reverse threading

the path back is the path forward

Tag Archives: two artists making stuff for humans


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no pizza, but thank you. [merely-a-thought monday]

if my sweet momma had hung tiny signs in trees, she would have hung this one, “be the reason someone smiles today.”

the historic district of plaza midwood in charlotte is a paradise of bungalows and porches. we walked to the harris teeter slowly, admiring each one, imagining the inside. later, we searched on zillow to see interiors and prices of these gems.

the house with the huge peace sign, the word love by the front door, prayer flags hanging on the side…we knew these people could easily be our friends. an inviting neighborhood. and then, this tree, filled with wisdoms and encouragements.

we porch-sat each night in our tiny mountain town, sitting on the steps or in sling camp chairs or at our pop-up table that travels with us. our airbnb is on one of the main arteries of the little city so there is traffic to watch and there are people walking by.

sometimes the conversations would be short and sweet and we would just greet people and cheer them on their way. other times, we’d start chatting. mike and michaela walked by and ended up at the porch several nights. and the feral cat – so sweet and so very shy – stopped by for a quiet visit each night. it easily started to feel really comfortable; we settled in quickly.

there are definitely times we walk or hike and attempt a littlebittaconversation with others when we are dissed. they will say nothing. truly nothing. no reaction, no smile, nothing. but we – nevertheless – try to subscribe to my momma’s unspoken mantra. we keep on trying to make others smile. it doesn’t take a lot of energy to try and momentarily engage with another, to act goofy or silly or self-deprecating, to do something kind, say something positive or enthusiastic or complimentary.

sitting on the steps of the porch one night, we said hi to a guy walking past. he was carrying his hot-out-of-the-pizza-oven pizza from the gas-station-triangle-stop-shop that oddly “offers growler taps and on-premise beer and wine”. he seemed surprised and then called over, “you wanna piece? i can share.” we laughed, tempted, and told him thank you.

we declined a slice of pizza, but my sweet momma’s eyes were sparkling.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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blue, red, yellow, blue. [saturday morning smack-dab.]

we were on the mountain past the junction where the blue trail met red, in the middle of the red trail, heading to yellow. it was considered “moderate” but i wondered what temperature it was outside when someone deemed it “moderate”. because at 90 degrees and humid, it wasn’t feelin’ too moderate.

the day before we had climbed to see a waterfall and then took the trail up from there. up, up and away it went and with north-carolina-mountain-summerish temperatures, we were lucky to find a cool stream at some elevation. david climbed down and dipped the bandana, which i wrapped around my neck. that helped. we got to a spot where it was purely a scramble up boulders and decided to turn around. frozen shoulder and high heat aside, it wasn’t as inviting as advertised. we hiked back down.

back on red, with a branch-ala-trekking-stick in hand, i tried to decide which way to go. back would mean a trail i already had climbed – and i knew there was a lot of up on the way back as well. forward would be a lot longer, but would also mean completing the trail.

to be clear, we were not flip-flopping it here. we had full-on hiking boots on our feet and carried small backpacks with water and snacks and our alltrails app, a wonder of science and technology. thankfully, we had the bandana and there was a stream punctuating our hike.

i’m pretty stubborn most days. if we are walking around town – our own or this mountain town we are currently in – we love to wear flip-flops. we actually haaave hiked in flip-flops, though i wouldn’t necessarily recommend it. standing on the red, even with my boots, i wasn’t sure which way to go. i was overheated and my knee was screeching a little at me. i drank some water and grabbed my stick.

we kept going.

the hike was about six and a half miles, which doesn’t sound too bad, except for the stats said we had also climbed 47 floors. mind you, those are not like the twelve levels of steps in the parking garage after the ej concert. these floors are indicative of elevation and don’t mention roots and rocks and clay and loose pebbles. and humidity. did i mention it was hot?

it’s usually roots that get me. i mustn’t pick up my feet. i don’t know. what i do know is that david – always the genteel and solicitous husband – reaches out his hand or places his shoulder at arm’s reach. he steadies me so i don’t bounce off the side of the mountain or land – never-too-gracefully – in the middle of the dirt trail. he offered to turn around, reassuring me it didn’t matter which way we finished.

sometimes he talks about my shoe choices. but on the side of the mountain, sopping cool bandana around my neck, more than halfway there, he was only encouraging. our conversation about shoes was only about finding new hikers that will take us to yet more adventures. maybe something even more sensible, even more sensitive to our foot-knee-back-hip-shoulder – full-body – needs.

the red trail met up with yellow. i was grateful. mostly, though, i was really happy when yellow met back up with blue. yeeeeeha!

we made it. the whole hike.

and then we sat on the front porch in bare feet sipping a good red watching the traffic go by.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2022 kerrianddavid.com


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vertically. [k.s. friday]

they move them vertically. not horizontally. vertically.

the yamaha CFIIIs is a powerhouse 9-foot grand. a piano, it is a canvas waiting, blank, black and white.

they move it in, attach the legs. the technician shows up, tunes, voices, listens. the artist plays. the technician futzes some more. it’s a dance, making sure it is ready. the piano is patient and steady.

i have had the good fortune of being a recipient of these pianos. they have been delivered to recording studios, to stages, to televised venues, to big outdoor parks. the CFIIIs and the C7 are THE pianos. hands down.

at the elton john concert in charlotte, north carolina with d, my daughter and her boyfriend, he marveled at the load-in-load-out that it must take to move the ej piano, band, set, lighting, media show every night or so on the “farewell yellow brick road tour”. mostly, he talked about the piano, about how amazing it was, and how much it must cost, and how it must be moved, and how not just anyone gets to play that, for sure.

because most people believe it is moved as is – horizontally – i explained that it’s moved vertically, on its side.

but i didn’t explain how i knew. i didn’t talk about how many extraordinary pianos had been brought to me that way, how many on which i had performed or recorded. we were at elton john’s concert and he is – truly – a shining star.

inside, though, i knew. i could feel it, that urge to run up on stage, grab a boom mic, stand at the piano and play and sing. poking at me like a snickers bar. “i’m still standing. yeah, yeah, yeah.“

the other day – at the daniel stowe botanic garden – there was a small grand in the atrium. my daughter looked at me when we walked in and said, “it says you can’t play it.” i went over to look at it. “no worries,” i said, laughing.

but at the ej concert….now that’s another story. he played and sang and i was proud to also be a yamaha artist.

“my gift is my song and this one’s for you.” (elton john – your song).

the words rang in my ears and my heart attached the exclamation mark. my gift IS my song…all of them…the ones with words and the ones without. the ones with music and the ones without. the ones written and the ones not written yet.

maybe there are still vertical pianos out there waiting. for me.

*****

WAITING (from JOY) ©️ 2005 kerri sherwood

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www.kerrisherwood.com

read DAVID’S thoughts this K.S. FRIDAY


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the west wall. [not-so-flawed wednesday]

it’s the west wall. and every morning as the sun streams in across the room, we comment. it’s one of those images that you anticipate, that stays with you, that you miss on cloudy days – a new day captured between miniblinds. and, because we were there and so was he, we know the shadow in the bottom left window pane is a shadow of dogdog’s furry ear and the nape of his neck. his ritual – laying on the bed with us in the morning as we sip coffee and the sun works on rising.

it will soon be a year since columbus – david’s sweet dad – died. it is now just days away. i knew him for merely eight years. but he was easy to adore. he still is. i talk to him every time i get into big red, feeling his presence as i crank up country music and roll down the windows. i don’t even know if he cranked up country music and rolled down the windows, but i sense his approval and it makes me smile. he had a gentle way about him and his shadow leaves soft edges in my heart. i told david that it will get a little bit harder each day now. there is no changing that. not feeling his absence is like trying to keep an open candle lit in the wind. impossible.

the anniversary of his leaving-this-earth forces one to recognize mortality. when my big brother died, it foisted upon me an absolute sense of a lack of infinity – time goes by and the world continues on, yet there will come a time that our relationship with the world will no longer feel the same and our shadow will be a little less pronounced, a little less definitive, a little fuzzier, though no less present. when my poppo and then, three years later, my sweet momma died, i was struck by the sheer ludicrousness of how wrapped up we all get in everylittledetailofeverything. it felt like we should spend more time shadow-dancing together in the sun and less time in the actual shadows. there is no time to waste. we learn it – and forget – again and again. and again.

in the way of shadows and energy and love, we know that our dogga can feel us, despite our temporary absence from him as we travel. just like the people we love – here and not here – he is right with us.

the west wall reminds us.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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still standing. [two artists tuesday]

“yeah, yeah, yeah!”

the most powerful moment i felt at the elton john concert sunday night came when he sang “i’m still standing”. still standing! yes!

analysis of the lyrics aside, “still standing” elicited the gigantic reverberation of 50-60,000 people singing along, all of whom, i suspect, have a “still standing” story. it’s the kind of song that generalizes – it’s about relationship, but isn’t everything in life – our relationships with our beloved, with others, with ourselves, with our life’s work, with this universe? just the sheer still-standingness of being alive made singing along worthy, no, more, a necessity. the stadium roared.

his first hit – in 1969/70 – “your song” brought tears to my eyes. in the encore set, i knew we wouldn’t see him live-in-concert again and the experience was rich, under a beautiful open-air night sky hearing my husband, daughter and her boyfriend sing along in various songs.

but that i’m-still-standing … i wrote it down in a note in my phone.

because sometimes life teeters and you are delivered boulders while you – a tiny rock of ash in a huge galaxy – attempt to precariously balance it all. and last night – well – i knew i was still standing.

and i suddenly knew that i would do all i could to make sure that my tiny star is dancing inside and out, that all the notes count, that it’s all silently and roaring out-loud. yeah, yeah, yeah.

elton john somehow reminded me that i’ve been standing all along.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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we got us some sense. [merely-a-thought monday]

i can’t remember what state we were in, but it was on the back of an suv.

