reverse threading

the path back is the path forward

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a ruckus. [kerri’s blog on not-so-flawed wednesday]

the tracks tell the story. they came in and mowed down underbrush and trees, grasses and cattails. all in the name of habitat restoration. apparently, there are buckthorn and cottonwood and boxelder and various other invasive species that are suffocating the growth of young native tree seedlings. it looked absolutely devastated. as did the back half of the woods earlier this year after they attended to that section. but there was space for the sun to get through, for air and a bit of new growth. it was necessary.

now, admittedly, the back half doesn’t look as raw as it did right after that earlier eradication. but – it does look different. just as – i suppose – this section of the woods will look…eventually. it’s the meanwhile that is a bit tough to take. it’s stunning to see such emptiness where there was lush. it’s bracing to recognize how long it might take for this area to grow back – to fulfill the potential the ecologists plan for.

but devastation is like that.

in devastation-light we have the basement/attic project. this will all look decidedly worse before it looks better. the categories – keep, donate, sell – are staged all over the basement and have spilled into other rooms in the house. eventually, this will get better. it will look different. right now, though, it is a ruckus of stuff.

all this review of the past, though…it’s good for my heart. tiny salvageable moments derived from these seeming willy-nilly piles…i am wrapped in the after-devastation feels. for this is chosen devastation – choosing to touch all that is in the house and decide about its fate. and maybe devastation isn’t a good word for that kind of parsing out. just because it looks like devastation doesn’t mean it is devastation.

but there will be more culling before there is something that looks and feels good: the cleared out, organized space that honors the before-stuff and makes way for the next. the same way it is for emotional clearing-out. it will all get much messier before it gets air.

the tracks from the backhoes and heavy equipment punctuate the trail. we may wait awhile – maybe a few rains – before we take that loop again. in the meanwhile, we’ll go along the river where the trail is longer and quiet and the trees and underbrush are untouched – at least for now.

we’ll continue our quest in the basement and the attic and every other nook and cranny. we’ll make messes and piles and categorize each thing we unearth.

and the emotional stuff, well, it will surface and it will recede – both. it will be like a tide – just like the basement, it is a choice to pull things out of their previous compartmentalization. just like the basement, it has the potential to be really messy. and, just like the basement, it will be tedious and time-consuming and it is possible for a bit of anxiety to creep into the spaces previously left wide open by keeping it all in boxes and on shelves. suddenly, it’s all free-floating and there are fragments of emotions and tangible pieces of the past right there in front of us.

so we climb aboard our front loaders and excavators and bulldozers. and we start plowing down all the invasives.

and we just may feel restored after it all. we will have relived many memories, touched – really touched - the evidence of time passing. 

and we just may be rejuvenated. the new saplings will be free to grow. 

and we will look forward to lush, breathing easier and feeling the sun on our faces.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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we are all in our underwear. [not-so-flawed wednesday]

with great fervor, he said, “we are all desperate to make sense out of this life.”

“play the fool,” ethan hawke’s words of wisdom.

every day of this mysteriously unknown-unrevealed-unmapped extended journey of life we have been granted – we are seeking to make sense.

and – in the moment of moments – the ones when the abyss is evident or the peak is present, the ones when confusion reigns supreme, the ones when you cannot imagine any more bliss or any more dread or any more ardor or any more devastation, the ones when complexity is the starting gate, the ones on the roller coaster you wish someone would stretch out flat – in those moments none of this – any form of art – any medium, any life-giving expression of creativity – is a luxury. it surely does sustain, heal, breathe life into the motionless heart of fear or sadness. it is the music, the paintings, the photographs, the lyrics, the poetry, the clay pot in your hand, the dance. it is what the pads of your fingers touch just simply by seeing, hearing, reading, smelling, tasting, watching. necessary. of the essence. crucial. fundamental.

“give your heart to everybody you meet. the rest is pretense.” (e.h.)

and – the creators – each of us – stand by, fools all of us. humankind. finding who we are, what we love, expressing, connecting.

“showcasing a piece is allowing it to come to full bloom, to let it breathe in the world, to share it. but showcasing a piece is not for the meek at heart.

in the way you would likely feel standing in your underwear in a town square, introducing the world to some new piece of your heart is raw. on old wooden stages with a piano and a mic, centered on a wall with a tiny price tag placed nearby, during poetry-reading night in the corner of the general store, sharing with the novel-writing club every first thursday, skating the first performance on ice, tapping “publish” on a blog each day … pieces of your heart float shakily about as you try to hold onto sisu and stay grounded. it matters not how many times you have done this. your heart has been unbridled and you are allowing others in. each and every time.” (the underwear moments* – kerri sherwood)

“but then i thought about beauty. i thought about how artists dive below the surface, try to find the depth of meaning, try to hear and see that which others might pass by, not noticing. i thought about stages and boom mics and connection and standing in front of a diebenkorn – or a robinson – deep inside, marveling. i thought about arvo pärt and his absolute tug on my heart. i thought about john denver and simplicity. i thought about recording studios and soaring string sections, cello lines that make clouds rearrange to allow in light. the weaving of intricate relationship between people and nature, between people and art in any form.

there have been moments – and i can actually remember them – when i have been driving and listening to a song and i weep or hiking and seeing something so stunning i stop and cannot move. these moments when i know, without a doubt, that it was right to turn down the business-school-accounting-program acceptance. these moments when i know, without a doubt, that i will not have the same security as the person-i-would-have-been following that route. moments when i feel a sense of pride to be a tiny part of the tapestry of what people turn to in time of rejuvenation, of rest, of crisis, of pure bliss. these moments when i know, without a doubt, that somewhere along the way what i have done with my time has touched someone, has opened them, has taken them diving with me. below the surface of this great big world – to beauty.” (the gig economy tapestry – kerri sherwood)

“…boldness. the uninhibited freedom of expression – artistry come to fruition in the moment of utter sharing. terrifying and liberating. raw and real. the underwear moments.”(*)

this great big planet earth. sedimentary layers of beauty. we are all in our underwear.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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marvel. [not-so-flawed wednesday]

i wonder if the tree looked in the mirror and counted rings, pondering the impetus behind each one, the reasons for the wrinkles of years, ever-forming, ever-widening. it is doubtful that the tree gazed, searching the rearview mirror for clues, connective tissue, remembrances of angst or sublime moments. it seems more likely that the tree just accepted each concentric ring, the truth of time. it seems more likely that the tree recognized the steady strength it gained for each ring, the rootedness each ring-wrinkle brought to it.

it would seem that this could be a good lesson from nature for us. the natural, raw, untouched passing of time shown on our faces, each beautiful in aging. we could acknowledge the years and the easy and the hardships. we could bow to the accumulation of moments, time flying by as we gather minutes in our embrace. we could turn toward each other, accepting and without judgment, full of grace and care, measuring only our love for each other, unbiased by wrinkles or rings, color or patina. we could tenderly touch the faces of our beloveds and marvel.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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the underwear moments. [d.r. thursday]

as you walk in the front door of the gallery, it is straight ahead of you. “unfettered” seizes your attention and the light streaming in the windows spilling onto a warm wood floor and white woodwork seems to embrace it in a cloud. i know how this feels. showcasing a piece is allowing it to come to full bloom, to let it breathe in the world, to share it. but showcasing a piece is not for the meek at heart.

in the way you would likely feel standing in your underwear in a town square, introducing the world to some new piece of your heart is raw. on old wooden stages with a piano and a mic, centered on a wall with a tiny price tag placed nearby, during poetry-reading night in the corner of the general store, sharing with the novel-writing club every first thursday, skating the first performance on ice, tapping “publish” on a blog each day … pieces of your heart float shakily about as you try to hold onto sisu and stay grounded. it matters not how many times you have done this. your heart has been unbridled and you are allowing others in. each and every time.

“unfettered” is gorgeous. it’s – coincidentally – exactly how i feel on wooden stages. it is how i feel on the top of mountain trails. it is how i feel dancing in the front yard. it is how i feel those moments i have been cantering on the back of an exquisite horse. it is how love feels. it is how the sun on your face feels.

“unfettered” is the epitome of its own hanging-on-the-gallery-wall boldness. the uninhibited freedom of expression – artistry come to fruition in the moment of utter sharing. terrifying and liberating. raw and real. the underwear moments.

*****

read DAVID’S thoughts this D.R. THURSDAY

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and the gasket smiles. [d.r. thursday]

every day i hold my breath and touch it. i slowly open the closet, bend down and approach it. i nudge the tiny trap door over to allow space for my hand. the coupling has no idea it wields such power, such angst. but it does. it is disconcerting what 1/2″ pvc pipe can do to your psyche. and so… i reach out and grasp the connection. i daresay i even close my eyes. and every time it is dry i thank our lucky stars. a search of great proportion, text messages and voicemails from our “village” and treks to every plumbing supply house in the area later, we seem to (knock wood!) have solved the problem with a 99¢ rubber gasket and a little repositioning of the pipe. and so we attempt to move on. the ptsd of waterinthebasement demands i test it often; i am trying to release some of this and move from every day to maybe every other day. suffice it to say, the big black plastic bin remains – and will remain – in its spot directly below the offending coupling for some time to come.

this little adventure has set us on a course in the basement. the havoc created a ripe invitation to sort, to clean, to reminisce, to give away. a task undeniably time-consuming and cumbersome, but gratifying nonetheless. the leak itself was smack in the middle of david’s studio, but fortunately had not affected any canvasses. now, at last, as he puts his studio back into place, he will dance with the black bin and his patina-rich easel.

we love patina. perhaps it is because we have patina ourselves. at 60 (whatever) you have no choice but to own it, this “gloss or sheen on a surface resulting from age or polishing”. i never thought of it as “polishing” before. age, yes. polish, no. it seems the opposite. it seems that one removes patina with the act of polishing, an action misguided and not recommended by antique collectors everywhere. which does make me think about all the work we do in this country, in particular, to avoid ‘looking our age’, to eliminate wrinkles and age spots and the bumps and lumps of time-spent-on-earth. seems contrary to the upholding of patina, the celebration of the worn, the shabby-chic, the tattered, the threadbare, the velveteen-rabbit-ness. let’s just call it all wizened-beauty.

much of the basement is dedicated to glorifying wizened-beauty as this is an old house, 93 years worth. in the section of the basement where it is studio, all the pipes and walls are painted bright white. there are spotlight tracks in each area. it does not feel old-basement-ish. instead, it feels to us simply a cozy space, inviting our presence. the studio that holds david’s standing easel, the space that holds paintings-waiting-for-homes, the storage that holds boxes of my cds, all analog in a digital world. that studio also holds two rocking chairs, both with treasured history. one from spaces-of-painting past and one from the nursery upstairs that only exists in memory now. how often we have each rocked in those respective chairs. how much time has gone by. not fancy and definitely sans polish, they hold steadfast. they are there for the times of muse and the times-in-between the muse. and times like now.

the studio in the basement waits, just as my studio where my piano waits. raw opportunity, beckoning each of us as we rearrange, store away, go through, readjust and re-enter.

the gasket, up above and comfy in the coupling, looks down and smiles at what it started.

*****

read DAVID’S thoughts this D.R. THURSDAY

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this underpainting. [d.r. thursday]

underpainting

an underpainting is raw.  an authentic beginning, an authentic step in heading to a “finished” product.  often i am the one who asks david to stop…stop here.  there is something that speaks to me from the canvas of underpaintings.  something that says, “look.  i am here.  i am not perfect.  i am not done.  but i exist.”

maybe it’s the connection to real life, to humanness – the not-done-ness, the not-perfect-ness, the here-existence – that appeals to me.

it is a suggestion of completeness, but not yet really measurable or judgeable.  it is a tendency toward finished, but not contrived or overly-intended.  it is a step in the direction of a painting that an artist deems done, but a step, a ‘done’, we each see through our own eyes.

it is a parallel of life.  a start.  a blank canvas.  raw color.  authentic steps.  imperfect.  not done.  but here.

read DAVID’S thoughts this D.R. THURSDAY

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