the snow swirled outside the floor to ceiling glass – the city was blurry beyond the wind. it was brief. it didn’t stick. it was a statement. fall was gusting a bit of winter. everyone shivered, glad to be inside during the band of squall.
there is much still to be done. time seems to have raced by and we chose trails instead of pruning, talking in adirondack chairs in disappearing sun instead of packing away. procrastinating, holding onto the last vestiges of warmth and perfect autumn days, we opted to do the minimum, knowing the rest would need to be done in the colder days; the season keeps moving on.
we rise now in early quiet morning, without multitudes of birds out the windows, without sunny-the-chipmunk calling from the fencepost, without the sun beckoning us, “outside, outside.” we check the temperature…24 degrees…we reluctantly turn the heat up a smidge. we re-stock the nespresso pods, choose warm holiday teas for the coffee-pot-canisters over the counter, and seek out new soup recipes. we think about placing the shovel by the back door, its winter home. we crack the window just a bit now and sleep with an extra quilt.
the mums bow in the hush of the brisk mornings, chillier daytimes, less sun, more clouds, frost at night, all delivered by the magic wand of the calendar marching on. they are still beautiful and, from this view, we see the intricacy of the bud, sepals nestling and supporting petals, protecting the pink. we dig out my miracle mittens, his warm gloves, earmuffs, scarves, baselayers.
we talked about the silence this morning. it is still and the sun is trying. it may snow.
there were tiny flurries as we walked on the sidewalks of chicago, down coats and gloves, our heads bowed to the wind. it’s time to be inside more and we recognize – in the way of the universe – that we are much like the mums.
i like fine-tipped pens, both regular ink and markers, though i do love the wrinkle sound and feel of a notebook page written on all lines on both sides with a medium-tip pen…the physical-fingertip bumpy-words-on-the-page and that crunchy sound it makes when you turn it over or flip to the next. so there is definitely merit in medium-point. but fine-tip? there’s a grace and allowance of white-space that fine-tip encourages.
this tall red pole installation at the chicago botanic garden makes me think of a ball jar i have holding an assortment of wooden paintbrushes. standing and waiting. because i’m not sure if these poles are part of the lightscape show or an art piece, i am drawing my own conclusions about its presence. somehow, this striking stand of red seems to communicate an invitation to the sky and, in its simplicity, was one of my favorite pieces on our walkabout. stark color, plain. i suspect ellsworth kelly would have loved them too, regardless of their context.
there were lots of people there on sunday, a picture-perfect fall day. our drive down and our return were on the back roads, keeping the lake close, past ravines and through beautiful neighborhoods filled with sprawling yards and wise old trees touting autumn. the trip there – for us, we agreed – is just as important as the time spent at the garden. we love the-back-way and never take the interstate down if we can help it. even to visit our son, we build in the time it takes to meander to his home. we’ve encountered magical snowfly on the return home at night, flakes illuminated by our headlights and sunday didn’t disappoint, as golden and crimson leaves fell around us as we drove this windy-back-road-route.
although i prefer to walk in the woods on some trail in the quiet with hardly anyone else around, our time with our dear friends at the crowded garden was the perfect early november gift-of-a-warm-day escape. we picnicked on a blanket, chatting. we wandered, chatting. we took pictures and googled interesting plants, chatting. we admired installations and gardens with themes, chatting. there are ornate sculptures and formal walled gardens. there are fantastically groomed flowers and trees. there are preparations for an intricate holiday light celebration.
we took our time together, the four of us, promising to return again soon, and then d and i drove back on the roads through northern suburbs, wishing we had time to stop and sit at one of the tiny restaurant bistro tables we saw, spaced on sidewalks, against brick walls with the later afternoon sunlight warming the faces of many people who had chosen to dine al fresco.
when we spoke of our time at the garden, it wasn’t the intricacies i remembered, walking in beauty. it was the simplest stuff. the vertical slices of rock in a pondside rock garden. the candlepots on the rails in the lake. the lone rosebuds on a bush inviting fallow. golden grasses waving in the breeze. the evergreens up close. the past-waning bowed blooms on the hosta. the white birch calling out from the green. and the red fine-tipped pens reaching for the sky. there was definitely something about those.
