there are small pieces, corners, smidges of david’s paintings that stand out for me. a slice of color or pattern, the morsel, like THE SHADOW OF DIVISION, catches my eye. no less than the painting in its entirety, just differently.
earth interrupted IV and the words he penned on the canvas: let what you seek catch up to you…stand still, stand still… earth, suspended in the midst of a color palette.
the people of this good earth – ever-seekers…surrounded by color…choices…in a moving river…vulnerable…standing still…rotating, rotating. are we mindful?
this good earth – this fragile fragmented globe…its colors…its rivers…its steadiness…its rotation…its vulnerability. are we mindful?
we were in cedarburg and on our way out the door of one of our favorite shops there – leap of faith. i go way back with this shop; during the years that small boutiques sold cds they carried mine and i would, from time to time, play a live performance, hand in hand raising awareness about my music. the silver peace ring i wear at all times is from this shop. i have meandered many a time through this place, breathing a little easier as i peruse and read their cards, signs, gifts, positive messages all, open to all.
as we walked out, i spotted this small bowl of blue marbles and the words “take one”. a symbol for our planet. a prayer for peace. i didn’t need another invitation. the song lyrics accompanying this blue marble hummed in my head all the way home, even after wendy and i loudly sang “i believe the children are our future…”while striding down the sidewalk after hearing it in another shop.
our blue marble, our good earth, tiny in the vastness, might thrive. we might thrive. if not for us, then for the children. our children. they are our future.
i can feel this painting. i recognize it. i have anxiously waited, looking out the window, babycat in lap, dogdog by my feet. leaning forward, i have peered outside…waiting for someone to arrive, waiting for the mail, waiting for the sun to come up, waiting for my mind to rest.
we are in a time…you can feel the nerve endings jittering. it is not a time of rest, nor is it a time of peace and unity. we lean forward, looking out the window at moments passing, hoping to catch a glimpse of tomorrow and see a calmer day, a day where we might find a spirit of cohesion, a respite from the storm of divisiveness.
THEY WAIT…a beautifully poignant painting honoring the ever-faithful companions by our side, quietly and patiently waiting. with no idea of why, with no questions asked, they steadfastly stay with us.
this tree. gnarly and twisted and wrinkly. it looks a little halloween-esque at dusk and could be downright scary in the dark of night. it’s seen so much life, so many decades and its lifeblood travels throughout the healthy tree, bringing and sharing nutrients. home to insects and small creatures, it provides shade for the vegetation beneath it. it’s not just an old tree and it’s not the picture of what we think of when we think of a beautiful tree. but it is. beautiful. you just can’t judge a book by its cover. my sweet momma always said that.
momma would look in the mirror and talk about the wrinkles on her face and how “old” she looked. in her wheelchair she could appear to be meek, wrestling with difficulties and just an old woman. but that was so not so. she had seen much life. she was home to my dad, me and my sister and brother, our families, extended members as it fanned out the branches of our family tree, her friends. she provided warm words and kindnesses to all around her, strangers among them. she was beautiful. every last gorgeous wrinkle. you just can’t judge a book by its cover.
we had a black lab years ago, one of a few in our family history, when The Girl and The Boy were little. his name was hughie and he had at least 47 allergies. he was treated for many of these and we tried to address the auto-immune disease he had as well, but he lost most of the hair on his body. he looked gnarly and rough and wrinkled. as a lab with little hair, he looked scary to those who did not know him. he struggled and, even in his discomfort, was gentle and sweet, a learning for The Girl and The Boy, who were his and, despite his outward appearance, knew what was inside. he was not the picture of what we think of when we think of a beautiful dog. but he was. beautiful. you just can’t judge a book by its cover.
inside. beautiful. how hard is it to always remember that? you just can’t judge a book by its cover.
i shudder when i hear the words “…and never the twain shall meet…”(rudyard kipling) in my head when i read this. but sue aikens’ words (on life below zero, she is a strong alaska-proof woman living in the arctic) were not a viewpoint on the polarization of our country. they were merely the way she was describing the ropes she sets outside her buildings so that in the middle of fierce snowstorms she will be able to find her way, despite not being able to see in the swirling snow.
in life – intellectual, emotional, political life – however, there is a middle ground. but it has become difficult in our current climate to sort to the middle, to not stand firmly on one side or the other of the great divide, a place that grows larger by the day, with an ever-brewing moat of hatred and vitriol, terrifyingly divisive to families, relationships, communities. there is danger on the far sides, danger in stubbornly and feverishly clinging to the left or the right, without considering ramifications, without any compassion, with an unbending dedication to absolutism, with no room or moment for thoughtful consideration, with breakneck righteous reactivity.
in sue aikens’ world, it will save her life to unconditionally sort left or sort right. in ours, it may destroy us.
missing comes in many shapes and sizes. colors too. i’m now at that age that i hear this song in the context of too many people i know who have lost loved ones. whether their beloved has moved on to a different dimension or a different life, it leaves behind someone grieving. “you’re so here though you’re not here.”
i occasionally browse through facebook and i am struck by the number of acquaintances or friends or family members who are remembering a loved one, this group of people unknown maybe to each other but bonded invisibly by a mutual intense emotion. my heart responds to their pain, their determination to keep going, their day-by-day stepping back into the world. it’s indeed a “crazy maze” that they are navigating, that i have navigated as well, that we each navigate at some point in time.
although moving on to a different life presents other extraordinary challenges to live through, losing someone to dying often leaves so many unspoken words, so much un-lived living-together. “i hear you whisper, hear you cry, hear you call my name at night, over many miles and many distant skies. i hear you whisper, hear you cry, hear you call my name at night, and i believe it’s not goodbye.” like many of you, i, too, have listened intently to the universe, to the night, waiting to hear, believing that just-on-the-other-side is a whisper, on the wind, wafting its way to me.
having avoided the inevitable summer onslaught of mosquitoes in these woods, we recently went back to one of our favorite local hiking spots. bristol woods – with the pringle nature preserve – is an easy decision for us, at any time of day that we can step away. it is off the beaten path and serene and two loops through the trails give us about a five mile hike, a perfect revitalizing. we adore this place and the priceless quiet it affords us.
walking the trails recently, we came upon a wooden structure that invited me to go to the narrow end and speak into the woods…seemingly a megaphone, but a size we hadn’t seen before. it’s a nature megaphone. it draws in the sounds from around it and, as you sit inside, with the sun on your face, surrounds you with nature, amplified a bit closer and more personal. this one needs to be turned around into the woods, as there is a busy road in the distance and it pulls in those sounds as well, but that’s a mere detail. i love the concept. a little googling shows that there are nature megaphones of great size in estonia, placed there for the healing power of the sounds of the outdoors, the quiet. ahhh.
the other thing we notice as we walk are the red and green ribbons encircling trees, the little red flags planted in the dirt. fearing what we had read earlier in the summer, we asked the naturalist what these ribbons and flags were for. she verified our fears, telling us that they were markers for the new aerial ropes course that the county has decided to move forward. the article states that there are no high ropes courses in the area; a very quick google search shows one in lake geneva and three (!) in east troy. but money talks (is this shocking?) and the county will share in the gross revenue. and the quiet of this small county park, the well-being of the wildlife in the woods, the educational value of a pristine teaching environment untouched by commercialism will all cease to exist. is “teaching confidence” and “learning about yourself” not found in the quiet woods? is a “family-oriented, wholesome” experience no longer a hike together? what exactly does “putting people in touch with nature” mean?
while i don’t question the opportunity for learning that a high ropes course might afford children and adults on all different levels, i do question the sacrifice of an active nature facility and its woods for this purpose. an official associated with the county is quoted as saying, “(bristol woods) is not going to be significantly impacted.” hmmm. i disagree. during the construction of and upon the completion of the high ropes course, what sounds will be amplified in their beautiful new nature megaphone?
while i laid awake, i tried to picture how i would react to someone literally placing me – without ropes – several hundred feet up a sheer granite wall, my hands gripping a crack and small outcropping, my feet perched on a slight deviation in the granite face. it made my hands sweat and my heart race thinking about how paralyzed by fear i would be, unable to move either hand or foot. THIS is out of my comfort zone. far out. and i couldn’t get the image out of my mind.
the wind was gusting about 35mph and there were tiny snow squalls on the way to madison. we were on our way to a movie theatre for a national geographic release of the movie FREE SOLO, the documentary capturing alex honnold’s successful free solo scaling of el capitan in yosemite. free solo. without benefit of any ropes or safety gear. just his hands, his feet, climbing chalk, and memorization, no – absolute physical retention – of the precise moves he would make on the way up this 3000′ beautiful monster.
alex doesn’t talk about his fear much. he, instead, speaks of enlarging his comfort zone, little by little. his somewhat unemotional approach to this challenge is daunting. one of his support team said words to the effect that alex had this challenge: like an olympic athlete he needed to win the gold. no ifs, ands or buts. it was the gold or he would fall to his death. who does that?!! the black and white of that makes my breathing pause. but alex pressed on. clearly his comfort zone is huge, that bubble around him. at least when it comes to mountains.
i know, as fascinated as i am with mountains and climbing stories of all sorts, that this is not something i could or would do. my mountains are different than that and my comfort zone bubble has more to do with my artistry, music, writing. not necessarily less scary, but certainly less physically demanding and clearly, without a doubt, less treacherous. but we are not limited to one mountain at a time.
each of us has this bubble and i picture pushing on the walls of the chrysalis, little by little conquering the fear of the outside – whatever the challenge or challenges – making our way, without ropes or safety equipment, into the next step of our lives. we try to “dream big.” we “go after it.” we “just do it.” but in reality, with no protective membrane around us, we first have to gear up, face fear vs comfort, garner courage and climb. yes. we free solo every day.
it’s circuitous…the way i would define where i’m from. you have to be prepared to listen a spell if you ask me this question.
just like anyone, i have taken pieces – absorbed – every place i’ve been, every community i have shared in, every experience i’ve had, everyone i’ve met or been influenced by; indeed, those have become where i’m from. in jeans and boots on stage i talk about where “home” is and try to differentiate by referring to wisconsin as “home”, florida as “home-home” and long island as “home-home-home” which sounds semi-ridiculous, not to mention annoying for people who cringe at redundancy. plus it doesn’t include time living on a sheep farm in new hampshire nor profound moments i’ve had visiting places that have sought space in my soul. but it might give you a place to listen from; with your eyes closed you may hear your own story.
when i wrote this piece, 21 years ago or so, i knew it needed to swirl around the theme, travel from one key to another, return to its theme…have continuity yet have places where it started again. in celebrating my sweet momma and dad this week with the introduction of my song YOU’RE THE WIND it brought me back to my deepest roots, transplanted time and again though they may be. no matter what, i will always be a northeast girl. new york is in my blood and long island is ever a part of my heart.
where i’m from…it’s time ago…it’s now…it’s what’s to come.
if you listen you can hear the tide. in and out…like day, like experiences, like finding home. it changes. it’s the same.
i visit this place everyday. the place of contemplation. of pondering. of remembering. of dreaming. of silent conversational prayer. this morsel of david’s painting CONTEMPLATION speaks to me and my need to sometimes go inside…to sort, to be grateful, to relinquish a hold on something negative, to wonder.
SOFTLY SHE PRAYS
there is a similar painting, based on a similar image…called SOFTLY SHE PRAYS and i adore this for its monochromatic approach, its gentle existence. conversely, this piece CONTEMPLATION is filled with color – the colors of life and vibrance, saturated with the palette we live in every day, the colors we don’t always notice as we walk by, missed in our efforts to move into the next moment. ahh. yet another reason to sit and rest and contemplate.
reverse threading 