reverse threading

the path back is the path forward


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bridge. [k.s. friday]

bridge song box copy

“when one door closes another door opens.”  how many times have you heard that?  people fail to address the hallway in-between.  ahh….that hallway in between.  full of mystery.  full of questions.  full of wondering.  full of not-knowing.  it can be freeing; it can be torturous.  bridging from now to next.

two to three months after my big brother died, my sweet momma continued to have nights when she could not sleep.  she would rise from bed and go down the short hall to the bedroom that served as her office.  in that short walk, she would pass the entrance to the living room.  one night, as she passed the living room, glancing in she saw a depression in the very top of the recliner, the way it looks when someone is sitting with their head against the back of the chair.  this chair…the very one that my brother sat in so many times in the last months of his life, close to the front door so that he didn’t have to go too far and become too tired.

my momma, not given to fanciful imaginings, decided to walk into the living room to find out why the headrest of this chair gave the appearance of someone in it.  she came around to the front of the chair and found my brother.  he was sleeping in the chair and did not stir while she stood there.  she never said a word, just silently watched for a couple of minutes.  her heart full, she quietly walked to her office.  an hour or so later, when she was ready for bed, she walked back down the short hall, this time glancing in to the living room to see if the headrest was still shaped as it had been, if my brother was still there.  the recliner had returned to its normal state.  my brother was no longer there.  she went to bed and slept, her time in the hall of grief a little lighter, a little less encumbered, a little less painful.  mysterious, full of questions, full of wondering and not-knowing.  freeing and a little torturous.  but moving into next.

download the album AS IT IS on iTunes or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

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BRIDGE from AS IT IS ©️ 2004 kerri sherwood

 


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(it is) as it is. [k.s. friday]

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ken calls this my MUSH album.  he is an amazing producer and i feel fortunate to call him my dear friend as well.  he produced 14 of my albums and, although one of my albums and a few vocal singles were done in nashville, now i can’t really imagine any other recording projects without him.

MUSH stands for made-up-shi* and is aptly named.  this album came at a really inspired time for me.  artists have their highs and lows, inspiration-wise, and this was one of the highs.  i’ve mentioned the story before, but i’ll short-story it here again:  i had a list of titles – titles i wanted to use eventually for compositions; i carried a notebook and scraps of paper everywhere i went.  i had this list with me as i recorded two other full-length albums in nyc at yamaha artist services.  in-between recording the two other albums, i would choose a title and play it.  simply play it.  my heart is laid out in the tracks of this cd; every title was meaningful to me, every piece tells what it means.

AS IT IS is the title track so it’s interesting that i gave over the melody line to a flute, the only piece on all of my albums that has a flutist playing.  it’s also rare for me to step away from the piano and, in the production-post-initial-recording phase, play a keyboard.  but life is like that. you have to give over sometimes.  the texture changes.  the melody isn’t yours to own; sometimes you are support staff.  make peace with it.  it is as it is.

AS IT IS:  life.  we are right here…where we are supposed to be in this part of the journey…the best time is now.  simply because life is as it is. (liner notes)

purchase and download the album AS IT IS on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

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AS IT IS from AS IT IS ©️ 2004 kerri sherwood

 

 

 


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unfolding. [k. s. friday]

unfolding song box copy

“…and whether or not it is clear to you, no doubt the universe is unfolding as it should…” (desiderata by max ehrmann)

when i listen to tracks i have recorded i can either picture the time i spent writing at the piano or the time i spent in studio recording.  this piece drums up the same image; in a time of pronounced inspiration and the transferring of much emotion into music, this was simultaneously written and recorded at yamaha artist services in nyc back about 15 years ago.

even then, i could see the willows-bending-in-the-wind characteristic of life – it will unfold as it should, despite our best efforts to stymie it or change it or enhance it.  and so i loved when ken, my truly amazing producer, added a bended electric guitar line, arching and buckling, flexing around the melody line, a musical painting.   even now, and i suspect as will always be, i try to be that willow, bending as the wind takes me, allowing the universe to unfold.

