reverse threading

the path back is the path forward


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odd-one-out. [k.s. friday]

he was this guy who would pick me up in his blue convertible camaro and have flowers tucked into the visor. or a stuffed animal peeking out from the glove compartment. when it was my 18th birthday, he drove 45 minutes late at night to decorate my vw bug with roses and install a big sign on the oak tree outside our front door. he bought cards and concert tickets, taught me how to play tennis and took me to restaurants all over the island. in the spirit of the 1970s susan polis schutz calendar he gifted me, he also gave me a small poster, which i still have.

“i am not in this world to live up to your expectations. you are not in this world to live up to mine. i am i and you are you. and if by chance we find each other, it’s beautiful.” (fritz perls)

the small evergreen was particularly beautiful, standing out in a part of the woods that surrounded it with tall hardwoods. its singularity made me stop and photograph it. i felt connected to it, the odd-one-out in a large grouping of the more-similar. i told it that it was beautiful and blew it a kiss.

this sweet pine tree in the national forest was tiny in comparison to nearby 80 foot giants. it must love winter, when the leaves of its neighbors no longer form a canopy blocking it from the sun. as you hike, your eyes adjusting to the brownness of the trail, it becomes a source of color, and you hungrily take in the green of its needles, its softness in a world of bare trunks. you begin to notice other tiny bits of green here and there, a little surviving underbrush here, a little sapling there. color returns.

when i was still 18, and he was a few years older, he asked me to marry him. he was a kind man, and probably still is. i was not – at 18 – ready. i still had more love stories to relish and love stories to regret. i had good sun and hard darkness ahead. i had moments of the-only-one-in-jeans to experience and times of growth when the canopy opened to the sky. i had hardwood forests to stand alone in.

and life moved on.

“but i look up high to see only the light and never look down to see my shadow. this is wisdom which man must learn.” (kahlil gibran)

i know the little pine tree blew a kiss back to me.

and then we hiked on.

*****

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read DAVID’S thoughts this K.S. FRIDAY

MEANDER from AS IT IS ©️ 2004 kerri sherwood




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unfinished. [not-so-flawed wednesday]

while she explained to me the presence of the cross on the back of the donkey, he explained to david how he installed the sun-seeking solar panel in the barnyard. both exist here. the old world donkey and the twenty-first century solar panel. together.

he told us that they were about our age when they started to make plans for next steps. they sorted and listed and researched and made decisions for their next phase, moving to acreage further south – in a bit more temperate clime – closer to some family, out in the woods with ridges and ravines, living their dreams for the next of life. “you should start thinking about that now,” he encouraged us. he’s right. we think about it all the time.

“the world never comes at you all at once,” john o’donohue wrote. “you are not simply here. neither are you definitively and forever ‘you’.” … “no person is a finished thing.”

things you can count on. change and change and change.

we know change is imminent. and change has already arrived. and we have exited change, taken the doorway that reads “next”. and we can see more doors and more doors. they are a little further away, like trail markers, choices to be mapped, routes to follow, narratives with gaps to fill in.

maybe a coupla donkeys, a coupla horses, dogdog, mountains, cherry tomato plants, and trees. our lives will evolve.

in our mind’s eye, we paint ourselves older – hopefully wiser, but i know there’s no guarantee of that. we paint the hue of early morning sunrises over peaks near and far. we paint old porches and adirondack chairs. less stuff and more time. old world and new world. much like now, we paint in mugs of coffee and glasses of wine bookending the day. we paint in people we love. we paint in hiking and writing and new recipes and doing the art we do. it’s unfinished, this canvas.

life is not a paint-by-number. and solar panels and donkeys co-exist in barnyards. and we are not definitively any particular colors in any particular place doing any particular thing. we are made of dreams and change.

