reverse threading

the path back is the path forward


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the water. [kerri’s blog on k.s. friday]

lake michigan – and its looming presence – it’s always there, though sometimes we don’t notice.

i’ve been around water my whole life: long island and florida and here. i’m not sure if i have thought about what that means to me. i’ve lived most of life at or around sea level. i have always been able to – via a short walk, short bike hike, short drive – get to a large body of water. and, regardless of whether or not i am on the shore of that immensity, i can feel it.

the last few days have pulled me out of center – whatever center i have mustered in recent times. in the middle of the middle i can’t feel the grounding gravity that usually helps – perspective that keeps the rest at bay. i know the flailing time is limited and that we are not trapped there. adrift in the onslaught of emotion, i tune in to the things that balance me. i listen for the windchimes outside, i stand in the living room and look at the lit trees, i sit at the kitchen table opposite d, we take hikes in cold air, we light a candle.

i fend off the pining for the high mountains, knowing i can’t get there right now. in guided imagery i sit at the side of the brook – on a log – in the lodgepole pine forest – high on the mountain. i – curiously – am never on the shore – of rock or of sand.

have i always taken the water for granted? do i take this presence – merely a block away – for granted? is it human to pine for the things we don’t have, things that are harder to access?

yet, if i imagine being away from the water – any water – i have a visceral reaction. for it’s always been there and i hardly know what it would feel like without it.

the days i have sat on the coast – sandy beach beneath me – i can feel the deep breath that powerful surf affords.

the days we have hiked streamside up the mountain, the days we have sat on its bank or on rocks in the middle of rushing water – i can feel the the deep breath that the flow affords.

the days we hike along our favorite local trail – river at our side – i can feel the deep breath that its familiarity in all seasons affords.

the days we choose to walk by the lake – on its bouldered shoreline or on its beaches – i can feel the deep breath that an unbroken horizon affords.

and the water – the innate healer – is always there. grounding.

“take a course in good water and air; and in the eternal youth of nature you may renew your own. go quietly, alone; no harm will befall you.” (john muir)

*****

ADRIFT from BLUEPRINT FOR MY SOUL ÂŠī¸ 1996 kerri sherwood

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dizzying taste. [kerri’s blog on merely-a-thought monday]

it was dizzying.

the flock of cranes were above – heading south – their bugling loud in a blue day still of rushing wind. we stopped on the trail and looked up, expecting to see one or maybe two sandhill cranes flying by, from one meadow to the next. instead, there were two distinct v’s – in the ancient pull of migration.

we stood there – still – watching…until craning our necks for the cranes was too much. i lowered my gaze and felt the earth tilt a bit in the headrush of returning to terra firma. a gorgeous sight – in my eyes and ears.

it is delicious – that sky. it is magnificent – that sky. in the day and in the night. i have been astounded and humbled. i have counted the stars and imagined the clouds. i have been soaked by its rainstorms and reveled in its snowflakes. i am fortunate to have felt the sun and the moon.

i have stood under that sky and i have realized that it is – yes – the same sky that the others i love are also under, despite any distance between us. in my mind i migrate to each – seeking the intuitive connection to their places in the world.

in tasting the sky all is possible. and, in my looking up, i feel grace and hope dizzying down on me.

*****

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not unimportant. [k.s. friday]

just like when i take a photograph of a person i try to avoid having extraneous people in the picture, when i take photographs outside i try to avoid any messy unnecessities.

this time i did it on purpose.

on july 29th i will have lived in this house for 33 years. i have sat out back watching the sky turn orange over the garage for 33 years. i have watched the trees grow up over the rooftops in my view. i have watched squirrels on their highways-of-highwire for 33 years.

it suddenly occurred to me that there might come a day when i can’t simply walk out the old screen door onto the deck, stepping onto the patio to watch the sky in the west. there might come a day when i live somewhere else and i won’t have access to this view.

and so the messiness of wires sectioning off the sky became important. important enough to photograph. important enough to remember.

we’re surrounded by things – and views – we have taken for granted. we see them every day – though we don’t really see them.

they seem unimportant.

yet, these familiar sights are the very things that help ground us. in a world that is politically volatile, climate that is destroying mother earth, bombastic leaders itching to reduce freedoms, disrespect and aggression out of control, it would seem that we need grab onto that which grounds us, centers us, slows down our breathing.

because i’m thready, i notice – and try to memorize – things like how the old wood floor creaks in the hallway, what it sounds like when the glass doorknob falls off, the feel of the small chain on the basement door and the decades-rubbed indent it has made, the sound of a double-hung window with ropes and weights opening, the deck cracking in cold weather, the cool painted-cement floor under bare feet in the basement, the places where the plaster has cracked. they all spell home.

and, with a world in turmoil, everything in flux, so much anxiety and grief and worry, things that are solidly familiar help.

*****

THE WAY HOME from THIS PART OF THE JOURNEY ÂŠī¸ 1997, 2000 kerri sherwood

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forget-me-nots. [k.s. friday]

A0, B0, C1 are missing. entirely. gone. they have disintegrated and have dissolved into the ashy dirt of the piano. it is likely that if we planted the forget-me-not seeds we received when our beloved babycat died, tiny blue flowers would grow, for this spot – the lowest on the keyboard – seems rich soil. though we do not see A-zero, B-zero, C-one, the tones are still there, the timbre of these lowest notes ever-present, the grounding of all else still grounded.

“wherever you are, that’s where i will be…” is needlepointed in an old black frame on the wall in the bedroom. in the way that notes forever linger in the air, that frequencies dance waiting for us to listen, i know that this is also true: those whom we love surround us any where we go, any where we are, they are a whisper away. i plant virtual forget-me-nots each time i speak of or ‘to’ my sweet momma, my poppo, my big brother, dear ones who have gone on. i plant virtual forget-me-nots each time i hold close in embrace or in mind those whom i love who are here, whether near or far. the garden is lush with these tiny blooms, the wind a symphony, even maybe a gentle cacophony, of harmonics, seeding my steps each day.

in the midst of it all – changes and challenges, absolute joys and abysmal sadnesses – all that has been whirls around us, all that will be beckons us. we pick and choose the bouquet each day…our words and actions, our intentions. we learn and grow and send roots while at the same time becoming tall and independent and resourceful and capable of blooming.

yet, the wisdom of the ages, the ages themselves, are where we are. the notes play and the harmonics ring. the flowers blossom and spread and the wind takes on seeding, propagating on breezes and stout gales, encircling us. the universe cheers for us. we try to believe it is, ultimately, on our side. as albert einstein encouraged, ‘the most important decision we make is whether we believe we live in a friendly or hostile universe.’ we can bring nutrients or malnutrition to the garden.

the low notes swirl. still there. and all those who have loved us, all those we have loved, all those who love us, all those we love, the greater spiritual power in each of our lives – there. always with us. rich soil for our every single day.

*****

ALWAYS WITH US – from AS IT IS (kerri sherwood)

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ALWAYS WITH US from AS IT IS ÂŠī¸ 2004 kerri sherwood


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a flame through the night. [two artists tuesday]

tiki flame

we lit the torches about 5pm.  it was cold but not breezy and the lake was calm after several days of bigger surf.  it was the last night.

we sat on the back porch steps and watched the flame flicker.  we moved inside and watched it dance from the living room, a fire burning in the woodstove.  we checked the wind and the weather forecast and said goodnight to the torches late that night, flames glowing outside with boxes packed around us inside.  very early in the morning i could see the slightest of flame glimmering in the torches, the light of golden rising sun behind them.  all through the night.  they burned all through the night.

there was something profound about that for us – the flame that kept burning through the night.  i’m not sure i can speak to it.  i can just say that the welcome flame of the torches in the morning was calming, steadying, grounding.  indeed, the sun will set, night will descend, the sun will rise.  the flame continues.  light continues.

it was the last night on island, for now.  the first dawn of next.  and, as these things do – every sunrise and sunset – it has forever changed us.

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lastlittlehousefeet website box

flame through the night image ÂŠī¸ 2019 kerri sherwood & david robinson

 

 


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something familiar. [d.r. thursday]

 

NapMorsel

 

NapOnTheBeach redux copy

NAP ON THE BEACH, 25″ x 55.5 “

we packed it.  this painting.  i will need things that are familiar around me and this is one of those things.  familiar paintings, peace signs taken off the wall from home, comfort-comforters and quilts, the dog and the cat and their paraphernalia, favorite kitchen items, and so much more; all will keep me surrounded by the familiar in the unfamiliar.

we are going on an adventure and i will need the touches of home…to keep me centered, grounded, feeling forward movement.

this painting now hangs in that living room, its horizon gazing out on a horizon also of water, of expanse.  its solace echoing the solace we will bring for each other, two together in a strange land.

NAP ON THE BEACH will hold court over that living room, that different home, and remind us that this new adventure is indeed together – absolutely, positively together and we need not worry or fear.  in the familiar there is comfort.

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feet on the street WI website box

NAP ON THE BEACH ÂŠī¸ 2017 david robinson


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prayer of opposites. [d.r. thursday]

PrayerOfOpposites10.17 copy 2

the first time i joined hands with david and prayed, i cried.  truth be told, we both cried.  it was a powerful moment…one i will never forget.  there is something deeply grounding about prayer with another person.  it is forging, like iron in a hot smelter, clay in a  kiln…seeking the solid base, making something stronger.

this painting, prayer of opposites, reminds me of that gift – the exchange, the sharing of peace and words of comfort, words of gratitude, beseeching words – with another.  the passing of that spiritual energy one to another.

were we to pray with opposites, would we not ultimately be drawn closer?

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prayer of opposites ÂŠī¸ 2002 & 2018 david robinson & kerri sherwood

 


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two artists tuesday

just shrug copy 2two people get credit for this “just shrug”:  20 (aka john) and justine.  it was in the “old days” when i was at the graphic design studio what felt like all the time when i learned this mantra.

20 designed the first ten or so of my album jackets (and traycards, if you want to get specific.)  i would spend time with him and justine (the person who made things happen at the office) idea-brainstorming or watching layout.  i can’t tell you how many times deadlines would rapidly approach or the print shop would goof on a run or the computer would glitch or….  i would inwardly be freaking out (and maybe outwardly), but 20 and just would be even and relaxed (at least on the outside.)   one or the other would look at me and say, “just shrug.”  after about a zillion times, it stuck.

shrugging off the stuff that stresses us out is not a science.  it’s most definitely an art form – approached and accomplished differently by each person who attempts it.  everyone chooses different crayons out of the box, everyone paints with different size brushes, everyone chooses a different key on the piano, everyone sings a different song, everyone relaxes a different way, everyone re-centers differently.   but people are able -and if they weren’t, we would all be a paralyzed-with-stress community of people- to slough it off, to let it roll off their shoulders, to move on, to shrug.

i once heard an interview with a woman who was about 95.  she was happy, happy, happy and spoke of her life.  the interviewer asked her, “to what do you attribute your happiness, your ease in the world?”  she answered, “i don’t take anything personally.”

ahhh. she just shrugged.

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justshrugFramedprint copy

 

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justshrugMUG copy

 

justshrugSQPillow copy

 

justshrugIPhoneCase copy

 

justshrugCARDS copy

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society 6 info jpeg copy

 

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JUST SHRUG ÂŠī¸ 2016 kerri sherwood & david robinson