the little girl squealed. at full tilt – for a toddler – she ran toward the dome calling out to anyone listening, “i get to go inside!!!”
i daresay that there was not an adult present who was not invigorated by her unbridled enthusiasm, by what she saw so many of us may have forgotten. through her child’s eyes.
“you turn the pages back for me…to the way i used to be…./and now my darkest night is coming to an end, since i began to see through a child’s eyes…again.”(lowen and navarro – through a child’s eyes)
we all picked up the the pace, heading to the starry dome. a mass of people practically careening down the path to join in the lighted dome, under the light display and inside the music.
“you don’t go outside and see a starry night and say, ‘eh,'” anne said. “you say, ‘wow!'” (diane mina weltman – “an evening with anne lamott”)
“eh” was not part of this night. this extraordinary display in the garden – this amazing constellation above our heads as we stood in the dome with the jumping-bean-little-girl – was not “eh”.
and, in rare moments when you can feel the threads connecting you to the earth and all that is in it – the big, the little, the massive, the tiny – those moments you can touch the gossamer, the incandescent, the enduring, the evanescent – you – really – realize that none of it is “eh”, none of it is “same-old-same-old”, none of it should actually require any less enthusiasm than a toddler at full tilt.
littlebabyscion wore the lighted tree like a sparkling bejeweled crown. the tree was the guide back to our little xb in a very crowded parking lot. littlebabyscion wore it proudly.
i’m not much of a hat-wearer. i have those 180-earmuffs and wear those mostly. i think that my face looks like a smushed pear if i wear a hat and – the other day when i tried to describe to david what my hair does when i pull on a hat – i could only verbalize it with sounds – like mwuhhh! – the sound that might demonstrate the smushing down of long hair around my long face pulled over my long forehead. goodness! so.much.long. not enough round.
i gaze around at how very delightful other gals look in hats. i mean, some women wear hats like there’s no tomorrow. stunning, adorable, beguiling, you-name-it…they can really carry off a hat. me? i have a nordic face and my thank-you-poppo-dad’s forehead and the non-thick blonde hair of someone in my ancestry. not to mention these jowls that appeared a year or so ago. don’t worry…i won’t go on and on about those again. i am vowing to go on and on less. to me. to others. to the universe. my jowls are teaching me a lesson. “be less jowlish,” they say. i will leave it to you to decide what that means. for i do not want to go on and on.
so, suffice it to say, a crown would not be my best accessory. an adornment such as that sort of requires thick hair that doesn’t really tousle easily. i fail on both accounts. i do not wake like women waking in movies. (nor do they, i suspect.) instead, i wake and look like i have pretty much slept on my head or have sleep-wandered outside and found myself in a windstorm before moseying back under the covers. clearly i am a peaceful sleeper.
i do love the idea of a hat, though. and back in the day – during the forehead-bangs of the 1990s – i wore many a fine hat. a flat-brimmed black felt hat, a kelly green felt upturned-brim bucket hat, a paddy cap, a cowboy hat…once on, they were my companions for the whole entire day as hat-hair is a thing to which one does not want to expose others. it was my millinery period of time and i still have the hats in hatboxes in my studio closet. one never knows when hat-juju might strike.
and so, the two winter hats i have call my name every now and then.
we got out of littlebabyscion to go hike the trail. it was cold and really damp, a deep chill. i pulled the hat-with-the-biggest-pompom-you’ve-ever-seen over my head and reveled in the instant warmth. there is definitely something to be said about this whole-head-hat-thing as opposed to the 180s.
i pulled on my miracle mittens, looked at my reflection in the car window and began to walk away from the parking lot.
but not before i could hear littlebabyscion stifling a guffaw, trying hard not to laugh.
it would appear that a giant angel was hula-hooping in the clouds and dropped their hula hoop, which landed in the upper branches of a tree at the botanic garden. or, perhaps, that a spaceship -with no defined interior- had dropped down for a visit. or, maybe, there was a filming of sesame street’s “the letter ‘o'” about to do another take. brightly lit hula hoops of neon light suspended in trees, they cast an eerie glow onto the frozen ground, onto the path. michael bublé sang “walking in a winter wonderland” and we found ourselves inside the magic.
