the cheesecloth sky filtered out most of the sun over the trail through the woods. others had been there before us; the snowmobile track interrupted by the plodding hoofprints of a horse, picking its way through inches of snow. we were next, our boots crunching and breaking through crust the bit of sun had settled on the top of the snow. we saw no one else. we passed by no one else. the quiet was welcome; the quiet was necessary.
in the distant clouds we could see the brush of setting sun. and the lyrics, “…right now it seems to be more than enough to just be here today, and i don’t know what the future is holdin’ in store. i don’t know where i’m goin’, i’m not sure where i’ve been. there’s a spirit that guides me, a light that shines for me. my life is worth the livin’, i don’t need to see the end…” (sweet surrender, john denver)
we were awake in the middle of the night. this is more usual than unusual these days.
we talked about the elongated hexagon of life. of the start. of sweet babies lilah and jaxon and their beginnings – their exponential learning day by day, their attaching to people, to things, to understanding. the billowing ever-widening incandescent rainbow bubble of possibility that surrounds them as they grow, as they become.
we talked about the elongated hexagon of life. of the end. of the narrowing down of experiences, the detaching, the ever-decreasing possibilities of dearest columbus, in the journey that minds take on roads of dementia.
we talked about the elongated hexagon of life. of the middle. of the time in the center. of our lives. “more than enough…just to be here today…more than enough…”
the trail is familiar; the trail is different every day we take it. we trace deertracks with mittened hands and build snowmen and snowhearts with the powdery snow in the shade of the trail.
we don’t know where we’re going. we can’t see the end. we are smack dab in the middle. and, on this bitter cold day in muted woods under a cottage cheese sky in silence, that needs to be enough.
with a peace sign dangling around her neck and a bandana wrapping her hair, andrea would stress how important it was to choose our words wisely, to weigh those choices carefully, to take time, to be thoughtful. she was the.most.amazing. english teacher. her words still echo in my mind and there are so many moments that i wish i could sit with her, have coffee with her, ponder life with her. that she is on some other plane of existence for a few years now is too much, too soon, and too late for me. john glenn high school was fortunate to have her and those of us who sat in the chairs in her classroom were gifted with a spirit that generously still swirls around me and i’m sure many others. it’s where i’m from.
“watch what you say,” momma would tell me. “you can’t take it back.” yes, once those words are out there, they are out there. no one can erase them and the damage or good they do is a part of the universe-story. my sweet momma adored words. in her later years, sometimes we’d have to have a chuckle as the wrong word would surface and the right word would stay in that moat i always profess is surrounding our synapses. we would search for the right word while swimming in the wrong one, but we’d eventually get there. her words echo in my heart. it’s where i’m from.
now, i have to say that there are many among us – i’m sure myself included – who are not choosing our words wisely, who are not consistently watching what we say. and in these times, in every single arena, that matters.
this morning we read an article about the terrifying january 6 insurrection at the united states capitol: “some of you have recognized that this was such an egregious incident that you have turned in your own friends and family members,” the assistant director in charge of the FBI’s washington dc field office stated. an appropriate use of the word “egregious”.
egregious: (adj) outstandingly bad; shocking.
from dictionary.com: egregious: extraordinary in some bad way, glaring, flagrant.
according to legaldictionary.net: “in a legal context, the term egregious refers to actions or behaviors that are staggeringly bad, or obviously wrong, beyond any reasonable degree.”
now there’s a word. “egregious.” one would think that the divvying out of such a word would be with great forethought, with a deference to reality and the measure of truth, with reserve and adherence to its definition, without exuberant overuse. yet in these times it is appearing in more than just cameo roles.
the washington post had an article titled, “the egregious gaslighting around trump’s handling of the pandemic” (philip bump). an appropriate use of the word “egregious”.
hillary clinton has been quoted saying that impeachment was placed in the constitution in the event that there would be “a leader whose behavior would be so egregious, so threatening to the republic, that there had to be a remedy.” yet another appropriate use of the word “egregious”.
