i would say this quote – “everyone has their training wheels on” – is one of the best descriptions of life i have heard lately. when jack spoke the words in his pct-thru-hike documentary, i jotted them down.
because nothing is absolute, and nothing is perfected, and no one can stake claim to knowing-all-ness, i see everyone in my mind’s eye on their banana-seat-two-wheelers, training wheels attached, riding around the globe, pedaling fiercely, trying to get somewhere, anywhere, even nowhere.
i am thinking that if we all could acknowledge how little we actually know – i mean reeeally know – and how nothing we think we know is actually certain – i mean reeeally certain – we might all get along a little bit better.
the stubborn stancers, the unbudging discurious, the omniscient narcissists – these are the troublemakers. the universe is – again, in my mind’s eye – guffawing at their misguided haughtiness, the sheer arrogance of fallacious righteousness, delusional at best.
for each and every day, perspective strikes us once again. and we see that we really know very little and we realize that nothing is for sure. so we learn – in these daily lessons – to embrace these little easily-attached helper-wheels. because life is full of unnatural skills and pedaling through can be tough.
somewhere, there is a long line of humankind-humans who are waiting to size up their training wheels so they can add them next to their ten-speeds, their roadbikes, their colorful cruisers, their folding ebikes. they – the canny ones – know they are always in training.
in december i have to chooooose. good grief. already?! the pressure.
we have had the good fortune of friends who have that-timed-it before us. and so, we are relying heavily on their medicare smarts. we even had an in-service up-north with our gang. handouts and everything.
so, when it comes time to actually signing up, we are hoping that it will be with ease.
because the fact-of-the-matter is that medicare – like most government programs – is not streamlined, not easy to understand, nothing less than dense, filled with loopholes and scary ramifications, rules and rules for rules.
and this is supposed to be a happy-happy social good-health-for-all program.
it’s been a minute since i’ve sung into a microphone. for that matter, i haven’t spoken into a microphone in a while either. i haven’t run cables or tested monitors, used earpieces or balanced sound in a space. i haven’t hung condenser mics over my piano or booms in front of the keyboard. no neumanns or shures, no audix.
it’s not like you forget, though.
we walked past the meadow off-trail and nature had clearly sent in her sound engineer. the meadow hawkweed microphones stood ready and able to amplify all the ambient sounds of the woods. it made me giggle a little thinking about these tiny microphone-like clusters soaking up all the noises around them, running them through some sort of nature-equalizer and tossing them back out through an invisible speaker system.
in every good venue sound system, decisions are made for each and every performance. tiny – sometimes barely perceptible – turns of the dials, slides of the sliders, mutes and unmutes all define what the listener will hear. in the best scenario, the listener hears sound as it really is, nothing distorted. in the best scenario, sound is pure, unadulterated, unfiltered, offered as true, crisp, present, full-frequency-range. the piano sounds luxurious; the voice rides above it. exquisite.
how would nature balance it all – the call of birds, the busy peeper-frogs, the wind in the high leaves of the forest, the wings of butterflies, the tease of chipmunks and squirrels in the underbrush, the crunch of human footfall, conversation, hushed tones of worry, laughter, breath. would nature pare down all tones of negativity, choosing instead to pan to the positive? or would nature allow for all of it – a cacophony of life as it exists in the moment?
the draw of the microphone is powerful. i wonder if the butterflies nearby felt it too.
the time for our peonies has passed. they have been momentary, ephemeral. yet, even in their briefest of moments, their impact has been profound. their sweet fragrance wafted through the backyard, their stunning pink punctuated the green of the garden, their blossoms – from bud to full bloom – have been enchanting. and now, the green remains. i understand the plant is in full working mode – storing up energy for the next season of blooms. i already can’t wait to see them.
we planted a small herb garden on our potting stand this past weekend. basil, rosemary, mint, parsley. we added one dwarf indeterminate cherry tomato plant. and we placed a potted citronella on the deck. there is something infinitely satisfying about going outside with kitchen scissors to snip off the herb i need for a recipe. caprese salads or skewers, mint tea, parsley because heidi’s mom said everything is lifted with a little parsley, and rosemary – it reminds me of the brunch we had one day a couple years ago on the porch of the gingerbread house bistro up west of milwaukee. we split a steak seasoned with rosemary – i can still taste this delight. i’ll be using the rosemary today with roasted baby potatoes. all from steps away, an extension off our patio.
i wrote the album this part of the journey in 1997. piano-based instrumentals, a few of the pieces on that album had their moment on adult contemporary radio. and then, like all good peonies, they faded a bit, stoking up energy in the plant for next. but as i pull up the album and listen – last i saw you, the way home, good moments – i can still hear the pink, can still feel the peaceful wafting, can grasp its relevance. i still hear about this album from people out-there listening. it’s steps away from now, but it’s on an extension of the patio of my discography.
instrumental music – like peonies – has no half-life. both evoke emotional reactions – visceral reactions – both are steadfast in their passive zeal to just be. both wrap one in the right now. both go on.
i suppose, in a rare moment, i might one day put this album – or as it is – or any of my instrumental albums – on the cd player. i might sit down in an adirondack chair next to the peony within the concentric scent-circle of mint and basil, and simply listen.
i might be reminded of the moments in composition, the moments in practice, the moments in recording, the moments in concert.
and i might be able to see the peonies that will surely arrive next season.
the snake lazily laid across the trail. a big beautiful garter snake, i saw it first and pointed it out to d. it didn’t move as we approached. i wanted to make sure it was ok. i went to it, trying not to frighten it. it seemed fine. so, camera in hand, i started snapping photos. it stayed put. after a moment it started to curl and bend, coiling into a posture of defense, but it still didn’t slither away. it held its ground, later begging research. we left it, curled back-forth-back-forth on the trail, enjoying the sun.
i’m not particularly a fan of snakes. i wouldn’t be likely to attempt to pick one up or let it slither too near me. but this one seemed dedicated to staying put, like it had something to say.
i wondered what it was trying to tell me. was it encouraging, “stand your ground!”? was it reminding me, “go slow and be deliberate!”? was it conveying, “change is imminent; be aware, be open!”? was it hissing, “beware of those who are maleficent!”? was it declaring, “allow for higher forces!”? was it reassuring, “renewal, healing!”?
i don’t know.
at the moment we saw it, it simply was stretched out in the sun – a snake relishing life. it may or may not have a message, an underlying meaning.
mostly, it was just there. and so were we. and we were glad to share the trail with it.
the owl feather lay on our trail. soft down curled at its base, it was striking against the dirt of our path. we stopped.
the trail has different rules. the point is never to hurry. it is never to walk without open eyes. it is never to pass by that which draws or beckons. instead, it is to take the time, to go slower, to see what is there – in all its mysterious beauty. and, though this is the most familiar of our trails, there is not a time we have hiked it that we have not seen something new, something informative, something so beautiful – even in its simplicity – that we had to stop and photograph it.
it IS how the world is, she said. it exists just the same way as the dark exists. we were talking about goodness, the presence of goodness, the pay-it-forward of goodness. i was wistfully talking about a world that valued goodness, that lingered in kindness, that held beauty in gratitude, that was full of light and hope and the love of one another. her words stopped me.
it does exist. and, yes, it exists the same way as all the dark in the world exists. it’s a profound thought.
we were walking out to big red to go take a hike. a beautiful black crow feather lay waiting on the driveway.
next to littlebabyscion was a smaller feather, perhaps one from a robin that sang the sun up earlier in the day.
to read about owl feathers and crow feathers and robin feathers, one finds a plethora of information, some seemingly opposite in meaning. but the one thing that all feathers seem to represent across the board is that there are angels with you, there is a connection to the spiritual world.
whatever you perceive that to be, it would seem that a connection to the comfort and love of those who passed before or the eternal wisdom, the resilience, the goodness of the universe would be a good thing.
she reached into her rainbow bag and pulled out two rainbow buttons, handing them to us. “brilliant!” i thought, while also thinking we should have brought our “be kind” buttons and given them out as well. this darling little girl, accompanied by her mom, stood in the center of the blocked-off pridefest road, twirling right and left, gifting festgoers with happy faces.
i was awake most of the night. it wasn’t until sometime after the birds began showering the rising sun with song that i fell asleep. middle-of-the-night musings often keep me awake these days. the harvard medical school reports that insomnia is present for 35% to 60% of women after menopause. i’m seriously thinking someone needs to do something about this.
so it is in those wee hours of the night i ponder everythingunderthesun. it is like my own personal pablo neruda book of questions – random, open-ended and with no real answers. all over the map, i revisit growing up, walk through previous houses, go back on vacations, have conversations all over again, list groceries, think about deferred house maintenance, slink around the edges of new creative projects, send positive energy to beloveds. i wonder about the universe answers – if they will drop in, like a sticky note from the heavens above. i list gratitudes – simple, like this tiny girl’s happy face rainbow buttons – and complex, like straddling the line of relevance. i list worries – like the day to day challenges of aging, the challenges of a world fraught with superficiality and division, the challenges of the environment, the heart-challenges of most important relationships. the one thing i do not do is sleep.
i’m pretty sure i am not necessarily capable of solving everything at 2am. and 3am is worse.
but a couple minutes after 4am – when the birds gather in our neighborhood trees and sing up the sun and its roygbiv – and i am present – that is when most of it – the kaleidoscope of life – makes sense.
shopping is not really the joy it used to be. i haven’t kept up with the fashionistas and i have a tendency to wear the same thing – some iteration of jeans and a black top – so it sort of limits the options i give myself.
but, there comes a time…yes…i have reached that time…when some of the clothes in your closet no longer fit – shall we say – properly. it sneaks up overnight, season by season. and suddenly, you move into the next season and have nothing but your grown son’s hand-me-down basketball shorts to wear. these do not generalize to every occasion. as a matter of fact, these don’t generalize outside the house and the backyard, though i did wear them hiking in hot and humid north carolina mountains last fall. so there is a bit of an exception to the basketball-shorts-caveat: if you know no one and there is no chance of knowing anyone or any chance of meeting someone you might want to know, it is ever-so-possible to wear the hand-me-down shorts.
regardless, it was time to shop.
i groaned as i entered the department store. one must be in the right frame of mind to try on clothes. one must be out of one’s mind to try on bathing suits, so that will have to wait for a whole ‘nother day. i went to the rack with bermuda shorts and capris. and discovered this newfangled-to-me thing called “comfort top” or some such lingo.
now everyone knows that the button-zip fly on jeans (and shorts and capris) wreaks havoc on whatever top you choose to wear – no one really wants to accentuate their midsection and yet, the zipper-button combo does just that. tunic meets zipper-fly. not good. so, there was merit to this comfort top premise…no buttons, no zippers. just a “smooth slimming panel” – that made me think of both maternity clothing and the elastic-waistband-pants i vowed never to wear.
nevertheless, i tried them on.
i will not burden you with the rest of the shopping experience.
suffice it to say, i left with the comfort top capris.
i have yet to wear them, however…it’s the beaky rule…save them for a bit…
i’m wearing the hand-me-down basketball shorts right now, trying to deal emotionally with the move i have made into “comfort top” wear.
he’s being quiet about it all. that’s probably a good thing.
sisu is alive and well at the milwaukee art museum. i was thrilled to see the scandinavian design installation. i was pretty sure it would all feel familiar. all my life, i have been surrounded by pieces from scandinavia, finland in particular.
in what is likely a sin-of-casualness, quite some time ago i placed the vintage marimekko dish towel into the kitchen drawer, wanting to use it, to see it more often than the rare times i open up the cedar chest. i took out other finnish linens as well, placing them in regular rotation. they are simpler, organic linens, raw in color. but the marimekko…it’s happiness in a towel.
so when we walked into the room with the brilliant marimekko maija isola’s unikko (poppy) design hanging as a giant banner of fabric, i was inordinately happy. gorgeous and bold, you could stand there for a long time and just soak it in, like sunshine on a bluebird day.
i have many finnish relatives. all delightful and spread about in finland and various other european countries, i haven’t had the pleasure of being in their company since i was eight and my grandmother took me to finland for ten weeks to experience the land of the midnight sun, the sauna and the lake of the northern cabin, the town named after her family – klamila. but, at eight, i wasn’t fascinated by bolts of fabric or designer glass. instead, i pretended there was a horse on the back porch and spent long hours on the porchrail, reins in hand, exploring the wilds of finland. it would do my heart good to meet this branch of family once again.
i knew my sweet momma and my grandmother were cheering as we slowly made our way through the installation. reading all the placards and admiring the simplicity of pieces of silver, of china, of exquisitely designed coffeepots, we had to, of course, veer off the scandinavian path and visit the diebenkorn and the rothko before we left.
the marimekko towel was the next one up in the drawer. i took it out and pondered the feasibility of using such a treasured item. and then i could hear my momma echo my grandmother’s words: of course you should. it’s your roots.
to be there is not to be in a nod-to-diversity. instead, the city embraces diversity. it is true to its intention. the rainbow flags and “proud” banners and painted buildings are emblems of this good intention.
but one must be wary of emblems, of symbols, of misspoken intents. to live in today’s world is to bring a bit of doubt to the table, to ask questions, to do your homework, to be informed. for not every mission statement will stand up to scrutiny, not every symbol of goodness will survive real review. it is surprising – at best – to realize that agenda has superseded goodness and has taken your trust for a ride. beware of generalizing virtue simply because it falls under the umbrella of a symbol.
i have been immersed in places in which i placed all my faith, sans skepticism or dubiety. i have been in communities that touted their transparency, their compassion, their participation in good mission. all the while, the flags of opacity, of hidden agenda, of untruths spoken and truths unspoken, flew quietly and deliberately in, usurping any good intention that remained, driving out the hard work of community-building, of the joy of the embrace. out of alignment, were the symbols capable, the symbols would shudder.
and so, i walk into the thick of the city, sensors on. i know there are issues, problems, but i know there is attempt to address these, to ask hard questions, to communicate, to resolve any perceived conflict.
reverse threading 