it’s not a not-listening thing. it’s not even a not-paying-attention thing. it’s just that sometimes we are simply on two different planes thinking about two different things – entirely. we can have whole conversations during which we both think we are communicating and, yet, we are talking about different stuff. i have learned to preamble my questions or statements with a little background, kind of painting the picture, so to speak – no pun intended – so that we might stand a better chance of being on the same page subject-wise.
we rarely disagree. when we do it is with gusto. but there are those really strange moments we gusto ourselves out and suddenly realize that we were talking about the same thing, the same opinion, in agreement. all that bluster for nothing.
and then there’s always the bemused reality check “wait! what are we talking about again?”
i officiated a wedding last sunday. the bride and groom, their parents, twenty-one attendants and family and friends gathered on a venue patio under the sun on a stunning september afternoon in milwaukee.
reminding them to go slow and drink it all in, they celebrated in a ceremony i wrote for them, personal and intimate, with pieces of their romance and tidbits of what was mutually important to them. we had gathered together to talk, for them to answer questions and tell stories, and i searched for the right poetry, the right music, the right sentiment, the right words, and it was an honor and a privilege to stand in front of them and everyone there on this most important day for this most important ritual. i reminded those attending this wedding that their presence was not passive. they were witnessing this event and, in doing so, were promising to be there for this newly wedded couple, through thick and thin. to stand by them in all times, to help carry them through joys and sorrows, successes and challenges.
“i carry your heart. (i carry it in my heart.)”. i read the words of e.e. cummings as they stood, with tears in their eyes. it was hard not to weep with them. they danced down the aisle after the words, “the light will shine through your skin and they will ask, ‘what have you done with your life?’ and though there are many moments you will remember, in the end, you will be proud to say i was one of us.” life stretches out in front of them. they will be amazed at how their hearts will grow and hold the treasure trove of memories that will come. and, all the while, they will tenderly carry each other’s hearts.
i was supposed to fly that day. i had already purchased a kringle to bring to my sweet momma and poppo at the other end of my flight. but, just before i left for the airport, 20 called and told me to turn on the news. it was surreal and i dropped to the floor of the sitting room in front of the tv. i called my husband, called my beloved children’s schools to have someone tell each of them that i had not gotten on an airplane that morning and i watched the horror unfold that sunny september 11th in new york city.
a friend from yamaha in nyc sent me a picture of the world trade center location where i had just recently performed. it was destroyed. i stayed glued, watching, carrying the hearts of all those worried about someone in those towers, someone in the pentagon, someone on flight 93. it was terrifying to know this was real.
tomorrow is twenty years from the day of this tragedy. though i’m sure not a day goes by that survivors and surviving family members and friends do not think about this, it seems, in the middle of this pandemic and political chaos and climate-changed extreme-weather episodes on a grand scale and divisiveness in the nation, that the marking of this anniversary should remind us, should unite us instead of prompting the sneering that i am viewing on social media.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to defeat this global pandemic and cease the loss of loved ones.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to cross the aisle and embrace inclusivity and fairness and equality for all.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to confront global warming and climate change and save this planet for the children of our children’s children.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to turn toward each other, ask questions, have conversation, seek collaboration, surrender agenda, recognize truth, work together.
it would seem important – at the very least – to remember to carry each other’s hearts in our hearts. on wedding days and days of destruction of great proportion. it should all be the same.
when i was little, going over bridges made me nervous. not because i was afraid of heights or because i was wary of infrastructure and thought it would fall down, but because i was nervous about not being able to get back. something about going over bridges made me feel like there was no way back, especially if we were heading in the wrong direction, taking a wrong turn. i did not like to feel lost.
texas is lost. they have traversed a bridge that appears to be a hellish dead end and, i fear, with no way back. the new abortion law in texas that the governor has touted is a despicable piece of legislation, currying to the favor of men and full-scale demeaning women. that the governor would couch this as concern for the “sanctity of life” elicits a visceral response, a sickened-gut feeling. that the governor would ignorantly speak to the six weeks of freedom-to-decide as plenty, as generous even, is a slap in the face of every woman in his state. that he would put a bounty on the heads of anyone helping in this situation is disgusting wild west gunfire into the crowd.
people have spoken since this decision with more eloquence than i might muster at this moment, but it would seem that every one every where needs to speak up. as more governors make moves to further control the rights of women, we need to – we must – speak up, speak out. the ironies stacking up are deplorable piles of dung as we sit and watch legislation and policy skewed against any kind of gender equality being written, being celebrated, being enacted. sanctity is not in the building.
i read an article about the use of words in statistics. number of girls and women raped. number of girls and women sexually assaulted. number of girls and women harassed. number of pregnant teenage girls. violence against women. the use of the passive construction – noting that these descriptors don’t state the number of boys and men who raped women or assaulted women or harassed women or impregnated women or were responsible for violence against women literally shifts the focus off the guilty parties, pretends that these things have simply happened to women.
it’s hard not to be hugely cynical, disenchanted, about a country that clearly measures women’s rights differently than it measures men’s, that cares about women differently than it cares about men. once again, that yardstick is two-headed and those wielding it speak out of both sides of their mouths.
cynical. disenchanted. yes. these words. from desiderata they seem so hopeful, yet… “neither be cynical about love; for in the face of all aridity and disenchantment, it is as perennial as the grass.”
perennial. usually a positive word. perennial flowers. perennial love. yet, in the docket of these days, what is perennial is the absolute denial of respect and rights for women. it is tiresome to watch the constant lostness. instead of bridges to better times, better health, equality and respect for all, a lifting up of those oppressed, bridges are being built to places of continual control, to power unleashed over others, to inequity and doubletalking agenda – with no way back.
it’s no wonder why i didn’t like bridges when i was little. no-way-back is a terrifying place, for a little girl and for a country.
(sign on the door of the milwaukee institute of art & design)
a year and a half.
jen told me yesterday that the 1918 pandemic, though most often referred to as a two-year pandemic, actually lasted two and a half years.
two and a half years.
i shudder to think of the toll this pandemic will have taken if it lasts yet another year or more. we have learned so much; we have learned so little. the pandemic has been like a kaleidoscope and like a microscope, both. it has scattered us into constantly changing patterns and it has brought everything into minute focus. yet i wonder where this will take us.
artists aren’t typically conservative in-the-boxers. we take risks, live gig lifestyles, put ourselves out there, are vulnerable and push back against things we consider inequities, ironic double-talk, disinterest in humanitarianism, opacity where transparency is touted. we aren’t quiet, for it is our job to speak – in whatever medium our talent. we are, as artists, there to raise questions, to promote pondering, communicate ideas, tell stories, express emotion, encourage engagement, inspire connection and collaboration, reiterate interdependence of all people.
though this burden does not remain singly on the shoulders of artists, even banksy has participated in making statements about safety and guidelines in this pandemic. i’m not sure how much more blatant it needs to be. encouraging covid-19 responsibility, his work in the london tube in july 2020 was titled, “if you don’t mask, you don’t get.” he spray-paints the words, “i get lockdown, but i get up again” at the end of the video featuring his rats on the tube.
though attendees were 100% vaccinated, the invitation read, “masks required at all times unless actively eating or drinking.” they provided masks, sweet ones with the initials of the wedding couple and a heart. the venues had high high ceilings, exposed rafters and ductwork. the wedding was outside, cocktail hour was outside, dancing was outside.
when the rain came, we all kept dancing. outside, twinkling lights all around, we breathed in fresh air. even with masks on.