“act like you got some sense.”

it should be a road sign. posted every ten miles or so. a reminder.

we have turned into backroads people. ok, well, we were always backroads people but now it has been cemented, etched in stone, made immutable. we would rather be on a backroad than any interstate, freeway, multiple lane expressway.

driving down toward chicago on i94 we were surrounded by semis and vehicles zipping in and out, 80+ mph in a 55 zone. it’s craziness. frantic. though it’s clearly worse on expressways, we’ve encountered our share of aggression on regular around-town roads as well. what is WITH people?

we have kind of made some new driving decisions. the two people – who would drive 15 hours, 17 hours, straight-thru 22 hours – have got themselves some sense. our journeys and roadtrips will be a little less pushed, a little less arduous, a little less long each day on the road. the frenetic days – driving, driving, driving – are over. and we bid them adieu without regret, looking back fondly and with not just a little awe.

in this new got-some-sense era of our lives, each step counts, each mile an opportunity to see something new or different, beautiful or funny.

yesterday, while driving down a not-extraordinarily-busy-but-still-busy-enough road, we came upon a bar on the side of the road with a slewww of motorcycles parked outside. in front of us, standing in the middle of the lanes, scarily exposed, was a biker-dude-sans-bike, leather jacket and all. he pointed at us. i slowed down and stopped. from the side of the road came another biker, this one on a big motorcycle. he roared into the lanes and took off like the infamous meatloaf batoutofhell. i resumed driving, without pausing for reflection.

sometimes got-sense means deferring to those – even temporarily – without it.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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juicy fruit gum and frank. [saturday morning smack-dab.]

the lyrics are going through my head. “stretch your coffee break! top it off with juicy fruit gum!” i can hear the jingle. over and over.

there is only sooo much you can stretch a coffee break. a few minutes is merely that – a few minutes. kinda like there is only so far you can stretch a $dollah. i mean, one $dollah does not go as far as it used to. stating the obvious. just saying. anyone shopping at the grocery store or filling their vehicle with gas can tell you that. not to mention house sales, rents, deferred maintenance items and – the big one – healthcare. the mighty $dollah just doesn’t stretch.

so, for two artists, in carefully planning how to execute a retirement, there is much to finagle, much to calculate, much to belabor, much to bemoan. and then – like the rogue waves they are – stuff gets in the way. and the aggressive efforts at The Plan get undermined, waylaid, jolted.

we will retire. someday.

frank sinatra croons to me, “fairy tales do come true. it can happen to you. if you’re young at heart…”

*****

read DAVID’s thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2022 kerrianddavid.com


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cabbage fields. [two artists tuesday]

in the age-old tale of things-are-often-not-as-they-appear, this beautiful almost-transparent white moth flits from lavender bloom to lavender bloom. in certain moments it is even hard to see, its translucent wings disappearing and then glinting in the sunlight. against the dark background of the deck, it is easier to see as it feeds on the nectar of these deep purple blossoms. it’s a cabbage white butterfly. and it is likely responsible for the tiny holes in the tomato plant leaves. it’s fortunate we do not have a cabbage patch as these little guys have the capacity to destroy it. such a beautiful little creature and so much potential for destruction of goodness.

i’m writing this (ahead) on a rainy sunday morning and it’s too easy on sundays for my mind (and heart) to jaunt over to the things-are-not-what-they-appear heading.

this translucent butterfly has specific markings (a black spot on the upward front side of its wings), a specific size just over an inch, markings that depict the gender, making it easier to identify and, if necessary, prevent or eradicate the damage it can do to a hard-earned crop. if it were to look like any other butterfly – or say, a beautiful monarch – it would be much more difficult for gardeners to recognize the peril, much more difficult for farmers to stand firm and work at keeping the crops safe that they have nourished so carefully, for so long, with so much dedication.

sitting on the deck watching this butterfly flit about, the sunlight catching its gentle wings here and there, i never suspected it might be at the root of the problem i am experiencing late in the season now with our cherry tomatoes. under a cloak of not-knowing and not-asking-enough-questions or googling enough, i didn’t know to point at this gentle creature. but the act of googling has given me information. i can look for larvae on the tomato leaves and examine the damage with a plan for it.