i have used the word “egregious” twice in my own blogpost-writing. once was in my post “indecency keeps getting rewarded” and the other time was in my post “what moms (i) want“. both times i weighed this word, tossing it around in my brain, checking its definition, making certain it was the right word. because – that’s where i’m from. i could hear andrea and my sweet momma cautioning me, “once it’s out there, it’s out there.”
because these times are really not at all ordinary, we are seeing the use of strong adjectives, heavy-hitting adverbs. we are reading and hearing people-who-are-trying-to-make-a-point wax poetic or spew rhetoric, both. we grant them an audience as we read, as we listen – ourselves. it is up to us to decide if the words that they choose are appropriate, wreaking an equal action or reaction, if they are exaggerated, wreaking panic, if they are scandalous, wreaking havoc, if they are slanderous, wreaking destruction. we are responsible persons – capable of question-asking, fact-checking, stepping back from drama and observing through eyes of truth-telling.
i guess it all depends on where we’re from.
incidentally, the archaic definition of egregious is: remarkably good.
“whenever i feel afraid i hold my head erect and whistle a happy tune so no one will suspect i’m afraid.” the tune from the king and i has gone through my head more than once in my life. the feel-good song you carry with you can make a difference (this is directed to our jaded babycat).
we have watched national geographic’s life below zero for a few years now. it’s not hard to develop “relationship” with the people on the show, especially now, in times of pandemic when you see few others. the hailstone family is based in noorvik, alaska. it’s brutally cold, removed and not an easy place to live. agnes hailstone, the 40-something matriarch, has a can-do attitude. the striking thing about this family is their positivity. what they are like off-screen is of question, but on-screen they are encouraging, supportive of each other, never undercut what the other is doing, and always have a more positive zeal than i ever could muster out on the negative-temperatured tundra in dim light and a freezing-wind stormy day on a snowmobile going 40mph for miles and miles across a frozen lake in search of a fish or maybe two from a tiny augured ice hole. “you can do things happy or sad or mad,” agnes said on a recent show, “but it’s best to just do things happy.” she adapts to new challenges, weird-stuff-that-happens, and seasonally-repeating obstacles as they arise and has passed her can-do-ness on to her children, her grandchildren, her spouse. she doesn’t give up. she is pretty heroic in my book. she must have bobby mcferrin humming in her head, “don’t worry. be happy.”
it’s impossible to not dance when you hear black eyed peas’ “i gotta feeling that tonight’s gonna be a good night”. it’s not likely you can resist with james brown’s “i feel good” or john denver’s “sunshine on my shoulders makes me happeeee.” it’s without question that “here comes the sun, dootin doo doo” easily elicits you singing along the famous line “and i say, it’s all right!”
but what about in the quiet? what about when all is silent, when all lyrics have slipped from your ready grasp, when you can’t think of a song to save your life, as the expression goes? then what? what do you draw from?
i suppose that’s the reason my sweet momma started the day by saying “good morning, merry sunshine.” or why my sweet dad would look at things that were challenging and simply say, “well, how do you like them apples?” after living lives full of challenge and the roller coaster of emotional heave-hoes, they chose to greet the world in each of their experiences with positivity. hearing my dad’s whistling told me everything i needed to know – they were ok in the world, no matter what. they chose it.
agnes hailstone and my mom and dad would like each other. and dogdog. dogdog too.
the snow around it was untouched, pure, driven by wind. the grey of the day was serene, quiet. the chair waited.
we had passed by the chair a few times before. it sat, unsat-in, looking lonely and wistful, as only empty chairs can look. the chair waited.
after the fresh snow had fallen, we pulled on snowpants and magical down mittens. with roads barely plowed, we trekked around the neighborhood, coming upon the chair, waiting.
it was as if i could hear its sorrow as we approached, this chair left outside with no takers. without hesitancy i walked to it, to sit in its snow-filled seat, to ponder life for just a bit of time. i could feel the chair smile.