there is definitely something to wandering paths amongst many other people all oohing and ahhing. i had vowed to myself to leave my camera in my purse, but it wasn’t minutes before i failed at this. there were just so many colors and textures to remember, so dreamy. vast installations of creative lighting.
we had hoped to go. the ticket cost was a little prohibitive but we decided – when we woke and new year’s day was to be a little more mild than it had been – to splurge.
we were stunned even at the entrance to the garden, the trees wrapped in lights, every single branch and twig gleaming. we moseyed along the path, pulling over to let groups of people by so that we could be somewhat alone as we strolled.
but this wasn’t a silent and solitary hike in the woods. it was a performance piece we all took in together. each person’s glee added to ours and, dropping all expectations and all analysis of how-do-they-do-that, we were caught up in the captivating displays.
we already have a plan for next year. there are snacks and beverages and fire pits, places to linger, places to immerse. i could stand and watch the water and light “all i want for christmas” over and over and over. i allowed myself to wonder what a garden would look like lit to a piece of my own music.
we talked about our favorite displays driving the backroads. though spaceship fantasies are not my thing, hula hoops definitely are in my wheelhouse and the hulahooplights made my list. by the time we got home we realized that we had listed all of the displays we had seen, each design extraordinary, a celebration of the marriage of color and light and and sound and garden.
our late-night snack had a different air. the gift of being outside in the cold. the gift of beauty. the gift we had given ourselves – permission to splurge a little. a new year and its new intentions.
“we’re guided by the spaces in-between the facts,” she stated. and then continued, “instinct, faith…”
standing outside, inside the beauty of creative lighting, feeling as if we were somewhere between graphic and real, it was easy to wrap around these words. the spaces in-between, the rests between the notes, the white space, even the kerning. all the space in-between counts.
the moments of instinct – action based on sheer gut. the moments of faith – action based on exposed heart.
joey is back. every now and again he is posting a wild country backpacking trip. we are somewhat relieved to see him again; he hadn’t been around in a long time and we weren’t the only ones who seemed worried. we watched him pull out maps and trail books and choose the space in-between all of it, the wilderness through which he could instinctively find his way. joey coconato’s guiding star is not conventional. maybe that’s why we love to watch him.
the fulcrum of balance in daily life is a challenge. balancing the very real needs of living – paying bills, staying healthy, doing good work – with the very real needs of living – the moments, the recognition of time flying by, the autograph we leave behind. in-between the stuff of accumulated years we seek the space of minimal. in-between the daily barrage of tasks we seek the space of quiet. in-between the challenges and troubles we seek the space of grace, of peace.
there is the day we stand in the kitchen – each arguing for our “side” of the story, full-steam ahead fueled by accumulated stress and anxiety – when we look out the window and it has begun to snow. suddenly, there is air, a little space. suddenly the facts-of-the-matter seem less important. suddenly we realize that this moment of discontent counts too – and, just as suddenly, we realize we are tossing the heart out with the angst.
we read an article written by a philosopher/psychologist in finland. he referenced that “for five years in a row, finland has ranked no. 1 as the happiest country in the world”. since david and 20 are constantly trying to convince me to move to finland, i thought it in my best interest to read this article. surely it would shed light on why those sisu folks are so darn happy.
there were three basic tenets. the first – “we don’t compare ourselves to our neighbors.” the second – “we don’t overlook the benefits of nature.” the third – “we don’t break the community circle of trust.”
just reading those made me think – for pretty obvious reasons – that the united states of america is doomed to unhappiness. i sighed. it would seem that finns walk in the spaces in-between more than we all do. I am hoping my quarter-finnish ancestry will help me list that way.
so how do we find the balance point, i wonder, that space between.
walking at the chicago botanic garden – in the middle of graphics and lights and magic and real-live-nature called “lightscape” – helped. the way home was a smorgasbord of holiday lights and displays. we passed lake bluff’s stunning square, all green and blue and twinkling white lights.
