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toward the bench. [kerri’s blog on d.r. thursday]

tucked into the trail – the river trail – are spots i always find i am looking forward to: the curve of the river, the cattails in the marsh, the hill where you look down on the trees along the riverbank, the section that looks like a bayou, the turn in the path where deer linger, this one spot – where the reeds are thick and the turtles are numerous. we hike along and these are touchstones along the way, indicators of how far we have come, how far we have yet to go.

we all have them – the indicators of how far we have come, how far we have yet to go. i think about this now as i walk into my studio.

i spend way more time on the written word these days than on the piano bench. i spend way more time typing on a keyboard than pencil-jotting on scraps of paper scattered above the keys.

i look at high profile artists, years and years after their last album release, after long drought periods, in their 60s, now recording and releasing new albums. and it makes me wonder. it’s been 16 years since i released a full-length album.

sixteen years.

as someone who released fifteen albums in fifteen years that is stunning to me. and, thus, the wondering.

my piano is a touchstone to me, an anchor, something i can touch that is profoundly meaningful to me. i have walked a textured journey in the years i have spent with a piano central in my life, in time that the creating and performance of music was imperative. i have assigned success and failure, acceptance and rejection, support and betrayal to my piano.

and, in the way that enlightenment happens, i am beginning to learn that it is not my piano that is responsible. it has merely been my spokespiece, a vessel through which i might give voice.

instead, it is in that giving of voice – that expression of me – that amplification and celebration of music – that others – people – have squelched the how-far-i-have-yet-to-go, have taken the get-up from my get-up-and-go.

i don’t really know the reasons that one might feel they should push someone else under water, that one might feel the best use of their energy is to abuse or denigrate or minimize someone else, that one might feel that the most humane treatment of someone else is to concoct narratives and sway public or private-circle opinion. i don’t know the reasons why anyone would want to break another person or their spirit, creative or otherwise. i don’t really know the reasons why anyone would do any such things. it’s crushing.

i do know the impact these things have on a person. for no matter how tough one’s skin, how devoted to confidence, how determined, how bootstrapping one might be, there are others who can do great damage and who are – apparently – damned devoted to it.

it’s not my piano’s fault.

and so now – in this great enlightenment or admittance or downright sad awareness – i can see that those people who have done great harm have undermined so much between how-far-i-have-come and how-far-i-have-yet-to-go. and i am thinking – now – that I’ll be damned to let them rob all that from me, to let them take my piano – or my muse – hostage any longer. not that that’s easy. it is a difficult uphill journey.

it’s maybe time to stand in the reeds, hang with the turtles and cattails, get my feet wet in the marsh and walk – or sprint – or, more likely, crawl – toward the bench.

*****

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now.never not.never not now. [kerri’s blog on k.s. friday]

it’s a heavy load. to be the woke – the empathetic, voiced, visioned, courageous, big-feelinged folks – both disparaged and desperately needed.

when all else has been sloughed off, when all else has failed, when all else is dross, it is art that will remain…there will still be heart.

this quote – way too big to actually write about without a feeling of undeserved arrogance, way too big to even begin to dissect without a feeling of ineptitude – it is an urge, a plea, a last-licks, it is an imperative we artists follow anyway: to turn complex feelings into something people can touch, can hear, can see, can taste. to turn that which we cannot see in any simplicity – beliefs, faith, love, philosophy, interconnectedness, bigotry, hatred – into something we can feel, something that resonates, something that gives us bite-sized bits to try and grok.

contemporaneously, without bruce springsteen there would still be the streets of minneapolis. but his music, his lyrics – his song has given beat and melody to the excruciating pain and stalwart dedication of the people in those streets. his music has given the rest of us – those of us in other places – also in pain and with dedication – something to grab onto, something to hold and wave and hum.

contemporaneously, without bad bunny there would still be a half-time show in the super bowl. there would still be grammy winners. but his tear-filled words, his staunchly raw comments ricocheting off the walls of the arena gave goosebumps to the rest of us – something we could grab onto, something to hold and wave and speak.

contemporaneously, without the cartoonists populating social media, the stuff that is happening would still be happening. but those cartoonists are bravely offering humor – sometimes truly dark humor – to give us something to grab onto, something to hold and wave and maybe, just maybe, laugh at.

there isn’t any way to rise and reclaim this place without the artists who are the building blocks for actual humanity, the collective melt in the melting pot, the mortar that holds it all together even when it collapses.

“people got to come together, not just out of fear…” (chicago – where do we go from here? – 1970)

it is never not the artists’ time. now is not different.

“let’s all get together soon, before it is too late

forget about the past and let your feelings fade away

if you do i’m sure you’ll see, the end is not yet near…“

the artists have already taken all those big, complex feelings and turned them into something we all can believe in. they’ve been doing it all along. the whole of time.

the world does need artists’ voices, artists’ vision and artists’ courage.

steep yourselves in it all. urgently. get brave. get going.

“where do we go

where do we go

where do we go from here?”

*****

YOU MAKE A DIFFERENCE © 2003 kerri sherwood

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fervent fern. [kerri’s blog on k.s. friday]

they unfurled from their tiny seahorse stage into real-live ferns in what seemed like moments. all of a sudden, there they were – a whole corner garden of ferns. so incredibly green. lush.

but – even in their zealous and prolific growth – they are fragile. their fronds fall victim to the wind or the dogga’s curiosity, and they are knocked over, with – seemingly – no chance of revival. it seems – perhaps – safer to be in the middle of the bunch of ferns in the garden, rather than on the outskirts.

and i find myself nodding my head, as any artist might nod her head. yes. indeed. safer to be in the middle than on the outskirts, than life as an outlier.

when i finally felt safe enough – when the imperative was too much to ignore any longer – for me to pursue my own artistry – to leave the middle – i knew it was a different route. it would not be the interstate to success. instead, it would be a challenge to stay upright – to keep reaching – when the perils of the outskirts were plentiful.

i knew i should have kept on the road earlier, but there were things that precluded me – that hushed me – and i largely put aside that desperate voice inside of me begging to come back out – the one i had quashed so many years – decades – prior.

but the tiny seahorse fern in me didn’t give up. it kept nagging me until it was finally ok to face the perils.

and i began to write – with the fervency of the ferns in our back garden. my piano was never silent. i kept unfurling, reaching to the sun – an artist coming out of fallow.

and there was music. and more music. the compositions, the songs, the albums populated the garden rapidly – there was much time for which to make up. stages and boom mics and product boxes were the accoutrements of my life. and i could only imagine – and still wonder – what might have happened had it all started earlier, had i fronded in earlier life.

it remains a mystery.

even now – in which the unsuspected and life have mown down some of the outer fronds – there is a core, a center of gravity that holds the fern-muse.

though fragile on the exterior, we are never really broken to the core. there is still time – there is healing, there is a new spring.

there is a fern garden ripe for more ferns.

*****

WATERSHED © 2004 kerri sherwood

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shivers. [kerri’s blog on merely-a-thought monday]

when the twenty-one gun salute echoed in the muggy florida air, i had the shivers. my sweet poppo was gone and nothing would ever be the same.

we were at the national cemetery in bushnell, gathered under a portico, torrential rain on and off. my sweet momma was both heartbroken and stalwart. we all lingered before it was time to drive back and celebrate my dad’s life. it is just a month and a half shy of thirteen years ago.

the pride that i felt – with patriot guard riders leading our way to this honorable cemetery – was something i recognized. it came from a feeling of stability, living in a relatively steady democracy and honoring this man – my dad – who had valiantly fought for that very premise – democracy over fascism, the populace over authoritarianism. barack obama was president and i did not read the news every single day expecting chaos to reign or nationwide or global disaster to be absolutely imminent. i rested assured that the people elected were intelligent, honest, respectful, compassionately decent people of the utmost integrity who had others around them with the same virtuous qualities. i was not panicking. my daddy had died and i could be totally present with his sending-off and present in my grief, the grief i shared with my family. i assumed that – alongside any desire i might have to be involved in day-to-day politics – i could also sit back and trust that – as a citizen – i was being represented by someone who had a moral compass.

i thought that would just be there – always – the strength, freedom, courage, the ideals of liberty and the unity of the states of this country. i believed that the spirit of this nation – the immortality of it as depicted by the american bald eagle – would always prevail.

fast forward.

2025.

now – more than ever – i see that tomorrow’s sky is not just there. we are fearful of losing it all…every last bit of this country’s democracy.

the soaring eagle that dipped and swooped over us on the trail – time and again – gave me the shivers just like the twenty-one gun salute did. i hoped it was some sort of positive sign from the universe, maybe even from my dad.

my sweet poppo is weeping somewhere, knowing that his sacrifices – his time as a world war II airman and as a prisoner of war, his injuries, his post-traumatic trauma – may not endure this time in our nation. it crushes me to think of his utter disillusioned disappointment.

and then I hear him, “do you think the rain’ll hurt the rhubarb?”

“not if we all fight back, poppo.” i reply.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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blank foam core. [kerri’s blog on flawed wednesday]

i found the foam core board in the attic while i was trying not to step in between the floor joists. i was carefully looking for something in a box, placing my socked feet on the old piece of paneling that covers a small part of this tiny room under the rafters. leaning up against the wall and straddling two joists was this cellophane-wrapped blank foam core. making a mental note that it was there, i backed out of the attic – because turning around while bending over – which is necessary – bending over, that is – is almost an impossibility. one does not want to mistakenly place one’s foot through the plaster ceiling of the living room below. (this, by the way, is the reason i go into the attic rather than sending d…just in case any foot goes through the ceiling…i’d rather it be mine….for obvious reasons.)

when we heard of the protest early this month i went back up into the attic and retrieved the foam core, dusted it off and got ready to write on it.

which brings me to my question.

if you had a piece of foam core and one of those really thick intensely smelly magic markers, what message would you write?

because it is time to speak up. way past time.

who are you? what does your heart say? what does your conscience say? what kind of america do you want? what kind of america would you like to pass on to your children and grandchildren?

is it a supportive country that generously embraces the unlimited potentiality of its melting pot of different people? or is it a cruel isolated land where every evil move hinges on how it benefits only the wealthiest and the extremists among us, marginalizing the rest?

are you rah-rah-ing the fall of democracy? or are you stunned beyond belief that we are facing authoritarianism in this country – literally i’s-dotted-t’s-crossed – in the matter of a few days?

what is your truth?

what would you write?

*****

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riding wild horses. [kerri’s blog on two artists tuesday]

david, mark and i stood by the dyed harbor in the wind. mark commented that he did not have a painting of st patrick’s day green, rusty brown, cement beige. we told him that he did now. because we had made it so – as we stood there – “totally looks like a mark rothko,” we opined as we viewed the photograph i had just taken. mark laughed – in that other-dimension way we imagined. i reminded him of green and maroon – and my dedication to this painting at the milwaukee art museum. he was amused and agreed that emerald, rust and cement was – maybe – a worthy addition.

david just finished a piece he painted for me. it is stunning, both visually and emotionally. a really large canvas, it will find a home in my studio, where i can be reminded of the freedom – of space, of life, of voice, of love – it represents.

i have always wanted a horse and so he gave me one. this painting. and you can see – by the repose of my face – how undeniably happy it makes me, the peace it bestows, breathing the very air of all the universe.

it is said that mark rothko sought to make paintings that would bring people to tears. “i’m interested only in expressing basic human emotions – tragedy, ecstasy, doom and so on.” as an artist, i cannot imagine any other reason to create other than to tap in, to elicit, evoke, to acknowledge human emotions.

when i stepped onto the floor of the basement – off the last wooden step – i stared at the painting in progress. it was potent for me. it was a painting of an arrival, of sorts. though David’s title is in dreams she rides wild horses, the reality for me is the wild horse of voice. it is the gallop of speech, the beginning of the release of silence, the horse i never yet had. i wept as i told him.

mark appeared suddenly, standing on the basement floor with me. he stepped under one of the studio spotlights and called over to d, “good work, robinson. way to make her cry.”

d looked surprised and glanced at me calling back, “thanks, rothko!” before i wrapped my grateful arms around him, “yeah, good work, robinson.”

*****

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voice. [kerri’s blog on two artists tuesday]

quotes from the pointed video above:

“…our duty to be there for others…”

“…learn critical thinking…to empower you…”

“…the power of your voice…”

it is the imperative of an artist, the obligation of humankind.

it is showing up, speaking up, speaking out.

it is not in keeping the peace but in creating peace and protecting the rights of all in a peaceful world.

and sometimes that is risky.

i can hear it – woke. i can hear it – liberal. i can hear it – snowflake. i can hear it – asshole. nothing i haven’t heard before. so call me what you will.

i can feel it – the risk. i can feel it – the pushback. i can feel it – the stern you-stay-in-line-don’t-you-make-waves. i can feel it – the reactionary disagreement sans any discussion. i can feel it – the write-off.

but this one life we each get – this one very precious and extraordinary life – the one during which we all breathe in and out pretty much the same way – the one where you can live authentically (and flawed) or falsely (and flawed) – this life is to live, to not fear – this life demands our voices.

and these words: surround yourself with people who fight for you even in rooms you aren’t in…

i don’t want to hesitate to be that person. to take it on – the slight, the wrongdoing, the injustice. i don’t want to be silent again because i won’t upset you that way. i don’t want to be voiceless yet again in the face of yet another betrayal.

i wish to relinquish my life-long peacekeeper role.

these here are those days.

instead, i want to speak up for me. i want to speak up for people – for peoples – i don’t even know. speak up for justice, for equality, for kindness.

to speak against cruelty and division. to have no allegiance to bigotry, racism, misogyny, xenophobia, homophobia. to speak to truth, question propaganda. to reject being complicit. to push back against the ugliest ugly even if it makes me unpopular.

to steel myself away from keeping the peace.

to not stay quiet.

to be full of voice.

to stand up.

in all the rooms.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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silence is not golden. [kerri’s blog on merely-a-thought monday]

“if what one has to say is not better than silence, then one should keep silent.” (confucius)

and then there’s the other side of the coin – the side where silence is not golden.

silence doesn’t stop injustice. it doesn’t stop bullying. it alludes to apathy and indifference, even complicity. it is a ship in a harbor. it is safe. it is spineless.

speaking up – of truth – is not babbling. it is not the proliferation of lies, of the made-up. it does not propagate agenda nor does it perpetuate a culture of the unquestioning. it screeches falsity to a halt; it brings focus to ambiguity; it stands up.

we choose our course. we choose what is or is not important to us. we look to others for wisdom and the ability to sort our path. we make errors in judgment; we keep quiet. we learn. we find our voice.

for me, cousin jerry’s t-shirt said it all: “SPEAK UP!”

because:

“silence becomes cowardice when occasion demands speaking out the whole truth and acting accordingly.” (mahatma gandhi)

“if you are neutral in situations of injustice, you have chosen the side of the oppressor. if an elephant has its foot on the tail of a mouse and you say that you are neutral, the mouse will not appreciate your neutrality.” (archbishop desmond tutu)

“we must always take sides. neutrality helps the oppressor, never the victim. silence encourages the tormentor, never the tormented. the opposite of love is not hate, it’s indifference.” (elie wiesel)

“each time a woman stands up for herself, without knowing it possibly, without claiming it, she stands up for all women.” (maya angelou)

“in the end, we will remember not the words of our enemies, but the silence of our friends.” (dr martin luther king jr)

“you own everything that happened to you. tell your stories. if people wanted you to write warmly about them, they should have behaved better.” (anne lamott)

“each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope.” (robert f kennedy)

“do unto others as you would have them do unto you.” (the golden rule)

“speak your truth quietly and clearly.” (max ehrmann)

with a modicum of tact, with compassion for those who have been wronged, with courage and vulnerability and timidity holding hands-hands-hands, standing in the fire of what is truth-telling, there is hope.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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caaa-rits! [d.r. thursday]

stri-ped. two syllables. not one.

i moved to wisconsin and found out that there was a whole ‘nother way of tawwwking here.

acrosst. add the t.

turn-ament. no tour here.

rowwwt. not root (route).

the i. not the interstate.

highway. not freeway. not even expressway. or parkway. just highway.

brahts. not bratwurst.

slowww cooker. not crockpot.

carrots. not caaa-rits.

and the list goes on…

i did not adhere to these right away. some of these are things i still don’t utter, pronunciations that don’t make it into the air.

i really have no idea how this state (or state of mind) has changed my patterns of speech. i know that i can easily – way easily – slip back into my long island roots. and that, if i am talking to the right person, i will instantly have a drawl. my voice and vocal patterns tend to be impressionable.

when heidi and i worked together all the time in performances, i picked up the vernacular of hers that emphasized the THANK of “thank you!”. the “thannng” was forward and “kwew” was in the back. i think of her probably every time i say “thank you” for just that reason. i think of carol when i say “turnament” and 20 when i talk about the slowww cooker.

so it stands to reason that we have fallen in love with jim and sipandfeast. ohmygawwwwwsh!!!! delightful in every way, sipandfeast is a youtube channel (and an IG and a website and whatever else). jim and tara, their son and daughter live on – wait for it – long island. it makes me instantly adore them. he cooks. with the greatest of simplicity and in the gentlest way, he demonstrates amazing italian (and other) recipes, many of which were passed down by his grandmother. his accent, his delivery, the way he just tawks to the audience, the fam are all the sweetest and we find ourselves searching for the right dutch oven to start making these meals. but have i mentioned the way he tawwwwks? caaa-rits!!! i feel like just because i am FROM there we should hang out. (preferably at their dinner table post-cooking show.)

i really have no idea what this image is. i somehow shot this photograph without knowing. it could be my neighbor’s fence…we were taking a walk and i was putting my phone in my back pocket when i guess it snapped a pic. it looks a little like a flag, but it’s not. trust me on that. i’m not a big flag person these days.

i have to say, though, that as i looked at it, studying and wondering, i could hear someone in my head say, “it’s stri-ped!”.

*****

read DAVID’S thoughts this D.R. THURSDAY


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the assault on women. [k.s. friday]

rykä: a made for women movement, where our individuality is rightfully celebrated and actions speak louder than words. because women deserve better. better shoes, better rights, a better world.

i am a sexual assault survivor. this is not new news if you have been reading this blog. but it’s pertinent, as always, and, once again.

one in five women in these united states has been sexually assaulted. (cdc.gov)

one in thirty-eight men in these united states has been sexually assaulted. (cdc.gov)

of ten persons sexually assaulted, nine will be women and one will be a man. (rainn.org)

every 68 seconds an american is sexually assaulted. (rainn.org)

rape is not a walk in the park. it does not wash past you. it leaves lingering effects. it is a violation of everything free and sucks from you everything intimacy should represent.

i was fortunate. i have lived with – and dealt with – the ugly emotional reminders of this act of control over me for forty-four years. it has played into my relationships, my confidence, my physical health. but i was not impregnated by my attacker. and for that, i was fortunate.

there is no doubt in my mind – no matter how much i value life – every one’s life – what i would have done had i been left with a pregnancy as a result of this abuse. i would have exercised the choice i had as a free woman in a country that supported my freedom to do so, my responsible freedom-to-choose in any circumstance i may have found myself in, my voice. i know that, beyond anything, that choice would have been profound and would be something i would also live with forever. but i would have ended the pregnancy. period.

in an obviously warped, personally-agendized move of a fraternity of mostly-ridiculously-wealthy-less-statistically-likely-to-have-experienced-anything-remotely-like-this narrow-viewed clearly-politically-driven non-impartial-“impartial court” conservatives failing – failing this country – to apply equal justice equally, our country is poised to eliminate the choice women have over their own bodies. and we retrograde back in time in rapid motion, like someone falling into a mine shaft.

it IS a mine shaft. it is horrifying.

and what will be next?

women deserve better.

period.

*****

SILENT DAYS

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SILENT DAYS from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood