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fog. [k.s. friday]

and, if i am honest, i would tell you that i can feel the fog lifting. finally. i don’t think i knew the extent of the fog because fog is kind of like that. dense and clammy, less penetrable by light. once you are in it, you feel somewhat disoriented and everything looks different. you can’t really tell how foggy it is because suddenly you have nothing with which to compare it.

we underestimate the importance of attending to our emotional health. yes, there are all kinds of positive memes out there. yes, there are self-help books galore. yes, there are commercials on tv recommending therapy. yes, yes, yes. but we are stoic, we humans, and we are also stubborn and self-conscious. and many of us underplay how we are feeling, so as not to make others uncomfortable with our grappling. people ask how we are and our answer is “fine”. it’s just too too much to give a real answer. most people prefer answers with a little vague blurriness.

i ran into someone a bit ago at the fedex store. she asked me how i was. i told her. i don’t mean i told her “fine”. i actually told her. i can’t say it was a mistake, but she was writhing and trying to get away, though i was simply telling her how i was. i wasn’t verbose; it didn’t take much to say i had been struggling. but it was a truth and maybe she would have rather heard that everything that had happened in the last couple years took no toll. she wanted everything to be “fine”.

i recently saw a meme on someone’s facebook page. it read: “people don’t want to be talked out of their feelings. people want to be heard, seen, felt and understood.” (rachel samson) i always wonder if the people who post such things really mean them. surely they have also experienced times of soupy, where there was a ceiling of zero and they were feeling all of what life had tossed them.

it is in looking back at the dissipating cloud of fog that you know a little more the extent of your murky. it is in noticing light peeking in that you know a little more the extent of the loss of light. it is in seeing more clearly that you know a little more how much clarity was missing. it is in feeling my shoulders rise that i know that i have been bent under the weight of some sadness, some disappointment, some confusion.

though we all function in the middle of our haze, out of necessity, out of self-preservation, out of obligation, there is a moment when a pinprick of brightness burns through. we realize that the horizon is still there and that now, with the lure of distinct light and the buoys of clarity, we are headed in that direction. we’ve been brave and we’ve pulled energy from every cell to get to to that point and we keep taking steps, taking steps.

it isn’t easy. despite advertising dollars spent, this society is not really about self-help. it does not encourage time to be within oneself, time to rejuvenate, time to be healthy. our ideals push success and prosperity, seemingly at the price of balance. there is a cost for sharing what is real, for standing in fog, a worry of judgement and marks of weakness in our permanent record.

it’s up to each of us to step aside the everchugging uphill-downhill train and catch our breath. it’s up to each of us to breathe slowly and sort to that which makes us sit on the fulcrum of the nonstop seesaw. it’s up to each of us to be gentle on ourselves, to lighten up, to seek soft days that feed us and give us strength for the other days. it’s up to each of us to stand in self-care, to not worry ourselves with wondering about the judgement of others. it’s up to each of us to eliminate the stigma of admitting struggle. it’s up to each of us to support one another in the times of fog, to mean it if we ask “how are you?”. it’s up to each of us to reach and touch the curtain of fog as it lifts, grateful not only for its leaving, but for what we learned about its presence.

“the fog has lifted
the weight is gone
lightness has returned
singing is in me
humor also
light again
and i do not know why- “

(shalom freedman)

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WHEN THE FOG LIFTS from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood


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30,240 minutes. [k.s. friday]

the mimosa tree grew in the middle of the front yard, its fanning leaves dappling the southern sunshine streaming through it. pink and white flowers adorned its graceful branches; it was beautiful color on a wooded lot full of big oaks and maples. the roots of a mimosa are invasive and the pods and brittleness and attraction to disease put it on the do-not-plant list. but it spelled home, and, though i don’t remember the ultimate reason it needed to be taken down, i do remember how its absence felt.

the pink bloom stopped me in the middle of the botanic garden greenhouse. it wasn’t a duplicate of our mimosa; it may not even have been a mimosa. but the pompom shape and the blossom echoed our tree’s blooms and, instantly, i was taken back home.

the mourning doves have started cooing. we’ve seen robins. wild turkeys were out on the bike trail as we walked and talked. a pudgy squirrel lingered on our deck rail in the sun and the birds are lining up on the fence to take turns at the birdfeeder. it is another spring – soon. it rolls on and on. time.

we watched an interview…a man in ukraine who – devastatingly – lost his wife and two children was talking with erin burnett (cnn) who earlier had been reporting from ukraine but is back in ny now. tears streaming down her face, she struggled to hold onto her composure as she prompted this gentleman to speak about his children, his wife. less than a month ago he had a normal life. i’d believe the thought of losing his family to a violent bombing invasion was far from his mind. in what is mere minutes (only 30,240 minutes) all was gone.

