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dining. [merely-a-thought monday]

we are not fancy-schmancy froo-froo types. we don’t have chandeliers or swagging silk curtains. we don’t have china or sterling silver utensils. we don’t have a matchy-matchy dining room set or linen tablecloths graced with taper candlesticks. but we do have rich dining experiences, nevertheless.

whether at our cozy table in our old kitchen – the square one that my sweet poppo refinished in our basement – the one with a couple white painted legs dogga chewed on as a puppy – the one that i had to wipe clean every week as babycat would rub up against it leaving a dander mark – the one that my babies sat by in their high chairs and that many a cuppajava was sipped….or at the covid table in the sunroom – the one with snakeinthegrass and leticia and nonámē and stubby and boston and, now, charlie – the one with happy lights and tealights – the one looking out back….or at the big table in the dining room – the one with the memories of big gatherings and games played and pass-the-mashed-potatoes and pasta dinners…any table, it doesn’t matter. we sit together and, in our together, are grateful for the chance to prepare our meal and share it.

we choose our plates carefully. it might be a white crock night or a black plate night or maybe kenandloida colorfully-painted ceramic bowls or small plates. the vessel matters. and so do the cloth napkins. no matter what we are having for dinner – vegetable soup or a tagine or plant-based meatloaf – we try to pay attention to dining and not just eating.

we can count the number of times we have been dining inside a restaurant since before the pandemic – on one hand. it has been for very specific reasons – mostly our children, but once, the up-north gang, freezing from winterfest, gathered indoors at a pub to sip drinks and gorge on kettle corn. these times have been rejuvenating and joyfilled, though i have to say, blame-it-on-covid, i usually count the days hence. sigh.

regardless, our two-years-heading-into-the-third have not been without a richness that comes with choosing to make a big deal out of meals. nothing lavish, but still meaning-affluent. nothing opulent, but still flush with deliciousness. nothing fancy-schmancy, nothing froo-froo, but dining. definitely dining.

not just sitting and eating.

*****

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the miniblinds. [k.s. friday]

one of the first things i love to do in the morning is open the miniblinds. dogga helps me. “open up the house with momma,” i call to him and he tags along. the moments of letting in the world again.

at night i really like closing the blinds, turning on the lamps and happy lights, closing out the world and cozying into our home. but in the morning – and i attribute this to my sweet momma, the person who would flit from room to room singsonging “good morning, sunshine!” – i can’t wait to greet the day.

there have been days when this hasn’t been so. days when the cold from the outside and some despair on the inside have led me to keeping it all closed up, locking it all out. humans, with a gamut of emotion, we all have those times, i suspect. the days when looking out doesn’t seem like a good idea because you can barely get past the membrane of your own heart or the nagging of your mind. but, in the way that time does, the moments tick by and somehow you do the work – even just a little, sometimes just enough – and you move past closed blinds.

an acquaintance – who i hadn’t seen in quite a while – asked me the other day about my children…where they are living, what they are doing these days. i told her that my son was living in chicago and answered that my daughter and her boyfriend had moved to north carolina. she looked at me and said, “oh! that’s right near where you’re from!” i hesitated a beat or two and tilted my head at her. she continued, “well, you’re from new york, right? that’s right near new york!”

i didn’t quite know what to do – i wondered if she had unfolded the usa map in her head as it seemed there was a folded overlap somehow making ny next to nc – but i answered, “why, yes! they are both on the east coast and on the same ocean!” it was kind of her to ask about my family and if, by choice, you haven’t left the midwest much, save for those all-inclusive-mexican-resort places, those states ‘out there’ might be kind of confusing. it’s a big country. and it’s a big world. it can be safer to stay put, yet, like miniblinds, it might filter out the light.

though the pandemic still has its seesawing challenges, i can feel the tug of backroads and adventures. though cleaning out still has its sentimental obstacles, i can feel the urge of less-is-more. though careful budgeting is always a dominant force, i can feel the itch to freshen things in our home and yard (good grief – that dug-up front yard will be a necessity!). though i feel a little tentative, i can feel the impulse to seek out ways to let creativity bubbles float and fly.

i open the blinds carefully and look outside. the rising sun hits my face and the birds are singing. dogga is by my side, triumphant in helping me open up the house. and i think that today i will make a live-life-my-sweet-potato list. things on either side of the miniblinds. opening up, little by little. to light.

