reverse threading

the path back is the path forward

Tag Archives: transience


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fire. [kerri’s blog on k.s. friday]

when they were little, i was accustomed to watching their growth spurts – these moments when their tiny bodies were overcome by fiery energy of growth……a sudden few inches here or there…a burst in language or fine motor skills. childraising is a continual surprise. just when you thought you knew what you needed to know – at least temporarily – you were stymied by your own tiny child – and you became a little heap of not-knowing uncertainty. oof. it’s all a glorious mystery.

the one – and only one – daylily wasn’t giving up. all around it, blooms had tired and turned into wrinkled brown tissue, stems were drying out, its green frond-y leaves were yellowing.

and then, the growth spurt of this one last blossom – not yet willing to give up the game. it raised its head to the sun, singing.

we are watching the transition to autumn – all around us. fallow is in the offing, just off-stage, waiting for the summer to clear and sweep the wood floor of time it had inhabited. lighting is clearing the way for dark, a slow decrescendo of available daylight. sound is preparing to – soon – shut down the microphones of cicadas and crickets. the props of summer – all the heavenly hot-sun blooms and flowers and produce and herbs and the fantastic tapestry of color – the stagehands of fall are collecting them, quietly putting them to bed.

but the daylily in the front garden is having none of it.

in the middle of the transition to the quietude of fall, it is speaking loudly. it is not remaining silent. it is – in fact – screaming out to us to “remember!” it is reminding us we don’t know it all.

daylily’s transition is not without noise. it is not without color – its flame orange a loud pushback on what seems inevitable – fading fall, falling.

it is having a growth spurt of independent spirit. one lone bloom. glorious.

“instead of silence, she chose fire.” (celeste ng)

*****

IN TRANSITION ©1995 kerri sherwood

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still. [kerri’s blog on k.s. friday]

it is the last.

the last piece of white key.

barney – through wind and rain and snow and ice and blistering sun – has shed all the clothing of its keys – both black and white. this is the very last of it.

and, even stripped of so much, of the things that make barney look like a piano, barney is still a piano…barney’s soul is tenacious – still a smith-barnes upright – and we can feel evidence of scales and arpeggios and glissandos, of etudes and ballads, of pieces ethereal and bombastic. barney is changed and yet unchanged.

we will each face the storms of the future. we will surf waves and, sometimes, despite heroic tenacity, succumb to the inability to surf. but we will endure and persevere. we will look different and we will feel the same: changed-unchanged.

and, in the center of all of it, while we are on the way to later, stripped and naked of all that is superficial, smack in the middle of our souls, we will still be able to touch the black and white of our lives. just like barney.

“meaning is what’s left when everything else is stripped away.” (suleika jaouad)

*****

TRANSIENCE © 2010 kerri sherwood

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thistle witness. [kerri’s blog on k.s. friday]

and we are witnesses. to the thistle. to the meadow. to this slice of the earth.

we watch, as time passes. we note changes, dramatic and subtle. we are aware of the nuances of these moments – transitory. we are inside the ephemeral.

we are intentional; we fritter away.

and the thistle is witness to us as we stand still – for little bits of a while – in admiration. our gaze is focused, memorizing beauty, not questioning the randomness of our attention.

just holding it all in wonder. just perceiving the glorious. just unmoving and moved.

sharing this space of time – together – within the perpetuity of it all, what do the thistle, the meadow, this slice of earth see – looking back at us?

*****

TRANSIENCE from RIGHT NOW ©️ 2010 kerri sherwood

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the burn. [k.s. friday]

they chopped down, chainsawed, mulched, chemicalized, burned. they decimated the whole forest to eliminate the invasives. and – in the way of oncological medicine, of environmental eradication programs, of corporate and organizational ousting – the good cells may somehow survive, burned edges and all.

to be a tree with burn marks is to be human. one cannot traipse through this life without them. we all carry with us whatever balm has helped us get through the fires. we lean on the surety that spring will come, eventually.

as we hike the trail, we know that it is not one hundred percent that only the good will keep on. it is not a certainty. instead, it is a risk, a gamble, that there may be cells that escape treatment, there may be invasives that escape annihilation, there may be people-in-power-with-ill-intent who either escape the pointed fingers or are the ones corruptly pointing them.

