much like the teacher in the peanuts cartoon (do not pass go until you watch this!), sometimes when people around us speak – even people we love dearly and eternally, even people who are wise and whose opinions and advice matter, even people who are thinking of our and their best interest, even people who are well-intentioned, even people who want to have thoughtful shared-planning-the-future discussions – we hear “wah-wah-woh-wah-wah-wah”.
we are the victims. we are the perpetrators.
the blah-dee-blah-dee-blah. the eye-rolling moments. the oh-geez-good-grief-criminy. the if-i-sigh-will-they-hear-me-and-stop. the maybe-yawning-would-work. the what-can-i-say-to-bring-this-overkill-conversation-to-a-screeching-halt. the distract-distract-distract. the load-up-the-cleverly-snide-remark-and-shoot.
ahhh yes. and then there’s the faux-innocent-smug-comeback.
and no thanks to cervantes here. clearly, he was full of double-talk.
it all looked pristine for a while, after it snowed. a fresh blanket of white covering our yard and its blemishes. for the time before the wind started blowing and the snow started shifting, you couldn’t tell that the front yard was all torn up, that there is a large grassless mound – like a dune on the long island coastline – that stretches from our house all the way to the street.
the backyard also. pristine. a white canvas, dotted with tall old evergreen trees, ornamental grasses gone to brown, feathery plumes waving, the pond frozen and still.
there are folks whose yards will continue to look that way – pristine. the snow will remain untouched, smooth, perfectly showcasing shadows as the sun peers through tree limbs and plants in fallow.
the moment we open the back door and dogdog runs out, the illusion of perfection ceases. pawprints obscure the shadow art as he tears into the blanket of snow, nose down, gleefully devouring it as he goes. he is a winter dog. there is no doubt about it. he comes in reluctantly – laden with snow – after laying on the deck on top of snow, surrounded by snow, under new snowfall. it is his time.
sometimes i wonder if we can just save the front yard, just not walk in it, just not let it be disturbed. we can look out the window and gaze at that which makes everything profoundly beautiful.
but then there are squirrels dancing about in the snow and the tiny footprints of birds. there are prints of a stray cat and maybe a raccoon or two. the grasses dip under the weight and the gusts, brushing aside snow like small brooms. there are bootprints of the guys who installed our temporary sidewalk and shoeprints of our postal, ups, fedex, amazon delivery people bringing us mail, cards from people we care about, packages of things we need. the wind has blown off the straw-covered mound, exposing the filled-in trench of a new water service line, a tiny winter miracle in itself.
and i realize that as stunning as pristine is, it is perhaps illusory and most definitely ephemeral.
instead, we celebrate the messy, the prints in the snow, the elated dog, the windblown fresh snowfall, creatures seeking food and shelter, the interrupted shadows.
maybe it was the glass of wine in my hand, but i doubt it.
we sat at the table in our sunroom, happy lights on, gazing into the inky blackness of the backyard. it was still rather early in the evening but, these days, dark happens early. it suddenly caught my eye and it made me laugh. the backwards “let the adventure begin” seemed just about right, right about now.
we bought ourselves this little wooden sign a few years ago now, for the littlehouse on washington island. it graced the table that looked out on the lake and was the opening line of our time with TPAC, a magical performing arts center on that tiny island. a treasured adventure. and then covid. we packed our sign into a bin and brought it back home.
it sat in the bin in the basement, quiet, for months or so, i guess. then we redid the sunroom…more plants, our table, a new rug, an old door on horses, happy lights, an old suitcase. a few more adventures later – and i went downstairs, seeking the sign.
it sits on the old door in front of the old suitcase that holds the old cd player and lost-man, who is a stuffed mountain goat that reminds us of an amazing hike our intrepid girl took us on – to lost man lake on independence pass, with exquisite high elevation views and tufts of mountain-goat-fur snagged on the branches of bushes along the trail.
“let the adventure begin” makes me smile every time i see it. for it has already begun. we are in the middle of it. covid and wrists and job loss and angst and incredible-joy-times and glasses of wine and dogdog moments and new work and questions and hikes and dancing and music and plans and tiny trips and big trips and grief and laughter and babies and water and cartoons and writing. the middle of it. no re-sets necessary. like the tide, it ebbs and flows, but it’s ever-present, this adventure. like john lennon said, “life is what happens to you when you’re busy making other plans.” while you are waiting. it’s right there.
when i was in junior high or maybe early high school i had to do a project for science class. i had this clock that, for some reason, ran backwards. a big round face, the second hand ran backwards, which pushed the minute hand backwards, which pushed the hour hand backwards. with a master bulova watchmaker as my dad, we collaborated on this mysterious phenomenon: time running backwards. we researched and experimented, asked lots of questions, tried to get the clock to go forwards. it never did. instead, we devised a new face for the clock. and we learned how to read the time as it ran backwards. it made us think and laugh and think more and, also, gave us an interesting perspective on time. it’s happening. whether it’s forwards or backwards, it’s marching on. we simply need to adjust and adapt. at dawn, in midday, at dusk, in the darkness.
it was particularly funny to me when this sign – “let the adventure begin” – was backwards in the window reflection. well, maybe not really funny. maybe just really, really wise.
it feels like it might have been an even-greater little sign painted that way.
you know you have a nutella-reputation when more than one person sends you nutella in the mail, via ups, on the fedex truck, in packages at your front door. i went a little crazy when i discovered it. it had been around; i was not an early adopter, but when i fell, i fell fast.
johnathon and i walked around amsterdam, eating, sipping espresso, laughing. when we came upon him, i could not help myself. i don’t usually do this with strangers, but i kissed him – the nutella man. he was coy, slightly unnerved, but mostly unmoved by my ardent display. it was sheer bliss for me. and he had the biggest jar of nutella i had seen to date. so, yes, in this case, size matters.
all over paris you can get waffles with nutella and nutella on crepes or croissants or toast, nutella on fruit, nutella in coffee. it’s omnipresent. the nutella carts are everywhere. there could possibly be nothing more enticing than a bench in jardin des tuileries with espresso and nutella and your beloved.
we recently introduced david’s momma to it. she has found it to be a staple – apples with nutella are pretty amazing. for us, it used to be animal crackers and nutella. ohmy! if you haven’t tried that, you must. it is a worthy dessert!
we haven’t eaten a whole lot of nutella in recent times. the whole30 diet knocked it out of the rotation. costco wrote us a letter asking if we were ok; their sales of hazelnut cocoa spread were plummeting.
in truth, i miss it. the nutella chip in my brain is quivering.
he was this guy who would pick me up in his blue convertible camaro and have flowers tucked into the visor. or a stuffed animal peeking out from the glove compartment. when it was my 18th birthday, he drove 45 minutes late at night to decorate my vw bug with roses and install a big sign on the oak tree outside our front door. he bought cards and concert tickets, taught me how to play tennis and took me to restaurants all over the island. in the spirit of the 1970s susan polis schutz calendar he gifted me, he also gave me a small poster, which i still have.
“i am not in this world to live up to your expectations. you are not in this world to live up to mine. i am i and you are you. and if by chance we find each other, it’s beautiful.” (fritz perls)
the small evergreen was particularly beautiful, standing out in a part of the woods that surrounded it with tall hardwoods. its singularity made me stop and photograph it. i felt connected to it, the odd-one-out in a large grouping of the more-similar. i told it that it was beautiful and blew it a kiss.
this sweet pine tree in the national forest was tiny in comparison to nearby 80 foot giants. it must love winter, when the leaves of its neighbors no longer form a canopy blocking it from the sun. as you hike, your eyes adjusting to the brownness of the trail, it becomes a source of color, and you hungrily take in the green of its needles, its softness in a world of bare trunks. you begin to notice other tiny bits of green here and there, a little surviving underbrush here, a little sapling there. color returns.
when i was still 18, and he was a few years older, he asked me to marry him. he was a kind man, and probably still is. i was not – at 18 – ready. i still had more love stories to relish and love stories to regret. i had good sun and hard darkness ahead. i had moments of the-only-one-in-jeans to experience and times of growth when the canopy opened to the sky. i had hardwood forests to stand alone in.
and life moved on.
“but i look up high to see only the light and never look down to see my shadow. this is wisdom which man must learn.” (kahlil gibran)
i know the little pine tree blew a kiss back to me.
even on a foggy, overcast day, looking down from the ridge the glow was unmistakable. the everciduous beech trees stubbornly held their leaves, dying the brown woods a shade of cantaloupe or hard-to-identify pantone.
the forest floor below our feet was shuffling-full of leaves, oaks and maples and a variety of brown county timber. vines curled their way around trees in attempts to find the canopy. on this winter day, were it not for the marcescent beech, we could see further than any other season in the woods.
marcescence, i’ve learned – for this is not a word that sprang to the forefront of my mind – is the retention of leaves through winter. it isn’t until the leaves are completely brittle and wind takes them that they drop. and in the meanwhile, new growth – new leaf buds – have been protected and had access to nutrients and moisture, a sort of still-on-the-tree mulch.
it occurs to me that marcescence is like changing jobs. one generally holds onto a job until retaining the next, the security of employ feeding confidence and necessities while new awaits. it’s always a little disconcerting to leave before next is there, a leap of faith, sometimes, a premature leap, with regret.
yet sometimes, it is absolute. we drop our leaves. we stand naked in the forest, tall and exposed, willowy trees waiting for spring. sometimes we shed all that protects us and take risks and go fallow in liminal and shiver in cold winds. we gaze around and see everciduous folks nearby, confident, predictable, stalwart. we dig in, deep roots of belief in ourselves despite weather that tests us. we draw from the ground, are fed by what we know, what we have learned, what we have created. we hold onto tiny bits of light. we protect the glow. we push on.
and new buds show up. spring always follows winter.
while she explained to me the presence of the cross on the back of the donkey, he explained to david how he installed the sun-seeking solar panel in the barnyard. both exist here. the old world donkey and the twenty-first century solar panel. together.
he told us that they were about our age when they started to make plans for next steps. they sorted and listed and researched and made decisions for their next phase, moving to acreage further south – in a bit more temperate clime – closer to some family, out in the woods with ridges and ravines, living their dreams for the next of life. “you should start thinking about that now,” he encouraged us. he’s right. we think about it all the time.
“the world never comes at you all at once,” john o’donohue wrote. “you are not simply here. neither are you definitively and forever ‘you’.” … “no person is a finished thing.”
things you can count on. change and change and change.
we know change is imminent. and change has already arrived. and we have exited change, taken the doorway that reads “next”. and we can see more doors and more doors. they are a little further away, like trail markers, choices to be mapped, routes to follow, narratives with gaps to fill in.
maybe a coupla donkeys, a coupla horses, dogdog, mountains, cherry tomato plants, and trees. our lives will evolve.
in our mind’s eye, we paint ourselves older – hopefully wiser, but i know there’s no guarantee of that. we paint the hue of early morning sunrises over peaks near and far. we paint old porches and adirondack chairs. less stuff and more time. old world and new world. much like now, we paint in mugs of coffee and glasses of wine bookending the day. we paint in people we love. we paint in hiking and writing and new recipes and doing the art we do. it’s unfinished, this canvas.
life is not a paint-by-number. and solar panels and donkeys co-exist in barnyards. and we are not definitively any particular colors in any particular place doing any particular thing. we are made of dreams and change.
i was going to write about the gig economy. about how living a life – mostly – in that world has given me a perspective about work that is maybe a little less rigid than the perspective of one who has worked outside the gig economy. always piecing it together, always scrappy, always thinking of the next new thing to create – these are second nature. not having as much, worrying, repurposing, having thinner margins – these are also second nature. in the middle of the middle of what-next thinking, outside the box of indeed and monster and ziprecruiter and simplyhired and random sites that seriously suggest i apply for positions as a neuroscience researcher. “now what?” people will ask – mostly who don’t really know me or who are drawing comparisons with their own lives. i was going to write about all that.
but then i thought about beauty. i thought about how artists dive below the surface, try to find the depth of meaning, try to hear and see what which others might pass by, not noticing. i thought about stages and boom mics and connection and standing in front of a diebenkorn – or a robinson – deep inside, marveling. i thought about arvo pärt and his absolute tug on my heart. i thought about john denver and simplicity. i thought about recording studios and soaring string sections, cello lines that make clouds rearrange to allow in light. the weaving of intricate relationship between people and nature, between people and art in any form.
there have been moments – and i can actually remember them – when i have been driving and listening to a song and i weep or hiking and seeing something so stunning i stop and cannot move. these moments when i know, without a doubt, that it was right to turn down the business-school-accounting-program acceptance. these moments when i know, without a doubt, that i will not have the same security as the person-i-would-have-been following that route. moments when i feel a sense of pride to be a tiny part of the tapestry of what people turn to in time of rejuvenation, of rest, of crisis, of pure bliss. these moments when i know, without a doubt, that somewhere along the way what i have done with my time has touched someone, has opened them, has taken them diving with me. below the surface of this great big world – to beauty.
anonymity is not a strong suit of airbnb. and, for us, that’s exactly the point. the relational piece of staying in places other real people own does not usurp privacy. but it offers a glimpse into lives – those which you may never have peeked into otherwise. without reservation, i would say that most all of the airbnbs we have stayed at have been owned by someone with whom we’d love to be friends.
the window that opens when you unlock the front door to the tiny house, the condo, the bungalow, the loft, the cabin, the cottage is an invitation. on the most basic level, it is an opportunity to see how someone else makes a space a home, how it’s designed, how it’s appointed. it is an opportunity to reconstruct – in your mind – something about your own home, an idea to take with you. it’s a chance – for a bit of time – to experience another place as-if-you-live-there: to wander and cook and porch-sit and immerse, even a little. when you stay in the vicinity of the owner’s place it changes things, for then, on a whole ‘nother level, it’s an opportunity to see morsels of how someone else lives, their real-life. and when you have the chance to meet the person or people who host where you are staying? that is a gift.
sitting on the adobe open-air-to-the-mountains-balcony off the bedroom in ridgway, in rocking chairs on the front porch on the farm in kentucky, at the table overlooking snowmass, under the après sign in breckenridge, watching people go by in tiny brevard. it is not without wonder we think about places we will stay someday.
and, i guess, not surprisingly, there’s something about all these places that makes us say, “we could live there.” something different than what any hampton inn, our hotel chain of choice, can offer.
it is not randomly that i pick out places to stay when we travel. i carefully consider location, amenities, the presence of light, whether or not we can cook, if there is outdoor space, a fireplace, a kitchen counter where we can chat. i look at pictures and read reviews and one will always jump out as a place that looks like us. so not so random.
and i guess it is not random either that we meet people – it boils down to the people – who stand out. they are living lives and opening themselves up to others. in providing more personal lodging they are reinforcing the humanness and opportunity of travel. they remind us – again and again – to be just a little more vulnerable, just a little more open. we don’t walk in someone else’s shoes, but to stay in someone else’s home, even for a night, has given us the tiniest chance to know them and to get where they are.
each of us can rack up the could-haves, like in a pool triangle, all stuffed in next to each other and ready to break with a cue. fragile, though. we can look back and think “why didn’t i…?” time and again. we can regret.
i suppose the gift of a new year – and those dang resolutions – is to sort and reevaluate the things that you consider important, the things worth continuing, the things worth letting go, the things worth learning. new practices of things-to-do and new practices of things-not-to-do. the lists permeate our brains and hearts, nagging, nagging.
there is a meme, well, many memes, circulating about betty white. it states something like “you have lived a really good life if, at 99, people say you have died too soon.” i realize that betty was inordinately popular, successful, always at the top of her game. but she was a real person, too. and she had to decide how to live. her positivity and laughter gifted each of us who have watched her or listened to her. in a recent interview she recommended, “taste every moment”. mmm. not at all corny, just a simplicity, a reminder.
we carry this pop-up-dinner table and stools around with us, switching from big red to littlebabyscion and back, depending on which vehicle we are driving. when big red refused to start for our road trip over christmas, we transferred the pop-up stuff into littlebabyscion and packed up to go.
we know we could have eaten at the sweet dining room table in our airbnb in the little mountain town. we ate there several times. but that last evening…we needed just a bit more time on the front porch, a bit more time outside, a bit more time admiring buffalo-plaid-man’s holiday decorations across the street, a bit more time in that town. we set up the pop-up table and stools, put up the luminaria again, lit a candle, brought out hors d’oeuvres for happy hour and, later, dinner. a little more effort, but not really much. everything tasted better out there. each moment.
before we even left home and while we were hiking in those north carolina mountains i thought about the new year approaching. i thought long about grasping onto the opportunity to just go, roadtrip to a new place, changing pattern. i thought about chances to amend, to let go, to reach out, to break the racked-up could-haves. big ways and little ways. i tasted a few resolution-ish moments, trying on for size – acting on – some of those thoughts-i-had.
and even in my first meager efforts – nothing earthshattering, nothing that will likely change the whole wide world – i must say, betty’s right.
reverse threading 