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Tag Archives: my sweet momma


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my momma and chicken soup. [two artists tuesday]

i wish i could sit with my mom right now. i wish i could be at her kitchen table with a giant bowl of her homemade chicken soup and a big glass of red wine. i wish i could be talking with her, really talking, not merely chit-chatting, but sharing all the stuff that we – very-human human-beings – go through. i wish i could feel that kind of comfort, that kind of never-ending fierce support, that kind of unconditional love, that kind of mothering right now. i wish she were here.

making my own homemade chicken soup will have to suffice. pouring a glass of wine and turning on the happy lights in the sunroom will have to do. sitting with david and pouring out my heart, tears and laughter intermingling, will have to satiate me. looking out over the backyard, staring at the lights strewn up between the trees, will have to be enough.

adulthood has its challenges. we race through our younger years at seemingly warp speed, our ever-widening circles further and further away from home. so much presses us. too much sentimentality is rejected; this world does not run on threadiness and success is not deemed reached with a collection of rocks, feathers, branches collected to remember times with beloveds. we are encouraged to push back against emotions that are confusing, that are overwhelming; this world does not reward our angst, our fear, our grief. instead it suggests that teflon hearts, insular, tough, impervious to the outside, will forward us down the road. we give less and less time to nurturing relationships; we are immersed in making a living, in getting by, in our own self-actualization.

and then suddenly, we screech to a stop. and we are there. we are adults. and, despite all the trappings, we are a little bit lost. we look around, we look back, down the disjointed path, and we realize it’s all fleeting and we, struggling, our hearts quivering, the gift of retrospect bright and shining, pine for simple. we wish we could sit and have chicken soup with our mom, or with our children, and listen and share. we wish we could say that we have learned, in all our human-imperfection, that most important of all, just as we might have suspected, are those rocks and feathers and branches. most important of all are those moments spent with beloveds. most important of all is the honest exchange of ideas and thoughts, choices good and bad, learnings and re-learnings. most important of all is the sharing of our emotions, the visceral, the belly laughs, the sobs, the mistakes and the forgiveness of our flawedness, our common denominator. and hopefully, if the world is as full of grace as we are told, most important of all is the giving and receiving of unconditional love.

i wish i could sit with my sweet momma right now and ask her…how did she make it to almost-94 without a broken-heart-from-life-stuff time and again. i wish she could, once again, reassure me that “this too shall pass” and remind me that moments in time are just that – moments in time. i wish she could tell me her coping strategies, the way she found her zen in this big old damaged perfect world.

i’m guessing chicken soup played a big part.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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one does not have to look like a snowman. [flawed wednesday]

“so, what do you really do?”

were that question to be paid by frequency, i wouldn’t have to answer it ever again. i’d be a rich chick with a h-o-b-b-y of music. or a h-o-b-b-y of writing. but alas, it is not frequency-paid and so i have to just lightheartedly laugh and, with a touch of demure-yet-playful, explain that this artist thing IS what i do. here i am, a pile of snow with stick-arms, a soul of magical-frosty can-do attitude and someone wants to know what i really do? i may not look like a snowman, but i am a snowman.

“don’t judge a book by its cover,” my sweet momma would admonish anyone who would listen. one day, at 93, she texted out, “don’t underestimate me. i know more than i say, think more than i speak, notice more than you realize.” and she meant it. her spirit – to the end – was strong and she was a five foot powerhouse. whether she looked like a snowman or not, she was a snowman.

we live in a culture that is beleaguered with judgement based on appearances. it’s in no one’s best interest. but it is pervasive and the injustice that stems from quick assumptions is rampant. we have pre-formed opinions for most everything; we have images in our mind’s eye before we do any research, ask any questions, have any conversation. we assume. we presume. we surmise. all before we actually take a second look at the snowman.

it is ‘interesting’ (please note this is tongue-in-cheek) to be looking for new positions. at just-shy-of-62 and just-shy-of-60, it is more age-typical to be celebrating an upcoming or recent retirement than to be passing out resumes. the wrinkles around our eyes, the few grey hairs sprinkled on our heads belie who we are inside. experience and education and boots-on-the-ground knowledge come with a price – and that price is age. in real life, that doesn’t have to be a detriment for an employer. it is a quieter wisdom, a less-intense slower-striding competition with others, a recognition of the collective embrace of gleaning from each other. but the looking-a-tad-bit-older-thing, in person or on paper, rears its head and, too often, the what-we-could-bring is tossed off the table.

here we are, two sedulous snowmen, measured simply by whether we have three round balls stacked on each other, a carrot nose, two button eyes and a scarf wrapped around an undefined neck. we may not look like judge-a-book-only-by-its-cover-snowmen, but snowmen we are.

perseverance picks it all up off the floor and tries again.

goodness. i reckon my sweet momma would have loved the t-shirt i recently saw, “underestimate me. that’ll be fun.”

*****

read DAVID’S thoughts this FLAWED WEDNESDAY


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words where i’m from. [k.s. friday]

with a peace sign dangling around her neck and a bandana wrapping her hair, andrea would stress how important it was to choose our words wisely, to weigh those choices carefully, to take time, to be thoughtful. she was the.most.amazing. english teacher. her words still echo in my mind and there are so many moments that i wish i could sit with her, have coffee with her, ponder life with her. that she is on some other plane of existence for a few years now is too much, too soon, and too late for me. john glenn high school was fortunate to have her and those of us who sat in the chairs in her classroom were gifted with a spirit that generously still swirls around me and i’m sure many others. it’s where i’m from.

“watch what you say,” momma would tell me. “you can’t take it back.” yes, once those words are out there, they are out there. no one can erase them and the damage or good they do is a part of the universe-story. my sweet momma adored words. in her later years, sometimes we’d have to have a chuckle as the wrong word would surface and the right word would stay in that moat i always profess is surrounding our synapses. we would search for the right word while swimming in the wrong one, but we’d eventually get there. her words echo in my heart. it’s where i’m from.

now, i have to say that there are many among us – i’m sure myself included – who are not choosing our words wisely, who are not consistently watching what we say. and in these times, in every single arena, that matters.

this morning we read an article about the terrifying january 6 insurrection at the united states capitol: “some of you have recognized that this was such an egregious incident that you have turned in your own friends and family members,” the assistant director in charge of the FBI’s washington dc field office stated. an appropriate use of the word “egregious”.

egregious: (adj) outstandingly bad; shocking.

from dictionary.com: egregious: extraordinary in some bad way, glaring, flagrant.

according to legaldictionary.net: “in a legal context, the term egregious refers to actions or behaviors that are staggeringly bad, or obviously wrong, beyond any reasonable degree.”

now there’s a word. “egregious.” one would think that the divvying out of such a word would be with great forethought, with a deference to reality and the measure of truth, with reserve and adherence to its definition, without exuberant overuse. yet in these times it is appearing in more than just cameo roles.

the washington post had an article titled, “the egregious gaslighting around trump’s handling of the pandemic” (philip bump). an appropriate use of the word “egregious”.

hillary clinton has been quoted saying that impeachment was placed in the constitution in the event that there would be “a leader whose behavior would be so egregious, so threatening to the republic, that there had to be a remedy.” yet another appropriate use of the word “egregious”.

i have used the word “egregious” twice in my own blogpost-writing. once was in my post “indecency keeps getting rewarded” and the other time was in my post “what moms (i) want“. both times i weighed this word, tossing it around in my brain, checking its definition, making certain it was the right word. because – that’s where i’m from. i could hear andrea and my sweet momma cautioning me, “once it’s out there, it’s out there.”

because these times are really not at all ordinary, we are seeing the use of strong adjectives, heavy-hitting adverbs. we are reading and hearing people-who-are-trying-to-make-a-point wax poetic or spew rhetoric, both. we grant them an audience as we read, as we listen – ourselves. it is up to us to decide if the words that they choose are appropriate, wreaking an equal action or reaction, if they are exaggerated, wreaking panic, if they are scandalous, wreaking havoc, if they are slanderous, wreaking destruction. we are responsible persons – capable of question-asking, fact-checking, stepping back from drama and observing through eyes of truth-telling.

i guess it all depends on where we’re from.

incidentally, the archaic definition of egregious is: remarkably good.