we giggled at the absurdity of the easy chair in the snow, but the chair just sat, gleeful with the company and the sound of laughter.
the technicolor snowglobe moment looked black and white, stark contrasts against powder. the chair felt hopeful, color returning to its chair-life.
as i stood to go, i silently thanked the chair and wished for its adoption by someone who needed an easy sit, a place to wonder.
we walked away and i turned back just once. the chair was sitting up straight and tall, stalwart, steadfast, heartened.
a day or two later we went by the place where the chair had sat. recent snow had filled in where it had been, filled in my bootprints around it.
ken, my producer, called it a ‘thinking note’ and he’s right. he knew i’d get to the point, but i had to get past the moment of time during which i could not think. in music, the thinking note buys that time; you are held in the shallows of suspension until released into the rest of the sentence. it slows the breathing down a little; it gives rest where there is no rest.
since the instrument of choice for politicians is spoken word, the thinking note has become “look”. i would count how often we hear it, keep hash marks to tally it all up, but that would be unnecessary and tedious. instead, i giggle every time i hear it, viscerally knowing the person who is about to speak is maybe buying a tad bit of time.
in music, the thinking note is a prelude for more, the honest line of melody, perhaps an entrance into a new theme, the slight pause of artistry, the powerful momentary suspension of new sound. it’s the “look” spoken by music. sometimes, though, for me, as ken will tell you, it is simply procrastination, when composition or improvisation falls into the moat surrounding the synapses in my brain – stopping all forward thought for the moment – as i wait for creativity to climb out of the gatehouse and make it to the next note.
in politics, i wonder…does “look” serve the same purpose? is it a prelude for more, an honest line of narrative, an entrance delving into a new topic, a suspension of speak to take a breath and gather thoughts? is it useful, preparatory, formative space between a question asked and an answer given? or is it something else? it feels a little like over-convincing when someone says “look!” to you. a snap-to-it-pay-attention admonition. perhaps an entrance into a one-way conversation. a bit aggressive.
as an artist and not a politician, i’d have to say: look…ummm…i have no idea. maybe we should ask ken.
the cicada was silent, attached to the deck. it was late spring/early summer of 2015 and this insect had chosen our deck as its place of transition. we watched the shell, cautious to not disturb it, waiting for something to happen. until one day it began to emerge, looking much like an extra-terrestrial, wings of flight opening and drying in the sun of the warm day. it was a stunning process from nymph to adult, all silent, with no fanfare for this remarkable transformation. suddenly, this little being was present on the earth, ready to make some noise.
silence to noise – a transition from nymph to mature adult. a lesson, perhaps, for humanity.
our progression from without-words nymph-baby to with-a-voice mature adult, a transformation of growth, of learning, of critical thinking, of fortitude. as cicadas raise their voices to the sky, buzzing and clicking, choosing their song, their chorus wisely, they answer an intuitive call, they align in truth to their purpose, their place on earth. much the same perhaps should be mature adults – answering an intuitive call, choosing their song or chorus wisely, aligning in truth.
there are times we find ourselves in hush. stunned into silence by the words or actions of others, we sit, ensconced in the shell of our exoskeleton. we wait and we watch. and then, as we rise as winged and responsible people, we have the opportunity, the obligation, to speak – to speak up, speak out, speak for, speak against, speak to truth.
perhaps there are adults who have skipped their instar stages, those phases of development that insects pass through on their way to maturity. perhaps they should have lived underground like cicadas, feeding on roots, a bit longer before they emerged, before they walked on an earth where they felt they could use their words to hurt or harm others. perhaps then, after a slow transition into maturation and with no fanfare, they would choose their buzzing and ticking with more forethought, with more compassion, with more honesty, with more wisdom.
sarcasm is babycat’s modus operandi. his viewpoint is much more cynical than dogdog’s, who is a tumbling optimist. dogdog listens to the rise and fall of our voices and reacts accordingly. babycat merely takes a look at things and lists his sweet hulking body to the sardonic.
we read it on a wall in chicago: “everything will be ok.” i really want to believe that. there’s so much.
we are not 65. nor are we essential. workers, that is. so it will take some time before we are eligible for vaccines. the mutation of the virus sounds like it will give the vaccine a run for its money and, still, we drive past full restaurant parking lots, bustling bars.
yesterday was the year mark on my broken wrists. my right wrist refuses to cooperate, having been stunned into re-injury in september. i wonder how it will be in the future. there’s a lot i want to do with that wrist.
we are sharing the crossroads of before and after with the millions of unemployed people in this country. we search for ways to use all we have learned, all we have done, all we have experienced, to make a difference in the world today.
we wonder about people who used to be an integral part of our lives. we try to understand things that have no real explanation. i try to shove the grief into a corner and the anger into another corner and take off the boxing gloves. we hike on the snowy trail and those gloves are nowhere to be seen. but reality returns back in the car somewhere on the way home and then we try to move beyond the big disagree, this thing that lurks, the poison that was pointed my way.
we watch from afar, our hearts hurting, as d’s sweet dad is moved into care, out of his home, away from his wife and all that he used to recognize. we tether ourselves to our phones to field any calls from his momma as she tries desperately to deal with all the details, the loneliness and worry and fear that brings her. she made sure he has his record player and records to listen to and she yearns to be around people at a time that is most dangerous.
and we scroll through the news. our sigh of relief with this new administration is consumed by lies perpetuated by complicit voices of violence, of extremism, of overthrow. it takes our breath away to read of legislative branches, in states and in the federal government, making excuses for the dreadful and inexcusable mayhem, the inciting of riot, in our nation’s capitol. racism, gender-discrimination, ignorant social injustices are rampant. the chasm is ever-widening and the bridge is ever-crumbling.
i have never been a fan of pedestals. pedestals encourage blind faith in someone human, not really useful in a world of imperfection. pedestals encourage a spirit of elitism, that kind of ladder-rung-sorting not really useful in a world striving for equality, for unity. pedestals encourage silence, not really useful in a world where chinwags and truth should go hand in hand.
when i was not yet a teenager, in 1969, my big brother got married. he and my sister-in-law, even at their own young ages, became really involved in marriage encounter – a weekend retreat celebrating marriage and delving into “vivencia”, the life experiences that brought them each to where they were together. because i adored my brother and his wife, and because i spent an inordinate amount of time with them, they included me in on their learnings and encouraged me to reflect on my own shaping and dreams. i will not forget the conversations we had about masks.
we talked about mask-wearing for long hours over mounds of ice cream and big glasses of iced coffee. my brother was adamant about dropping the elastic bands holding the mask over one’s face, in opening eyes that had been tightly shut, locking out verity. his words about being who you are – who you really are – not who the mask you are wearing says you are or how it hides who you are – echo in my mind and have partnered with my own feelings about pedestals.
i have had to revisit his words likely a zillion times through my life and wish he were sitting here now to continue the conversation with him.
filling in the blank with a person-put-on-a-pedestal or one-wearing-a-false-mask, i have been reminded time and again that just because _____ said something (whatever that something is) doesn’t mean it’s right.
i have silently thanked my big brother again and again for reminding me, with that nagging voice in my head that eschews ladder-runging, of the value of each one of us, sans pedestals, sans masks.
i have sought, both with success and with failure, to stay true to his important words, to identify any masks-in-the-moment, mine or those of others, to stand on the ground next to each other, in the middle of generous strengths and vulnerable weaknesses, struggling on the human seesaw of magnanimity and selfish motives, giving up any expectation of perfection in exchange for the acknowledgement of limitations and the offer of hope, trying to just be.
pedestals and masks, both wearying, both a waste of good living, both not really useful on this good earth in trying to just be. thank you, my big bro, for the reminder in the ice on the deck.