there are mimosas in ukraine. called acacia trees they canopy parks and walkways, their pompoms and curtained branches greeting all those who walk underneath. i would imagine that somewhere there was a house with a front yard. and in that front yard sat a mimosa.

now, 30,240 minutes later, there is nothing. not because the tree’s roots were lifting the sidewalk or the spent blooms were littering the grass or the seeds are toxic to animals. no. they are decimated because they – along with their people – were blown to bits in acts of cruelty, in heinous evil. it takes our breath away. no more mimosas. no more homes.

what will we do with the next 30,240 minutes?

*****

THE WAY HOME

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THE WAY HOME from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood


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universally understood. [k.s. friday]

my sweet momma and my poppo would hold up their hands in the universally-understood gesture of “i love you” every time we left. walk away, drive away, it mattered not. their hands were always up gesturing, their faces were smiling, but you could see it in their eyes – the leaving. the sign language said words they just couldn’t muster at those moments. i love you. universally understood.

all over the world, in sunshine and in shadow, people use the international hand symbol for “peace”. everyone understands it. it had a different beginning – as the symbol for allied victory in world war II morphing into the symbol for peace. the written peace symbol is just as recognizable. universally understood. dreamed for and ignored, both.

the sun streamed in the morning window and spilled onto the white wall behind me. with early coffee, i was reading news articles, mostly about the invasion in ukraine. heartbreaking and frustrating. i read of people’s lives devastated, of people staunchly fighting for their country, of people on cement basement floors with children and a few possessions, underground and under siege for undetermined periods of time.

i put my coffee mug down and stared at the light streaming in. i raised my hand in the simple peace gesture and held it to the east. i whispered “peace” to our friends far away in distance but close in this galaxy.

universally understood, the shadow whispered as well.

*****

PEACE.

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PEACE from AS IT IS ©️ 2004 kerri sherwood


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kindred. [k.s. friday]

you and i are kindred, you know. though we have been individually sensitive to temperature and environmental pressure and have fallen to the ground at different speeds, in different ways, in different shapes, our edges dissimilar, we are kindred. for even though “to have two snow crystals or flakes with the same history of development is virtually impossible” (loc.gov), we are related. there has been one instance – one – of identical found. nancy knight, a scientist in boulder, colorado, found two identical snowflakes from a snowstorm in wisconsin in 1988. it took a powerful microscope and earned space in the guiness book of world records, next to the fastest time to drink a capri sun and the fastest genetic diagnoses and decoding for infants through dna sequencing.

the flakes fell on the icy wood deck and it was as if i could momentarily see each of them, separate from each other. it was not the mob scene of a drift nor the muddy puddle of slush. instead, each individual crystal softly landed and placed itself so that i might notice. and, though i cognitively realize that they are all different, i could only marvel at their relatedness in that difference, the sameness.

we are kindred spirits, you and i. we have the six sides of a snowflake, the perfection of crystallized water, the discrete originality. but we are not sole on this earth. we are part of the flakes that fall on the icy deck. we are able to be seen. we are singular. we are particular. we are an entity upon ourselves.

yet our uniqueness does not need separate us. instead, in the way that snowflakes fall and cluster, ice strands tangling, crystal needles wrapping into each other, we are together. we are the flakes of snow, kindred spirits of beautiful, fallen from the sky to glimmer – apart, together – in the sun for moments, days, years.

it does not matter that we are different. what matters is that we are the same. kindred.

*****

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KINDRED SPIRITS…AWAY ©️ 1995 kerri sherwood


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steady and predictable. [k.s. friday]

each time we stood in line at the little grocery in paris, we had a kinder bueno bar in our hands. we also had a baguette and camembert and a container of caprese salad and a bottle of wine. sometimes we had a fruit tart. just one.

i didn’t know it then, but the bueno bar is related to ferrero rocher which is related to tic-tacs. and so, in a roundabout way, we were honoring my sweet momma’s passion for tic-tacs. the ferrero group, clearly brilliant sweet-tooth satisfiers.

momma always had tic-tacs in her purse, in the car, in the cabinet in her kitchen. she never bought just one container, like when you are standing in line at target and see them and suddenly think of purchasing a tiny plastic box with the hinged flip-top. she bought multiples, all shrink-wrapped together, and shared them with everyone.

in recent days i decided to go through and reorganize the pantry in our kitchen. our kitchen, like our house, is old, so the pantry is not a walk-in, plastic-wrapped-wire-shelved cavern of space. there is a limit to this miniature cave of goodness, so one must plan and shop accordingly. we set up some metal shelves in the laundry room downstairs to hold rarely-used appliances, which gave us the illusion of more space in the kitchen. anyway….i was pulling everything out of the cabinet to restructure things.

diving into the recesses of the pantry, there it was, kind of hidden. a tiny plastic box of unopened tic-tacs. my momma was instantly there with me.

it is likely that this box came to wisconsin in a care package, for i cannot remember ever buying tic-tacs myself. we all had a never-ending supplier in my sweet momma, who eagerly gave them out “for your purse”, “for your pocket”, “for your backpack”, “for in the car”. and along with kraft macaroni and cheese, ramen noodles, andes candies, poptarts, bags of peanut m&m’s, twizzlers, interesting news articles she cut out, coupons she painstakingly clipped just-for-you, she would tuck tic-tacs, her favorite freshmints. when the boxes would arrive, you knew what was in them. some things are just steady and predictable. some things you just know.

it was a good time for my momma to be standing with me in the kitchen. it’s been a helluva couple years for us, for so many of us. last night, in the middle of the night, sharing a banana, we talked again about these last two years. in some strange way things feel both foggily distant and freshly raw. but they are no less astonishing, no less confusing, no less painful. it is a grand mix – a caldron of emotions.

i spoke aloud to my mom in the kitchen. i told her in bits and spurts – though i’m certain she already knew – about all that had happened in the last years. i told her about how i had just alphabetized the spice cabinet, which made her slightly gleeful. i told her thank-you for all the care packages, all the letters, all the ramen and the mac-and-cheese and the clippings and coupons and m&ms and twizzlers and the unwavering belief, the unconditional love. i told her i was sorry for the times, like everyone, i got too busy. i asked her to hug my dad. i told her i missed her.

and i saved the tiny box of tic-tacs. not to eat them. they are on the shelf in the pantry. steady and predictable.

*****

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CONNECTED from RELEASED FROM THE HEART ©️ 1995 kerri sherwood


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peter and company. [k.s. friday]

peter is a welcome visitor.

he just sat there watching us watch him. no fear or aggression, he was peaceful and calm, even appearing gentle. we’ve seen him a time or two before – or perhaps a possum that looks like him – since they are individually hard to discern between. we’ve seen him waddle down our driveway and cross the street. we’ve seen him down by the corner, where the neighbor puts out seed and corn.

but the allure in our yard was the golden-corral-like smorgasbord we were providing in the small compost pile we have out back. i sent a picture of peter and a description of what he was likely eating to a friend who wrote back that it wasn’t golden corral. “that’s the four seasons back there!” a little research showed that opossums love fruit and vegetables, among other things, so we were right on target with our spread. it’s sweet to know that the compost is aiding this beautiful creature in its survival during this cold winter.

we try to keep our birdfeeder full and we generally set out the crusty ends of bread or the last bits of tortillas on the potting bench. the squirrels have discovered it and leave menus with items checked off they’d like to see more often. we haven’t seen our chipmunks, so they must be hibernating under the deck or living in the volkswagen in the garage – who knows – waiting for spring. they won’t be fooled by false starts; i’m certain they’ve enough birdseed from our feeder to last until the temperatures don’t hover near freezing anymore. i know that fox and raccoons, rabbits and skunks are out there, foraging and waiting.

it’s darn cold. and as february drones on and on we seek comfort from warm soups and stews and nourishing foods. i’m grateful that the wild critters in our neighborhood have a fighting chance.

and i swear that peter, gazing at us from the fencepost, seemingly waiting for buffet hours to open below him, telepathically said thank you.

*****

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NURTURE ME from RELEASED FROM THE HEART ©️ 1995 kerri sherwood


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our mélange. still a toddler. [two artists tuesday]

every weekday for four years is kind of a long time. we kicked off our mélange on february 12, 2018 with the intention to blog each day using a mutual image. we’d see where those images would take us: down backroads of memory, forays into wondering, dropping into the tiniest cracks of things that happen in our days. they would generate stories and pondering and poetry and a dedication to a practice we both love: writing.

1106 blogs later – in the context of the mélange – and we are just as committed now as we were then. in these tens of hundreds of posts, we have been both succinct and verbose, grateful and snarky, questioning and certain. mostly, we have sat next to each other – every single post – typed on laptops and read aloud to the other what the chosen image evoked. it has been an absolute gift.

from an analytical standpoint, we can see that people all over the world are reading. we marvel at the number of countries where someone has opened up what we have blathered. it is not without wonder that we -every so often- hear from someone from afar. and then, there are those days that the analytics suggest perhaps no one is interested and our writing is for naught. yet, we write anyway. because, we have discovered, this is for us – a gift we have given ourselves.

in the beginning our monday-friday topics included two cartoon days: chicken marsala monday and flawed cartoon wednesday. those days have since morphed and changed into merely-a-thought monday and not-so-flawed (and sometimes flawed) wednesday. in the beginning, too, every day had products i designed for that day. we had (actually, still have) five stores on society6 where people could purchase prints and canvases and tote bags, mugs and phone cases, throw pillows and leggings and shirts with our original work. hundreds upon hundreds upon hundreds of products. and so much fun to design. we have featured morsels of david’s paintings and youtubes or mp3s of my music, tiny snippets of color and texture and devoted artistry. we dove into the telling-the-tale of these pieces and we have shared the soul of our work.

soon it will be a year since we first added saturday morning smack-dab, our smack-dab-in-the-middle-of-middle-age cartoon. we’ll be setting up an additional separate page for smack-dab, the cartoon. some people want less words and that will be the place to go for the less-is-more approach. this cartoon is one of the delights of my week and the scripting, layout, colorizing, design work give me a distinct honor of co-cartoonist.

we have learned – in this practice – to photograph, to look, to listen – even more carefully and intently than before. so much to notice, to pay attention to. life is about how you take it in and respond to it all.

the learning curve on anything worthwhile can be steep. toughing out the vulnerability factor, finding your voice, using it to write, putting-it-out-there, brings a mélange of emotion. for us, it has been about 1106x joy.

thank you for reading.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

our first mélange post

click here for our mélange

and – if you are in the mood for browsing:

CHICKEN MARSALA SOCIETY6 STORE

TWO ARTISTS TUESDAY SOCIETY6 STORE

FLAWED CARTOON SOCIETY6 STORE

DAVID ROBINSON SOCIETY6 STORE

KERRI SHERWOOD SOCIETY6 STORE

THE MÉLANGE ©️ 2018-2022 kerri sherwood & david robinson


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momma’s crumb cake. [k.s. friday]

10.5 x 15. the size of my sweet momma’s crumb cake.

back in the 90s, her crumb cake preceded her. everyone knew about her crumb cake. and everyone loved it. “beaky’s crumb cake,” they’d anticipate it.

based on the beloved new york entenmann’s crumb cake, she took crumb cake to another level. she’d, very specifically, tell you about how to make crumbs, that you MUST mix with your hands. she’d tell you how to sprinkle the confectionary sugar on top. and she’d proudly march it into the school, the hangar, the state attorney’s office, the church, the party. her recipe is dated 10/87; she didn’t start making her own crumbs until almost a decade into living in florida.

the other day – the day i was writing last monday’s blogpost – i was craving her crumb cake. i just wanted to sit down with a huge slab o’ cake and a piping-hot cup of coffee and chat with her. i wanted to hear her voice, her laugh, see her raised eyebrow and piercing blue-hazel eyes. i wanted to tell her stories. i wanted to ask her questions. i wanted to hug her tightly. i wanted her to hug me.

i wanted crumb cake.

we went to woodman’s and looked for the entenmann’s display. sure enough, it was there, this brooklyn-based bakery from way-back-when.

if entenmann’s crumb cake tastes like anything, it tastes like long island and the table in the kitchen by the window overlooking the patio where you could look out and see the dog run and the woods and clay pitts park in the distance and, at different times, different years, the above-ground pool or the vegetable garden and the grove with the big stump where we’d place the metal picnic sticks in the ground to hold brightly colored aluminum tumblers. it tastes like family gathered around a table with placemats labeled in the corner with initials that spell out shabaeawaka. it tastes like after-school and sunday-brunch. it tastes like saturday morning. it tastes like my dad, whistling, and pouring coffee from the percolator. it tastes like early spring and forsythia, salty breezes and bike hikes.

we bought the crumb cake.

and each day, for a few days, i made us a nespresso and placed each tiny mug on a clear glass plate with a piece of crumb cake. i savored each bite, each sip, getting lost in thought as only taste and scent can evoke.

and each day, my sweet momma and my poppo smiled from just-on-the-other-side. i could hear my dad whistling and my mom ask, “another piece?”

*****

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THE WAY HOME from THIS PART OF THE JOURNEY ©️ 1997 & 2000 kerri sherwood


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i’m with vince. [k.s. friday]

it pains me to even write this, but there’s actually more than one. fart-noise-apps, that is. “tap and fart” and “fartworld” are two examples. i could be considered mirthless – and i don’t care if i am – for not wanting to jump on these and install them on my iphone. what kind of person wants a fart app, anyway?

“the devaluation of music and what it’s now deemed to be worth is laughable to me. my single costs 99 cents. that’s what a single cost in 1960. on my phone, i can get an app for 99 cents that makes fart noises – the same price as the thing i create and speak to the world with. some would say that the fart app is more important. it’s an awkward time. creative brains are being sorely mistreated.” (vince gill)

i am on the devaluation-pushback-wagon with vince. we’ve never met, and we are in different stratospheres from a making-bank-standpoint, but there are some basic tenets on which we clearly agree.

i have beat this drum again and again. as an independent musician, composer and recording artist, it is likely i will continue to beat it and beat it and beat it, and each thump of the djembe will float into the atmosphere, unresolved. because times have changed. and apple music and spotify and pandora and tidal and amazon music have it down to a science. point-zero-zero-zero-something of a penny for a stream. i wrote about it seven years ago and it hasn’t changed. 99 cents seems like a gold mine!

yet, doesn’t the thought of feeling like it is striking gold – at 99 cents – take your breath away?

and how would YOUR life be without music?

the imperative for an artist to create – a composer to compose, a musician to play, a painter to paint, a writer to write, a dancer to dance, a potter to throw – is undeniable. it is how we speak to the world. it is a creation, an invention of the heart and soul.

vince gill has had multiple number one hits. he is extraordinarily successful. yet, he is apparently just as disgruntled with the industry’s standard of payment to artists as little-ole-me. though i doubt it’s quite the same for him, it raises questions for me of the great whether-or-not.

whether-or-not to ever record new material, an expensive venture always.

whether-or-not i can ever squeeze more royalties out of my fifteen albums in the world streaming freely in rivers of computers and iphones and tablets and androids.

whether-or-not to pursue stage-performing ever again.

whether-or-not to keep writing.

whether-or-not there is relevancy.

or, since the world seems to value other noises above music – and i am incredulous and saddened about this – whether-or-not to point my imperative to creating some obnoxious noise app.

because farts make up to $10,000 a day.

sigh.

*****

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WATERSHED from AS IT IS ©️ 2004 kerri sherwood


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the bass-who-used-to-be-a-soprano. [k.s. friday]

in her gravelly voice, from the back row of the choir room, i heard one of the bass singers say, “i used to be a soprano!” everyone laughed and laughed. and then we sang.

laughter was a dominant force in that room. there is nothing quite as motivating as laughter-punctuating-work, nothing quite as unifying as laughter, nothing quite as joyful as the laughter of others. we had no shortage of laughter.

for in the choir room, the ukulele band gathering, the handbell practice, the worship band rehearsal, with soloists and in ensemble, laughter and joy were how i led.

linda was the council president when she hired me as the minister of music almost a decade ago. they never saw another president who led with her understated panache and wisdom and authenticity. “a pillar of the church,” someone said. yes. a powerful woman – who was who she was.

the first time i met her – at my interview way back when – she arrived late, disheveled and with a dirty t-shirt on. i wondered who that woman was. i wondered why she arrived looking like that. as it turned out, she had been cooking for the masses – it could have been ten thousand for the enormous heapings of food she would prepare – and she had been in the basement kitchen. she pitched in, in every way. her presence – in all ways – was a given.

there is much i never knew about her, but i knew this. she was honest and blunt and generous. she was kind to everyone, adored her family, and she stood tall as she faced down loss and serious health issues. she was straight-up, as they say.

years ago she asked me to sing, on some eventual day, at her memorial service. i first waved off her thoughts of mortality – for a woman like this is needed in this world – and then i agreed. “of course i will,” i said to her, “it would be my honor.”

her service was last friday – a week ago now – and i was not there. the church to which she had dedicated her energy and love had fired me – over a year ago now. (i mean, who gets fired from a church??)

i don’t know if she knew much about that, for her world had become smaller in her struggle for health. i do know that, had she still been in the position she was when i first arrived, i would still be there. for linda had a way of making sure others had perspective, that balance was achieved, that agenda was dispelled, that conflict was resolved, that transparency was paramount and that the best interest of the whole was held in open hearts.

alas, that wasn’t the case.

i was unable to sing for her service and, much like the service for H, i was unable to be there.

we lit a candle for linda on friday. we talked about her. we told our favorite stories. we laughed. i posted a thought on facebook. it was important for me to acknowledge this amazing woman, the bass-who-used-to-be-a-soprano.

and now, the whole wide world is without her. and as the whole wide world looks on, filmy incandescent threads of her, her spirit, her dedication, her fortitude, her voice weave around us.

and the world asks: who was that woman?

*****

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HATE TO SAY GOODBYE from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood