reverse threading

the path back is the path forward

Tag Archives: recording artist


by Leave a comment

the moose and the pig and me. [k.s. friday]

it is said – and clearly there are many people in the news now’days who subscribe to this – that any press…good or bad…is better than no press. you have to wonder.

way back in 2002 i released this album. ‘as sure as the sun’ was the culmination of much writing, practicing, arranging, driving, singing, hydrating, listening, reviewing, re-writing, more singing, more practicing, more driving, recording, listening, sitting and watching my producer, more sitting and watching my producer, re-recording tracks, more practicing, more driving, more hydrating, more singing, more writing, more listening, more reviewing, re-writing, practicing, singing, hydrating, more driving and a lot of worrying. i recorded the album in nashville and drove back and forth for sessions, in between which i spent my time finessing each piece of music, each song i had composed for the project.

as an independent solo artist and not a complete band with others to lean on or a label financially chugging it forward, it was a big project, a big investment in heart, time and money. my producer and i had to believe in it to keep it going. bottom line, i had to believe in it to keep it going. when it was done and i drove home with a mastered CD, it was with a mix of feeling proud, wiped out, anxious and full of dreams. ‘as sure as the sun’ was my sixth album and the first that was a full-length vocal. it was stepping out of my comfort zone. it was the edge.

i hired an agency to help with its release and a radio promoter to aid in its adds to radio airplay. i don’t recommend either. to the tune of almost $40,000 they took me for a ride and i wonder now how this was possible. but when your professed dreams come knocking it is hard to turn away and do it yourself. in retrospect, i should have just continued doing it all on my own as i had done with all the instrumental albums that preceded it. but ah, that whole retrospect thing is such a fine perspective arranger.

amazon, and various other entities, added the album to my lineup online and radio stations added songs to their airplay. ‘slow dance’ charted at number 13 on the secondary adult contemporary radio chart. i’m not really sure how important that was now – at the time, however, it kept me paying for the promoter. i suspect that was the goal.

i played concerts and interviewed on radio and drove around to wholesale and retail shows with product, selling to large box brick and mortar chains and small privately owned shops that played music and displayed cds for customers to purchase. at the label in our offices on lake michigan we put together more cardboard display boxes than i can count, shipping out displays and cds regularly. it was busy and fun and a time when people still purchased actual cds.

in the zeal of the after-release glow, i looked everywhere for reviews of this new album. i wanted to know how it resonated with people, how it measured up, what i could learn by reading others’ commentary.

and then there was this.

the title was just the start. dang. sounding like a “hoofed mammal in heat” or a “squealing pig” was a tad bit much, i thought. the first-grader-lyric-writing comment was, well, kind of first-grader-like. i noted the misspelling of norah’s name. and, much as i appreciate his style, i really wouldn’t use “soulful” to describe jim brickman’s vocal music. but i digress.

i was stunned to have such a review and didn’t know what to think. i spent lots and lots of time, an inordinate amount of time, pondering who might have written such a statement. for some reason, i did not give as much time to the emails i received, the notes, the non-promoter-sought airplay, the adds in box stores and shops around the country, and the thousands of cds that were shipped out. this review nagged me.

it’s funny to me now how i let this one commentary puncture a pinhole in my confidence. but that’s the way of negativity. to stand firmly rooted, to take on the edge, to step new steps, to grow, to believe in your ability to shift gears, sway in the wind – the inner job of every artist. one moose and one pig should not be enough to undermine you and yet, there it was.

somewhere along the line i mostly forgot about this review and got on with the business of the music business: making more music. nine albums and several singles followed this album’s release. but i never really looked for reviews. i listened to what was inside and kept stepping. one of these days, maybe when i decide that i am still relevant, i will step again.

artists of every medium adjust and re-adjust too often to the whim of the viewers’/listeners’ fancy. they lose something every time in their pursuit of wanting their work to be liked by others. yet, the artist is most certainly riding the value-train with every project released. for that project, the last project, the next new project – all represent making a living. they represent a vulnerability not broached in other life-work paths. they represent a piece of someone’s heart and soul, hoping against hope not to be pounced on. all together – the projects of all artists of all mediums – they represent the woven fabric of our narrative, diverse and rich.

as my sweet momma used to say, “if [someone] has nothing nice to say, [someone] should say nothing at all.”

though i generally like moose and pigs and am in good company either way, i trust the moose and the pig agree with her.

*****

listen to music in my little corner on iTUNES

listen to music in my little growing corner on PANDORA

read DAVID’s thoughts this K.S. FRIDAY


by Leave a comment

arrive alive. [flawed wednesday]

once upon a time a little boy sat in the backseat of his family’s car on his way to kindergarten. as we can all imagine, he was excited and maybe chattering about the upcoming day. he was likely looking out the window at all the other cars and trucks and maybe having a little snack as he was driven to school by his mom. he was alive. and then he was not.

i don’t know all the details of this story, but the root cause of the catastrophic death of this little boy on his way to fingerpaint and hear stories and maybe jump rope or play 4square and practice letters with thick pencils on widely-spaced lined paper was road rage. no matter who was at fault, no matter what happened on that highway, no matter really anything, this little person lost his life on a freeway because of anger that had nothing to do with him.

i was stunned the first time i saw the signs on highway 82 in the roaring fork valley of colorado. “road rage – call *277.” but we have all been privy to at least one incident of raging road behavior so that there is a mechanism in place to report it is actually a progressive step forward. i was simultaneously disturbed to think that road rage was so prevalent in this gorgeous place and yet glad to see that the authorities had a mechanism in place to try and help dissuade it.

we recently left the park in illinois where we often hike. it’s a left turn out of the park with no traffic light onto a two-lane road. checking both ways carefully, as there is a bit of an uphill to our right as we exit, i pulled little baby scion out into the eastbound lane to drive home. suddenly, just as a semi approached from the east in the westbound lane, an at-least-80mph audi screamed past on the small shoulder on our right. i was startled, but luckily did not wrench the wheel either direction, for both would likely have had devastating consequences for more than just us. what kind of person passes on the shoulder on a 45mph road for absolutely no reason except that they are raging? what kind of all-consuming lack of regard for others does it take to drive a machine capable of great injury in such a monstrously irresponsible way?

we evaded tragedy that day, but how many examples do we each encounter every day? sometimes it is only with luck and defensive driving we safely arrive at our destinations. safely at our destinations. it doesn’t sound like too much to ask for. we need check our anger as we click open our car doors to get behind the wheel. the tag line of illinois tollway’s speed awareness day has been, “slow down. arrive alive.” yes. we shouldn’t need an awareness day or signs emblazoned with lighted letters to remind us. we shouldn’t need * numbers to call in times of raging road peril.

we pulled up to the red traffic light a couple miles down the road. the audi was stopped right in front of us, a mere one car-length gain. a tiny gain when so much could have been lost. like the life of a little boy on his way to kindergarten.

****

read DAVID’S thoughts this FLAWED WEDNESDAY


by Leave a comment

from a distance and up close. [two artists tuesday]

from a distance they stand tall, leaf-arms open to the sky, drinking in tree-dappled sun. they are stalky and strong and seem confident and independent, yet living in community with other woodland plants. at this moment in early spring they are positioned in mostly-monochromatic villages, begging my camera. it isn’t until i get closer that i see all the pointy hairs on the leaves, on the stalk, all over. from afar these were not obvious, but, apparently, this plant was not exactly what it seemed. the fuzzy hairs – trichomes – protect the plant from dehydration, from insects, to keep warm and keep cool, and upon close inspection, are everywhere, too numerous to count. they are an integral part of the plant and its ability to thrive in the woods.

the obvious comparison – the good outer protection our own epidermis provides us – is too blatant. instead, as i got closer to this plant and focused in on its outer shell, i couldn’t help but realize the running parallel, the only-seen-up-close-and-personal mechanisms of protection.

from afar we stand tall and strong and confident and independent, though living in and, indeed, dependent upon, community with others. but upon close inspection, upon threat, we are always protecting our own vulnerability. if needed, we rely on our spiky and resistant shell, closing off to invasion of hurtful infestation or blight, guarding against negativity. we survey change and transition, ready to rely on our armor. we puff out our thorns and avoid humility. we stand firm, stalky and unwavering in our opinions. we resist forceful wind, preferring to root in the known. we sway in shifting breezes, ever-hopeful for good. and the tiny hairs of our exterior stand on edge, spiky and ready, the mama-bears of our integrity, our fragile good natures, our open hearts.

there is no real difference. these lush green plants and us. we stand with our arms open to the sky, drinking in the sun, independent and dependent, living together. from a distance and up close.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


by Leave a comment

sopris gold. [two artists tuesday]

it was a bit cloudy and drizzling when we drove into town and stopped at the market before finding our airbnb. the next day dawned much of the same, but around us the red rock shimmered deep ruby in the rain, the sage glowed and the air was clear and fresh.

we got into big red to lumber into town early that evening, the sun not yet ready to set, clouds breaking up to allow blue skies. down the dirt and gravel road, just around the bend, across a field of wild grasses and beyond the horses, suddenly there it was.

mount sopris, in all its glory, rose above us and above everything else in the valley. it was astoundingly beautiful and made me pull over to laugh aloud at its presence. this giant had been there all along, steady, its very existence a silent companion. just shy of 13,000 feet in elevation, with twin peaks, once i had seen it, i found myself turning to look at it, especially at every bend of the rio grande trail we hiked the next day. it felt grounding and majestic and very, very wise.

mount sopris is named after a gold prospector who led an expedition in the middle 1800s. “there’s gold in them there hills,” led them into the roaring fork valley. i don’t know the whole rest of that story, though they did not find gold.

i do know that the presence of this mountain, for me, definitely has the allure of the precious and captured my desire to stay put in its magnificent power. the surprise of seeing it appear out of the clouds was worth its absolute weight in gold.

it was a reminder of things unseen and yet there. a reminder of strength and steadfastness, quiet and unshakeable. a reminder of beauty where you don’t expect it. a reminder that behind clouds there exists a bigger presence, the universe vast, full of potential.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


by Leave a comment

shoes and stones. [merely-a-thought monday]

brazen. how many of us have been this brazen? to make an assumption, to form an opinion, to decide to dislike, with no information, having asked no questions, having had no real conversation, having chosen sides under the dark cloak of one-sided story. we have all heard the idiom, “before you judge a man, walk a mile in his shoes.” yet, our perspective often remains stubbornly in one camp and we cling to the sideofthestory we heard, professing our disdain, without even a mere effort to understand, to measure, to even hear the other side. and then we haughtily hold tight to our narrow-scoped opinion and aim our arrows of brazen judgment. it’s shocking. and completely not shocking.

guilty. how many of us have been guilty of this? to not care enough about someone’s reputation, someone’s livelihood, someone’s word, with no information, having asked no questions, having had no real conversation, having chosen sides under the dark cloak of one-sided story. we have all heard the proverb, “those in glass houses should not throw stones.” yet, we forgo our own flawedness, our own misdeeds, our own obvious hypocrisy, to hurl pebbles and stones and out-and-out boulders at others, efforts to raise ourselves up by pushing someone else down, guilty of power-mongering in places where that should be more closely examined. it’s shocking. and completely not shocking.

sad. how many of us feel sad, having lost friendships, relationships, potential lifelong allies, colleagues, having aligned ourselves with people who have brazenly been guilty of gauging someone else simply because they did not know the othersideofthestory? we have judged, forgetting our own flaws. we have pummeled, forgetting our own vulnerability. we have turned our backs, forgetting our own need for fairness and truth from others. it’s shocking. and completely not shocking.

devastated. how many of us have been at the center of the firing squad, muzzled and treading water, stuck in inertia, unable to give voice to the othersideofthestory, in the center of misinformation, incomplete information, an absolute lack of information, opinions and dislike forming from the dust of others’ untruths, others’ prejudices, others’ agenda? devastated that there is so much collateral fallout, so much loss, simply because they didn’t hear your side of the story. it’s shocking. and completely not shocking.

but it is most definitely this: brazen.

and we all, at some time or another, are most definitely this: guilty.

and it feels most definitely this: sad.

and it causes most definitely this: devastation.

perhaps we need put on shoes and lay down our stones.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY


by Leave a comment

the beauty of $2.99. [k.s. friday]

my sweet dad would buy my mom grocery store flowers often. she kept a vase on the table in the high ceiling-ed foyer near the front door in their last home together and flowers would welcome you as you entered. momma wasn’t really a red-rose-florist-delivery kind of gal. she was more a bundle-of-flowers, a miscellaneous-bunch, a day-old-flowers-sale woman, always so pleased with the simplicity of her own arrangements. now, don’t get me wrong, she was delighted to receive flowers that arrived on her doorstep, but those were not required of my poppo. instead, she reveled in the extraordinarily ordinary blooms they found at publix.

we went to the citymarket when we got to carbondale. needing to find lunch and some dinner items to bring to our airbnb we walked into a new store, inviting and with lots of light. it was in the produce section that i passed the display, advertising a clearance – merely $2.99 for cellophane-wrapped bundles beyond their recommended dates. the hypericum beckoned to me whispering a suggestion, “table centerpiece”. we travel with a small jelly jar and tea lights and i knew we could find something we could use as a vase in our place. as it turned out, it was a ball jar and, together, ball jar with berries and jelly jar with candlight paired on our table. it was time to embrace a precious stay in the high mountains.

scrolling through my photos, the pictures of the hypericum berries on our table easily bring back the moments we had with my daughter and her boyfriend. so much anticipation when a child lives far away and yet the time uncontrollably flies by and, today, i am reeling with wistful thoughts that just over one short week ago we had already been to and left those giant red rock mountains, the snow-capped mount sopris, a trail along the rio grande, horses down the road, dinners at the gathering table, laughter at the high counter in our sweet unit, a pedicure and a few errands with my girl. it would seem the stuff of songs and somewhere, deep inside, they are writing themselves.

we left the hypericum berries in our airbnb. still beautiful, it was a way to say thank you to our hosts. besides, they belonged there on a little slate plate in the middle of the table in a room filled with sunlight. promise for the next occupants, perhaps. a little gratitude left behind.

we aren’t frivolous. especially not these days. anyone who knows me knows that i am a slow decision-maker when it comes to purchases for myself. most places we go we try to find a couple cloth napkins to bring home with us. as we sit at our own table it is a way to remember other places we have sat, meals we have shared. we didn’t find any on this last trip but at the hardware store we discovered after our river-trail hike, we picked up two tin camp mugs for our coffee. they have mountains on them and will remind us of our time this trip.

i already miss my girl and wish i had run outside for one more hug – an extra – the morning she drove off. but she was in a hurry, i knew, and i know a mom-hug can get in the way. so i held back and just waved, trying to be nonchalant about the tears running down my face.

i returned back into the space we had lived in for those fewest of days and looked around at the now packed-up airbnb. my eye caught the sun-rays through the window lighting up the hypericum berries. and i whispered back to them, “thank you.”

*****

read DAVID’S thoughts this K.S. FRIDAY

listen to music on my little corner of iTUNES


by Leave a comment

my dad’s jowls. [d.r. thursday]

over-exposed and blurry. that’s how i prefer photographs of me these days.

this morning i opened facebook and there was one of those “you have a memory” pictures. it was from nine years ago when my girl graduated from college and she and i and one of my nieces were all in a pub gathered closely together. adding to my over-exposed and soft-focus-photo-capture-desires, this memory looked different – younger – than when i looked in the mirror shortly thereafter. hmm. the marks of time.

my sweet momma would look in the mirror and, in a singsong whiny voice whine, “i look like an old woman!” she was 93. i would gently remind her both that she was a woman of age and she was amazingly beautiful wearing that age. but as i look into the mirror each day, i’m wondering if she was as dismissive of my words as i am dismissive of david’s “you’re beautiful” compliments. we are so hard on ourselves. our grooves, impressions like the ones in the carpet at the old family home, are earned from the long haul, from all that we have encountered, from the sun in day and dreams at night.

the wear and tear – or lack thereof – on each of us belies the courage and tenacity beneath the surface. we keep on keeping on, adding a wrinkle here or a grey hair there. i thought i was getting used to the appearance of tiny evidences of middle-aging until one famous morning. it all had gone basically unnoticed until that one day when i looked in the mirror and WHAMMO! my dad’s jowls had appeared. what?!? i stared at myself. my dad’s jowls stared back. it was all i could see. what on earth had happened overnight??

i ran to the next room to get a photograph of my sweet poppo and, sure enough, there they were. a perfect match. i pulled up a recent photo of my dad’s sister, his only surviving sibling, and voila! there they were. i am in a perfect-harmony-trio of jowls. i looked for a picture of my sister. though i was hoping to, i didn’t really see any jowls. what’s up with that, dna? seems slightly unfair to me. ahh, indents and jowls. the marks of time.

i look sideways to the window as i write this. below the sill are a variety of lines in the wall, many of them. on summer nights, when the window was wide open and you could feel the breeze blowing and the sweet smell of mown grass drifted in, this was the window that babycat jumped into to sleep. his lumbering body stretched out on the sill, he would lay there throughout the night. in the morning, he would put his paw down in front of his body and drag it along the wall to carefully get down out of the window. the scratched lines remain. indented in the wall, i am not eager to remove them in these times of dearly missing our beloved cat.

one day, like the vacuum that will remove the ridged lines in the carpet in david’s parents’ living room, a little sanding and paint will remove these scratched lines. but their import won’t go away. the sofa that sat in the living room may no longer be there, but the times spent there will always be a part of that space. the scratches on the wall may be fixed, but the cat that graced our lives will always be a part of this space.

the jowls that are now on my face will remain, however, and i suspect become more pronounced, just like the wrinkles and the grey hairs. all that i have been – including the times when i didn’t care about over-exposure and blurred photos – will remain. all that i have experienced, just like you, makes its mark. and we will be lucky if we someday glance in a mirror at 93 and whine-like-we’re-45, “i look like an old woman!”

jowls or not.

read DAVID’S thoughts this D.R. THURSDAY

visit DAVID’S online gallery


by Leave a comment

our echeveria. [two artists tuesday]

on a beautiful summer day, wearing flipflops and with a broken toe, we followed my son, rapidly walking miles through the streets of boston. it was wonderful, in and out of historical places, walking in gardens, taking in the library, strolling in restoration hardware, eating cannolis and people-watching from bistro tables on the sidewalk.

i did not pick up any rocks or sticks that day, now a few years ago, which is rather unusual considering my propensity for them and for saving some thing from perfect (and even imperfect) moments. but we did carry home this sweet and tiny succulent in the smallest of pottery pots, carefully wrapped and boxed by the attentive people at RH in packaging that reminded me deliciously of the packaging-guru-guy on the movie ‘love actually’ (but i digress.) $25 seemed like a lot to pay for this tiny gift we were giving ourselves.

it was 2017 and we devoted our energy to rules about overwatering, underwatering, not-touching-the-petals, enough sunlight, not-too-much sunlight. our little succulent, supposedly low maintenance (what exactly IS low maintenance, anyway?) devoured our plant-attention, but, in the coming years, suffered nevertheless. we transplanted it to a bigger old clay pot, careful to use nutritional potting soil. we read up. water, touch, sun – we experimented with combinations. it seemed to no avail.

the light streams into our sunroom. early in the morning, the sun rays across the room and into the kitchen. later in the day, the room of old windows and new windows invites the outdoors in. there’s an old door that sits on two wrought iron horses on the eastern window. art supplies and nespresso sit nearby. in spring last year, we moved a table into the sunroom, in front of the windows that look out back. we call it our covid table. we hung happy lights and strew them on the table.

we placed this little succulent next to the tiniest pine tree and a ponytail palm that makes me happily think of my beautiful daughter’s ponytails. we decided to forego the instructions we had read and gently watered the little echeveria, letting the water and our hands touch the leaves, talking to it, reaching in and extracting leaves that had dried, rotating the pot to capture light, the tiny rosette in the middle looking healthier by the day. i look at this plant now and think that it needs another transplant, a bit bigger clay pot. and each time i remember the day we got it.

a little attention, a little hydration, a little good soil, a simple old clay home, a little deviance from the plant-rules, a little conversation, a little inclusion in our every day, and this tiny succulent is flourishing.

what better metaphor for nurturing the people around us. give them at least what we give low (read: high) maintenance plants.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


by Leave a comment

the waxing moon. [not-so-flawed wednesday]

“the beauty of the earth is a constant play of light and dark, visible and invisible.” (beauty – john o’donohue)

i prefer to think of it as waxing, not waning. growing in illumination, not heading toward darkness. the moon on our ceiling just above the crown molding shows up from time to time. the conditions need be right, the lighting need be perfect. and then it’s there, waiting to be noticed. i ran for my camera the first time i noticed it, afraid the shadow-and-light interplay would quickly disappear.

like everything else around us – waiting to be noticed – we are always in choice about noticing or not. we can take the time or not. we can nuance our time to scurry past or we can slow down, just a little, to see.

i recently saw an article about spain, a country that embraces the siesta, a time of rest within the day. there is consideration there to move to a four-day work week in an effort to balance work and life. it is hard to imagine that there is much more important than paying attention to that balance. what else is living? why are we rushing through it?

i really love to take photographs. our hikes in the woods and walks in the ‘hood and time-just-being-time are punctuated with my stopping-stopping-stopping to grab a photo here or there. some things are just blatantly beautiful, visible and full of light. they need not beg to be captured on film. others are not so obvious. they are not so visible, darker, perhaps even invisible, courting imagination. on the trail they disappear silently behind the woods-models, the fashionable haute couture of the forest. instead, they are quiet and steadfast. they have a certain je ne sais quoi that cannot be easily named. and they are indeed beautiful.

on the trail, the tiniest pink petals rising from the decayed leaves, the green-and-green variegated leaves tucked behind the flowering shrub, the fallen tree – home to symbiotic white rot fungi – in and amongst the stately, the healthy. the thistles, dried and browned wildflowers, inosculated trees sharing soil, underbrush, like understudies, taking their usual back seat to the crowns of the woodland.

in our daily routine, the way the spring rain forms a heart-puddle on the patio, the way the snow piles on the wrought-iron table, the way rays through the miniblinds shadow the wall, the way barney ages in the backyard, the way wine glasses clinking catch the light, the way the quilt gathers the morning sun, and the way the light in the living room gifts us a waxing moon.

the balance of the obviously beautiful with the less-obviously, less-definitively beautiful.

we take a bit of time as we can – we slow down just a little as we are able – to make sure that we notice the play of light and dark, visible and invisible.

we look around us, through waxing and waning, standing in the light and the dark. to make sure we notice all the beauty of the earth.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


by Leave a comment

in KC’s family. [two artists tuesday]

just past the eyelash phase, in a tightly woven and protected calyx of green sepals (leaves), the gardenia bonsai flower waits. a little research reveals that it will take about two months of growing to reach the point of a cracked bud, hopefully flowering after. KC is reportedly “one of the most loved and challenging plants in the bonsai world” and i hope that i am up to the task. these beautiful and somewhat-difficult-to-grow plants offer “a unique opportunity for anyone who wishes to take the time to attend to their needs.” they are particular about sunlight, particular about direction of window exposure, particular about temperature, particular about humidity, particular about watering, particular about feeding with fertilizer, particular about shape and pruning, particular about training, particular about insects and mold, particular about repotting, particular about touch. they do well without any negative stressful environmental factors. it occurs to me that perhaps i am in the bonsai gardenia family.

KC sits together with some other lower-maintenance plants (read: succulents you can’t really mess up) and is clearly different than them. its leaves are rich in color, two whorls protecting promising buds, and its presence demands to be noticed. i talk to it every day, encouraging it, paying attention, hoping i am tending to it properly. i truly cherish this little bonsai; my beloved daughter and her boyfriend sent it to me for my birthday and it was a joyous and glittering moment to receive such a beautiful gift. i want to do my best helping this little gardenia along. and, in light of the last year, the last couple years, i can understand and relate to its eccentricities. mmm, can’t we all?

in the evening KC is bathed in the sparkle of the sunroom’s happy lights. proudly in the spot it has claimed on the table, it sits, basking. it is one of the sparkles of the year. there have been many, despite the difficulties, within the difficulties, despite the challenges, within the challenges, despite these times, within these times. if it were possible, i would set each around us in the sunroom, also bathed in happy lights, like laundry clothespinned to a clothesline, reminding us of the best times, the memorable times, the happiest snapshots, the most poignant moments, the yin-yang of relationships, reassuring love in trying-to-stay-centered, the times we balanced stress and the times we succumbed to it, successful and unsuccessful zen, and exhausted times of rest.

i would place the clothesline in the middle of the room so that you could not help but see each item, each old wooden clothespin, memory-laundry crowded onto a timeline, reminding us that the minute does not stay. that whether the minute is feverish or beauty-laden, it moves on.

we are all particular; we are all particularly needy. our lists and our baggage surpass that of the little bonsai gardenia. we are all up to the task. we do our best in each moment, whether it is dark or sparkling. and we remember we can try again. we can help each other; we are “most loved and challenging”. KC already knows that.

i am excited to see KC bloom. i wait patiently for this amazing flower to arrive. in the meantime, i light the white gardenia candle, talk to my plant and drink in the glow of the happy lights, trying. each day. living just past the eyelash phase.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY