garden of ferns. so incredibly green. lush.

but – even in their zealous and prolific growth – they are fragile. their fronds fall victim to the wind or the dogga’s curiosity, and they are knocked over, with – seemingly – no chance of revival. it seems – perhaps – safer to be in the middle of the bunch of ferns in the garden, rather than on the outskirts.

and i find myself nodding my head, as any artist might nod her head. yes. indeed. safer to be in the middle than on the outskirts, than life as an outlier.

when i finally felt safe enough – when the imperative was too much to ignore any longer – for me to pursue my own artistry – to leave the middle – i knew it was a different route. it would not be the interstate to success. instead, it would be a challenge to stay upright – to keep reaching – when the perils of the outskirts were plentiful.

i knew i should have kept on the road earlier, but there were things that precluded me – that hushed me – and i largely put aside that desperate voice inside of me begging to come back out – the one i had quashed so many years – decades – prior.

but the tiny seahorse fern in me didn’t give up. it kept nagging me until it was finally ok to face the perils.

and i began to write – with the fervency of the ferns in our back garden. my piano was never silent. i kept unfurling, reaching to the sun – an artist coming out of fallow.

and there was music. and more music. the compositions, the songs, the albums populated the garden rapidly – there was much time for which to make up. stages and boom mics and product boxes were the accoutrements of my life. and i could only imagine – and still wonder – what might have happened had it all started earlier, had i fronded in earlier life.

it remains a mystery.

even now – in which the unsuspected and life have mown down some of the outer fronds – there is a core, a center of gravity that holds the fern-muse.

though fragile on the exterior, we are never really broken to the core. there is still time – there is healing, there is a new spring.

there is a fern garden ripe for more ferns.

*****

WATERSHED © 2004 kerri sherwood

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not going back. [kerri’s blog on saturday morning smack-dab.]

it all started with a print hanging in our bedroom. it needed to move somewhere else and it needed to be replaced with something different or nothing, blank wall space.

and so I took the print off the wall and brought in the vintage piece i thought might work. we held it up and hung it up. a little bit of change.

i went into my studio and pulled out an old full-of-personality metal tripod work light we had found at an antiques flea market this summer. it was five dollars and it actually worked. i brought it into the living room, wanting to find a spot for it.

i think it was the five-dollar-metal-dome that started the avalanche. still in our buffalo plaids, we set to work.

now, usually when people decorate they go to furniture stores and home good type places looking for pieces, new items to incorporate into their decor. but that’s not budgeted at this time, so we tried using different eyes as we looked at what was in place, what was in the basement stored, how we could change things up, refresh our home.

in the end, we spent the entire day rearranging. many spaces were treated to a littlebittachange – the living room, the dining room, the sunroom, the foyer. we imagined all kinds of things – maybe in the future some of those will happen.

and we laughed to find ourselves at 7pm – still in red buffalo plaid – ready for some leftover homemade soup.

the best part of the day, though, was a realization. at 7, sipping a friday night glass of wine with our tomato soup, we realized that neither of us had thought about or talked about the current political turmoil. it was a relief to be lost in something positive, something productive, something personally gratifying.

i know that as i go into the rooms of our home today it will strike me somewhat differently today than during yesterday’s flurry. i – sometimes – don’t do change well and my threadiness includes my surroundings.

but this time may be different. this time i think i will walk around our home and imagine all the potential of our future here. this time i will again feel the comfort of this old house, no matter what the decor. this time i will be decidedly more open-minded about not changing it all back.

because going forward – in all its shapes and forms – and not going back – holding to hope and possibility needs to override the exorbitant negativity – the absolute control-mongering insanity – so prevalent in our country right now.

we sat in the old wooden glider – moved – surprisingly – from the deck into the living room – and talked about the new perspective it gave us on the room.

“furry pillows will offset the rough-hewn-ness,” i coaxed him. we glanced around the room – at the peeling-paint-chunk-of-concrete in the role of coffee-wine-perch next to the leather recliner, at the portion of desk – with the sawed-off-side next to the radiator – in the role of end-table, at the huge tree branch from the beloved tree out front happy-lit in the middle of the front window and we laughed.

getting lost in our own home – our sanctuary – was just the thing we needed.

and to remember that little bit about control: “let there be an opening into the quiet that lies beneath the chaos, where you find the peace you did not think possible and see what shimmers within the storm.” (john o’donohue)

*****

read DAVID’s thoughts this SATURDAY MORNING

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