“a lot of people never use their initiative because no-one told them to.” (banksy)
initiative (noun): the ability to assess and initiate things independently; the power or opportunity to act or take charge before others do.
wearing a mask in public spaces – and vaccination – have been scientifically proven to lower the rate of transmission, sickness and death of a deadly global pandemic. already a year and a half.
exactly what additional kind of initiative do you need?
it felt like we were away. we had never explored this area of milwaukee and, with time on our hands on a stunningly beautiful day, we walked. we decided it didn’t matter if we knew our way around or not, our phones and gps would get us back. so we left the airbnb in walker point and started north. knowing the lake was east of us, it was a natural turn to the right, the water drawing us.
the architecture of cream city brick and old warehouses is charming and i kept thinking how we needed to return to take photographs when we had more time to linger. we turned east at a warehouse that had been converted to condo living, industrial balconies lining the river with colorful bistro tables and teak adirondack chairs and strands and strands of strung lights. the evenings must be beautiful walking along the river toward lake michigan.
we could see the hoan bridge arching into the sky and headed toward it. we passed a guy on the sidewalk with a shirt that said “light the hoan” and i looked it up. “light is swiftly becoming one of the most powerful tools to breathe new life into cities,” the website promotes. i remember a beautiful suspension bridge lit across the river in east boston when our son lived there. the light changed everything and was stunning. you can purchase a bulb on the hoan, be a beacon in the night and know that people are sitting on balconies gazing and dreaming, much like staring into a bonfire. the bridge and its design drew my iphone camera toward it.
we wound our way through outdoor dining seating and along the docks, multiple times mentioning to each other that we would “come back” and explore more. it amazed me that, such a short distance away from home, we felt like we were away and adventure was simply waiting. an early evening wedding stopped us short of much exploration, but there’s always the next time.
we walked out to the lighthouse where the milwaukee river met lake michigan and stood for a few minutes before turning around. the art museum beckoned from up the lakefront; beyond that we know there are beaches and a favorite coffee house in an historic water treatment plant.
we walked back some of the way we came, sticking to the river as much as possible. flowers and shadows and railings and vintage glass finials, textures and surprises, restoration and beautiful intention our companions.
passing the docked boats, though no salt in this air, i got a whiff of the past. i could imagine i was at northport harbor, watching the comings and goings of boaters and fishermen. it made me have a taste for baked clams and buffalo calamari from skippers pub, a hop, skip and a jump away in my mind as the scent of waterfront and moored boats surrounded me.
though the pandemic and travel warnings might preclude a trip to long island, we, aloud, promised each other we would return to this walkway, to stroll along the river chatting and snapping pictures, to immerse in a sculpture walk, to find the perfect bistro table on the dock sidewalks, to dine al fresco in the swirl of memories and new adventures.
there was an emphasis on beauty long before mass media made natural aging formidable. women and men, but especially women, went to lengths to be beautiful, taking great pains to conform to whatever was the current measure of beauty.
but in the past century – later 1900s through now – there has been a shift to devaluing the aging process, to undercutting the beauty of what aged looks like. the look of youth is prized disproportionately and has made middle age look inadequate. we are under siege and it is increasingly impossible to measure up to those decades younger.
there is no good reason any woman of any age should be feeling that beautiful is not unconditionally hers, is not inherently attainable. there is no good reason any young woman, glowing with new maturity, should be feeling beauty-challenged. there is no good reason any woman on the menopause roller coaster should be feeling that beautiful is bygone. there was no good reason my sweet momma, at 93, should look in the mirror and sorrowfully cry, “i look like an old woman!”. on the contrary.
the confidence, just like the wrinkles, has been earned over a lifetime of living, over struggling to be healthy, to be engaged, to learn, to be active. there is no measure for the wisdom gleaned and the story each of those wrinkles might tell, the love and struggle and perseverance each grey hair might represent, the days in the sun playing with children and grandchildren reflected in crepey skin and the lines next to her eyes from laughter with her friends.
just like hallmark aggressively pushing made-up holidays or the internet naming days as “national – whatever – day” compelling us to be involved, mass media on all levels, in all arenas, has foisted “youthful appearance” upon us as the measure of value, of validation, of relevance.
the cultural preoccupation fighting the intrinsic processes of aging is surely a mark of ignorance, of superficiality, of contrived campaigns for products and images from which we should gracefully walk away. transformative surgeries and injectibles and laser work are on a stunning rise. for what?