*****

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the gig economy tapestry. [ saturday morning smack-dab.]

i was going to write about the gig economy. about how living a life – mostly – in that world has given me a perspective about work that is maybe a little less rigid than the perspective of one who has worked outside the gig economy. always piecing it together, always scrappy, always thinking of the next new thing to create – these are second nature. not having as much, worrying, repurposing, having thinner margins – these are also second nature. in the middle of the middle of what-next thinking, outside the box of indeed and monster and ziprecruiter and simplyhired and random sites that seriously suggest i apply for positions as a neuroscience researcher. “now what?” people will ask – mostly who don’t really know me or who are drawing comparisons with their own lives. i was going to write about all that.

but then i thought about beauty. i thought about how artists dive below the surface, try to find the depth of meaning, try to hear and see what which others might pass by, not noticing. i thought about stages and boom mics and connection and standing in front of a diebenkorn – or a robinson – deep inside, marveling. i thought about arvo pärt and his absolute tug on my heart. i thought about john denver and simplicity. i thought about recording studios and soaring string sections, cello lines that make clouds rearrange to allow in light. the weaving of intricate relationship between people and nature, between people and art in any form.

there have been moments – and i can actually remember them – when i have been driving and listening to a song and i weep or hiking and seeing something so stunning i stop and cannot move. these moments when i know, without a doubt, that it was right to turn down the business-school-accounting-program acceptance. these moments when i know, without a doubt, that i will not have the same security as the person-i-would-have-been following that route. moments when i feel a sense of pride to be a tiny part of the tapestry of what people turn to in time of rejuvenation, of rest, of crisis, of pure bliss. these moments when i know, without a doubt, that somewhere along the way what i have done with my time has touched someone, has opened them, has taken them diving with me. below the surface of this great big world – to beauty.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2022 kerrianddavid.com


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no anonymity. [k.s. friday]

anonymity is not a strong suit of airbnb. and, for us, that’s exactly the point. the relational piece of staying in places other real people own does not usurp privacy. but it offers a glimpse into lives – those which you may never have peeked into otherwise. without reservation, i would say that most all of the airbnbs we have stayed at have been owned by someone with whom we’d love to be friends.

the window that opens when you unlock the front door to the tiny house, the condo, the bungalow, the loft, the cabin, the cottage is an invitation. on the most basic level, it is an opportunity to see how someone else makes a space a home, how it’s designed, how it’s appointed. it is an opportunity to reconstruct – in your mind – something about your own home, an idea to take with you. it’s a chance – for a bit of time – to experience another place as-if-you-live-there: to wander and cook and porch-sit and immerse, even a little. when you stay in the vicinity of the owner’s place it changes things, for then, on a whole ‘nother level, it’s an opportunity to see morsels of how someone else lives, their real-life. and when you have the chance to meet the person or people who host where you are staying? that is a gift.

sitting on the adobe open-air-to-the-mountains-balcony off the bedroom in ridgway, in rocking chairs on the front porch on the farm in kentucky, at the table overlooking snowmass, under the après sign in breckenridge, watching people go by in tiny brevard. it is not without wonder we think about places we will stay someday.

and, i guess, not surprisingly, there’s something about all these places that makes us say, “we could live there.” something different than what any hampton inn, our hotel chain of choice, can offer.

it is not randomly that i pick out places to stay when we travel. i carefully consider location, amenities, the presence of light, whether or not we can cook, if there is outdoor space, a fireplace, a kitchen counter where we can chat. i look at pictures and read reviews and one will always jump out as a place that looks like us. so not so random.

and i guess it is not random either that we meet people – it boils down to the people – who stand out. they are living lives and opening themselves up to others. in providing more personal lodging they are reinforcing the humanness and opportunity of travel. they remind us – again and again – to be just a little more vulnerable, just a little more open. we don’t walk in someone else’s shoes, but to stay in someone else’s home, even for a night, has given us the tiniest chance to know them and to get where they are.

we are not here to live anonymously.

*****

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TIME TOGETHER ©️ 1997 kerri sherwood


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donkey love. [two artists tuesday]

elfie and adaline grinned at us over the fence. clearly they thought we were kindred spirits. or maybe they just wanted one of the treats we held in our hands. either way, they were cute as all get-out and my heart was happy-happy to be heehaw-hanging out with them.

i do have a thing about donkeys. horses, too, as you know. but donkeys, like giant dogs, seem really doable. sweet expressive eyes and much shorter and more containable than horses, donkeys tug at me. i guess we’ll see. maybe one of these days. obviously, this town we live in won’t be the place. i can’t imagine our perfectly-yarded neighbors-to-the-east thinking that donkeys-next-door would be ok, though our neighbors-to-the-north are overrunning their place with all kinds of non-organic-non-living-plastic-rubber-battery-run-powered-by-electricity-noisy stuff so what’s a coupla donkeys in the ‘hood-mix?

a long time ago – over twenty years now – when i was directing a christmas cantata at a church i decided to go out on a limb and use a live donkey in the production. i made arrangements with a local stable and they were bringing out the donkey the morning of the cantata. we, necessarily, rolled out a plastic runner and i started the overture. ‘mary’ had to duck under the door frame as the donkey was led in by ‘joseph’ and started toward the chancel. the biggest-donkey-on-the-planet, it seems, carried in the star of our cantata. it took very few lanky strides to reach the front of the church. the donkey took its place next to the choir, shoving a few people over as it positioned itself before ‘mary’ was helped down and it was led out. giggling is good during cantatas, i reminded myself, as the giggle spread through the pews. apparently, there are donkeys and then there are donkeys. and this one – was actually a mule – much larger than its donkey-parent. a little bit of false advertising on the part of the farm, but what-the-heck. maybe i should have been a little more specific: no hybrids.

so elfie and addie, regular-sized donkeys, were pretty cute. watching them renewed my i-want-a-donkey and i looked at websites that even advertised miniature donkeys, so as to avoid cantata ptsd.

donkeys are smart creatures. it is said that you have to be smarter than a donkey in order to train it. it’s also assumed that they are dumb-as-rocks because they are rather stubborn. in researching i read, “things need to make sense to a donkey, they aren’t just willing to obey blindly.” ahhh. i can relate.

and they really were big grinners, those cutie-pies. though they don’t look like they have a sarcastic bone in their bodies, i did wonder if they were smirks and not grins. because they looked at us over the fence as if they recognized us. like they were saying, “yeah. we get it. you guys are artists. we’re donkeys. uh-huh. kinda outliers. samesies.”

heeeehaw.

*****

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wishes and dreams. [saturday morning smack-dab.]

it’s completely mind-boggling how you can be totally exhausted at the end of the day and, yet, be totally awake as soon as laying your head on the pillow. what IS that?

as this year ends, i read an article that impresses upon you to choose a resolution you are capable of keeping. i suppose that’s a good idea … i mean, why set yourself up for failure when you can set yourself up for success?

my new year’s resolution, thus, will be this: i wish to sleep and i wish to dream. and i hope to succeed at it.

history shows this would not be a good resolution. but i am determined. after leaving everything of concern back in the waterfall, i am hoping for my peaceful slumber.

so’s david.

sweet dreams, y’all.

*****

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SMACK-DAB. ©️ 2022 kerrianddavid.com


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looking glass falls. [k.s. friday]

there is no limit to how long you can stare at rushing water. cool mist enveloped us as we stood there, watching. in the land of 250 waterfalls, we, as even babbling-stream appreciators, stood and took in this gorgeous sight.

it is unusual for us to be in the midst of many people these days, even outside. yet, here we were, transfixed by the looking glass falls, along with at least thirty other carsful. everyone, with different accents and languages, exchanged greetings on the way up or down the rock steps. everyone was smiling. everyone was kind. the waterfall brought us all together before we parted and looked for the unbeaten path, the trail in the woods, the less-trod, less-populated places that would be quiet. in those moments of togetherness, though, the sheer force of the water spilling over granite seemed to be a cleansing balm to anything that would keep us all separate.

we stood still on looking glass rock trail the next day, just listening to the stream below us. a hiker jaunted by us, intent on making tracks. he turned around and asked us if there was something worthwhile to look at. that, in itself, was a funny question, considering the absolute beauty of the place we were standing. i responded that we weren’t looking, “we’re listening.” he nodded and said something about serenity, then pushed on.

if there were a place i could choose to stand as this year turns into next, i think i would pick one of the 250 waterfalls, or, for that matter, the stream. a reminder that all things keep moving. that everything is fluid. that the edges are smoothed by the water that runs over and over and over them. that dropping worries and angsts and all negativity into the moving, rushing fall or even the whitewater river or gurgling brook, will allow that very water to carry it all away.

“it’s time to let it all go,” he said as we were visiting together. he’s right.

as this year turns its head toward the sun of a new year, i drop it all into the water and start again. we are merely riverstones in this fluid looking-glass-filled life.

happy new year.

*****

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RIVERSTONE from AS IT IS ©️ 2004 kerri sherwood


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cold french fries. [not-so-flawed wednesday]

he’s a convert. we weren’t out of this sweet holiday town a half hour when i asked him to take out the baggie of cold french fries.

my sweet momma is the one who taught me how to eat these. step one: you fry them up. (or bake them) step two: you eat them. step three: you put the leftover in some kind of container. step four: you take them out of the fridge the next day and eat them. cold. preferably with momma’s iced tea, but straight up if there is none of that around.

and so, we turned around littlebabyscion in the back part of the driveway, drove out onto the road, waved to buffalo-plaid-man across the street, drove up the hill to downtown and down the hill out of town toward the mountain range in the distance. stopped and got gas, cleaned our sunglasses and i asked about the french fries.

granted, it was early, but breakfast was way earlier and all that packing and loading and saying goodbye used up a lot of energy. it was time.

and so now, when it used to be that the baggie would solely be for me, we shared the remainder of the french fries that we made with baked clams last night for our pop-up dinner on the porch, our last night in this perfect little town. they tasted like crisp outdoors late at night and my sweet momma’s homemade-just-for-me all rolled into one.

we passed a tiny stand on the side of the road. “boiled peanuts” the sign read.

“yuck,” i said, curling my lip. he agreed, laughing.

but i’m pretty sure i could hear the guy in the sun next to the table he had set up as he turned to his companion: “have you EVER heard of ANYONE eating cold french fries?!”

*****

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on the front porch. [two artists tuesday]

an older gent, bearded and white-haired, he has lugged a lighweight rocking chair out his front door to sit in the sun and watch the traffic go by. we are across, on the front porch of this sweet house in this hallmark mountain town, doing much the same, chatting with people as they pass by.

each day now we’ve waved at the man-wearing-the-buffalo-plaid-shirt across the street, called over greetings. he holds up his hand in “love ya” sign language; we return the same. sipping coffee in the morning in bag chairs and tipping a glass of wine in the evening at our pop-up-dinner table. the luminaria are lit and i know my mom and dad – in a place where luminaria must always be lit – are close by, watching also.

we walked later at night on christmas, after arriving and unpacking littlebabyscion, after setting up our tiny tree with seed lights and draping a strand of happy lights over a cabinet and lighting the cypress-pine and balsam candles, after snack-time-happy-hour and before making dinner.

the middle of town is close by. in front yards on our walking-way there are posses of snowmen and herds of deer and the trees along the sidewalks of this tiny bustling place are wrapped in lights. we slow and look in every store window. christmas trees and stars and wreaths and snowflakes, santa stuck in a chimney and candy canes and a big town tree in the center at the top of the hill where, if you pause in the middle of the street while crossing, you can see a big range of mountains as you look north.

it was enchanting. no need to walk fast, we strolled the sidewalks and absorbed the spirit. different than any other christmas, it was just us. but this little town and these mountains embraced us and we immersed in it to help holiday wistfulness.

we went back into town in the daytime and wandered the shops. we found texturally-delicious cloth napkins to add to our collection and i imagine next week – or maybe this weekend – we’ll use those and they’ll bring us back here, to this place and to the peace we have felt here.

and the man with big metal sasquatch figures and lots of white christmas lights will likely sit outside in his rocking chair just off his front stoop again today. it will be unseasonable, another beautiful day, the sun over the mountain warm on his face.

we wonder if he’ll miss us.

*****

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every.single.time. [saturday morning smack-dab.]

it doesn’t matter. how many times you have seen them. when the last time was. where. when. how. why. nothing. every single time there is a leaving – they walk out the door or you walk out the door – you pull away in the car or they pull away – or they get on the plane or you get on the plane – or, even, you hang up the zoom or they hang up the zoom, the facetime, the phone – you wonder. when is the next time?

so. much. love.

always.

it doesn’t matter.

*****

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SATURDAY MORNING SMACK-DAB. ©️ 2021 kerrianddavid.com