though i – at first introduction – questioned his work, i guess there’s more ellsworth in me than i thought. we really never stop discovering. any.where.
there is really nothing unhappy about polka dots. it is rare that polka dots are scorned, even more rare that polka dots are looked upon as harbingers of negativity. polka dots get a bye in the fashion world, seemingly always advancing to the next round.
yesterday we spent about five hours on the phone with spectrum trying to fix our internet. we unplugged our two-in-one modem-router combo, drove to the store, exchanged our equipment and tried to self-install (underscored in its excitement rating) and then spent another hour on the phone. it was never fixed and we are hopeful for today, as a tech person will come and “evaluate the problem”. we were ridiculously weary with internet-failure by the end of the day and solaced ourselves with a favorite holiday dvd movie snuggled around the laptop under the covers before sleep.
our dear friends texted us a youtube of a spectrum skit on SNL that we could watch on our phone. it was hilariously accurate and made us laugh. we had literally spoken to an insane number of reps during this tech-debacle. chris was one of them.
i liked him immediately. he promised me a ferrari and a pizza as well as finding us a “package” to fix our internet grief. i told him to keep the pizza and he thanked me profusely because, on a diet sans pizza, he has been craving it and did not want to think of me, his newest friend, eating pizza. i told him to maybe have a piece of pizza, that life is too short. it’s not good to crave things and deny yourself everything. anyway, after our philosophical discussion, he again said that he would find a plan and he would fix our internet once and for all. he was basing our success on “my demeanor and clothing choices”. my ripped jeans and moccasin boots railed in protest but recognized we weren’t on a video call, after all, and gave up the fight. it sounded like clothing really mattered to him and so i’m imagining that he had a dark blue gingham-checked shirt and jeans with a solid dark-blue skinny-but-not-too-skinny-to-be-out-of-sync-with-his-body tie and very cool rich medium brown tie shoes, since brown shoes seem to be really vogue with blue these days. though chris was delightful to deal with – since it could have been different and dry and kind of like having a tooth filled at the dentist so I was relieved to be laughing and joking – chris did not fix our internet. neither did any of the other reps, all nice and scripty polka-dot-ish, but unable to address the problem.
so, no ferrari, no pizza AND no internet.
we are determined, after last night’s movie made us predictably mushy, that today will be a polka-dot kind of day.
we mantra: the tech will come – dressed in spectrum attire – and voila! fix the internet. we will suddenly go from 30mbps (an old time warner cable plan no one told us to upgrade) to ultra wifi 400mbps (I will believe this when I see it). we will have no issues with brand new equipment we just brought home. we will easily engage wifi on all our devices. we will carry on, having woefully lost a whole day in spectrumland, but rapidly recuperating back into reality.
we will be in polka-dot happiness with real polka-dots.
keeping the late late summer cherry tomatoes together will stimulate their ripening, i read. the ethylene emitted by them will urge them from green to pale yellow to orange to red. putting them in a brown paper bag with a banana or an apple would speed things along. right now, they are on the counter in a plastic, hopefully bpa-free, container, lidless, soaking up the sun. somehow, these tiny little tomatoes, regardless of size or shape or green innocence or red wokeness know all about impact on each other and a banana or an apple entering their tomato-only-zone would only help them.
that’s the kind of community we should all live in, work in, play in. because as barry manilow, yes, the guy who writes the songs, said, “everything you say and do is having an impact on others.”
it’s not like we are not aware of that. simple kindnesses as we go about our day make a huge difference – the concentric circles ever-widening, cherry-tomato-land goodness spreading, stimulating ripening, encouraging more goodness. it’s not as pollyannaish as it sounds. in every interaction we have a choice. the expression “there are a hundred ways you could have answered that/handled that” is worthy of our attention.
i’m from new york. growing up on long island is different than growing up in the midwest or the south or even the west coast. there is a rat-a-tat kind of rhythm to conversation there. lots of questions, lots of words. it seems aggressive, but it’s really not. it is, however, easy to interpret it that way. if you want to know about something, you ask. it’s a kind of pummeling with questions; you don’t ask one gentle question and patiently wait.
take the cherry tomatoes, for example. you could ask, what kind of cherry tomatoes are those? (and then wait.) or you could ask: what kind of cherry tomatoes are those?where did you get them?were they from seeds or tiny plants?how did you plant them?did you have to use topsoil?how much water did you give them?how often?do you have to fertilize them?what about sun?do they need to be in the sun?how long did it take before they bore fruit?do they only produce one set of tomatoes or do they keep producing?are they sweet?did you pick them before they were ripened?what about when it got cold?when did you pick the green tomatoes?how did you know what to do with them?can you still eat them?will they ripen?
i’ve had to tone down the newyork in me, slow down the question-pummeling (this is not as easy as it sounds), soften the edges of speech a little. the accent has mostly disappeared, but the rhythm is ever at-the-ready, prepared to garner answers or information or directions, not willing to miss the details. and those details…ever-important. my big brother could tell a story with more words than you can imagine; his details were picture-painting and precise and i loved every minute of his newyork style of storytelling.
we were on long island with my dear friend crunch when he was ordering a pizza. he said: “do you want gahhlic knots with the pizza?whatdyathink, gahhlic knots too?yes or no?are you hungry for gahhlic knots?they make great gahhlic knots at luigis. do you want some?tell me, i gotta awwduh. hello?” and then, in the car on the way to get the pizza and the garlic knots: “ya gotta turn up here.yeah, turn left.yeah after the driveway, turn left.here.left.ok.in about two blahhcks you’ll turn right.right.yeah, about a block now.right.uh-huh.right.yeah.hee-uhh.right.turn.ya gotta turn!”
david was losing it in the backseat. i had jumped right in. suddenly the impressionable pattern returned and i was also speaking, stepping all over crunch narrating where i was to turn. allowing no time for him to keep talking or answer anything i was saying – and vice-versa – we both just kept tawwwking and tawwwking, over each other. david’s laughter was contagious.
there had been (and have been, who am i kidding?) times – admittedly – when, in the middle of a more shall-we-say “heated” discussion d has looked at me and said, “let me finish.” hanging out on long island in the middle of pummeling vocal patterns has helped him realize i mean no harm. and i have adopted his “there are a hundred ways you could have answered that”. because it has an impact – the way we answer, the way we handle stuff.
we both try to be aware, in this still-covid time of much-togetherness and less-time-with-others, of our interactions, knowing that even the slightest acidity can affect things and will ripple outward in our day. instead of leeching negativity into each other, in the most intimate and the most community of interactions, i would rather encourage ripening, blossoming, flourishing.
i suppose this is one of THOSE things – when you look back and see, with more clarity than you could ever have had in the moment, that you were nudged, pushed, prodded, indeed, shoved along. as you stood resolutely in the spot to which you were dedicated, something prompted change and things were no longer the same nor would they ever be. one of THOSE things.
i remember the early days of hearing garth brooks singing the country song “unanswered prayers”, decades ago now. he released the song and it exploded on radio not too long after i moved to wisconsin, away from family, away from two jobs i loved. i stood outside my then-husband’s workplace and gazed out at soybean fields wondering where i had landed, what on earth i would do. i went to the grocery store and wept in the pasta aisle; no mueller’s pasta to be found. i read the local paper and was disconcerted. i found solace in long-distance letters from my mom and brought lunch to the office at the local airport every day, the place my husband worked. i was lonely and lost.
but the universe had a way of catching up to me and consoling my soybean-cornfield-factory-town angst. that next year, my beautiful daughter was born – my first baby, i found new friendships, and a job i loved in a community of people who grew to be important to me. my amazing son was born in years to follow and then, in serendipitous ways, i started recording albums and i looked back and knew that, though my discomfort in – literally – moving was justified, life would not have been the same had i not moved. the complacency i had earlier adopted was not going to be enough and life had some gaps to fill in. nevertheless, i still sometimes wonder how it all would have turned out without the big jostling-along-to-wisconsin. for that matter, i still sometimes wonder how it all would have turned out without the big jostling-away-from-new-york. things to ponder and never know.
i will never know – really know – how it came to be that i am sitting next to this lovely man right now, writing separately together. how we each have grown and how we each have struggled and sorted through our figurative attics and basements, stuffed with things that have happened, things we have saved, things we have discarded, things we’d rather not remember, things we celebrate. how, from two entirely different places in this vast country, we found each other. i suppose love has a way.
time and again the understanding of events, situations, disappointments, things-that-are-really-hard is delayed. in-the-moment it – the why – is not clear. sometimes it is never clear or perhaps it’s just that by the time clarity arrives, it is far, far after the fact. so far that we have forgotten our dismay or our agnostic questioning or, in those that seem synchronistic miracles, our awe. it is in the looking-back, the time-line reflections that we might parse and question and realize that there was a reason, a cause and effect, maybe a prayer or two gone unanswered. though i could still list those and wonder why – through actions of others, good and bad, or decisions i’ve made, good and bad, or stuff that just happens, good and bad – i would guess that somehow the puzzle fits together in the end. no doubt the discomfort brings learnings we may not have signed up for, given the choice. the story is a mystery.
as i find myself in yet another nudged-pushed-prodded-shoved place, i’m trying to remember to stand still for a moment. to take it in – the discomfort – and to be open to what might be. and, in watching what shows up, in really looking and studying and listening, to take baby steps and move. maybe later on it will all make sense.
in the days when i had new vehicles, i don’t remember tuning into sounds with as much trepidation. now’days, ambient sounds that are seemingly happening to the vehicle we are in can be really disturbing. we try to explain them away quickly, pushing the thunk or the creak or the whine or the rattle to the back of our consciousness, but to no avail. invariably, we call steve and i try to mimic the sound that littlebabyscion or big red made. i’m sure he looks forward to these calls – from the middle of kansas or south dakota or our driveway, or, if he’s really lucky, acting it out in his shop.
neither of us have worked on cars, but it counts that my dad and my brother did. somehow that gives me an edge and david will look at me thinking i might have an idea as to what is going on. with no divine intervention coming from the heavens where my dad and brother are rolling their eyes, i make it up, hoping to be somewhere near the mark and we keep driving, if at all possible. to be perfectly honest, in more recent years, i have found the mechanics of these older vehicles really interesting to learn about. if only it didn’t spell a repair.
the perils of driving something with 252,000 miles on it are numerous. but, as you can see by the absolute affection we have for our xb, the rewards are also numerous. it astounds me time and again that this little box car has driven this far, equivalent to over 80 times across the united states. and now? now it needs a catalytic converter. a little hiatus for littlebabyscion. but – as steve reminds us – it’s not a monthly car payment. “there’s no winning in that,” he says. and for right now, though many of the friends we have are purchasing new vehicles for their retirements, we agree.
winning is climbing in big red and driving up over the pass. winning is littlebabyscion turning another thousand and another thousand. winning is appreciating good and solid vehicles, nothin’ fancy, but steadfast and with big hearts. mutual love.
besides, standing in the local, family-owned tire store the other day, it was with great pride i answered a young guy who walked in and asked who had the “cool old truck out there”. “that F150?” i said, “that’s ours.”
“do you have the courage to be in the pause between what is ‘no longer’ and what is ‘not yet’?” (octavia raheem)
i kneel down in the middle of the road. it is up-north and there are few vehicles. i want to be in the yellow stripes in the road, to gaze their expanse and, in seeing the curve, not be able to see beyond it. it’s visceral.
i am in liminal space – in the pause – waiting and not knowing. it feels right to stand smack in the middle of the street. to own it – these stripes, this curve in the road, these questions. it pushes me to move, and, in the way of irony, prods me to stand still. it is not short-lived. it is lostness. and, at this aarp time of life, it is a little unnerving.
though i know found follows lost, just as not yet is out there beyond no longer, it leaves me in the orange-yellow stripes.
i miss the days on washington island when we walked right in the middle. it didn’t matter. no one was coming down the road. and when someone did, so infrequently, we moved over. but there weren’t stripes in the road there; it was just asphalt. it’s when you are walking on the stripes, squatting on the stripes, kneeling on the stripes, that you feel a tiny bit of powerful.
we are broken records of liminality. we know the lyrics of the song and are disgruntled when the record skips and skips and skips again, leaving us to repeat the same over and over. stuck. surrendering into a groove in the surface of vinyl, surrendering into a groove of fallow. without reaching over and touching the needle, the record continues to skip. without reaching and touching the liminal space, sorting and reflecting and resting, we cannot see beyond the bend in the road.
none of that is helpful, though. i stand in it. on the stripes. what was is no longer. what is not yet is not even a blurry image.
i think, this time, this must be what it feels like to retire, without the benefits of retirement. to no longer do what you have done for decades, to step away (or be thrust away, let’s be brutally frank). and to realize you don’t want to go back.
to wonder what is next. to reach into all-the-stuff-you’ve-done and pull the long straw of passions set aside. to decide to ferret out, in due time, direction and sense. to not fight the fallow or the pause. to try and have courage not to just fill in the gap. to kneel on the stripes. to trust.
“when we surrender, when we do not fight with life when it calls upon us, we are lifted and the strength to do what needs to be done finds us.” (oriah mountain dreamer)
first glance would suggest this is a black and white photograph. an image taken through the window over our kitchen sink, a view i have seen first thing in the morning about 12,000 times and the last minutes at night just before turning out the kitchen light and moving into a time for sleep, about 12,000 times. and any time inbetween, in the day as morning marched into noon and noon glimmered into midday and midday waned into evening. each time, gazing out, about 12,000 times.
that is likely paralleling how well ansel adams knew the american west, images of wild and rugged yosemite etched into his heart. how many times this maestro of his art must have studied those vistas, photographing morsels and overviews, contrast and shading in all seasons. striking focus, his work inspires adventure-out-there-juju and, more importantly, an environmental awareness in these times of climate crisis. without color, the attention of the aperture pivots to grandeur, is not distracted, but is challenged by shape and line and form and composition.
taking a photograph through a window is different than taking it without some kind of membrane between photographer and subject. it gives space for other kinds of interaction. the play of reflection, the underside of raindrops, never-minding the swipe of window-cleaner-rags. opportunity to see, a unique peek into the familiar, wherever you might be.
this is not a black and white photograph. it is the stuff of october days heading full-steam toward november. it is the drear of rainy and damp and cold. it’s wishing 65 degrees was not vanishing into the calendar.
and yet, having looked out of that window maybe over 100,000 times all told, i know that the view, framed by a painted cornice, kitchen cabinets and our old porcelain sink, is different each day, that the days are not identical and never really the same, that change is always a constant. and that some days, when i point the camera out the window it will capture intense color, vibrant sun, blue sky, leaves the colors of fire and rust and squirrels running on the wire.
“now, the idea is to get everything right – it’s not just color or form or space or line – it’s everything all at once.” (richard diebenkorn)
each time i have stood in front of one of the ocean park series paintings, i have been totally engaged. the light, the color, the form, the line, the space – richard got it all right in these. they are fantastic abstracts, luring you in. we left the san francisco museum of modern art with a richard diebenkorn book, one of those coffeetable type books – large with gorgeous illustrations and text. i keep it in my studio, to gaze at and sink into.
i do not know much about painting. at all. i have learned, though, that composition is, across the medium-board, still composition. a painting, a song, a dance, a poem needs someone to receive it, someone to interact, to respond, someone upon which it may fall. and for the artist, though imperative to do the work regardless, it creates the space for the flow to go back and forth, like a tennis ball across a court. each bounce and bounceback adds a little wisdom, a little emotion, breath. as i stand in front of richard’s ocean park paintings, it is as if i can hear his even breathing in my ear.
i stood on the dock up-north, gazing down at the water, light and sun playing on its surface. were i to have chosen colors to paint this, and not the black and white of the paintings i have spattered – the only paintings i have done as an adult, i might have chosen these tones. they are the colors i love to be surrounded by. this would be an abstract painting of getting outside without getting outside, to be there without being there.
but i did not paint this. nature took care of the color and form and space and line and i merely captured what nature made easy. there are many of these now – photographs of the abstract – all with strings tied to my heart and memories in my mind’s eye of outside. i keep thinking they would make a good coffeetable book…”getting outside inside”….a title, an invitation…for those sulky days when one needs the bounceback of the breath of the woods or the water, the space of the mountain trail or the rocky beach.
the gift of glassy lake reminds me that there are other mediums to explore, textures i might consider. i imagine richard diebenkorn and arvo pärt, on two sides of the court, two dimensions, lobbing the ball back and forth. abstractionist and minimalist – both extending an invitation. i start to answer.
i started a business when i was young. nothing cost more than about a dollar but i was a zealous salesperson. i pulled a red wagon around my neighborhood, going door to door – in the days when that was actually safe – and sold cactus. my sweet momma had prolific succulents and would pot tiny offshoots and volunteers into cups or chipped mugs or little clay pots, turning them over to me to sell. it’s amazing how many people would buy a 25 cent baby cactus from an eight year old at the door. i was thrilled counting my earnings at the end of the day and would impatiently wait for the next proliferation of cactus pups.
after a while and some market research, i decided to add candles to my stock. i purchased wax and three-dimensional plastic molds, tape and had a perfect little finnish knife to trim the wax after taking it out of the mold. i never lit any of those candles. they seemed more like decorations and less like candles-to-burn. funny to think about not-thinking-about-lighting-them and i wonder how many of the candles i happily sold on the streets of my growing-up were ever burned. though i’d love to revisit that project now, for fun and maybe to actually try the candle as a candle, my supplies are stuck somewhere – since 1979 – in the somewhat-finished attic room closet of a methodist church on long island, where i had helped with a youth group and taught them how to make candles.
i wonder now about what someone will think when they stumble upon all of that – my dad’s old hard plastic luggage case with molds and wax. i wonder if they will laugh thinking about the simplicity of it. after all, for my tiny business all i really did was melt the wax in a double boiler, choose a color dye, place the wick, tape and set up the molds, pour the wax into the molds and wait. once they were set, i trimmed along the seam line to create a seamless looking alligator or snail or mushroom or a variety of other marketable shapes of candles i can’t recall. i simply changed the form of wax.
i suppose it’s all like that. changing the form. the notes float and the composer grabs them out of the atmosphere, placing them together into a piece of music, changing the form of their ethereal bobbing-around-out-there. color bursts around us, nature offering us every iota of choice, and the painter gently retrieves them and places them together on the canvas, translating the iron oxide red of delicate arches into a vibrant sunrise or the flower of a still-life. the butterfly on the wing dances and the ballerina’s steps mimic the form, an expression of freedom and joy. words and expressions whirl around and turns of phrases hide inside dictionaries and the writer plucks and chooses, creating poetry and story from the raw.
my sweet momma and poppo discovered ikea in their 80s. they were intense fans. from time to time i would get big ups packages from them – ikea runs – with new wooden spoons or lanterns or cork trivets or tealights or whatever was their latest discovery there. and so i became a tealight fan. we burn them often. to light the table on our deck, to light our pop-up, inside all around the house, to honor someone with a flickering flame all day, safely burning on the stove. i guess that these are a lot easier to make than alligators or snails. and i know that they are obviously a lot easier to light and actually burn.
i still have a round yellow happy face candle i received years ago. i haven’t burned it. something about not messing with its form, i guess. why do we have candles we aren’t going to burn?
today, i think i might take out that round happy face candle. maybe i will put it on the stove, in a safe-to-burn-all-day spot. maybe it will infuse inspiring form-changing into the air around me. there’s much to purge from more recent times and much to welcome in next days. it’s worth a try.
reverse threading 