surely in this society we are not as inept as it seems at helping others, particularly women, to develop self-esteem, positive body image, confidence.
surely our preoccupation should be on frank lloyd wright’s words, “the older i get, the more beautiful life becomes.”
my daughter – naturally amazing and naturally beautiful and naturally talented was not even twenty when she chose those words – in french – as her first tattoo. ink as a reminder. words of wisdom.
helen’s words have stayed with me for a few years now. we had told her of various frog encounters we were having including the time the frog jumped out of my sweet momma’s toilet (!) when we opened the lid and the first surprise frog at our little pond. “frog,” she quietly pointed out in a slight southern drawl, “is simply an acronym for fully-rely-on-god.” there was something stabilizing in her tone, something full of wisdom and experience and the flow of life. in her words there was reassurance. in her words there was encouragement.
magic appeared earlier this summer. we check for him pretty much every day. at some point one of us meanders out there and walks slowly around the pond, studying the places where a sweet frog can linger, sun, or hide. some days he isn’t there and we worry about him. when you name a frog in your pond, he becomes part of your family and pando and epic and tiny were no exceptions. we celebrated the day magic suddenly poofed into our pond. i’m certain we both heard helen’s words whispered in our ears.
i know that magic is vulnerable and yet, he sits in it. this pond is tiny and he would be hard-pressed to evade the neighborhood hawk should it decide froglegs were on the menu. the sun warms the pond each day and the rocks around it are hot to the touch, but magic has apparently figured all that out, afternooning in the shaded garden bushes, i suppose. he doesn’t seem to be scared of a big black furry dogdog running around the pond incessantly; i imagine he rolls his eyes, giggles at the visual absurdity and somehow knows dogga would never hurt him. he seems pretty secure. maybe he knows the f-r-o-g thing. no matter, taking chances, he sits in his vulnerability.
these two days – thursdays and fridays – are dedicated to our artistries. dr thursday and ks friday offer specific chances for us to dive into our craft, to talk about it, to divulge.
i have found, in these last years now of writing, that we are much like magic. the more we write, the more we divulge of where we are. our vulnerability is not just limited to artistry days. instead, we take chances each day of the week, writing where we are, where we have come from, where we may be going. we click ‘publish’ and sit in it.
at points in time, the neighborhood hawk somehow removed us from facebook for unknown reasons – a hankering for froglegs, i suppose – and trashed our youtube – burning hot reasons we will never know. it is hard to evade the acts of close-mindedness, of conspiracy theory, of damaging rhetoric, of exclusion. but we just keep writing anyway.
it was late evening when i went to look for magic. the air had deliciously cooled and we were outside – just with the pondlight and bulbs strung over the yard. there he was. in the spotlight of the pond, confidently on the edge of the rocks, breathing deeply – or however it is frogs breathe best. he didn’t move as i approached and he stayed right there, inches away, for the photoshoot. unafraid and in his own skin, he didn’t flinch. he just stayed right there. in the middle of his vulnerability.
“get outside.” “expand the confines of your life.” “surround yourself with beauty.” the youtube backpackers wander women kristy, annette and lynn have mantras displayed at the end of their videos. we somehow stumbled upon them; likely it was because they are currently hiking the pacific crest trail and they looked to be somewhere around our age. we have watched joey coconato backpack an inordinate number of times, and we know that we cannot be joey. we can’t even be joey-like. twenty years younger than us, he is stronger and bolder and with a vast amount of experience. the wander women, though also with decades of trail-savvy, made the trail look more accessible to us.
i have been moved by them. a few years ago they talked about what they wanted in life, made a plan and deliberately went about executing their plan. they sold houses, bought a diesel pickup and an rv and started living an itinerant lifestyle that suits their mantras. they are intrepid. one foot in front of another they have ticked off many of the big thru-hikes that linger on the edges of other people’s bucket lists. and, though we have watched them in question and answer videos and in gear videos and on various trails, right now we are following their progress on the pct. amazing. “home is where you are,” annette says, in answer to a question about how they feel about living in an rv and hiking. “you bring home with you,” she explains, totally secure and happy. they are a joy to watch.
most times we pull into the driveway – arriving from anywhere whatsoever – i say, “hello, sweet house.” it matters not how long or how briefly we have been gone; i am happy to be back and i guess i want our house to know it. animating a house is not likely on the restrained-unemotional-dispassionate-disconnected-unsentimental-apathetic spectrum but then i am pretty much an antonym-icon for all that. and i love our home.
that doesn’t mean i couldn’t love another home. i fall in love every time we are in the colorado mountains. i wish i owned most of the airbnb’s we have rented, so incredibly at home we have felt in them. i fell in love with the littlehouse on washington island; it was magical and we instantly bonded. we visited a tiny town in north carolina’s smoky mountains and thought, “we could live here.” we pined over a general store for sale in a tiny town in vermont, a place we could see ourselves hang our hats. my sister’s house, my nieces’ houses, all bring a sense of security and love. each one conjures up comfort. the up-north cabin for the up-north gang is a place of tranquility and laughter. 20’s condo is a place of serenity. friends have homes that are tranquilizing, soft places for our visits.
kristy and annette and lynn carry backpacks with less than 25 pounds of weight: their tents, clothing, food, water, supplies. that makes long-distance hiking sound more doable. “be bold” “challenge yourself” “create your life” they state at the end of another video. these are not empty words, not do-as-i-say-not-as-i-do words. they are living life in just this way. home sweet home for them is most undeniably inside them wherever they go.
the woodpecker who pecked out its house in this tree was just as fearless. undaunted by the size of the fallen log, it did what it knew – it created home. just watching a woodpecker create his own digs makes rv-living or driving up our driveway look like a breeze. i imagine that as the seasons change and life and time move on, there will be other trees in other forests, other home-holes, other places to nest, other welcome mats for this indomitable bird.
at a time when redefining is imminent, i look in the mirror and start to sketch out a plan, start to dream, to re-create life. it’s all amorphous right now, but our happy house – home, sweet home – cheers me on.
i have sat on the edge of this deck and prayed many a prayer. i have wept and i have laughed. i have sat against the wall, warmed by a winter sun, sipping coffee. i have sat under the umbrella in hot summer sipping cold wine. i have read books and letters, texts and emails. i have written manuscripts and lyrics and poetry and correspondence. i have learned and learned again. i have had hard conversations and gleeful announcements. i have sat – all alone – in the wee hours of the night and i have entertained many, many parties, many rehearsals, many gatherings of relatives, of friends. i have played with my beloved children and potty-trained puppies. i’ve shared a fort with my girl and pushed my boy on swings. i’ve checked kids’ hair for lice and i’ve played basketball and i’ve caught fireflies. i’ve grown black-eyed susans and lavender and hosta and ferns and grasses and basil and tomatoes and weeds. i’ve grown grass and dug out grass and grown it again. i’ve caught snowflakes and i’ve had waterfights with hoses. i’ve dug a pond at our big-dig and carried home rocks to lay around it. i’ve bird-watched and star-gazed and fallen in love with pond-frogs and watched for the owl and studied a cicada’s transformation and cheered on chipmunks. i have strummed ukulele and sang with a community of people i have called family. i have lugged keyboards and amps and music stands out and played with a band. i have danced to music from a record player plugged into the outdoor box. i’ve stared at the firepit and roasted marshmallows. on this deck. on this patio. in this backyard. i have full-spectrum-lived out there.
it doesn’t look like what you think of when you hear the word “sanctuary”, particularly if you have been even remotely involved with any sort of religious institution. but it is indeed a sanctuary. it is a place of refuge and safety. it is a holy place. no less than any building i have ever been in, it offers introspection and meditation, time for wonder and gratitude, moments to connect directly with serenity and my faith, chances to ask the wisdom of the universe hard questions and listen for the answers. it has not ever let me down. though my questions have not always been addressed, though i have unanswered prayers, though i ponder layers of existential, this sanctuary has always embraced me.
i walk out and it whispers to me that it is there, simply waiting. to others’ eyes, it may not appear this way – beautiful and inviting – it may not be pristine or perfectly landscaped, it may not be tended with a keen hand, but it is ever-perfect. it is unfailingly omnipresent, undeniably not ulterior. it calls to me without agenda, without intent, without chance of betrayal. it is inclusive of all who have ever walked there, of all who would ever take time to sit. it is consistent. dependable. a constant.
it is a sanctuary beyond reproach. a place of peace. outside, under the dawning morning and the galaxial sky, the heavens holding us.
it is – as i have learned – everywhere we go, under every rising sun and waxing moon. we are held to mother earth by gravity and the grace of spirit difficult to describe. this great big sanctuary.
anna quindlen writes about it in “a short guide to a happy life“. the dividing line between before and after. we all have them. though mathematically incorrect for this lyric, as “sawed in half” only leaves the other half, many of us have more than one dividing line, more than one qualifier of our lives, more than one change agent.
i remember my first apartment. it was on long island in a basement partially paneled and partially wallpapered with red brick wallpaper. my dog missi and i moved in with my old piano, a convertible couch, beanbag chairs, a bookshelf and a bistro set. i had free bank-account-giveaway plates and cheap silverware my grandmother gave me, forks, spoons, knives still in my drawer to this day. i had a tiny kitchen in this studio and, though i cooked often, missi and i both ate plenty of cornflakes for plenty of meals. it was not fancy but it was mine.
after i was sawed in half i had to move and, ultimately, found myself in florida, seeking safety from a man whose aggressive pedophilia was predatory, for whom vengeance was foremost. everything was different. from those moments on. there was no going back, no return to innocence. the dividing line was stark and, in 1979, there was no real resource for processing it.
since then i’ve had a few more dividing lines. but, i have found in many purposeful meanderings through my lifeline in recollections and in much intentional parsing out of cause and effect relationships, that many of them relate back to the first sawing-in-half.
having children did not ‘saw’ me in half, but it indeed sawed time into before and after, for nothing would ever be the same and all my after has been waking and going to sleep thinking about them and wishing for their good health, good relationships, good work, love. there can scarcely be a parent who has not been profoundly changed by having children. before. after.
the loss of my big brother came as a mortality-blow. i had lost grandparents at that point, but their lives had been full and eight and nine decades long. my brother had merely reached his fourth decade – forty – an age twenty years ago now for me – and it was premature and devastating. he had been a stalwart rock for me in my years-post-first-sawing and to lose his wisdom and strength had me questioning how the world could go on without him feeling it. it divided time – from a more casual look at life to a more intensely emotional connection to those around me than i already had. if i am needy, emotionally, it is grasping on to beloveds. though i know i must not hold too tightly, i have likely not always succeeded at that, but i try to be at least close enough to always at least feel the wind from their wings. it’s not always possible and it’s sometimes impossible, and i yearn to have my family right close to me as many friends have, but i try – that word again – to trust life and its gifts.
the day i realized that there was no one left to ask questions of my birth, my childhood, my teenage years, the intrepid and enduring memories moms and dads have, i stared at lake michigan. i won’t forget that moment. i was wondering about my first time on the lake on a sailboat and i suddenly was aware that, without my sweet momma and poppo still here, there would be no answers that i could not remember myself. it came with intensity and orphan-hood surprised me – even then, at 56.
there are other lines in the sand, other befores and afters. relationships, jobs, places, mistakes and learnings, successes and failures. they all count, like every slice of blueberry pie making up the whole, even every rich ingredient making up the slice. the passage of time is a vast bakery of experiences, some more contingent on others, some more independent.
so when the song “life is long” came on at the end of the grace and frankie episode while i was on the treadmill and david was on the bike i was struck by the lyric “sawed in half by the passage of time”. i spoke into my phone recording the words i had just heard, words that made time pause like the button on the netflix video.
and i stared into the timeline in my mind, thinking about life sliced up like pie – a little less vigorously than a saw – but with just as much impact.
reverse threading 