*****

that morning someday

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THAT MORNING SOMEDAY from BLUEPRINT FOR MY SOUL, THE BEST SO FAR

©️ 1996, 1999 kerri sherwood


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one way. not really. [flawed wednesday]

not really.

there is not really one way.

well, maybe i can make one exception: when driving and faced with a dead-end corner and a one-way street. one way.

otherwise? not so much.

the headline read, “florida isn’t the only state pushing legislation that could be harmful to LGBTQ students.” there’s also idaho, georgia, iowa, tennessee and oklahoma. not to forget texas and whatever other states have jumped on the bigotwagon since this headline. what?! apparently, these are states in which leadership has decided there’s just one way. and it’s theirs.

as the proud mother of a gay man, i have to wholeheartedly disagree with these folks. any idea of “normal” that they have conjured up is a warped righteous positioning of power and control, some sort of strange arc into absolutism. it does make one wonder about the possibility of people who need to compensate for something in their own lives. it is astonishingly arrogant, haughtily heartless, cruelly uncaring, blindingly bigoted, disgustingly discriminatory, and sickeningly small-minded in the most prejudiced of ways.

i’m guessing, then, that these same huffy lawmakin’ folks are sittin’ around makin’ it their business to raise questions about people, ponder others’ sexuality or gender, disparage people who identify differently than they do. they are wringing their hands and plotting how to silence them, to marginalize them. because their one-way is the only way and lives that may be richly influential, steeped in open-mindedness and the embrace and love of all humankind should be silenced and marginalized.

this is not the way.

there is not one way.

for that, indeed, would signal a dead end.

*****

read DAVID’S thoughts this FLAWED WEDNESDAY


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the unreachable star. [merely-a-thought monday]

my uncle allen had a beautiful voice. my mom’s brother, he would stand in our living room, with me at the piano or the organ, and belt out songs with great love. he’d bring stacks of sheet music over and we’d page through them, choosing greatest hits from broadway musicals or the radio. sometimes my big brother would play along and the three of us would entertain my sweet momma and dad for hours. there is never a time i hear “the impossible dream” that i do not think of allen.

“and I know if I’ll only be true
to this glorious quest
that my heart will lie peaceful and calm
when i’m laid to my rest”

(the impossible dream)

i cannot think of anyone i have ever known who was as consistently happy – no matter the difficulty or challenge facing him, he was happy and smiling. his complete support of my earliest recording path is something for which i will always be grateful. my uncle always believed. in his wonderful wife, his adored children, his family, in me. allen was a gift to the universe. when i think about the movie “the fault in our stars”, i realize that he was an example of living this way – recognizing that it matters not how many people you touch or impact or inspire, no matter the tiny or giant legacy you leave in your wake – what matters is that there was one person…one person for whom you have made a difference simply by being on this good earth. anything beyond that is icing on the cake. allen was indeed icing.

the chipmunks are back and i have to say i am delighted. they are adorable and cunning and just really smart little guys. before the winter, they devised all kinds of methods to get to the birdfeeder, despite the metal plate that is supposed to keep them away. they managed to chock-fill their cheeks with seed and carry it off to their wintercondos. now they have returned and they are hungry. they’ve been practicing getting up the feeder, sometimes falling into the grasses below. they have been intentional. they don’t let failure get in their way. they literally jump from the ground up to the plate over and over until suddenly they are somehow balanced there and then they can jump up to the grazing edge of the feeder. they do what’s necessary, then what’s possible and then suddenly they are flying through the air, rewarded by a feeder full of birdseed.

i don’t suppose that’s unusual. everything takes practice. impossible is maybe a temporary matter. i also suppose that there is a certain surprise element to things. we start out with one plan, one path, one intention. we don’t bank on wavering off, we don’t bank on obstacles, we don’t bank on changing direction. impossible.

and yet, there’s possible waving at us from somewhere beyond the impossible dream. and we find ourselves in places unexpected, doing unexpected things, forging those impossible mountains.

there we are, flying through the air, the world in our hands, rewarded by a feeder full of birdseed.

“to reach the unreachable star.”

*****

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little by little. [k.s. friday]

“bows and flows of angel hair and ice cream castles in the air. and feathered canyons everywhere, i’ve looked at clouds that way.” (joni mitchell)

it’s march. less bluesky days than gray. more rain than sun. drear > brilliant. march in-the-north is a funny time. it’s neither this nor that. a transition zone. it’s cold. it’s warm. it’s both. it’s never consistent. you just never know.

and so, you realize that you have to grab onto the days that shake you out of cobwebs and from under the quilts of winter. you must go stare at the sky. and those clouds. they hope you.

i walked looking up. watching the play of sunlight. remembering what it feels like to have warm sun on my face and not see puffs of air in front of me as i breathe into it.

in the middle of a time of some worry i drink in the sounds and sights of normal around me. i hold tightly to the returning sound of early sparrows and stalwart chickadees and finches. i stand in blue and fluffy white, grateful for a day that is not a shade of gray.

i sat on the edge of the deck, dogga at my side. we watched two cardinals flurrying about. we listened to the crows and watched for the hawk. there was nothing that had to be done in those moments, no project, no task. it just was. it wasn’t really warm but it wasn’t really cold either.

it’s the grayness that is the challenge. sitting in the question of season. the not-this-not-that. elusive spring. the calendar reads “spring” yet the reality in these parts is not in keeping with the definition of “to leap, burst forth”. an illusion, as there is no leaping, no bursting forth here. it is more of a slow slide into the season. snowpiles struggling to remain in the shadows, shreds of ice on the pond. the good earth will take its sweet time, in bits and spurts, little by little, and, eventually, spring will have arrived and we will glance around and be surprised.

i look at the weekend weather. i’ll turn 63 on sunday. i would like it to be warm, sunny. i would like to gather my children and my family and dear friends and eat birthday cake with lots of candles and singing under a blue-puffy-cloud-sky. wishes.

accuweather tells me it will not be warm. it will be the coldest day of the weeks on either side. and, for many reasons of this time, it will not be gathered with my children or my family or dear friends and i will not be eating cake with candles. i don’t know about the singing. all…little by little.

but it’s supposed to be sunny.

and that counts. every little by little.

“i’ve looked at clouds from both sides now, from up and down and still somehow: it’s cloud illusions i recall; i really don’t know clouds at all.” (and judy collins sings)

*****

little by little (©️ 2022 kerri sherwood feat. dogga)

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on-the-bench & off-the-bench. [d.r. thursday]

every sunday morning for years and years we have sent a photograph to each other. every single sunday, mostly without fail. there might be one or two we missed, but no more than that. it is a cherished tradition and i envision us as little old ladies still sending texted photos on sunday mornings.

it started because most people we know are not sitting on a pipe organ bench first thing on a sunday morning. since we both were, we shared “this is where i am in the world right now and i am thinking of you” sentiments, knowing, without saying all those words, the other would completely understand all that meant.

for over a year now i have continued to receive them: benchviews, a slice of her church, a close-up of a pew or ornate woodwork, a candle, linens draped on the chancel, flowers, registration stops of the organ, piano keys, measures of music – all while my photos to her have dramatically changed.

instead, my early sunday morning photographs include various quilts, coffee mugs, shadows playing on the wall or on the fence, views of snow falling between miniblinds, the backyard, airbnb’s where we have awakened, out-of-town-out-the-window, glorious breakfast, and dogdog. the rule is – where you are right now – and since that is no longer at a church my view is sometimes narrower and sometimes broader, both.

not working at church every single sunday has given me much to think about. at first i really missed it. truth, for a long time i really missed it. thirty-something years is a long time. i was devastated by the loss of our community-family and a job i loved. i missed the organ bench and knowing which pipes were ornery and the choir and the ukulele band and those hauntingly beautiful handbells. i missed the curmudgeon of a piano. i missed dueting with the guitarist – boom mics and cables and the occasional feedback. i missed the tiny pew up front and the familiar musty smell of the balcony.

each church i worked at through the years has had its magic. but each church i worked at through the years has also had its toxins. not unlike -really- any other place of employment, being on the “inside” affords a different view – snapshots of the good, the bad and, definitely, the ugly. churches are not immune to that. and that’s the stuff i don’t miss.

because in our hearts, the one place we go that we would expect to be consistent, certainly not divergent, with mission – of kindness and grace in some manner or form – would be the religious institution we have chosen to be part of. we would expect the people there – whether in leadership or in congregation – to go the extra mile, to set an example, to navigate and solve difficulty, to negotiate differences, to reject-forswear-renounce personal agenda, to seek unity and transparency, to sort to love.

seeing – up close and personal – that isn’t the case is a rude awakening. no, we don’t expect perfection anywhere. yes, we do expect trying.

i adore seeing susan’s from-the-bench pictures, all so viscerally intimate and always part of me. and i love sending her my view as well. so, as it has been for over a year now, she’ll continue to get photos off-the-bench now. it’s not what it was.

dogga laid tucked in on the quilt next to me as i sipped coffee and watched the light gather in corners of the room. sunday morning. i took this picture to send her.

and i realized that i – finally – don’t miss that organ bench anymore.

*****

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sunflowers and chamomile. [flawed wednesday]

though it does not follow the sun across the sky, this sunflower graces our yard and reminds us of constancy.

in ukraine the sunflower is a symbol of peace, a laying down of nuclear arms in 1996 and a time of restoration. it is rapidly becoming a sign of solidarity, of push-back, of resistance against the invasion by a country intent on the evil destruction of all in its path. i glance out back and offer a prayer to the universe for peace, for the ceasing of this lunacy. i sigh each time.

i have held a special place in my heart for sunflowers. even in rusty metal the sunflower grants warmth and holds vigil, loyal and open-hearted. a stunning blossom, big and loud in kind of a direct you-can’t-miss-it way.

sunflowers are in the same large and diverse flower family as daisies. their little sister, daisies, are our favorites. they walked us down the aisle, they grace our table as we eat. cheerfulness, innocence, joy, purity…flowers of simple form offering hope and new beginnings.

even tinier sisters, chamomile flowers in their beautiful simplicity are said to be purveyors of peace, poise, calmness, humility, rest, renewal. chamomile is described as a flower representing kindness, and, in its victorian era symbolism – energy in adversity.

i find it exponentially ironic that this is the national flower of russia.

*****

read DAVID’S thoughts this FLAWED WEDNESDAY


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30,240 minutes. [k.s. friday]

the mimosa tree grew in the middle of the front yard, its fanning leaves dappling the southern sunshine streaming through it. pink and white flowers adorned its graceful branches; it was beautiful color on a wooded lot full of big oaks and maples. the roots of a mimosa are invasive and the pods and brittleness and attraction to disease put it on the do-not-plant list. but it spelled home, and, though i don’t remember the ultimate reason it needed to be taken down, i do remember how its absence felt.

the pink bloom stopped me in the middle of the botanic garden greenhouse. it wasn’t a duplicate of our mimosa; it may not even have been a mimosa. but the pompom shape and the blossom echoed our tree’s blooms and, instantly, i was taken back home.

the mourning doves have started cooing. we’ve seen robins. wild turkeys were out on the bike trail as we walked and talked. a pudgy squirrel lingered on our deck rail in the sun and the birds are lining up on the fence to take turns at the birdfeeder. it is another spring – soon. it rolls on and on. time.

we watched an interview…a man in ukraine who – devastatingly – lost his wife and two children was talking with erin burnett (cnn) who earlier had been reporting from ukraine but is back in ny now. tears streaming down her face, she struggled to hold onto her composure as she prompted this gentleman to speak about his children, his wife. less than a month ago he had a normal life. i’d believe the thought of losing his family to a violent bombing invasion was far from his mind. in what is mere minutes (only 30,240 minutes) all was gone.

there are mimosas in ukraine. called acacia trees they canopy parks and walkways, their pompoms and curtained branches greeting all those who walk underneath. i would imagine that somewhere there was a house with a front yard. and in that front yard sat a mimosa.

now, 30,240 minutes later, there is nothing. not because the tree’s roots were lifting the sidewalk or the spent blooms were littering the grass or the seeds are toxic to animals. no. they are decimated because they – along with their people – were blown to bits in acts of cruelty, in heinous evil. it takes our breath away. no more mimosas. no more homes.

what will we do with the next 30,240 minutes?

*****

THE WAY HOME

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THE WAY HOME from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood


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even in waning. a firework. [two artists tuesday]

“do you know that there’s still a chance for you
’cause there’s a spark in you?
you just gotta ignite the light and let it shine
just own the night like the 4th of july
’cause baby, you’re a firework
come on, show ’em what you’re worth
make ’em go, oh
as you shoot across the sky
baby, you’re a firework
come on, let your colors burst
make ’em go, oh“

(“firework” performed by katy perry.*)

even as it wanes, it is clearly beautiful. stunning, really. the 0230-pantone-chart-heading-toward-rhodamine-red bloom is attracting attention, its droop the stuff of grand success. as its petals drop to the ground, one-by-one, it feeds next and next. and the flowers nearby sigh, “ohhhh.” and they know, despite anything – age, health, roadblocks, lack of nutrients, overabundance of tending worry, calendar of blooming-period – that there is still a chance for them.

artistry never stops. no matter. its imperative – to bloom – to shoot across the sky – is ceaseless, a perpetual poking, an unfaltering urge. the chance is never gone, never erased, never doused-left-with-no-embers.

i listened to a guided meditation a few days ago. it was merely four minutes long. “the mountain”, it – in only four minutes – made surprising tears stream down my face. its message…to be grounded and solid – rooted – just as a mountain – in all that is going on around you, regardless. to stand in it all. like a mountain. those four minutes were profound.

there are things i would choose to be different right now. many things. this season has been somewhat fraught. yet, there are reasons to be grounded, rooted, to stand here and just wait, to ride it out, to hold on.

all around us were orchids in shatter-the-silence gorgeous bloom. all around us was greenery, textural and rich. all around us were beginnings, closed buds with pent-up energy waiting to burst onto the stage-of-earth.

but this leaning-to-rhodamine caught my eye, in its waning no less, no more than the others. and it whispered, “baby, you’re a firework too.”

“even brighter than the moon, moon, moon
it’s always been inside of you, you, you
and now it’s time to let it through
’cause baby you’re a firework
come on, show ’em what you’re worth
make ’em go, oh
as you shoot across the sky
baby, you’re a firework
come on, let your colors burst
make ’em go, oh“

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

*songwriters: katy perry, mikkel s. eriksen, tor erik hermansen, sandy wilhelm, and ester dean


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universally understood. [k.s. friday]

my sweet momma and my poppo would hold up their hands in the universally-understood gesture of “i love you” every time we left. walk away, drive away, it mattered not. their hands were always up gesturing, their faces were smiling, but you could see it in their eyes – the leaving. the sign language said words they just couldn’t muster at those moments. i love you. universally understood.

all over the world, in sunshine and in shadow, people use the international hand symbol for “peace”. everyone understands it. it had a different beginning – as the symbol for allied victory in world war II morphing into the symbol for peace. the written peace symbol is just as recognizable. universally understood. dreamed for and ignored, both.

the sun streamed in the morning window and spilled onto the white wall behind me. with early coffee, i was reading news articles, mostly about the invasion in ukraine. heartbreaking and frustrating. i read of people’s lives devastated, of people staunchly fighting for their country, of people on cement basement floors with children and a few possessions, underground and under siege for undetermined periods of time.

i put my coffee mug down and stared at the light streaming in. i raised my hand in the simple peace gesture and held it to the east. i whispered “peace” to our friends far away in distance but close in this galaxy.

universally understood, the shadow whispered as well.

*****

PEACE.

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PEACE from AS IT IS ©️ 2004 kerri sherwood