we arrived home, grateful to have taken the space in-between everything else – the worries, the busy, the not-enoughs – to appreciate awe without measure, to be outside on a cold winter’s night, to delight in what we saw surrounded by strangers who delighted with us.
i wouldn’t say it’s completely autobiographical. but one has to get one’s idea nuggets from somewhere. and – since our lives together have some really ordinary moments – truly ordinarily-ordinary with a smidge of extra as frosting here and there – they are somewhat easy to pull from.
day-to-day living has enough funny stuff. really. stuff happens. big stuff. little stuff. silly stuff. stupid stuff. hard stuff. poignant stuff. goobery stuff. one just has to notice, to pay attention.
and then – in the case of of a sort-of-autobiographical-sort-of-construed-sort-of-vulnerable-sort-of-stand-up cartoon – one has to be willing to share.
the perils and the summits of middle age. there are plenty.
tucked in my mind’s eye, along with sugar plum fairies and gingerbread houses, twinkling lights and sleigh bells and tiny trees, are matching red buffalo plaid pjs.
old navy made it happen.
for a few days now we have worn our matching red buffalo plaid pj pants. flannel and cozy, we knew better than to purchase long flannel pjs for our kiddos. old navy had already thought this out – they also had flannel red buffalo plaid pj boxers. score! we bought them and wrapped them into stockings. we have no idea if they will wear them or not, but my momma-heart knows we all have them – match-the-family pjs – and just the knowledge makes me happy.
the other day – on christmas evening – they made their first appearance, under a sherpa blanket on the couch watching “love actually”. since then they have appeared under a different sherpa on the couch in the sitting room, dogga curled up on the rug, reading a book together. we are reading aloud the third bestseller by raynor winn, “landlines”, a tale of two long-walkers hiking through scotland, a tale of hope and renewal and restorative juju for them. it’s descriptive and we find ourselves lost in the highlands, step after step in the rain, with them.
our new year’s eve was quiet. we ran a few errands and settled in on the couch to read, had a couple phone calls, prepared a late dinner and settled back on the couch. but our smack-dab cartoon had told a different story. though sometimes-but-not-always a straight-line-to-us-autobiographical middle-age-cartoon, it told the story on new year’s eve of two people who had to get outside and who went walking before midnight so as to be outside – along the lakefront and under the stars – at the turn of the year.
we were having trouble staying awake. it did not seem likely that we would actually see the new year arrive, sleepy eyes and all.
but then – somehow, the two of us, who are now earlier-to-bed-earlier-to-rise, got to the 11 o’clock hour. and we knew – prepare yourself for the double negative – we could not not do it.
hats and gloves and down coats and boots and the night wasn’t as cold as it seemed at 7 or 8 or even 9. the lake is a block away and we walked along it, enjoying the holiday lights still up and lit on our route. we cut in to the path that is right next to the shore and strolled slowly, watching the fireworks in the sky around us.
and, though it was cloudy and we could not see the moon or the stars, we could feel the stardust falling on us, with the promise of a new year.
surely the stuff of sugar plum fairies and twinkling lights, gingerbread and sleigh bells and red buffalo plaid flannel pjs.
i wonder if the tree looked in the mirror and counted rings, pondering the impetus behind each one, the reasons for the wrinkles of years, ever-forming, ever-widening. it is doubtful that the tree gazed, searching the rearview mirror for clues, connective tissue, remembrances of angst or sublime moments. it seems more likely that the tree just accepted each concentric ring, the truth of time. it seems more likely that the tree recognized the steady strength it gained for each ring, the rootedness each ring-wrinkle brought to it.
it would seem that this could be a good lesson from nature for us. the natural, raw, untouched passing of time shown on our faces, each beautiful in aging. we could acknowledge the years and the easy and the hardships. we could bow to the accumulation of moments, time flying by as we gather minutes in our embrace. we could turn toward each other, accepting and without judgment, full of grace and care, measuring only our love for each other, unbiased by wrinkles or rings, color or patina. we could tenderly touch the faces of our beloveds and marvel.