the sun was setting over the mown hayfield. i pulled over to capture it, to watch. the heavy cloud cover was passing and the glowing orange ball owned the horizon. day was ending. night would bring rest. and a new day would dawn.
in this world where we rotate ever-in-motion, there is assurance of a new day. there will be another dawn. and then, after a day of time-spent, there will be another dusk. and then, after a night of time-spent, there will be another dawn.
as we wake these mornings now, we look to the horizon for little bits of hope, little bits of new-day reassurance.
we grasp onto the transition to a new administration for our country, compassion and decency and brilliant minds guiding us.
we clench onto the way out of the pandemic raging across our country, across our world. we double-down on our decision to choose safety over the overwhelming desire to be done-with-it.
we try to feel a little less tired, a little less exhausted by it all. we try to refill our meager energy with the adrenaline of new.
we all seize tiny pieces of sun as we struggle with the anxiety of these recent days. we crawl out of the shadows bit by bit. so many of us have much to try and comprehend, much of which to try and make sense.
all of our personal stories include the loss of loved ones, the loss of good health, the loss of stability, the loss of basic needs, the loss of movement, the loss of community. all of our personal stories bring shade into places we yearn for sun.
i grapple with the grief of losing a career, with hypocrisy and isolation, with no real understanding of what-just-happened. i have conversations in my mind with people who turned a blind eye, who collegially turned their backs, who refused to have any conversation, who never asked questions, who alluded, who made assumptions, who never reached out, who seemed to care less, who would not even look at me. i squeeze closed my eyes tightly to try and forget and look to the glowing sky of a new day and take a step.
we grapple with starting the story of a new beginning. in the middle of all this, new beginnings are elusive, like trying to catch a ray of light in your hands.
we all grapple with this time of darkness. we know we are waiting for the sun to touch our faces and bring hope.
we know it will show up each new day – in people who love us, in kindnesses and care we receive and offer to others, in reaching out, in honest eye-to-eye contact, even over our masked faces, in generously listening to each other, in asking questions and learning, in working together, in the glowing orange ball on the horizon. and each new day we take it in, just a little bit more.
“it never occurs to us to wonder how the earth sees us. is it not possible that a place could have huge affection for those who dwell there? … could it be possible that a landscape might have a deep friendship with you? that it could sense your presence and feel the care you extend towards it? … perhaps each day our lives undertake unknown tasks on behalf of the silent mind and vast soul of nature. during its millions of years of presence perhaps it was also waiting for us, for our eyes and our words.” john o’donohue’s continued writing in this passage from beautyso reinforces personal responsibility for our good earth.
have you stood in a place, grounded into the dirt, unable to step away? have you hiked in, willing the trail to never-end, to not enter back into the sphere of bustling humanity? have you laid in the grass, your eyes on the clouds, pushing sleep just a bit to the side, creating words and shapes and animals in the sky, laden with sun-color, untouched by crayons or paint? have you touched the bark of a tree that whispered to you wise words with deep roots? have you cradled the petals of a flower gently in the palm of your hand, silenced by its fragility, its complexity?
and what has the good earth felt about us? have we offered the same solace to its soul? has it been moved by our tenderness? is it listening to our carefully-chosen words to each other or is it reeling, dumbstruck, at words thrown willy-nilly, demeaning phrases, curses and mean-spiritedness uttered in its place? does the earth trust we will do the right thing, that we will preserve its goodness for centuries to come? can it feel the love we have for it or is it begging us to notice the litter strewn on the ground or yet another person who throws trash out the car window? do places we go miss us when we leave or is there a sigh of relief as we pass through to the next place? does this soul wait for our soul to return?
the feeling you get when you arrive somewhere you have never been and yet you know you have been there before. the exhilaration of feeling the invisible source of serenity, the tethers of strength. the freedom you feel at the edge of the canyon, your heart beating wildly, a connection to all that has gone before you and all that comes after you.
how can we ever know the difference we make to the soul of the earth?
reverse threading 