“choose wisely.” (andrea)

*****

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read DAVID’s thoughts this K.S. FRIDAY

WHERE I’M FROM from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood


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agnes, mom, dad and dogdog. [d.r. thursday]

“whenever i feel afraid i hold my head erect and whistle a happy tune so no one will suspect i’m afraid.” the tune from the king and i has gone through my head more than once in my life. the feel-good song you carry with you can make a difference (this is directed to our jaded babycat).

we have watched national geographic’s life below zero for a few years now. it’s not hard to develop “relationship” with the people on the show, especially now, in times of pandemic when you see few others. the hailstone family is based in noorvik, alaska. it’s brutally cold, removed and not an easy place to live. agnes hailstone, the 40-something matriarch, has a can-do attitude. the striking thing about this family is their positivity. what they are like off-screen is of question, but on-screen they are encouraging, supportive of each other, never undercut what the other is doing, and always have a more positive zeal than i ever could muster out on the negative-temperatured tundra in dim light and a freezing-wind stormy day on a snowmobile going 40mph for miles and miles across a frozen lake in search of a fish or maybe two from a tiny augured ice hole. “you can do things happy or sad or mad,” agnes said on a recent show, “but it’s best to just do things happy.” she adapts to new challenges, weird-stuff-that-happens, and seasonally-repeating obstacles as they arise and has passed her can-do-ness on to her children, her grandchildren, her spouse. she doesn’t give up. she is pretty heroic in my book. she must have bobby mcferrin humming in her head, “don’t worry. be happy.”

it’s impossible to not dance when you hear black eyed peas’ “i gotta feeling that tonight’s gonna be a good night”. it’s not likely you can resist with james brown’s “i feel good” or john denver’s “sunshine on my shoulders makes me happeeee.” it’s without question that “here comes the sun, dootin doo doo” easily elicits you singing along the famous line “and i say, it’s all right!”

but what about in the quiet? what about when all is silent, when all lyrics have slipped from your ready grasp, when you can’t think of a song to save your life, as the expression goes? then what? what do you draw from?

i suppose that’s the reason my sweet momma started the day by saying “good morning, merry sunshine.” or why my sweet dad would look at things that were challenging and simply say, “well, how do you like them apples?” after living lives full of challenge and the roller coaster of emotional heave-hoes, they chose to greet the world in each of their experiences with positivity. hearing my dad’s whistling told me everything i needed to know – they were ok in the world, no matter what. they chose it.

agnes hailstone and my mom and dad would like each other. and dogdog. dogdog too.

*****

read DAVID’s thoughts this D.R. THURSDAY

AT THE DOOR ©️ 2017 david robinson, kerri sherwood


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i agree. we agree. [flawed wednesday]

the train quickly passed by us, first in line at the crossing, as i snapped the pictures. graffiti adorned most of the cars and i randomly pressed the shutter as they blurred past. we’ve seen some insightful messages spray-painted on the side of boxcars and this day was not an exception. “agree” it read. timely.

there are things in the night that are reassuring. for my sweet momma, it was trains. she could sink deeper into sleep when she heard the trains in the distance, the whistles of arrival, departure, crossing. i share that with her. we can hear the trains from our house. and many times, in the middle of the night, as the 2am hour passes by, so does the train, its loud whistle echoing on empty streets. i wonder, in the fog of sleep/no-sleep, why it’s blowing its whistle, where it’s going. the lumbering of freight trains slightly shakes the house, even blocks away from the tracks. it’s lulling. i agree, momma.

“i agree.” “we agree.” powerful words. beyond simply concurring, granting acceptance to another’s idea, another’s conception, another’s opinion. it’s easy to agree that trains in the night are the stuff of of sublime entry into dreams. it doesn’t cost anything to agree to trains-in-the-night. there is no research involved, no fact-checking, no questions, no real critical thinking. you can’t lose anything by agreeing about the melancholy of train whistles.

it’s the other stuff that’s harder. the stuff where you have invested – in a big way – in your idea, your concept, your opinion. where you have not necessarily done the research, checked the facts, asked the questions or critical-thought your way into your opinion, but where you are stubbornly attached to it. it’s mind-boggling how this happens and yet it does. each of us has experienced being leeched onto something come-hell-or-high-water and not really knowing why, not really being able to give voice to concrete reasons. we wonder about others so feverishly vested and we gently and generously excuse ourselves for the same unrooted behavior. none of us are innocent.

this holiday season we received many greeting cards. i love getting mail. we’d save the cards and open them at special times so we could read the enclosed letters, the personal notes to us. this december one of our cards disturbed me. it felt like an attempt at absolution. it came from someone who had been dear, who was surprisingly so ensconced in their opinion – before the big disagree – that they did not even attempt to research, to check the facts, to ask questions, to use critical thinking. the pre-printed card spoke of love, hope and peace and they wrote inside, “you are in our thoughts and prayers.” while these words sound like the meat-and-potatoes of agreement, of accord, my heart begs me to wonder aloud – to them – why on earth they would include us in their thoughts and prayers – after the big disagree – when they didn’t include us in their research, their questions, their fact-checking, their thoughts and prayers – before – at a time when it was vital.

i store away in my mind, now, once again, the ever-important repeating lesson that it is much easier and more bottom-line-decent to do the research, ask the questions, check the facts, think-it-through before taking action than it is to attempt to absolve from it after.

the foghorn, another favorite of my momma’s, is not too far, in the other direction. its melancholy blast is also the stuff of sublime entry into dreams. i hear the foghorn and sink into my pillow, the long-island in me relishing the sound of coastlines, reassured by the cozy of being inside on a foggy night. it’s lulling. i agree, my sweet momma.

“i agree.”

“we agree.”

easy. and so hard.

*****

read DAVID’s thoughts this FLAWED WEDNESDAY


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like 3 seconds. [k.s. friday]

(links to these cool bookmarks and tags below)

3 seconds.

david knows that i would get in little-baby-scion or big red without hesitation and drive across the country – despite any circumstance, in rain, sleet, snow or ice, night or day, day or night, without delay – if i were to see either of my children for even three seconds when we arrived. just 3 seconds. because – yes – any time i can say “i saw you for like 3 seconds” about my daughter or my son, i can also say “and it made my day”.

3 seconds.

it can make all the difference.

my niece put my sweet momma on facetime over the phone. momma was in the hospital and things were serious. we were leaving and going to be there in just a couple days. but we didn’t make it in time. yet, i had those moments – more than three seconds but less than the years of lifetime i wanted. i saw her face for like more-than 3 seconds and it made my day.

3 seconds.

the last 3 seconds i saw my dad, i took his pale and fragile hand in mine and told him he was the best. period. and my sweet poppo, mere hours away from leaving this earth, whispered back to me, “i love you, kook.” i memorized his voice as i left his bedside. oh, those 3 seconds.

3 seconds.

it’s unusually quiet here on wednesday nights. we had ukulele band rehearsals those evenings and, since this time of virtual life, zoom rehearsals were a good bit of loving community in our week. i miss these people and i miss making music with them. i miss their conversation and the lifebits they shared each time we gathered. it’s funk-worthy, these silent wednesdays. and then…”i think of you every wednesday night,” he texted. like 3 seconds of text and it made my day.

3 seconds.

the sun came out on the trail the other day. we hadn’t seen it for days. grey upon grey, the dismal became lodged in us. it’s hard – it’s just us and dogdog and babycat. we do know even in that we are fortunate. we all desire more. to be surrounded by people we love – light itself. when the rays streamed through the trees over the trail, i felt it on my face first. we looked at each other, smiles coming to our faces, cold from the bitter dampness. “the sun!” we exclaimed at once. it stayed out for a mere 3 seconds before it slid behind the next bank of clouds. but it was like 3 seconds and it made our day.

3 seconds.

don’t underestimate the power of 3 seconds.

spend that time – together.

*****

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read DAVID’s thoughts this K.S. FRIDAY

for information on these cool bookmarks/tags, visit the links below:

in the land of elsewhere – on etsy

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TIME TOGETHER from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood


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2020. and black-eyed peas. [d.r. thursday]

black-eyed peas. we are iso a recipe for black-eyed peas. we read that eating black-eyed peas on new year’s day brings general good luck and financial good fortune to the eater-of-the-peas.

we also read that we should eat pork – which might explain why my sweet momma often insisted on pork for new year’s day. apparently, the fact that pigs root forward suggests that the eater-of-the-pork will indeed move forward as well in the new year. we will stay away from chicken and turkey on new year’s day because chickens and turkeys scratch in the dirt and we have done enough dirt-scratching this year so would like to avoid that at all cost in 2021.

at midnight tonight – new year’s eve – we are going to open both doors to our house – the front and the back – to allow the old year – the mighty-roaring 2020 – to leave, exit, escape, make an exodus, get the heck out.

at midnight tonight – new year’s eve – we will have the stockpots ready and the big finnish wooden spoons. we’ll bang lids and pots together and drum on the metal as loud as we can. (i know it’s “loud-ly” but we are just going to be utterly loud!)

we are heeding any and all suggestions, any and all superstition, any and all custom so as not to impede 2020 and its mean-spirited-spirit to leave and also generously allow for a kinder 2021 to arrive. our list goes on…

yes. tonight we will usher out this year-of-years and, maybe like you, smooching with great expectation, we will greet the new year.

*****

read DAVID’S thoughts this D.R. THURSDAY

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accountability. [two artists tuesday]

beaky thought greg norman was pretty, well, handsome, shall we say? she was taken with his tall blondness and, though she didn’t follow golf much back then, she kept an eye on him. she would be proud of him these days as he cautions us all not to take covid-19 lightly. stricken with coronavirus, he urges, “do what is right, not just for you, but your family, friends, co-workers and other people around.” he adds, “i wouldn’t want anyone to experience this hideous virus. please take care.” i imagine she’d write him a letter.

the headlines say it all – a surge upon a surge. choices made during this holiday season will deliver blowback to people’s health and well-being, their very lives, decimating the healthcare system, and there is no one to blame for that but ourselves. every single choice impacts us all in the time of this shared pandemic. disney world and large family gatherings and traveling trips to other parts of the country all play a role; there is no escaping accountability.

i recently read of a discussion about authority and accountability. the open question was this: who has authority and who has accountability? wow. really? this seems, without any undue thought, a no-duh. those who have authority to make decisions are the same as those who are accountable for them. escaping from responsibility-taking is off the table. if you make a decision then you must support that by taking responsibility for it. in any arena. if you travel on an airplane or a train or a car to a different part of our country and you bring covid as luggage, you must take responsibility. if you gather and covid is a silent guest at the long dining table laden with treats, you must take responsibility. if you don’t wear a mask and you are with others who become infected, particularly those at high risk, you must take responsibility. and i wonder – is it worth it? we each have the authority, the liberty, the freedom to make decisions. but that also makes us responsible. it makes us accountable. in any arena.

dogdog, as we rapidly approach the end of 2020, just asks this one thing. with this two-ply cotton fabric mask on his head, he looks up at us and queries, “this? this is what all the hubbub is about? this tiny cloth mask? it can literally save lives?? pshaw!!”

as we watch him looking at us out of the corner of his eye, i imagine him adding, “just WEAR the freaking thing!”