“unfolding: trying to trust that life is unfolding the way it should be” (liner notes)

download AS IT IS on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

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UNFOLDING from AS IT IS ©️ 2004 kerri sherwood


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this season. [k.s. friday]

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“…a chance to really mean something to someone…” (judy noerr, cherry hill guest experience officer.)  every year in westminster, colorado (one of my favorite states) “roughly 800 naturally bearded santas” -who work for the cherry hill program of santas (people representing the real santa!) placed in retail centers around the country- have an opportunity to attend the training session that convenes annually.  i read about this in aarp magazine last year and saved the article; it was touching…an article about such a positive impact on others.

there were three santa secrets shared and, although they went into more relevant santa-detail, they are worth repeating here:  1.  keep up your appearance.  2. keep egos in check.  3. speak another language.  ahhhh.  staying healthy and aware, remaining grounded and compassionate, making an effort to embrace others not-like-you.  amazingly simple.   these are simple-santa lessons.  worthy of our taking notice.

it is this season….a season of hope, of joy, of miracles.  a season of simplicity and compassion, of giving and generosity, a season of really meaning something to someone, a season of  love.

may this season bring you all the gifts the universe has to offer you.  with great love.

 

to purchase THIS SEASON on the ABUNDANCE SALE click here

to download THIS SEASON or JOY or THE LIGHTS – all CHRISTMAS ALBUMS click here

read DAVID’S thoughts on THIS SEASON

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THIS SEASON ©️ 2005 kerri sherwood


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playing the same stuff. [merely a thought monday]

string bass with frame

just last saturday evening, out on cape cod, we lingered over seafood and glasses of wine with jonathan, our bass player.  we were sitting around his table, chatting about music.

he told us about a group of musicians he rehearses with on an irregular basis.  they play a wide variety of instruments and they all just gather casually together and jam on some “good music”.  “…and once in a while we play the same stuff…” he stated.  his voice trailed off as he thought about what he had just said and we all laughed.  we can picture a whole group of jonathans in the room – all exuberant and, each, lovers of all music, all pick-ready, mouthpiece-ready, reed-ready, hands-poised-over-the-keys-ready.  that kind of enthusiasm shouldn’t be curbed or restrained.  the sheer joy of playing – now that’s the reason to be all together.  it’s not about playing all the notes on the page, playing them all perfectly at the same time, playing them with no mistakes.  it’s about heart.  it’s about the breaths and the rests of silence, the flip-flop your heartbeat makes when soaring notes come together in a sweeping harmony, the tears you get in your eyes when something you just played or heard is sublimely sweet, dynamically touching, deeply resonant, the belly laugh with the ridiculously dissonant moment.

the ukulele sip ‘n strums are about just that.  if we can choose to teach anything at those sip ‘n strums, i would choose to teach just these things.  the things of joy.  music is all about individual hearts…coming together with the immense gift of twelve notes at our literal fingertips.  no matter what we play, we are playing the same stuff.

ukulele laughter

what playing music looks like.

christmas sing dec 7 sip n strum copy

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read DAVID’S thoughts on this MERELY A THOUGHT MONDAY

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UKULELE SIP ‘N STRUM ©️ 2018 kerri sherwood & david robinson


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waiting. [k.s. friday]

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it’s not a complex piece of music. it’s a line out of my heart at the moment in time i was recording it.  it’s the mystery that surrounds waiting.  it’s the depth of biding one’s time.  it’s the expression of sitting tight and holding on, of not-knowing.  it’s the tentative simplicity of before…before the time of getting to the end of waiting.  it’s the time of anticipation, of advent – the time of emergence, of arrival, of birth.

it’s not complicated.  it’s just waiting.

download JOY – A CHRISTMAS ALBUM on iTUNES or CDBaby

 

christmas albums

and yet….more throw pillows to end the week….

kerri pillows copy

read DAVID’S thoughts on this K.S. FRIDAY

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WAITING from JOY – A CHRISTMAS ALBUM ©️ 2004 kerri sherwood


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make others happy. [merely a thought monday]

pt barnum quote

wendy aka ben aka saul brought the movie so that we could watch it together.  the musical the greatest showman was completely entertaining.  there are so many quotes and moments in that movie that are worthy of repeating but the one that is on-screen at the conclusion is by far the umbrella quote.  “the noblest art is that of making others happy.” (p.t. barnum)

so often, it is the arts that people turn to for a breather, for something beautiful, for something to relieve their stress.  a person will listen to music, gaze at a painting, get lost in reading a book or watching a play, feel their breathing slow down during a ballet, sink into a poem. invaluable offerings of peace, of happiness, the arts give pause.

it is humbling when someone tells me that a piece of music has touched them, that a song has made them weep, that something i wrote made them stop a second and ponder.  it is my job as an artist to do my best to reach out with my work.  i can’t determine if it will resonate with anyone; i can only “put it out there” as they say.

it is more often lately that i bemoan the priceless value of the arts that coincides with the oft-price-less earnings of the arts. for what better work than to make others happy.  what better work than to be part of what people turn to when they need to breathe, when they need beauty, when they need to de-stress.

it is noble work.  however you achieve it.  for at the end, will we remember anything other than what made us happy and, more importantly, how we made others happy?

read DAVID’S thoughts on this MERELY A THOUGHT MONDAY

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figure it out. [k.s. friday]

figure it out songbox.jpg

in all the chicken-scratch-notes i have about this piece of music, i have written in the presence of a heartbeat.  the pulse that spans the entire 6 minutes 14 seconds, this heartbeat starts the piece. it is throughout the piece.  it ends the piece.  it is no accident that this composition seems interminable, ever returning to the theme; figuring “it” out often seems that way, a curse of perseverating analysis paralysis, depending on what “it” is.

i just erased what i had next written about this.  i couldn’t help but talk about my repeated use of a rising leading tone gesture in the theme, f# to g, f# to g, off the beaten major root path, but instead the path of starting on my ever-loved ninth in the e minor key, a key that resonates so often with people.  then i thought, “blahblahblah!!” geeeesh.  that’s way too much information.  so i erased it.  (yes…there were even more details before i erased it!)

i composed this at a time that was laden with things to sort, to figure out, to resolve.  it is one of the longest pieces i have recorded.  there are moments you can hear the almost-there-ness of it, but, like life, it reverts back to the initial themes, the initial questions.  and then, punctuating it, from time to time, a firm melodic gesture (f#-g-f#-e) where you can hear the lyrics in your head, “figure it out.”  much easier said than done, eh?  but our hearts keep beating.

purchase the album RIGHT NOW or download FIGURE IT OUT on iTUNES or CDBaby

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FIGURE IT OUT from RIGHT NOW ©️ 2010 kerri sherwood

 

 


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hear you whisper. [k.s. friday]

hear you whisper song box

missing comes in many shapes and sizes.  colors too.  i’m now at that age that i hear this song in the context of too many people i know who have lost loved ones.  whether their beloved has moved on to a different dimension or a different life, it leaves behind someone grieving.  “you’re so here though you’re not here.” 

i occasionally browse through facebook and i am struck by the number of acquaintances or friends or family members who are remembering a loved one, this group of people unknown maybe to each other but bonded invisibly by a mutual intense emotion.  my heart responds to their pain, their determination to keep going, their day-by-day stepping back into the world.  it’s indeed a “crazy maze” that they are navigating, that i have navigated as well, that we each navigate at some point in time.

although moving on to a different life presents other extraordinary challenges to live through, losing someone to dying often leaves so many unspoken words, so much un-lived living-together.  “i hear you whisper, hear you cry, hear you call my name at night, over many miles and many distant skies.  i hear you whisper, hear you cry, hear you call my name at night, and i believe it’s not goodbye.”  like many of you, i, too, have listened intently to the universe, to the night, waiting to hear, believing that just-on-the-other-side is a whisper, on the wind, wafting its way to me.

purchase the CD AS SURE AS THE SUN or download HEAR YOU WHISPER on iTUNES or CDBaby

read DAVID’S thoughts about this K.S. FRIDAY

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HEAR YOU WHISPER from AS SURE AS THE SUN ©️ 2002 kerri sherwood


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where i’m from. [k.s. friday]

where i'm from songbox

it’s circuitous…the way i would define where i’m from.  you have to be prepared to listen a spell if you ask me this question.

just like anyone, i have taken pieces – absorbed – every place i’ve been, every community i have shared in, every experience i’ve had, everyone i’ve met or been influenced by; indeed, those have become where i’m from.  in jeans and boots on stage i talk about where “home” is and try to differentiate by referring to wisconsin as “home”, florida as “home-home” and long island as “home-home-home” which sounds semi-ridiculous, not to mention annoying for people who cringe at redundancy.  plus it doesn’t include time living on a sheep farm in new hampshire nor profound moments i’ve had visiting places that have sought space in my soul.  but it might give you a place to listen from; with your eyes closed you may hear your own story.

when i wrote this piece, 21 years ago or so, i knew it needed to swirl around the theme, travel from one key to another, return to its theme…have continuity yet have places where it started again.  in celebrating my sweet momma and dad this week with the introduction of my song YOU’RE THE WIND it brought me back to my deepest roots, transplanted time and again though they may be.  no matter what, i will always be a northeast girl.  new york is in my blood and long island is ever a part of my heart.

where i’m from…it’s time ago…it’s now…it’s what’s to come.

if you listen you can hear the tide.  in and out…like day, like experiences, like finding home.  it changes.  it’s the same.

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read DAVID’S thoughts about this K.S. FRIDAY

skipper's pub, northport harbor, ny website box

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WHERE I’M FROM from BLUEPRINT FOR MY SOUL ©️ 1997 kerri sherwood