one of my favorite memories of time spent with columbus was fishing with him up at the mountain lake. gently he handed me a fishing pole and explained the fish thereabouts and we made our way down to the shoreline. i could have stood there all day, my line in the water, casting again and again and dreaming. surrounded by mountains and aspen trees and tall pine, i was standing in heaven. the fish didn’t really matter.
the times i spent fishing on long island were generally from a boat. crunch and i would mosey out into the sound – at all times of day or night – and drop in a line. we’d talk quietly and ponder life and watch the stars and drift a bit. it, too, was a bit of heaven. and it never really mattered if there was anything on the stringer at the end of the day.
up in ely, 20 took us out on the vast lakes. the boundary waters were absolutely quiet. we dropped in lines with no real expectation. trolling around, we were surprised when we ended the day with a few fish. i can’t remember that i caught any of them.
i haven’t ever fished in wisconsin. no real reason. we prefer the pontoon boat up north or getting a little lost in time in the canoe.
and it is true – i’m not really good at fishing. though i relish the time in the boat or, better yet, on that mountain shoreline, it’s not really the fish that matter.
what matters is the serenity found in the waiting, the time spent outside being quiet together, the being there.
and it grew and grew. up from the forest floor, where it was surrounded by decaying leaves and bits of branch. next to the big meadow and not far off the beaten trail, it pushed its way past the low grasses next to it.
this wildflower – a somewhat historically unloved taproot – with an abundance of early spring juju, kept sprouting up, up. it looked around to see many just like it. suddenly, it was surrounded by a village of yellow flowers – each maybe a bit hard to discern from the other.
but the flower still knew it had a place in the world.
and so, it held its bloom until it was time to close and then it grayed. it stoked up seeds and waited for the right time to release them, a puff of magic.
and then it bent its head to the sun, content in its cycle on earth, knowing it would be back and that – for a time – it had been a wild giraffe.
i used to know someone who really despised redundancy. this person would interrupt and say, “you already told me that” or “i heard that already”. ask them about their day and they would reply, “same-old-same-old.” it was hard for me – a new yorker – born into repetition and long-story-telling.
d and i sat on that iowa porch only four days, but it doesn’t take long to grow fond of something beautiful.
in front of us – facing east – were two trees. beyond the trees were fields. before they were mowed down, the fields were wildgrasses green with sunny yellow flowers. in the distance – quite a ways off – was the road. a country highway, it was populated by many pickup trucks, an occasional sedan, rarely a semi and, at one point, more booming harleys than we could count.
the light changed during the day. no surprise there. the sun rose to the left of the trees and burned its way into the sky. the trees glimmered and reappeared through the early morning thin layer of smoke from wildfires in canada, jetstreaming its way into the heartland. it was bright in midday and then the sky took on the echo of the western sunset. at night, the trees were still a presence, silent, rooted strength.
i took many photographs of these two trees. they were somehow very comforting and reassuring; it was a time of memorial for columbus and emotions were all over the place. and the trees stood there, steadfast.
they watched us all gather and eat and talk and reminisce and play bags and run with oversized bubble wands. they watched us hula-hoop and dance in the grass and drag chairs following the sun and escaping the wind. they watched us wander and take pictures, play with gracie-cat, pour wine. they watched – as trees do – and we watched them back.
i love each of the photos of the two trees on the east side.
it was the last night. we stood out on the porch and then out in the east field, the farmhouse behind us. the dark of iowa-night rained down on us as we peered into the sky to see the constellations. we could feel the “last” of the last night. but out there, on the horizon – in the way an ellipsis works – the ellipses had a reminder: it’s never really over. the horizon lights suggested the story would be trailing on and on – up till now and then dot-dot-dot…
the story dot-dot-dot – without definition, without a distinct end, unrestrained – keeps on…
last week’s time in iowa and return home gave us grounding…reminders…learnings. feet firmly planted…spine tall…solid and trusting, we intentionally rearranged our thoughts – trying (because it’s not easy and it always takes the work of trying) to put aside worry and angst, instead centering on being steady and calm. the decision to not panic. the ellipsis of keeping on…
the impermanence sticks with us.