i’m guessing greg norman and my sweet momma agree.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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tacet root vegetables. [k.s. friday]

ritenuto: an abrupt slowing down of tempo

tacet: silence of instrument

fermata: pause of unspecified time

and, suddenly, a prolonged tacet. no notes. no instrumentation. no expression markings. no crescendos or decrescendos. just silence. the baton is laid down. there is no beat pick-up. there is no rest. it is silence. issued. written in the music. a ritenuto – screeching to slow, a subito tacet. suddenly still.

the reassurances are generous, heartfelt. they are reflexes, like putting out your hand when you fall. they are meant to help in the silence, in the sudden slowdown, the sudden stop, the fermata holding the tacet. they make my heart quiver, these well wishes. but they don’t change the composer’s notes in the music: the ritenuto. the tacet. the fermata. those are printed in the music; those are decreed. they are unquestionable, immovable, indisputable, final.

i was voted off the island, in “survivor” talk. it was not an island, but, nevertheless, i am not a survivor. not there, anyway. i am forever tacet-ed there. the fermata above my tacet-ed head reminds me.

it, too, reminds me to be still. to step lightly. to be gentle with myself. i run the scores in my head – scores of scores in that place. i emoted each expression marking, each twist of the music, each gradual shaping, each change of tempo, of timbre, of voice.

and now.

i opened this book randomly, hoping to arrive on a page that might offer me wisdom. i read: “upheavals in life are often times when the soul has become too smothered; it needs to push through the layers of surface under which it is buried….it reminds us that we are children of the eternal and our time on earth is meant to be a pilgrimage of growth and creativity.” (john o’donohue)

it doesn’t feel like a platitude. i’ve read it over and over and over again now since the morning i was fired. i wonder, each day, when the baton will be lifted, when the pick-up beat will come. i remember the all-engulfing power of change works both ways – to decimate and to breathe new life. i – try – to trust the dusty trail i am reluctantly set upon.

upheaval. sudden arrival at prolonged silence. not much more upheaval for an artist than silence. yet, as i sit in this silence, deemed as fitting by the composer, i feel the root-vegetable-of-my-soul gathering energy. with no idea and no preconception, i await as it will push through the earth one day, steeped in nutrients, rooted in rich soil.

my sweet momma said, “live life, my sweet potato.” oh wise woman, you must have known.

read DAVID’s thoughts this K.S. FRIDAY

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bullied. as a woman. [flawed wednesday]

“never be bullied into silence. never allow yourself to be made a victim. accept no one’s definition of your life; define yourself.” (harvey fierstein)

“to thine own self be true,” my sweet momma would say. she and harvey fierstein would have been pals. heck, i should be pals with harvey.

there is a cost. we all know that. coloring outside the lines requires sisu, gumption, chutzpah. speaking up, speaking out, speaking for, speaking against. a cost.

like you, i have been bullied into silence in my life. i have been harassed and i have been victimized. i have been liquified and poured into molds that don’t fit. i have been vaporized. i have allowed it. i have not allowed it.

i am a woman. and with that comes bullying, harassment, victimization. with that come molds, generalizations, inequalities, assumptions.

i am not naive enough to believe that were i to be a man i would never face any of these crushing blows. but i do believe that i would have faced seriously fewer.

it is not as likely, were i to be a man, that i would have been sexually assaulted at an innocent 19. it is not as likely, were i to be a man, that, in reporting the abuse of many underage young women, i would have my life threatened at 21. it is not as likely, were i to be a man, that i would have been scarily pursued by a man-with-a-foot-fetish at 35. it is not as likely, were i to be a man, that i would have been terrifyingly stalked at 50. it is not as likely, were i to be a man, that i would have been verbally and professionally assailed at 60.

were i to be a man, the men who wielded the power in each of these might have tucked his superman cape away, might have had a second thought, might have played out his control-game-fantasy somewhere else.

but i am a woman. and, for some reason deeply embedded in society, that changes the rules and empowers the mongers.

i have been silent.

for too long.

read DAVID’S thoughts this FLAWED WEDNESDAY