and they dreamed dreams and waited in the woods…winterberries with visions of becoming maraschino cherries in their mind’s eye…actualizing with starring roles in traditional wisconsin brandy old-fashioneds…
no, no. do not put winterberries in your old-fashioned. they are completely toxic. but they are striking and unexpected. and the color in the woods is intoxicating. gorgeous red punctuating a dim brown-grey, save for a few evergreen, they are clustered beautiful.
it had been a while, what with the freezing temperatures and snow. we finally made it out to our favorite trail and it was – truly – a breath of fresh air. there is nothing quite as restorative as hiking, surrounded by stillness and the sound of wind rustling through the tops of trees. we needed to get outside. we slogged through the trails, getting a better workout than usual. the mud splashed up onto the back of our jeans, like when you ride your bike in the rain. we reveled in it.
the deer tracks went across the path. they hadn’t been there the first time we passed through. it was early in the day, early for the deer to be moving around, but we started looking through the brush.
her sweet face was staring right at us, her body blending into the scrub and trees around her. we stood, gazing at each other, none of us moving. i slowly took my phone out to capture what i knew would be hard to discern in a photograph – this deer in the woods, this shared moment of time. she didn’t move, but her tail wagged and her ears pitched forward and back, listening. i was hoping she could hear the words i whispered to her – telepathically, a little dr. doolittle-ish. her continued gaze at us, grace for our presence, her head held high, no obvious fear. unexpected.
she never left the spot while we were standing there. she took a few steps but didn’t flee, as so often happens when you start to move in the forest. we blew her a kiss and continued on, feeling lucky to have seen her and to have spent a few minutes with her.
we passed more winterberry holly as we hiked, laughing about old-fashioneds and marveling at our new deer friend in the woods.
we exited the trail, none too anxious to leave, wanting to just linger.
“sometimes,’ said pooh, ‘the smallest things take up the most room in your heart.” (a.a. milne)
there’s no telling. no way to know. really anything. any. thing.
the mystery of the new year is enormous. giant arcing things will happen, life-changing. tiny morsels of moments will happen, life-changing. we have no way to truly predict. there is no artificial intelligence that can tell us the spectrum of life that we will experience in the new year. it is hidden in holiday wrap, too much scotch tape, gift tags that have become mixed up, like luggage on southwest airlines right now.
to greet it without a hint of anticipation, without a breath of celebration, without acknowledgement of the brevity of time, is to maybe miss it.
stardust falls on our shoulders as we walk into the turn of the year under the big, big sky.
took everything off every surface. dusted everything. put some things away. moved things around. got rid of excess. hung a favorite print. and – with great care – gently vacuumed the inside of my really beautiful piano, for full-stick is an invitation to dust.
i stood back, stood in the doorway, looking in.
the room was breathing. deep breaths.
i was breathing. immersed.
there is still more to go through. there is more to file away. there is former work-trauma to discard and there are calendars of choir music and ukulele band books and handbell arrangements and contemporary solos to box up. the first pass didn’t get all those and now, two years later, i am still a little paralyzed by all of it. that’s why it all needs to go. this process is taking longer than i would have anticipated. “mind, body, spirit,” she said. “it’s not likely others will understand all the layers. they will expect you to just move on, to get over it. they will not grok the wounds; it is all fraught.”
but there were staff lines in the sky. and the universe prompt is haunting me a little.
it’s always had a purpose – my studio – a direct line from standing or sitting in there to actual work. i’ve not just noodled or played because i was just playing. i’ve stood in there to write – to flesh out an album, to practice, to plan – the arc of music for a concert or for a church calendar, to teach – so many students through the years. it hasn’t been a place i go to without purpose, without an end-product, without a result i could see. as an adult, my studio has represented the potential for income; it has been a professional place. now there are questions. many of them. like living in a blank staff, i live – lost – in the questions.
i played my piano. a few carols.
there is one more day this year. and then 2023.
and i won’t carry carols into the new year. it will be time for something else, something less dusty.
there’s some way to go. it’s not as simple as it sounds.
the staff lines in the sky hold no clues, have no notes.
maybe – instead of reading that as tacet – silent – i might – and “might” is the operative word here – read that as a composition without designated key, without predetermined time signature, without definitive expression markings, sans any direction or boundary.
reverse threading 