and we know it doesn’t matter that there is rust on our hubcaps or that our countertops are chalkboard/food-safe-wax-painted-wood. we know it has no bearing on real life that we don’t wear trendy name-brand clothing or that we actually like $2.50 old navy flipflops. we know that leftovers nourish us just like restaurant fare and we are not worried if we never get to sit at the table of a three-star-michelin. we know that there are wines of great robust but we continue to sip apothic and splurge on the new broadside (paso robles) we found. the ellipsis of keeping on…
the transitory taps us on the shoulder.
gathered, we listened to stories of the past, suddenly way long ago. we went to the pioneer cemetery high on a hill overlooking planted cropfields. the 1800s were just a moment ago there. and, just as the years fly by, we know that the incandescent kite we each fly has fragile filmy threads. our hands – holding the moment – age before our eyes. the ellipsis of keeping on…
the ephemeral sounds harmonic overtones we can hear.
we gaze at the peony buds in the backyard. they will soon bloom – in their sweet time – and they will stun all who walk by. their beauty will not be forgotten. each one has opened to the sun and told its own story. each one. and then dot-dot-dot…
the flower-power stickers adhering to my growing-up wall and my sister’s volkswagen beetle were these colors. hot pink and orange daisies, yellows, greens, vibrant and happy. and you think that some pantone or pms chart somewhere was the place they originated. but it’s not so.
this is where they came from.
and the tulips stand – proudly but not arrogantly – in their color, in their field. completely present and at ease, they open to the world, giving it all they’ve got. stand in nature and try not to be humbled…it’s impossible.
belleruth naparstek guides you – inside and outside – to quiet. a place of presence, of ease. not trying to push out thoughts or streams of consciousness passing by, but allowing it all to flow. with practice, you can feel the roots growing under your feet, the steady breathing of awareness, calmness.
and, if you are fortunate, you are held gently, right in the middle of tulip petals, and you are reminded, once again, you are alive. “knowing in a deep place that this place is inside of you…that you are better for this…“
we have been tracking them. like really good private investigators – ok, not so brilliant but quietly watching – we watch the map that shows when they might get here. the map plots everywhere a hummingbird has been sighted and so we are anticipating seeing one anydaynow. we are waiting. with no promise at all.
“waiting for a train to go or a bus to come, or a plane to go or the mail to come, or the rain to go or the…” (dr. seuss – oh, the places you’ll go)
it seems that waiting is a thing. “i can’t wait till….” we find ourselves saying. impatient for time to slip by and for the anticipated moment to arrive.
yet, exquisite it is to sometimes simply linger, to stretch out minutes, to wade in the shallows of right now. waiting need not be passive. instead, it is filled with arrows-forward-arrows-back present-time. it is the only thing we can really feel, the only air we can breathe, the only. it is all that we have at the moment.
i’m sitting against the headboard, my pillows falling into the abyss between the iron bars. i can feel wrought iron against my back as i think about readjusting my stack of fluffy polyester and down alternative. i can hear the taptaptap of david typing next to me. i can hear the gentle easy breathing of dogdog at my feet, dozing and dreaming. if i stop typing i can hear birds outside, the pond gurgling, wind in the trees, every now and then chimes. if i close my eyes i can taste the last sip of coffee and see the maypole i thought about on monday’s mayday.
there are many things i cannot wait for. to see my daughter, hug her, hear her voice in the same room. to watch my son perform at pride festival in chicago. to take a roadtrip. to finish a long chapter that has had challenges.
but i am reminded – every day – that to rush would be to miss it all along the way. i am reminded to stroll or, at most, skip.
our trail has signs that designate a trot as the terminal gait. were i on horseback i would be tempted to canter – for the thrill of it. but i would go back and do it all again – walking and, maybe but not likely, trotting. i would stroke the mane of my horse and talk quietly about all we were seeing. i wouldn’t worry about the end nor would i gallop cause i couldn’t wait to get there.
i’d go slow. and try to relish the now, pushing back impatience so as to wait to feel the restlessness of waiting.
“stay young by continuing to grow. you do not grow old, you become old by not growing.” (wilferd a. peterson – the art of living)
we would like to be like frank. he will be 90 this month and his busy life could make many people feel like couch potatoes. he is interested and curious and makes himself available to volunteer for a wide variety of organizations. he is our go-to excuse for sipping apothic – “it’s such a drinkable wine,” he says. he’s not afraid to try new things. the art of staying young – he has this down pat.
today is eileen’s birthday. she is 100. one hundred. it’s quite the life you’ve lived when you were born in 1923 and it is now 2023. always interested, she loves the chicago tribune. her desk has stacks of issues, piles of stories she has read or, at this stage of health, it counts to even just simply touch the newsprint. 20 talks to her about current events, encourages her to think, to discern, to learn – even at 100.
we celebrated her birthday with butter-creme-heavily-frosted layered chocolate birthday cake, hyacinth and tulips, catered sliders and quesadillas and apothic. frank would have approved. we studied boards with photographs of a little girl named eileen, eileen and duke as young marrieds, the sassy and spirited and fashionista eileen, a mother named eileen, a grandmother. i’m certain it seems to her now that the 100 years have flown by, for indeed that’s how time is. as she was wheeled into the party room her words were boisterous, “i made it!”
my own sweet momma would be 102 this year and my dad 103. my dad always said he was going to be 100. he did not make it. he died when he was 91. my mom never stated those aspirations but she, as well, was not a centenarian, crossing planes at almost-94. my dad, never one to turn down any dessert would have devoured a big slice of eileen’s cake. and my mom would have sat at the table with eileen asking questions and telling stories. i wish we were also having their cakes, most definitely chocolate ganache, but soon now those crossing-over anniversaries will come again and i will burn candles and blow kisses into the universe.
it’s all a mystery, this life. how long we get to live it, how many desserts, how many sips of toasting wine. seems like – once again – there’s no time to waste.
maybe today is a good day for some cake.
“tell me, what is it you plan to do with your one wild and precious life?”(mary oliver)
back in the day, when i was a small child, we laid shells in sand cavities we had carefully dug out of the beach, filled in plaster of paris and a little water and made sculptures, castings of shapes. mine was a fish. not a very good fish, i might add, but a fish nonetheless. my brother made an anchor and my sister made a seahorse. the castings instantly came to mind when we passed by this leaf impression in the snow.
soon, others would walk on the trail and it is likely that their footprints covered the leaf. or, possibly, the sun came out and the edges of the leaf – so clear on our passing – melted. i don’t know. what counted is that the leaf was there when we passed by.
the last time i sat by my brother’s side, he told me a few stories about being my big brother. i still remember how that felt. his words – a little fuzzier, with a little less clarity – echo in the bank of memories i have, my heart ever-full, his little sister. though the impression has melted a bit with the thirty years of sun since he died, it is no less profound than it ever was.
even if it doesn’t look quite like a fish – or a leaf – each impression is actually indelible and its invisible sculpture takes up a tiny space in our hearts and minds. castings you can look at any time you want.
kind of makes you want to make sure each moment is worthy of plaster of paris, a few shells and a little time to cure.
there is nothing, weather-wise, that dogdog likes better than snow. he is invigorated by it. he’s not particularly fond of rain and he is definitely not a heat-wave dog. but snow is a different story entirely. when asked, “what’s keeping you in wisconsin? why wouldn’t you want to move to florida?” i have to answer, “the dog doesn’t want to live in a hot clime.” period. i mean, really – every summer – he suffers (cue up maria portakalos in mybig fat greek wedding – “she suffers” as i cannot write the word without hearing her voice.)
as i write this, dogga is at the end of the bed, curled up on the quilt, sleeping. he’ll be ten this year and that is astounding to us. he is slowing down a bit, sometimes acting like an older dog. but there is nothing that makes him seem younger than a good snowfall. running out, he eats the snow off the deck, licking it – like a sensational ice cream cone – as he goes. we look out the window to let him back in and there he is, curled up in the snow, covered in giant flakes, happy as a clam. snow is his gig. it floats his boat. it’s his cup of tea. it makes him happy, gives him the energy of a puppy, it’s his thing.
i wonder if we are as wise as this. our snowdog is not thinking about his reaction to snow. he’s not analyzing it or weighing its costs v benefits. dogga is not wondering if it will last or when the snow will melt, thereby rendering him snowless and less blissful. he is not asking when it might snow again, banking on the next time, forgoing some of the joy of this time. he is just out there, laying in it – full-out, napping, accumulating snowflakes like seconds of ecstasy. he’s fully immersed in something he loves, paying no mind to the rains of spring or the heat of the summer, unconcerned about the turn of the seasons. he is simply in snow and he is happy.
reverse threading 