and in those cases, the worry is that those cells will reproduce, those invasives will take over and choke out the organic, those people will destroy the place. a ravaging burn. devastation. and the good cells, the good plants, the good people will be left to fend for themselves, to remain upright – stalwart – to grow despite the odds.

it is good friday for those who are keeping a religious calendar. a day of destruction following betrayal and many burned edges. as this sacred story goes, three days later there is a resurrection. and the targeted jesus rises.

as we hike the trail, we notice the green shoots growing out of the ground, their top leaves still blackened. we marvel at the tenacity of these plants as they garnered energy best-as-they-could, regardless of the burn. the good xylem and phloem somehow survived.

there are naturalists who are watching closely, tending to the native plants best as they can. there are doctors and nurses and researchers and clinical trial experts who are watching closely, tending to patients and health and life best as they can. there are, therefore, it would seem, allies who are dedicated to the truth, to transparency, to the best parts of an organization who are watching closely, tending to the burns of the sacrificed.

“i want to know if you will stand in the centre of the fire with me and not shrink back.“ (oriah mountain dreamer)

shrinking back will allow the devastation. standing in the fire – the center of the fire – will allow the resurrection.

*****

“and you were there in all of my suff’ring.

you were there in doubt, and in fear;

i’m waiting on the dawn to reappear...” (you were on the cross – m.mayer, k.butler, a.assad) 

TRANSIENCE ©️ 2010 kerri sherwood

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the window of magic. [two artists tuesday]

the stairs in our home go straight up a few steps, turn 90 degrees to the left and then another 90 degrees to the left before the last few to the landing. if you turn left again you will see straight into the treetops through the office window, will pass the bathroom, and will head down a short hall to our daughter’s room. if you turn right at the landing you walk into our son’s room.

there’s a big window in his room ahead of you and it faces north. it is the window of magic. for if the circumstances are just right and the frost gathers and holds hands with the sun, this is where the crystals are found. and they are divine.

that day, in every corner, from every angle, the ice shimmered, an evanescent presence that would disappear as the window warmed. the ephemeral tiny expressions of frozen wouldn’t last. not yet. it is still fall and there will be warmer days still.

but for right then, to stand and gaze at the strands and shards and bubbly droplets is to take part in the very moment, that very moment of cold. it was to acknowledge it. and to recognize its transient beauty.

a long while ago i was gifted a necklace with a silver snowflake charm. in the tiny box was printed a brief message, “every snowflake is unique; it’s true. each one’s special, just like you.” not the thought-provoking words of mary oliver or john o’donohue, but a simple reminder of unrepeatable gorgeousness, in words anyone can grok.

these last days have been harder, a holiday with empty chairs. we are adults now and we know that this is the way of life. john pavlovitz writes, “in this season each of us learns to have fellowship with sadness, to celebrate accompanied by sorrow. this is the paradox of loving and being wounded simultaneously.”

we walked on the trail and spoke of each member of our family. we each spoke a gratitude for each person, each step on the trail punctuated by a story or some enlightenment. we laughed and i wondered what gratitude would be uttered for us, hoping that words would not be difficult for the utterer to find. our thanksgiving was bookended with early morning pumpkin pie and full bellies of mashed potatoes at day’s end. in the middle was appreciation for the people we love.

it is easy to see the cold, the long winter ahead, the empty chairs. they are apparent and they can be brutal.

it is harder to walk, peer through the window, and see the crystals and their exquisite – even if brief – magical uniqueness.

*****

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the stars are watching. [k.s. friday]

littlebabyscion is ready. i washed it and vacuumed it and wiped out the inside, reorganizing its small storage spaces, checking to make sure the necessities were there. we travel always with a small tool kit, duct tape (this is from experience), twist ties, rubber bands of all sizes and a big maglite flashlight. light is always good on a dark highway, but the light was barely discernible when i checked it, so i changed the batteries and put extras in a small bag that also has jumper cables and a quart of oil, things we have determined to be practical. in the winter there are a few additions, a few things that my sweet poppo always made sure i carried along. but it’s still late summer, so the extender snow brush/scraper can hang in the garage just a bit longer and the kitty litter doesn’t need to come along. littlebabyscion is ready to go to the shop today and come home later with a muffler that doesn’t make noise. (to muffle: to make quieter and more difficult to hear; muffler: a device fixed to the exhaust of a motor vehicle to reduce engine noise.) it waits patiently in the driveway until The Time.

the people who know – like our mechanic, the exhaust system shop, our plumber, our electrician, the drain experts, tree services, gardening wizards, the company we will choose to be our mason – they are like lights in the darkness. along with their expertise and the wisdom of friends who have beentheredonethat we survive the normal – and not-so-normal – challenges of home and car ownership. it would seem rare – a person without some sort of concentric circle of informants surrounding them in problem-solving and decision-making. asking questions, asking for advice, seeking information are the basis for learning and, it seems, every day is an opportunity for that. (and we haven’t even mentioned the whole changing-bodies piece of this life-thing.)

we stood outside on the deck, the only light from a few torches and the bonfire across the yard; we gazed at the sky. it seemed thousands of stars gazed back at us. the james webb telescope has delivered photographs of space back to us here on this planet, a place that feels big but is merely tiny in the vast. seeing billions and billions of light years away, i read that the webb captures not just the birth of stars but, also, their last dances. it is hard to wrap your head around looking back in time in such a profound way. the light goes on and on. and on.

we each build a framework around ourselves. none of us exists without the other, really. at a time when our purple-mountain-majesty-land continues to be divided and people fight for control and power and are practicing efforts serving to undermine, marginalize, divide further, it would seem prudent to remember the tiny-in-vast. transience.

we can be the light for each other…in so many ways. or we can snuff it out and try to go on without. the stars are watching.

always prepared, always planning ahead for possible big bangs, my poppo would vote for light.

*****

TRANSIENCE from RIGHT NOW ©️ 2010 kerri sherwood

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round and round. [two artists tuesday]

“and the seasons they go round and round
and the painted ponies go up and down
we’re captive on the carousel of time
we can’t return we can only look
behind from where we came
and go round and round and round
in the circle game” (joni mitchell)

from the edge of the trail it seemed we stood in three seasons. with warm sun on our faces and verdant grasses poking through the golds of autumn aspen leaves, the snow sought refuge in the shade. three seasons. concurrent.

as we stood there, in the middle of the mountain trail, it all swirled together – then, now, next. a kaleidoscope of color, of emotions, of moments. the tiniest of tiny in a vast universe, all else suddenly became distant.

we lingered in the whirl of shifting seasons, viscerally aware of our breathing and the gravity that was holding us still. it was an eddy of every-thing: old wrinkled leaves of regret, fading transient dreams, life-giving air carrying us into the next minute, a metamorphosis of time. the ponies on the carousel kept moving round and round and we paused, our feet in the dirt, sensing the circle encapsulating us, giving us pause.

we stayed there a long time, the scent of decaying leaves in the woods, the sound of a rushing mountain stream, the breeze rustling past us, our faces warmed. for these moments, in the middle of the middle, all the worries, all the fears, all the unease, dropped off from our shoulders. the concurrence whispered to us, “and the seasons they go round and round.”

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in the middle and in the end. [k.s. friday]

were there nothing else to do, no other responsibilities, no outstanding work or chores, no cleaning or laundry or errands, no bills to pay, calls to make, jobs to seek, piles to clear, messes to sort, i could sit and stare at a fire for hours.

it’s easier to evade the thoughts that permeate your worried mind with the heat of fire on your face. it’s easier to stop strategizing around, through, beyond while watching the dance of contained flames. it’s easier to be lulled into all-is-well thinking, sinking into the adirondack chair, moonlight on your brow.

ephemeral moments – the good ones and the bad ones – slip by, each temporary, each a transitory arc, evaporating, evaporating.

yet, our eagle-focus on certain moments, certain actions, certain words, certain emotions, batters us with living, re-living, re-living, re-living.

we obsess. and in a time when there is so much to obsess about, it is none too easy to avoid.

the fire burns through the wood, despite its flammability. it does not choose only wood that is most flammable. with all the different wood in the firepit, it ignites, turning all into ash, intangible and evanescent.

we might do well to toss moments these days into a great cauldron, touch a match to it and light it. perhaps out of that might arise a bit of wisdom, a bit of certainty in the uncertainty, a bit of comfort. maybe living in the recognition it will vaporize would remind us of transience, the impermanence of it all, the pro tempore of any given heated moment, ultimately, the importance of lingering in any goodness we experience, of actually being goodness.

perhaps we should prioritize staring at the firepit. it may serve as a gentle reminder.

in the middle the fire is hot. in the end ash will be ash.

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TRANSIENCE from RIGHT NOW ©️ 2010 kerri sherwood


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quarter rest. and the beat goes on. [k.s. friday]

quarter rest

quarter rest.  one beat of silence.

with these broken wrists i have moved from a whole rest to a quarter rest.  i have made progress playing my piano and my broken-wrists have told me when to be silent.  in the silence the earth keeps spinning, we trek around the sun, everything keeps keeping on.  but for a moment, i rest.

we are each granted rests upon entrance into this orchestra-of-earth.  sometimes they are chosen, sometimes they are not.  always they are necessary.  it is in your quiet that others make noise, that others speak, that other timbres color the muted.  the hush is yours to own; the rest is yours to take.  the silence both sometimes frighteningly deafening and sometimes a grand relief.  the metronome really never stops.

(a reprise of paragraphs from 8.13.2015 post): at 1am, we walked to the lakefront. away from as many lights as we could get away from, we laid on some old steps, bricks and mortar digging into our backs so that we could gaze straight up, watching the night sky for the meteor shower.

the streaks of white light across navyblueblack make us draw in our breath. i’m wondering how far away this meteor is…how it is that we, here on earth, can see this amazing sight. such a big sky. such tiny bodies in contrast lying on the ground, waiting for the symphony to start, waiting for the downbeat, the symphony that has been continuously playing, the downbeat lost in centuries upon centuries of time gone by. like any good piece of music, it’s the rests in-between the notes, the rests in-between the meteorstreaks, that build the anticipation, that create the emotionflow, that bring tears to your eyes. each burst, each streak of whitelight is a miracle, a tiny moment exploding in time, so far away, in vast vastness.

time stretches out in front of us. and behind us. we are tiny and we are big. we gather in the moments, we breathe them, we rejoice, we worry, we ponder, we move. there is no downbeat and the symphony is already playing, has been playing and will continue to play. always. it is magical. and it is vast.

and the beat goes on.

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TRANSIENCE from RIGHT NOW ©️ 2010 kerri sherwood

 

 

 


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part of the wind. [k.s. friday]

part of the wind songbox copy

with the sun not yet up over the farmlands, the hot air balloon lifted.  we slowly sailed over fields and stands of trees, watching the world wake up.  as the sun rose over the horizon, we could hear what was going on below us.  we weren’t that high up and any conversation in backyards and barns, on patios and decks or driveways was easy to hear.  we weren’t intentionally eavesdropping; you just can’t help but hear clearly up there in the wind.  it’s an amazing vantage point floating low in the sky, sharing the sunrise with the earth, an endless horizon.  a little wary, i had asked the pilot if he had any anti-motion apothecary suggestions.   he responded by telling me that none are needed, that you are “part of the wind.”  we were.  we are.  part of the wind.

when we go antiquing and wander around in vast collections of other people’s lives, we pass by paintings on the walls and in stacks against cabinets, displayed beautifully and piled haphazardly.  we stand in front of bins full of records and 45’s, stacks of CDs not even alphabetized, the vinyl and polycarbonate/aluminum blend all beckoning us to sort through and remember songs or moments in time.  and we, artists of the canvas and of song, draw in our breath.  it’s an amazing vantage point floating here in time, sharing this day with the earth, contemplating.

and we wonder if this is where all of our paintings and cds will end up one day…in an antique shop where browsers will pass by, exclaiming, “wow!  look at all those paintings!” or “wow!  look at all those cds!”  we wonder if they will stop, page through, recognize a track or two, an image or two, or if they will be curious or spellbound and buy something to bring home.  perhaps we will remain part of the stacks, the bins, ever-growing, the horizon endless.

either way, we are part of the wind.

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PART OF THE WIND from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood