reverse threading

the path back is the path forward

Tag Archives: beauty


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delicious. [kerri’s blog on k.s. friday]

there was something about how these speckled leaves were nestled that got my attention.

and, in the way that everything makes me think of something else, it also brought to mind the nursery song five little speckled frogs:

“five green and speckled frogs
sitting on a speckled log
eating the most delicious bugs, yum, yum

one jumped into the pool
where it was nice and cool
now there are just four speckled frogs, glub, glub…”

but i digress.

maybe it was the symmetry of the trees. maybe it was the orange and green (which were the exact shades of my growing-up shag rug and the wall-to-wall carpet in our sunroom when we moved in.) maybe it was simply the happenstance of that particular branch of leaves, caught in the little crook made by two trees growing closely together, perhaps inosculated.

whatever the reason, i found it to be a thing of beauty. and those things are out there, everywhere, calling to us – to notice.

i didn’t disturb the leaves. just like i didn’t disturb the blue jay feather i passed on the trail. i left them there – like so many other times – so that others could see them as well.

on the contrary, there have been many snakes on the trail in these last hikes. garter snakes and brown snakes of all sizes – even the tiniest snake i’ve ever seen – sunning on these gorgeous autumn days. but the problem in that is that there are bikers who are populating this trail as well and there have been numerous times we have come across a snake that is deceased or struggling, having been run over by a biker who did not see it.

so, each and every time we see a snake – in the middle of the trail – we stop. we either prompt it to move, escorting it to the side of the trail to which it was headed or, in the case of the struggling or fatally wounded, we pick them up and place them gently in the grass, issuing a tiny blessing and saying, “you are not alone.” we know some of them are in their last moments and, in the way that this universe is all connected, we hope that our holding them for a moment helps them in crossing over.

we immerse in what the trail offers – everything – from helping the tiniest fuzzy caterpillar to taking in a sunset of grandeur. we are grateful for the deep breath it consistently brings to us. we get centered in the step-by-step repetition.

i suppose these are the reasons we find ourselves pondering – imagining – a giant thru-hike in the someday. the opportunity to hold such beauty and be held by such beauty – all around us – is enticing and, surely, delicious.

just like bugs to speckled frogs.

*****

YOU HOLD ME from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood

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quietly listening. [ kerri’s blog on k.s. friday]

the harmonic overtones ring, free in the wind. they are a voice of purity, peaceful in the day and night. they drift into our window and i lay still, quietly listening.

for years as we walked our lakefront, we would stand on the sidewalk at a certain house and listen to the tenor windchimes hanging on one of their trees. the pentatonic scale sang from the backyard all the way to where we were standing, swirling around us. we would just stand there, quietly listening.

we had looked at chimes in garden shops and boutiques, but they were out of reach and we just agreed on “someday”. so we wrote about them – such a thing of beauty and meditation. and one day, guy wrote to us to inquire if we would like to adopt their set of chimes as they moved on to a home where there would be no place for them. and “someday” arrived.

the windchimes hang on a blue spruce in our backyard, back by the birdbath and bird/chippie/squirrel feeder. they are nestled next to the grasses and are stunning against the white fence. because they are not out in wide open space, they don’t ring with every breeze. instead, they seem discerning, choosing only breezes from a certain direction, a certain velocity. sometimes, it is merely a prolonged single note we can hear, floating. other times, when the wind picks up a bit, several notes will ring out, immediately bringing us pause, a moment of peace, a moment to reflect and root and center.

in much the same way that experiencing intentionally-played crystal singing bowls can rejuvenate, the frequencies of these windchimes resonate with the place in my heart that is hungry for sublime sound. translucent pitches that wrap around us – in gratitude, we are quietly listening.

*****

PEACE from AS IT IS ©️ 2004 kerri sherwood

download music from my little corner of iTUNES

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stripe and dot. [kerri’s blog on two artists tuesday]

and nature bent way down, furrowing her brow at her canvas. and then, after careful consideration, she took her paint pens to the swallowtail caterpillar and drew stripes – the lightest green, almost opalescent. thinking that wasn’t enough, she took out her most vibrant sunshine-yellow pen and polka-dotted in-between the stripes. she sat back and looked at her work, smiling. “yes,” she thought, “yes, this is right for the swallowtail.” she moved on to the other caterpillars waiting to get their colors.

it never ceases to amaze me what is quietly starring just in our backyard alone. when i opened the little gate to our potting stand, they took me by surprise. they stand out.

since i am a big fan of painting polka dots on rocks, i was instantly fond of the two caterpillars eating their way through the wild vegetation growing between the big flat rock-slabs on the ground. they made me think of children’s books and writing stories of two caterpillars out adventuring for the day, their obvious names “stripe” and “dot”.

i was careful not to disturb them as i tended the parsley and basil, snipping back the spindly ends. they stayed right there, not at all thrown off by my presence. i closed the gate and checked on them later. they had made little headway, maybe an inch or so. but caterpillars, so i surmise, are not in a hurry.

we think we are so brilliant, we humans. we study and research pantone matching systems and cmyk process charts. we bring home paint and fabric swatches. we mix paints on palettes thick with color.

and nature giggles – glancing at her caterpillars and butterflies, flowers and trees, canyons and mountains, sky and prairies, oceans and fishes, birds and rainbows and sunrises – knowing she will always have the upper hand. it comes naturally to her.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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buymeacoffee is a “tip jar” donation site where you might help support the artists you love to continue to create the work you value. thank you for your consideration. xoxo


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the tiniests. [kerri’s blog on not-so-flawed wednesday]

“…and i got saved by the beauty of the world.” (mary oliver)

there are the tiniest of moments – like this one – when everything harsh, everything wrought, everything dark or full of angst, everything of challenge just falls away. like the universe took a feather duster to the worries stoked up on your shoulders and reminded you. to breathe. to feel the realness of the moment. to be hyper-vigilant of all senses. to be in it.

it could just as easily slipped by, unnoticed. the fresh air, rich colors, the sun filtered through layers of pine, the scent of a humid summer day, the gravel path. it could have been lost.

but i am grateful to have stopped. i am grateful any time i remember to stop. to have perspective. to grasp onto the tiniests. to allow myself to be saved by the beauty of the world.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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buymeacoffee is a donation “tip jar” site where you may support the continued work of artists you value. thank you for your consideration. xoxo


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the wise garden. co-existing. [kerri’s blog on merely-a-thought monday]

and all the plants live together happily ever after.

it’s a beautiful place to just wander. the walkways through bushes you may have to duck under are not edged or over-weeded. it’s not perfect, yet, in its imperfection, it is perfect.

most of all, the natives and the regional perennials co-exist, nurturing each other simply by existing.

i suppose it might be wise for us to take a few cues from these plants. somehow, they are growing and thriving – side by side – without thwarting the growth and thriving of another. somehow, they are weathering the seasons without resistance, falling into fallow and rising out of the dirt. somehow, they are just being, without overly exuberant displays toward each other, without angsty concern, without aggression. somehow, they are blooming and verdant and glorious, trusting – implicitly – that the next plant will understand, that the next plant will also weave its way in the midst, working together to find the light-space they each need. somehow, they are symbiotic, bringing their best, setting aside differences, instinctively empathic. somehow, they are aware of the precious time they have in the sun.

and the garden is vibrant. beautiful. healthy.

and the garden is wise.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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buymeacoffee is a donation “tip jar” website where you may choose to support the work of artists you value. thank you for your consideration. xoxo


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mighty sunflowers. [kerri’s blog on not-so-flawed wednesday]

and there is nothing about sunflowers most people don’t love. a brilliant statement, profound color, turned to the sun, following the sun, seeking to be nourished, supersized flowers that are hard to miss.

they stood proudly in a tall vase on our dining room table for a week – cheering us on, a direct line to the sun’s energy, the love of the universe. they didn’t try hard – they were divine without trying.

and then, just as remarkable as in their standing, their reaching up-up, they began to bow. deep curves of thick stems turning down, toward the tabletop, the disk florets invisible, the yellow-orange ray flowers starting to brown and curl, green phyllaries twisting and lifting away from the back of the disks. a graceful bow, with no effort to resist succumbing to this bending down.

there are most definitely times that we would be served well to stop standing, to stop reaching, and instead to bow down, to lower our constantly-looking-forward gaze and, instead, to rest in a moment of humility, a moment of be-here-now, a moment of gratitude.

maybe this is what makes sunflowers so mighty. they instinctively know that there will be balance. they know that they will not always be tall and upright, gorgeous and fresh, colorful and crisp. they know that they will someday be arched over, wrinkly, no longer striving to be lofty. that they will arc on their strong stalk and they will humbly move into next. they know this wilting is no less important than blooming, for it is in wilting that seeds are released and a new lifecycle is possible. they know both are ever-relevant.

right now we are standing in vases, our faces to the sun. we are soaking up whatever energy we can grasp. we are aware that time flies by on the whisper of the jet stream, on the spinning-spinning of the earth’s axis.

soon, we begin to bow, ever so slightly. we lean a bit on the next big blossom of disks and ray-petals. we wrinkle and wobble in place, lowering our gaze to take in those around us. and then, after much time has passed in the sun, we bow in appreciation. there will be many more.

and we know we have made a mark in our blooming and in our wilting. for we, too, are mighty sunflowers.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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no same-old. [not-so-flawed wednesday]

i used to know someone who really despised redundancy. this person would interrupt and say, “you already told me that” or “i heard that already”. ask them about their day and they would reply, “same-old-same-old.” it was hard for me – a new yorker – born into repetition and long-story-telling.

d and i sat on that iowa porch only four days, but it doesn’t take long to grow fond of something beautiful.

in front of us – facing east – were two trees. beyond the trees were fields. before they were mowed down, the fields were wildgrasses green with sunny yellow flowers. in the distance – quite a ways off – was the road. a country highway, it was populated by many pickup trucks, an occasional sedan, rarely a semi and, at one point, more booming harleys than we could count.

the light changed during the day. no surprise there. the sun rose to the left of the trees and burned its way into the sky. the trees glimmered and reappeared through the early morning thin layer of smoke from wildfires in canada, jetstreaming its way into the heartland. it was bright in midday and then the sky took on the echo of the western sunset. at night, the trees were still a presence, silent, rooted strength.

i took many photographs of these two trees. they were somehow very comforting and reassuring; it was a time of memorial for columbus and emotions were all over the place. and the trees stood there, steadfast.

they watched us all gather and eat and talk and reminisce and play bags and run with oversized bubble wands. they watched us hula-hoop and dance in the grass and drag chairs following the sun and escaping the wind. they watched us wander and take pictures, play with gracie-cat, pour wine. they watched – as trees do – and we watched them back.

i love each of the photos of the two trees on the east side.

because there is no same-old same-old.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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flowers in the sky. [two artists tuesday]

were i to be on jeopardy – and were there to be a topic called “agriculture” – and were i forced to try and answer any question at all – $1000, $800, $600, $400 or even $200 – i would fail miserably. the tools of the trade are foreign to me, just as, i suppose, sheet music for the rachmaninoff piano concerto no.2 in c minor might be for the farmer skilled at using the farm implements. different languages entirely.

so, for us, sitting outside the iowa farmhouse, gazing around at the unfamiliar, it was both mysterious and magical. interesting textures and things with wheels had us guessing and googling. everything begged to be photographed. for us, the unfamiliar is novel and, through our eyes, doesn’t represent the hard work it actually stands for. instead, the wheel hay rake is flowers in the sky, metal petals reaching out from the center on thick metal stems connecting to the machine. the tractors and disc cultivators and harrows and silos – all unknown and a little exotic. it is easier to see beauty in that which is simply shape and texture than when it is the embodiment of the toil and worry each farmer faces each and every year.

i suppose that should make it easier for me to understand why others can generously send notes and email messages to me about my music, about how the piano piece or a song resonates with them, yet i – at this moment in time – see toil and worry. worry about how – in a new world – to put out new music. worry about how to sustain it all financially. worry about how – with a significantly-reduced wrist – my music may differ from what it has been. new crops, new agricultural costs, new limitations. what is that expression about perception? one man’s trash is another man’s treasure. that might be true also as – one man’s albatross is another man’s beauty.

yet, despite the decidedly different ways we perceive things out of our realm of familiarity, we are all spokes in the big wheel. we honor all the tools of our different trades, the languages, the expressions of work, the products of toil.

to be fascinated by another’s work is to appreciate it. to appreciate another’s work is to respect it. to respect another is to live together, under one sun … flowers in the sky.

*****

on this two artists tuesday, we’d like to make a clarification. i received a text asking me about what “buy me a coffee” meant. just as i was given to misunderstand this platform, i’m not sure we have done an adequate job of explaining it. so, please forgive any redundancy as i take a moment to clarify:

the arts don’t generally have the same avenues for payment as other professional routes, so there has been an effort for more crowdfunding types of options. both BuyMeACoffee and Patreon are platforms in which content creators can receive support from people who appreciate their work.

http://www.buymeacoffee.com is a casual way to support creators. when you “buy a cup of coffee” it transfers $5 per “cup” (minus a small percentage) directly to an account for the artist you have chosen to support. it is called a virtual tip jar because it is not a recurring payment – it is a one-time tip for something that has resonated with you. you can opt for 1, 3, 5 “cups of coffee” or any number you wish (in the square box) and the application will do the math. when i first encountered it on a site of wonderful thru-hikers we follow, i mistakenly thought it literally was sending them coffee – or – sending them money they needed to use for coffee-and-only-coffee. silly me. it is simply providing helpful funding – a lovely way for us to tell them “thank you” for inspiring us. a “cup of coffee” is a way to support them in any number of five dollar increments.

patreon (which we will have shortly) is an opportunity to subscribe to an artist’s work on a monthly, recurring basis. people who wish to support the arts have an ongoing and dedicated way to do this through patreon, choosing a monthly dollar amount. again, a small percentage is taken out and the rest is made available to your chosen artist(s).

either way, artists everywhere appreciate the generosity of those who take the time and the resources to help them keep doing their work in the world. all spokes in the big wheel.

that gratitude goes for us as well. we appreciate you and are grateful for your support of our work. you are flowers in our sky.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

click here or QR above for the “tip jar” offered by www.buymeacoffee if you wish. xoxo


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we are all in our underwear. [not-so-flawed wednesday]

with great fervor, he said, “we are all desperate to make sense out of this life.”

“play the fool,” ethan hawke’s words of wisdom.

every day of this mysteriously unknown-unrevealed-unmapped extended journey of life we have been granted – we are seeking to make sense.

and – in the moment of moments – the ones when the abyss is evident or the peak is present, the ones when confusion reigns supreme, the ones when you cannot imagine any more bliss or any more dread or any more ardor or any more devastation, the ones when complexity is the starting gate, the ones on the roller coaster you wish someone would stretch out flat – in those moments none of this – any form of art – any medium, any life-giving expression of creativity – is a luxury. it surely does sustain, heal, breathe life into the motionless heart of fear or sadness. it is the music, the paintings, the photographs, the lyrics, the poetry, the clay pot in your hand, the dance. it is what the pads of your fingers touch just simply by seeing, hearing, reading, smelling, tasting, watching. necessary. of the essence. crucial. fundamental.

“give your heart to everybody you meet. the rest is pretense.” (e.h.)

and – the creators – each of us – stand by, fools all of us. humankind. finding who we are, what we love, expressing, connecting.

“showcasing a piece is allowing it to come to full bloom, to let it breathe in the world, to share it. but showcasing a piece is not for the meek at heart.

in the way you would likely feel standing in your underwear in a town square, introducing the world to some new piece of your heart is raw. on old wooden stages with a piano and a mic, centered on a wall with a tiny price tag placed nearby, during poetry-reading night in the corner of the general store, sharing with the novel-writing club every first thursday, skating the first performance on ice, tapping “publish” on a blog each day … pieces of your heart float shakily about as you try to hold onto sisu and stay grounded. it matters not how many times you have done this. your heart has been unbridled and you are allowing others in. each and every time.” (the underwear moments* – kerri sherwood)

“but then i thought about beauty. i thought about how artists dive below the surface, try to find the depth of meaning, try to hear and see that which others might pass by, not noticing. i thought about stages and boom mics and connection and standing in front of a diebenkorn – or a robinson – deep inside, marveling. i thought about arvo pärt and his absolute tug on my heart. i thought about john denver and simplicity. i thought about recording studios and soaring string sections, cello lines that make clouds rearrange to allow in light. the weaving of intricate relationship between people and nature, between people and art in any form.

there have been moments – and i can actually remember them – when i have been driving and listening to a song and i weep or hiking and seeing something so stunning i stop and cannot move. these moments when i know, without a doubt, that it was right to turn down the business-school-accounting-program acceptance. these moments when i know, without a doubt, that i will not have the same security as the person-i-would-have-been following that route. moments when i feel a sense of pride to be a tiny part of the tapestry of what people turn to in time of rejuvenation, of rest, of crisis, of pure bliss. these moments when i know, without a doubt, that somewhere along the way what i have done with my time has touched someone, has opened them, has taken them diving with me. below the surface of this great big world – to beauty.” (the gig economy tapestry – kerri sherwood)

“…boldness. the uninhibited freedom of expression – artistry come to fruition in the moment of utter sharing. terrifying and liberating. raw and real. the underwear moments.”(*)

this great big planet earth. sedimentary layers of beauty. we are all in our underwear.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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down and frizz. [k.s. friday]

it is likely the heron’s. we have seen a couple together out there – gliding through the marshland, standing regally by the side of the pond, walking sedately. we hiked past the downy feather, that had likely fallen from where down is hidden beneath the heron’s outer feathers, and i went back, the talcum powder white capturing my attention on the trail. sometimes i pick up feathers – to keep them, beautiful signs of divine and freedom and flight. i left this one on the trail, tucked between the pine and the cone, its texture begging notice.

under the outer layer of my straight hair is an unruly curly layer. the days i do not blow-dry my hair, i am banana-curled, little-orphan-annie-curled, a combo-platter-no-real-sense curled. i personally have found it annoying. most women desire hair which they do not have – a different kind of hair – a different color – a different texture, thickness, bounce, volume. it is the way of this society.

instyle magazine did an entire month of articles on women and their hair. i read the initial article from 2018 and, frankly, found it somewhat entertaining. the most common uniting hair complaint is frizz, which, i must say, i have complained about a time or two. d has trouble understanding frizz as he is a non-frizz-haired guy (incidentally, with better hair than me – which doesn’t seem quite hair-fair). regardless, hair has become a tool of empowering for women, especially in this nation.

according to what i read, we can be flushed with excitement or nervous as all get-out, challenged beyond our perceived limits or drudging our way through the day – but, if our hair looks good, we feel good, no matter.

i wonder if the heron – in its elegant wisdom and intuition – has concerned itself with its feathers. or has it just simply concerned itself with its basic needs, its instinctual movements and rituals, its patterns and place in nature. is it thinking about its frizzy down feathers? i suspect not. compare that with the reported 81% of human women who feel more confident if their hair looks great.

according to the majority of human women – none of the hair products out there reeeeally work. everything promises to de-frizz, de-curl, celebrate the curl, straighten, give volume, grant sheen, untangle, combat thinning, retain moisture, eliminate split ends, make it bounce, make it stay still, give a hairstyle hold. but nope, none of it really works.

if you add perimenopause, menopause and post-menopause to the hair equation, you are faced with a variety pack of even more hair concerns. for me, that means that – despite all my deliberate blowdrying intentions for straightening my hair, the instant a hotter-than-hot hot flash swings by, i am frizzed. drippy hot, frizzed and curled – definitely not a jennifer aniston hair look.

“in order to cool their body temperature, great blue herons will partially extend and droop their wings and open their mouths while fluttering their throat muscles. much like dogs panting, this helps cool their body through evaporation. this behavior is called gular fluttering.” (nps.gov) the innate wisdom of the heron – gular fluttering. who knew?

so…if you see me – curly hair askew sneaking out from under a few straightened hairs trying to hold on to their straight – fluttering my throat muscles (is this synonymous with talking too much in humans???) – you will know i am post-yet-another-hot-flash and am channeling my internal great blue heron. please don’t comment on my hair.

*****

I DIDN’T KNOW ©️ 1997, 2000 kerri sherwood

download music from my little corner of iTUNES

stream on PANDORA

read DAVID’S thoughts this K.S. FRIDAY