reverse threading

the path back is the path forward

Tag Archives: shadows


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two tiny parts. [kerri’s blog on d.r. thursday]

i am – truly – not quite sure how we would survive without this trail.

it offers sanity in a world that seems to be losing its very center. it offers quiet in a world noisy with horrific news. it offers peace in a country that doesn’t seem to understand peace any longer.

we breathe on this trail.

we talk about other things – projects and dreams.

we get lost in our own thoughts.

we – know – in the way nature makes clear – we are simply two tiny parts in a big whole.

blogsites supply some analytics about your blogposts. wordpress can tell us which posts are viewed, how many views, how many visitors we have, their countries of origin. the site, however, is not totally protected against bots, so some of the information – when the numbers seem exponential – is obviously generated by non-human sources. there are moments i laugh – or sigh – and say things to d like, “wow. like they have nothing better to do in name-a-country than to sit around reading reverse threading, eh?” i know better. my words are not likely to assuage – or even be the vaguest bit interesting – to people in dire circumstances, in countries full of upheaval or war, in places where trying to find just a bit of food is paramount. i am humbled by people who are in such drastic conditions or situations.

we have a thing about our shadows. and our feet, too, truth be told. there are many photographs on my camera that depict our shadows or our feet in a wide array of places. “we’ve been here,” i feel like these say.

it’s like a footprint. though the prints and tracks around us in this picture will fade with snow or rain or other prints and tracks, they will never really go away. the imprint will always remain part of the texture of the path, a part of the fabric of the trail.

i feel like our shadows are the same. though the moment the clouds move across and block the sun, the moment the sun dips below the horizon, the moment we move on – our shadows seemingly disappear. yet, something in me feels that they actually remain. our shadows – like the shadows of deer crossing the path to find shelter in the bramble, the shadows of hawks and a bald eagle or two above, the shadows of squirrels scurrying or horses elegantly cantering through, even the shadows of fuzzy caterpillars making their way – they all remain part of the many layers of what has existed, what has passed by, what remains in the energy of that place.

there are people imperiled in every corner of our world and there are people honing cruel skill at the denigration of others. there are people thriving in closely-held self-actualized dreams and there are people burdened with feelings of failure. there are people who are always the helpers and people who hostage-take others’ well-being. we all add to the energy of the world.

i feel like i really would like to do my best to make sure my shadow adds even the tiniest bit of goodness to the vibrating atoms of this world. being outside reminds me of the evanescence of it all, the transitory of us.

*****

INSTRUMENT OF PEACE mixed media 48″ x 91″ – available for sale

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the truth of the cattail. [kerri’s blog on two artists tuesday]

the sun was getting lower in the sky and was shining through the marsh as we walked past. we hadn’t hiked a long distance that day – only about five miles or so – but we had started late and it was time to mosey home and think about making dinner.

the shadows on the path ahead made me grab my camera to capture a picture. cattails.

their shadows so clear it left little doubt as to what they were, the cattails punctuated the gravel as the end of the trail led up to the trailhead. patterns across the path were spaced like college-ruled spiral notebooks or full and half rests scribed on staff paper.

throughout our hike i kept drawing attention to our shadows on this beautiful blue-sky-sunny day. they changed from a short-stumpy pair of people to two elongated-legged tall people. in every moment, clearly – people. those two people were us, but – were those shadows stamped in time – you could only tell that we were people. nothing more.

what will the shadows of this time look like, later on down the road? when the sun has completely set on a day when the values of this country are no longer upheld, how will those shadows appear? will they show the truth of all this malfeasance? what does corruption look like in a shadow? what do greedy, evil, soulless humans (and i use the term ‘humans’ loosely) look like in their shadows? can you tell they are greedy, evil, soulless?

there is no way to tell – by looking at the shadows of these cattails – the state of their inner being, the truth of the cattail. should we really wish to know we must be careful to discern their health or dis-ease by examining them more closely. we must be willing to know more about cattails and measure their well-being by applying this knowledge. we cannot simply look at their shadows – and not look at them, their environment and their impact on that environment – to determine their vigor, their fitness, their soundness, their dedicated synergy with the rest. the shadows don’t tell the story of stagnant water, dying ponds or an over-abundance of cattails toxically crowding out ecosystems, the risk of flooding or being a prime pest habitat, a dangerous breeding ground of illness.

we must be willing to look at the cattails for what they are, what they represent, how they are sharing space. we must be willing to discern their true impact – good or bad. we must look at the cattails themselves and not their shadowy shadows. anything less could kill the marsh and forever pollute the pond.

*****

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as long as. [kerri’s blog on not-so-flawed wednesday]

we will be there as long as the sun is at our backs. and then we won’t.

and the we-there – on that bridge – will first get longer and longer and we will appear taller and taller – more long-legged and spindly – and then we will flatten and distort and eventually disappear into the lack of distinction of color and shadow and water.

it will be over the course of a short time – not a long time. and if we stand there, we can watch the whole process, intrigued by the morphing of presence to absence.

i suppose – in an over-simplified way – life is like that. here as long as the sun is at our backs.

which means we have some stuff to do.

as daylight wanes – for it is none too obvious now that we are more waning than waxing – we each peel back layers of comparison, false imperatives, losses – and we expose the vulnerable – and exquisite – more-of-who-we-are. we pay attention to the tenderest of touches – literal and figurative, to the tiniest of blessings, to the most evanescent moments. we look back – with more forgiveness than we could ever muster before. we look ahead – with more optimism than we allowed before.

we begin to sort and see more clearly – even in our shadows in the water.

the sun is at our back. and we have some stuff to do.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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the green glow. life. [kerri’s blog on d.r. thursday]

and the deadened stalks of underbrush began to show signs of life. instead of the greys and browns of winter, its lack of light and its deep shadows, the sun has drawn out buds of newness and there is a slight glow of green in the woods.

soon, that green glow will grow and it will push out all the shadows of what had been, of the eradication that had happened in the preserve, of the fires and the heavy equipment’s tearing and grinding of buckthorn and other invasives. soon, the green glow will reflect back the warmth of the sunlight of spring and regrowth and we will walk in places that are not heavy with the press of toxic plants or trees. soon, the green glow on stems of underbrush, on trunked branches of trees will distinguish goodness from that which chokes out life.

walking – in the woods – last summer, last fall, early winter – it was hard to imagine – almost impossible – to really grok – that the beauty of the underbrush and the forest was being overrun by that which would utterly ruin it.

walking now – in the woods – in late winter/early spring – still with its juxtaposition of the echoes of the dark and the light, new vegetation and old chokemonsters, goodness and destruction – it’s ridiculously easy to see the difference.

the green glow. and the forest grows.

*****

read DAVID’S thoughts this D.R. THURSDAY

INSTRUMENT OF PEACE mixed media 48″x91″

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sustenance. [kerri’s blog on k.s. friday]

we waited for it. and the bit o’ sun showed up on christmas morning – after several days of fog. it was a moment of hope – to see that shining orb trying to burn its way through. it didn’t last long – it ended up raining – but it counts that it was there.

i woke early the other morning. snugged under the comforter and the quilt, open window by my side, i could hear birds. it’s unusual to hear them quite so zealous in the winter, but for a few minutes – on this not-as-cold winter dawn – they were there and it was exquisite.

we walked through the antique shoppe and stumbled across the frame of a lampshade tied with bits of muslin, satin and gauze. i was immediately back in the old farmhouse in iowa where several fabric-ed repurposed lampshades hung in a corner. we walked on, but that time-spent surrounded me for a few minutes and i texted the owner of the airbnb – just to let her know about this visceral fondness – the memories. they were there, swirling around me.

some things are indelible. they etch into us as touchstones of comfort. the sun, early-morning birds, memories. they feed us in times of extreme hunger, times when we really need something to hold onto that is somehow tangible even in its fleeting.

and some things are meant to be laid down. they are shadows. they starve us, they compel us into deeper waters where it’s harder to differentiate good from not-good and we feel a bit lost, out to sea. it’s too noisy, too raucous, too frenetic – when we are merely seeking serenity. we work to lay it all down – that which impedes us, which makes us stumble, which blocks us.

in this very first week of the new year i am hoping that this is the year i personally may be able to put a few things to rest. we all have them – those open manila file folders in our heads or hearts. i – like you – yearn to take a sharpie, label them “done”, slap the folders closed and staple them shut. 

but even in this rapidly-approaching-medicare age of mine, i know there is work to get there. nothing worth doing is easy…isn’t that the saying? though i don’t have the flip-the-page-a-day-over-the-metal-u-rings-at-a-glance calendar that my sweet momma had, i want to flip the pages over to get there.  

we all take out the manila folders and peek inside. it’s a hunger. to get to “done” on those folders and to get to “start” or “start again” on others. 

and sustenance helps. the generous. the most basic. even crumbs. even the most transitory, the most evanescent. if it was there – if it fed us – it counts.

*****

NURTURE ME from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

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the softer side of selfies. [two artists tuesday]

it’s the softer side of selfie.

i take many photographs of us in shadow. it lowers the how-do-i-look bar to practically zero. though it does leave me a tad bit curious about why my head always looks bigger than his. i think it’s my hair poofing out; his is pulled back neatly, while mine is helter-skelter flying in the wind. nevertheless, whether we are smiling or not, whether our eyes are open or closed, whether we have a funny look on our faces – none of this matters.

some of my favorite shots of us are in shadow. we are on the dock at northport harbor. we are on trail in breckenridge. we are at the john denver sanctuary in aspen. we are on a frozen lake up-north. we are walking barefoot in florida, carrying our flipflops. we are in the sun on our back patio.

i know i might be accused of over-documenting. so many photos. “1.81 trillion photos are taken worldwide every year, which equals 57,246 per second, or 5.0 billion per day,” according to photutorial.com. at least they are not all mine.

yet i know that it takes many, many shots to get the right one. my dear friend scott is a world-class photographer with a compositional eye to die for. he shoots thousands of shots at a-list events. which makes me feel justified in my overshooting. i have loved being behind a camera since my parents gifted me my first 35mm when i graduated high school. crunch and i would go out and about for hours on end, on escapades, taking pictures and dreaming of what they would look like developed. the advent of cellphone cameras – as they are today – makes it infinitely easier to snap, snap and over-snap. and, though i can confess to that, i will not stop.

because every now and then, when i go through all the photographs i’ve taken on a hike or at home or traveling or with one of my children, i find a jewel. like the lyrics that are tucked into notebooks-upon-notebooks, scraps of paper of melodies, pa pads with ideas for smackdab cartoons and blogposts, sometimes something special turns up. “practice makes perfect,” my sweet poppo would always quip.

so, the other day, while we were hanging out with richard diebenkorn, i thought i would document our time together. not a gem of a shot, but – truly – they aren’t always gems. sometimes they are just reminders of time spent, thready mementos of moments, scraps of lyrics or color samples or heart rocks. they are a diary of time, back and forward, threaded clockwise and reverse.

despite the vast ponderings of art critics and pedantic curators, it would seem that richard might just be trying to create mood, evoke emotion. this ocean park painting – like the whole series – depicting shimmering light and air, his extended time in santa monica sun. he painted and re-painted 145 canvases in this series. a diary of time.

selfies and shadows, smiles and light. all stuff that counts on the way to 1.81 trillion.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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witnesses. [two artists tuesday]

out of the corner of my eye i caught a glimpse of him leading her over to the edge of the garden. something about his tenderness made me stop and linger. he had his hands on her shoulders and was looking right into her face. and suddenly, he got down on one knee.

they were strangers – and remain strangers – but i had goosebumps of excitement as i watched him on his knee. we couldn’t hear anything, really, but when she threw her arms around him and he was beaming, it was pretty obvious. family and friends spilled out of the places they had hidden in the botanic garden and surrounded them, celebrating.

it was a moment in time. and we were witnesses to it.

we walk along the shoreline and marvel at the expanse of lake michigan. often – after the work day is over – the sun is lower in the sky to our west, so the sky over the lake is starting to turn all crayola-like as we walk. our shadows get longer, longer. it would seem we are on stilts. we stop for a minute to appreciate it all, take a picture, hug. witnesses to the end of day, one that we cannot recreate no matter how hard we try.

we walk on, sometimes entirely quiet, sometimes reviewing our day. we marvel that it is mid-october. already. witnesses to time flying, warp-speed, flimsy tendrils floating you cannot harness.

our trail was mostly empty on saturday. hiking there – in the woods – is like wrapping in a comforter. the turns and twists, the meadows, the fallen logs…they are known to us, familiar. it had been a couple weeks. many leaves had fallen. the ones that remained were yellow, some red, some orange. some of the trees were hanging on – their leaves were still green, but i imagine the color changing tiny bit by tiny bit even as we passed by. witnesses to autumn.

we often photograph our shadows. there is no worry about smiling in a photograph of your shadow. funny thing, though…we almost always smile anyway. the capture in time we got to be in a place, together, passing through, witnesses to a moment.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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the west wall. [not-so-flawed wednesday]

it’s the west wall. and every morning as the sun streams in across the room, we comment. it’s one of those images that you anticipate, that stays with you, that you miss on cloudy days – a new day captured between miniblinds. and, because we were there and so was he, we know the shadow in the bottom left window pane is a shadow of dogdog’s furry ear and the nape of his neck. his ritual – laying on the bed with us in the morning as we sip coffee and the sun works on rising.

it will soon be a year since columbus – david’s sweet dad – died. it is now just days away. i knew him for merely eight years. but he was easy to adore. he still is. i talk to him every time i get into big red, feeling his presence as i crank up country music and roll down the windows. i don’t even know if he cranked up country music and rolled down the windows, but i sense his approval and it makes me smile. he had a gentle way about him and his shadow leaves soft edges in my heart. i told david that it will get a little bit harder each day now. there is no changing that. not feeling his absence is like trying to keep an open candle lit in the wind. impossible.

the anniversary of his leaving-this-earth forces one to recognize mortality. when my big brother died, it foisted upon me an absolute sense of a lack of infinity – time goes by and the world continues on, yet there will come a time that our relationship with the world will no longer feel the same and our shadow will be a little less pronounced, a little less definitive, a little fuzzier, though no less present. when my poppo and then, three years later, my sweet momma died, i was struck by the sheer ludicrousness of how wrapped up we all get in everylittledetailofeverything. it felt like we should spend more time shadow-dancing together in the sun and less time in the actual shadows. there is no time to waste. we learn it – and forget – again and again. and again.

in the way of shadows and energy and love, we know that our dogga can feel us, despite our temporary absence from him as we travel. just like the people we love – here and not here – he is right with us.

the west wall reminds us.

*****

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one shadow. [two artists tuesday]

in the perfect moment of sun, the perfect angle of ray, the perfect covering of cloud, the perfect surface of shadow, two became one.

i took a second look before i pointed it out to him. i wanted to be sure i didn’t miss the bird, maybe tucked into the shadow of fern. it wasn’t there. it had immersed itself into the shadow of the other.

i knew, upon gazing at this, i would not likely witness this again. it was that kind of moment.

when david proposed on knee at gate F8 at o’hare airport, he presented – from inside a tiny box inside a tiny satin bag – two silver rings, almost identical, like the almost-identical-wrought-iron-green-eyed birds. after a magically vehement and funny proposal, he explained he saw us as two individuals, coming together, yet, with great love and respect, remaining individual, bringing to each other all in each our circles. one ring was etched and one was smooth.

we spend pretty much 24/7 with each other. it’s been that way since the beginning. he has supported me in any work i am doing and, likewise, i have supported him. with rare exception, we have traveled, always, together. we chore together and explore together. we cook meals and scheme happy hours and pop-up dinners together. we love on the dog and pine for our babycat together. we cry listening to lowen and navarro’s last concert together and laugh at the same lines over-and-over while watching my big fat greek wedding together. we walk and hike and exercise and spat together. we lift each other up. we grow older together. david’s office is upstairs so during work hours he is merely a flight of steps away. we, as artists, create together, writing every morning, daydreaming aloud about studios on the side of a mountain. saturday we spent hours – with new ridiculously-liberating paint pens – painting rocks together and walking in the dusky edges of day along the lake.

both rings are almost all smooth now. i imagine one of these days they will be the same.

and, though there will always be two – two silver rings, two iron birds – the sun will shine down on us, day after day, shadows of two green-eyed artists on the sidewalk, in the leaves on the trail, on the sand of the shore, on our new fence.

and then, one day, maybe – with all perfects (and imperfects) aligned – that sun may cast a miraculous shadow of one. we might miss it, but we already know it’s there. mingling with the ferns.

*****

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evanescent. [two artists tuesday]

the eiffel tower stands in our front yard, along with niagara falls and hunter mountain and the atlantic surf and canyonlands national park and the rocky mountains and northport harbor. they are there, even without clear shape. each are shadowy remembrances of time spent, each are mementos of life and time, tiny moments passing, never to be identically repeated, always to be celebrated.

we watch the play of sun on the snow, the shadows of the trees, the clouds drifting across the sky, the night shroud filled with stars. never static. we bring gratitude for every second we have had, though sometimes we forget to appreciate them, sometimes we forget to acknowledge the fleetingness. in those times, we hold, with foolish tenacity, to thoughts of what’s-next instead of lingering in the delicious stew of right now, regardless of essences and elements that may not be to our liking. we wonder if it’s all maybe not enough, if we are maybe not enough.

we don’t realize that our shadow in the snow is perfect. it is also light and dark, interrupted by the brick wall and tree limbs. it stands tall as we learn about standing tall. it moves in grace as we step and change, all part of the never-ending flow, the coming and going of it all, the roll. it bows its head as we bow ours, thanking the universe for this evanescent time in the sun.

our shadow is right next to all we have seen, looking to all we will see. edges, a little less precise, a little less defined, softer, glorious, present. our shadow is right next to the eiffel tower, niagara falls, hunter mountain, the atlantic surf, canyonlands, the rockies and northport harbor.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY