we moved the sweet potato vine from the ladder on the deck. between the heat and the rain, it was struggling. we weren’t sure it was going to make it, which seems odd for a sweet potato vine, usually pretty invincible.
no matter, we thought, it needed to be moved so that it might have a chance. we transplanted it into a bigger pot and placed it on top of barney – a spot with maybe a bit more sun.
and then we watched it.
with few green leaves still on the vine, we feared it would not last.
but that little sweet potato surprised us. with little-engine-that-could chutzpah, it soaked up the sun, its perch on barney, visits from squirrels and cardinals, house sparrows and finches. and it started to recuperate.
it greened up – into that really rich chartreuse – life-affirming lime-green fabulousness. more leaves sprouted their way from the vine that started to extend across the keyboard. it started to look thicker, more vibrant, even verdant.
and – in the way that we see things – we drank in the simple-but-outstanding gorgeous juxtaposition of green and aging piano wood. stunning.
it is certain. color can help.
with all the ugly in this world right now, we could stare at that for a time and breathe.
our out-of-town guest had never been here before. not to our state, not to our town, not to the shores of lake michigan, not to our home.
staying at the local hotel right on the harbor channel, she sent photographs right after arriving, stunned by how beautiful it was. she repeatedly expressed this – along the lakefront, on the channel, by the rocks, in the gardens, in our neighborhood, in our old house, on our patio.
through her eyes we saw Home.
this week i passed through my 37th anniversary of living in our old house. more than half my entire life, it’s longer than i’ve lived anywhere else.
sometimes – no matter where you live – you stop seeing it…really seeing it.
and you get caught up in every everything else.
and you miss the sweet creak of the floors, the breeze off the lake, summer sunlight streaming in all the windows, the fresh basil in ball jars in the kitchen, the dogga-holes in the backyard, the giant pots filled with flowers in the parks, people out sidewalk-walking together, the birds lined up for grape jelly, sunset’s eastern sky over the water, the sound of children giggling in the surf at the beach or an amplified live band drifting over from by the harbor.
it might benefit each of us – even for just a few minutes – to just follow the advice of this chalk artist:
“…and the moon rises, so beautiful it makes me shudder, makes me think about time and space, makes me take measure of myself: one iota pondering heaven…” (mary oliver – the sweetness of dogs)
in the moments we all sometimes immerse – those moments when we take ourselves way too seriously, when we feel intertwined with angst, when we foolheartedly believe there is allthetimeintheworld – we should sit and watch the moon rise.
it has risen every day whether or not the old truck’s battery was dead, whether or not all the burners on the stove worked, whether or not we wore namebrand clothing or had namebrand cars, whether or not the student loans were paid, whether or not the bedroom furniture matched, whether or not we had a few pounds to shed, whether or not we had a mighty 401k, whether or not we had granite countertops, whether or not my hair looked good, whether or not the old wood floors squeaked, whether or not we had extension eyelashes, whether or not we had plaques or certificates lining our office walls, whether or not the chimney leaked, whether or not we had visited saint lucia or monaco, whether or not we had a 72″ tv, whether or not we had central air conditioning, whether or not we had a walk-in closet or a dishwasher, whether or not we were retail fanatics, whether or not we had followers, whether or not we had fiscal or commercial success, whether or not we lived authentically.
because the moon is like that. it is incessantly dependable. it is a sure thing. it is the tide of our souls. its passing by – its wax and wane – brings us to the peaks and the abysses, both.
and though we may – from time to time – linger in the whatwedon’thaves, that moon – annoyingly – is unperturbed by it all. its rise, its fall – like breath in our chest. we, like the moon, keep going nonetheless.
and i stood and looked at the tiny crescent moon above our beloved old house and i could feel all the passage of time – zooming through me – until i arrived at the moment i was in.
and everything i had seen or felt or lived made sense. the dots connected for the briefest moment. and i was – yes – one iota.
even in decline, the day lily is stunning. even as it prepares to fall – its veined petals listing toward the ground, stamen curled and ready to release.
even in decline, it is beautiful, the bloom looking more like the wings of a butterfly than the petals of a vibrant lily, heralding summer.
even in decline, it participates in the garden, granting space to those blossoms that are just starting, buds that are just bursting, tiny green treasure chests on the stem just begging for attention.
even in decline.
my sweet momma – and i have told this story – used to tell me that she was astonished when she looked in the mirror. she would grab her red lipstick, carefully lining her lips, applying it, and would look at me – in horror – saying, “i look like an old woman!”
it was impossible to convince her – even as i insisted – that she was absolutely beautiful – which she was – those creases and lines in her face worn in by life, the sparkle in her blue eyes that never faded, the worry lines earned by worrying about those she loved. even in decline – her beauty in the mirror and in the world – was palpable, was real, was undeniable.
but i am beginning to get it. such an emphasis placed on youth – and how that manifests in our minds and hearts – the way aging reveals in our bodies vs the way youth looks on our bodies – it’s an insanity to think that static is the only way to see beauty. so now, when i look in the mirror, i – like millions of other women – are maybe measuring what we see, maybe counting the wrinkles, maybe frowning at the dynamic changes through which our individual lives are expressing in our bodies, maybe bemoaning what we are taught to think of as flaws.
instead, i just want to remember.
i want to remember how entirely gorgeous the daylily in our little garden – in all of its stages. how much i welcome every last dewy bud, blossom, gossamer-wing-petaled bloom, the dropping petals. how much joy it brings, this simple cycle of life, evidenced along the fence, not-so-flawed.
it would seem that i should grant myself the same grace i grant the daylily.
it would seem that as each day unfurls into the next i am – indeed – learning that it is ever more beautiful than the last.
a full box of crayolas at my side, i, too, in my itty-bitty chair at the itty-bitty table, would outline the image on the coloring book pageand then color it all in. like there was some artistic reason for outlining – making a definitive and clear break between the image and the background. for a non-artistic-in-the-sense-of-drawing type, it seemed to make my coloring page look better, cleaner, more striking. i’m not really sure. but it was a popular thing to do – this outlining thing – and, though i don’t know who initially suggested it, nearly everyone colored their pages that way. you could see it on the ever-important bulletin board wall.
if i were to pick up a coloring book and crayons now i might even just fall back into old patterns, grasping the crayola stub in my hand tightly, pursing my lips and concentrating on not drawing off the line. then i would color it all in – in the lines – and my page would be neat and tidy and whatever other adjective might apply, synonymous with success.
when i color in “adult-colored-pencil-coloring-books” i have found that i don’t do this – i just color with my pointy pencils – no outlines, no outlining. is it the difference between the paraffin wax/powdered color pigmentcombo of crayons and the pigments/binding agents/fillers/casing used in pencils? is it some leftover art lesson from elementary school – where the emphasis was on some sort of impossible sought-after perfection for our coloring sheets? and why – knowing me – did i not color out of the lines? well, i can answer that one. back then i was an in-the-lines colorer, going with the crowd, hoping to get my picture on the bulletin board wall.
i move up close to the peonies in our garden out back. they stand their ground as i move around, right in their little peony faces, alternately snapping photos and taking big whiffs of their intoxicating scent.
there are no outlines here. everything up this close blurs as my depth of field changes, my point of focus changes, my intent changes.
were i to make this photograph a coloring sheet – an accurate coloring sheet – it would require fuzzy lines – no clear outline – instead, a fade of one color into the next, maybe difficult to capture with a stub of crayon looking to make something definitive.
but life is more like that. less definitive, more fuzzy. it is less distinct and more out-of-focus. it is less green and white, and more grey. there are no outlines and, if you really get it, there’s no ever-important bulletin-board-wall upon which to hang up your life.
it just is.
and the moments we get to sniff peonies or color out of the lines, to allow the unfocused to swirl around us, to not get all caught up in the bulletin-board-wall – those are the moments to grasp, to hold onto, to store away as balm for those other moments – the ones that test us, that hand us crayons with impossible confidence-taxing expectations, that, somehow, in all the chaos, make us forget that peonies exist. craziness.
and so, no outlines. just color.
“…you write about my flower as if i think and see what YOU think and see of the flower – and i don’t.” (georgia o’keeffe)
less than a week. the peony shared its dance with the world for less than a week. but oh, what a week it was.
i don’t imagine that it wondered – ahead of time – how long would be its time in the sun. i don’t imagine that it pondered the kind of notoriety it would have. i don’t imagine it was fretting, “bloom/don’t bloom/bloom/don’t bloom“. i don’t imagine it planned its choreography – the minuet or ballet, the jazz steps or interpretive improv – based on what it understood its stage and its time under the fresnel of light.
from a tight bud to wrinkly vestiges of peony petals, it danced for the sun, shied from the moon. it held on during the winds and collected bits of rain, courageously standing under the pressure to bow its fragile stem, its velvet-soft blossom.
the peony didn’t measure its relevance by its time here. it didn’t concern itself with striving or success, abundance of blooms or lushness of plant. it just bloomed as it bloomed.
and in the giving-over of trying to control any thing else, in the giving-over to follow its natural path, in the embrace of its exclaiming-life dance, it exploded in beauty.
“in contrast to our frenetic, saturated lives, the earth offers a calming stillness. movement and growth in nature takes time. … there is something in our clay nature that needs to continually experience this ancient, outer ease of the world. it helps us remember who we are and why we are here.” (john o’donohue)
this must be what’s missing. as we get besieged with new news – all pretty horrible, the stuff of gluttony, haughty entitlement and bigotry truly beyond belief – i have wondered what it is in these people that is missing, what it is in these people that doesn’t grok the evanescence of life, what it is in these people that drives them to push for – or cheer for – a world without natural beauty, a world that seems twisted, that convolutes nature – botoxing faces and bodies, annihilating parks and resources, canyons and forests, waterways, wildlife, wildflowers that will never bloom.
if you never stand in nature – still – never even for a moment in the tiny – or vast – space just outside wherever it is you hang your hat, you miss the air that swirls around you, the recognition of another-day, the exquisite velvet softness of a peony petal in the growth stage of a bloom when it has just begun to open.
how can you carry that – the grace, the scent, the unbelievable creation of peony pink – and be anything but awed? how can you watch the play of light on tight buds opening before your very eyes and consider your self-serving dystopian game more important? how can you ignore the explosions of color, the frequencies of sound, the vibrations under your feet and all around your body even when you are still? how can your gaze glance over beauty and not have any pondering about who you are and how you – a humble minute being of clay and stardust – fit in with all the rest? how can you breathe air – feeling the world in your lungs – and be unconcerned about the air and the world future generations will breathe? what is missing in these people?
“when you take the time to travel with reverence, a richer life unfolds before you. moments of beauty begin to braid your days.” (john o’donohue)
we took off our sunhats. it was a hot day and we had been gardening for hours. the purchased plants had been potted, all the transplanting in the yard was done. it was that golden hour after all the work and before making dinner. we poured a bit of cool pinot grigio, took a tour around the yard and then settled into our adirondack chairs in the shady corner of our deck to gaze out at the yard – one of our favorite pastimes now.
the daisy path – as d has aptly named it – is slower. it doesn’t require the striding or racing around of earlier years. it is a – rather, The – sweet phase and we are trying our best to hone it. we never expect to perfect it, so we are doing everything we can to appreciate it, be grateful for it, honor it.
every night last week we sat on our patio or on our deck, just sitting. at the end of the day – after having dinner al fresco – we – truly – just sat.
and we talked. about anything, everything, nothing.
earlier in the day – on one of the days – i got ready to plant one last sweet potato vine. d had spray-painted a plastic pot and it was ready for the transplant and to be hung on the old ladder in the corner of the deck.
d asked me if he could get me a chair – as i have found that placing a chair on the patio next to the raised deck makes planting easier on my back. i thanked him and said that i was only planting this one pot.
but then i was struck by how generous this offer was. for in the middle of everything he was doing, he was concerned that it might be easier for me if i had a chair – as i had used while potting other days – and he was going to drop everything to go get me one if i wanted or needed it.
and so, it was then – one of those rare moments you remember – not because you don’t appreciate each other all the time, but because sometimes a very intentional wave of gratitude is easy for your brain to snapshot into your memory.
i walked over to where he was weeding the cracks in the patio and bent down. wrapping my arms around him, i told him how much his kindness meant to me. it wasn’t even a few seconds and dogga was there, right in the middle of our embrace, pushing his head up into the armwrap hug, his face even with ours, in the middle of so much love.
i whispered to d, “memorize it.”
of course.
we three stayed that way for at least a full minute, which is a long time for a busy aussie. it was a magical minute. definitely daisy-path stuff.
our old dogga stuck close for a bit more, to get kisses and pets and butt-butts. he didn’t see the tears welling up in our eyes as we committed it all to visual and visceral memory.
d went back to weeding and i potted the sweet potato vine and hung it on the ladder.
it seemed right that this sweet potato would keep vigil over our little corner on our deck. my sweet momma’s words, “live life, my sweet potato,” ring in my ears.
sweet potatoes and the daisy path. sunhats and glasses of wine, a checkered tablecloth and adirondack chairs. our dogga and a sanctuary of peace. love and gratitude.
we’ve gotten a few plants now. a couple sweet potato vines, a couple licorice plants. we also have our basil, chives, parsley, cilantro, jalapeños, cherry tomatoes and lavender. in the last few days we transplanted them into clay pots for our potting stand or their new home on our deck or patio.
our first day at the nursery was completely about reconnaissance. the second – at a different nursery – was to be wowed and make a few purchases…four to be exact. we were directly behind someone who had ridiculously-loaded carts of plants and flowers, along with a ridiculously-loaded price tag. we were just as excited as she was, only our joy was about our four plants, not a multitude. there is a reality to budgeting and we try to plan our purchases wisely, particularly in these times.
our third day out was crowded with people, the nursery was messy and the plants were picked over, but we still managed to find some herbs and tomatoes, lavender, salvia and sweet purple flowers whose name escapes me. our fourth day we filled in the gaps. the nursery had resupplied and we picked up the mint, jalapeños, and little white with purple flowers to contrast with the purples we had already gotten.
d lined up all the pots and planters on the patio and i took out my gloves from the old cabinet we had placed on the deck. and then it started.
from individual elements – these small (though not inexpensive) plastic pots of baby plants – turning into our own backyard sanctuary, filled with potential of beautiful flowers and edible produce. exquisite. each morning we look out the window – in the earliest morning light – to see these new residents of our home. each morning they are enchanting.
one day – over a century ago – all the pieces of barney were put together into an upright piano. where he went from there is unknown, but we found him in the church’s basement boiler room, not exactly a prime location for this musicmaking instrument.
after we managed to have him delivered to our backyard instead of to the junkman, we were thrilled with his presence. his aging might have been preserved by some marine wax, but we chose to go organic with barney. he’s way more of a granola piano than a botox piano.
through the years we have now had him, he has become more and more gorgeous, more and more a part of our backyard, offering shelter to the wee critters, a landing pad for those who fly or scamper. barney’s higher-purpose presence is grounding and part of the peace we feel when we step out our back door.
it’s hard to believe that it is almost june again. already. summer is at the edges.
the last two nights we have had dinner outside on the deck. as the sun just begins to slightly wane – to fall off into acute angles with the horizon – we sit and chat while the garden lights reflect in the pond. we wait for hummingbirds to zoom to our feeder. we watch breck quake in the breeze, marvel at the play of birds and squirrels, adore our dogga laying on the deck in the shade. it is all enchanting.
as the dark begins to settle into the alcoves of our yard – the ferns breathe deeply, the peonies stretch – we yawn and make our way inside. as we settle in under our quilt we talk about our day. we talk about the delights of new plants, marvel at the perennials we are astounded to see again. we are grateful for plastic adirondack chairs, a tiny bistro set, two old gravity chairs and a couple round rugs – the trappings of our deck – a place we truly find enchanting.
as it turns out, we don’t require much to be enchanted.
i suppose it depends on how big your viewfinder is. looking through the viewfinder of a handheld camera brings your rapt attention to whatever direction you have aimed it.
as you know, we often watch the youtube videos of hikers on trail at night, before sleep. we hike the trail – vicariously – through their eyes and it is fascinating to see how the trail changes – and how the trail stays the same – through a multitude of viewfinders.
it is particularly helpful to be on the trail “with” these hikers, for their cellphones and gopros are our eyes until that time when we are stepping the millions of steps on a thru-hike path with a hulking backpack and – hopefully – a lovely mule carrying it. (ok, just kidding – about the mule.)
we just read each other our posts from an earlier day, as is our custom. we write from an image but don’t share until after we are done. it was during the reading of one of my posts that we just stopped – full stop – and said how very fortunate we are…despite everything.
though there is much that would need be “shut out” in order to achieve serene peace, we focused for a few minutes on what is a part of our personal viewfinders.
for a while – years, maybe – i carried a white cardboard square slide frame in my wallet. my dear friend crunch had told me that there might be times that holding the slide frame up in front of me (not close to my eye), closing one eye and focusing on only what i could see through it – while blocking out everything else – might help my perspective. one thing at a time, not the whole picture. sometimes i have found that is necessary.
“just look through the viewfinder…” and the peripheral stuff falls off. at least momentarily. we all have it – all that peripheral stuff, some of which sets the entire somber tone for the entire country, even the whole global world, some of which is personal and keeps us burdened and struggling, some of which is just the picayune detail of life and living, some of which is a bit lighter, less difficult to carry.
years ago my beloved teacher and friend andrea wrote to me, “nothing is idyllic. i think we have idyllic moments. we have to take time to savor what is around us.”
the viewfinder keeps us in the moment and doesn’t let us forget to acknowledge the right now. it keeps us appreciative of the way it feels to smell the coffee in the morning or hear the earliest bird calls. it’s perspective-arranging, gives us a breath when we can hardly breathe. it helps us see the glimmer on the water, the mica right around us. it is life-giving, even if just for a small bit of time.
it gives us what we need to then leave that narrow focus and, once again, look at the whole horizon and all of that which is there.