were it to be a full field of cabbage, like out in the county here, it would seem imperative to act upon this. a whole field of cabbage – a field of potential abundance – can be destroyed by the existence of something that people might never question. research says an infestation of the cabbage white butterfly caterpillar can destroy all cabbage growth, and prevention is said to be imperative to avoid the ruinous nature of such an aggressor. that way “you’ll have less work and damage later on.”

this butterfly has been here since the 1860s so its presence seems pretty solid and unshakable. i guess you have to pay attention to damage being wreaked around you in your tiny tomato garden, delve into it, gather information, ask questions and stop the quiet chaos from happening.

it’s easier when the wings are transparent, when the markings easily identifiable and when the community of gardeners and farmers are seeking the goodness of the cabbage field.

metaphors are everywhere.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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the edges of autumn. [two artists tuesday]

somehow breck knows. nature, in all its wisdom, whispers “it’s approaching” and breck’s gorgeous aspen leaves begin to turn.

we sat against our pillows with coffee this morning, a cool breeze through the bedroom windows. the crows were cawing and i could hear the lake pound the rocky shore. there is a beach hazards alert today calling for rip currents and higher waves. it’s a little grey out – the day i am writing this – and you can feel fall in the air. the wistfuls are at bay, waiting just a little longer to kick in.

but the grasses are evidence, as plumes of gold and maroon shoot up toward the sky. the cherry tomato leaves are beginning to yellow. the long stems of daylily flowers – sans blooms – are drying. the chippies are amping things up. there are just a few less birds in the morning and we hear geese overhead. up-north, along the side of the lake as we paddled, there were pockets of color. maples turning just a bit, reds and yellows, catching the sunlight. the mornings were cool, sweatshirt-worthy. playing bags in the garage invited a few yellowjackets, their quest to stay alive in september always pre-empting my ease outside as i try to avoid getting stung. it is quieter here at home during the day; school has started. it’s dark now when we wake up and the sun is setting earlier in the evening. autumn is arriving. we are standing at the edges.

we sat on the deck late saturday afternoon after a day of chores around the house. we talked about how it is already september. we tried to remember june. i opened the photo gallery on my phone and went back to the end of may so we could track the events these months. dates and happenings blurred as we strolled through pictures and not-too-distant memories. how does this happen? time flying by.

at the end of a week fraught with sudden worry, we were grateful. we had ridden the roller coaster of fear and intense concern, we had been lingering for days in not-knowing. we reached the end of the week with a few answers, the best of the possible worrisome scenarios. and we were grateful.

breck’s leaves quaked in the breeze that picked up that evening. a few raindrops fell on us. we stayed in our adirondack chairs on the deck and turned our faces to the sky. autumn is coming – in the way seasons roll round and round – and we are happy to greet it.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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on the trail of uuno. [merely-a-thought monday]

i was stunned to see my eyes on his face. maybe even my nose. ok, maybe – for obvious reasons – more my dad’s, my mom’s. but, sheesh, this ancestral dna, undeniable, is a funny thing.

finnish. i am finnish. and proud of it. though there are millions of us, my most-italian-city-in-the-state-of-wisconsin doesn’t have a lot of finns. we are pretty few and far between. the most finnish we get in these parts is people talk about (while mispronouncing) “saunas” and wonder about the use of the word “sisu” (one of my personal favorites.)

recently, in facebookland, my cousin posted this finnish proverb, “the forest will answer you in the way you call to it.” another cousin wrote that she remembered the story about our relative uuno klami, a famous finnish composer, “one of the most significant composers in the era following jean sibelius”, who brought people out into the forest and encouraged them to “sit quietly” and “listen to the woods”.

my sweet momma used to tell me about him, too. she connected the dots back to uuno as where i drew my composing juju. no one else in our family wrote music and, actually, not many even played instruments. my dad used to brag about how he could “turn on the stereo” as his musical talent. yes, he was a cutie-pie with a dad-sense-of-humor. my mom was insistent. in the ever-so-typical “yeah-yeah-yeah” internal response to which we children seem to default, i didn’t go much further than these conversations, a discuriousness i now regret.

so a couple weeks ago i googled him. it was startling to see his picture. because i felt like i recognized the heavy eyebrow lids – frontal bossing or some such term – slightly drooping eyes, the 11’s furrowed over his nose, his actual nose. geesh. he was not blessed with as high a forehead. now, a few generations later…

but – his woods connection. yes. psithurism: the sound of rustling leaves and wind in the trees. gorgeous. inspiring. evocative. i so agree with him.

his music – as i now begin to listen to it, on his trail – many pieces with only one recording, one interpretation. and – in the way of composers and real life – much of his oeuvre is unpublished.

yet i suspect that the forest knows it all. what he brought to it – his muse – returns to the leaves and the wind and is always there.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY