and there is nothing about sunflowers most people don’t love. a brilliant statement, profound color, turned to the sun, following the sun, seeking to be nourished, supersized flowers that are hard to miss.
they stood proudly in a tall vase on our dining room table for a week – cheering us on, a direct line to the sun’s energy, the love of the universe. they didn’t try hard – they were divine without trying.
and then, just as remarkable as in their standing, their reaching up-up, they began to bow. deep curves of thick stems turning down, toward the tabletop, the disk florets invisible, the yellow-orange ray flowers starting to brown and curl, green phyllaries twisting and lifting away from the back of the disks. a graceful bow, with no effort to resist succumbing to this bending down.
there are most definitely times that we would be served well to stop standing, to stop reaching, and instead to bow down, to lower our constantly-looking-forward gaze and, instead, to rest in a moment of humility, a moment of be-here-now, a moment of gratitude.
maybe this is what makes sunflowers so mighty. they instinctively know that there will be balance. they know that they will not always be tall and upright, gorgeous and fresh, colorful and crisp. they know that they will someday be arched over, wrinkly, no longer striving to be lofty. that they will arc on their strong stalk and they will humbly move into next. they know this wilting is no less important than blooming, for it is in wilting that seeds are released and a new lifecycle is possible. they know both are ever-relevant.
right now we are standing in vases, our faces to the sun. we are soaking up whatever energy we can grasp. we are aware that time flies by on the whisper of the jet stream, on the spinning-spinning of the earth’s axis.
soon, we begin to bow, ever so slightly. we lean a bit on the next big blossom of disks and ray-petals. we wrinkle and wobble in place, lowering our gaze to take in those around us. and then, after much time has passed in the sun, we bow in appreciation. there will be many more.
and we know we have made a mark in our blooming and in our wilting. for we, too, are mighty sunflowers.
though it does not follow the sun across the sky, this sunflower graces our yard and reminds us of constancy.
in ukraine the sunflower is a symbol of peace, a laying down of nuclear arms in 1996 and a time of restoration. it is rapidly becoming a sign of solidarity, of push-back, of resistance against the invasion by a country intent on the evil destruction of all in its path. i glance out back and offer a prayer to the universe for peace, for the ceasing of this lunacy. i sigh each time.
i have held a special place in my heart for sunflowers. even in rusty metal the sunflower grants warmth and holds vigil, loyal and open-hearted. a stunning blossom, big and loud in kind of a direct you-can’t-miss-it way.
sunflowers are in the same large and diverse flower family as daisies. their little sister, daisies, are our favorites. they walked us down the aisle, they grace our table as we eat. cheerfulness, innocence, joy, purity…flowers of simple form offering hope and new beginnings.
even tinier sisters, chamomile flowers in their beautiful simplicity are said to be purveyors of peace, poise, calmness, humility, rest, renewal. chamomile is described as a flower representing kindness, and, in its victorian era symbolism – energy in adversity.
i find it exponentially ironic that this is the national flower of russia.
we were wandering slowly through the orchid show at chicago botanic gardens, drinking in the colors, the fragile blooms, the deliciousness of being-out-somewhere-doing-something. in the hallway between two larger spaces, there he was. waiting. wearing the imperial margarine crown, large bulbous nose, really long kind-of-jay-leno-chin and a crooked smile, his eyes squeezed a little shut in an engaging invitation, he was waiting.
i stood there staring at him, laughing. he was sitting in front of an old piano painted in bluebird-sky-blue-peely-paint and he winked at me. all the other orchids didn’t have to do anything to get our attention, and, truthfully, neither did he – they were all stunning and refreshing hopeful harbingers of maybe-spring-will-come – but he tried extra hard anyway.
i see him as toothless. but i have no judgements about that at all. i suspect most orchids are toothless, well, except for the one that made me do the “duh-chomp, chomp, chomp—what’s up doc?” bugs bunny imitation in the middle of a room full of people. that one most certainly had teeth. two buck teeth just screaming for us to notice. nevertheless, this guy – the imperial margarine guy – did not have teeth. his jimmy durante schnozzola was all he needed. and those eyes. and that crooked smile. sheesh! what charm!
when we left the botanic garden we felt a rush of fresh air. this wasn’t just the difference between a heightened-warm greenhouse and the cold chicago air. it was a sense of newness. a refreshing, though albeit tiny, touch of “normal”, a reminder of beauty. it was sheer magic. it was diving into a rainbow and immersing, coming out the other side dripping with colors we hadn’t seen in a long time.
it was admiring blossoms of solid colors and stripes and polka-dots and marveling over shapes and sizes and textures. it was reading of orchid seeds sailing over oceans and great expanses of land, steadfastly enduring. it was laughing with orchids which had personality, confidence and humility, joie de vivre.
they reminded us of life, in the middle of a neverending pandemic, in a period of time that would mark the beginning days that ukraine was invaded by russia, the world shocked by the wickedness of it all. the country-of-sunflowers was under siege and the orchids were blooming. all existing at the same time, on the same plane, in the same world. a gentle prod – yet again – to appreciate every last little thing.
maybe that’s what his crooked smile was all about.
she was sitting at a computer desk, a colleague at her own desk behind her. she asked, “what’s the difference between being assertive and being aggressive?” her colleague turned and replied, “your gender.”
the cartoon on facebook made me stop in my tracks. “this captures it better than any dissertation on gender inequality,” i thought. “sad, but so true,” i commented in the little fb box.
yes. it is way past time that the interpretation of women’s words and actions be viewed through the same lens as men’s. it is way past time that women’s intentions be measured with the same stick. it is way past time that women are respected for their strength, their power, their initiative, their intelligence, their skills, their talents, their creativity, their education, their experience, their motivation, their confidence, their risk-taking, their candor, their emotional intellect, their multi-tasking, their persistence, their sisu. it is way past time that women should be expected to simply be sweet. it is way past time that misogynistic men should be allowed to subjugate women – in any way. it is way past time that women be treated equally. it is way past time that you should have to look at an experience and say, as a woman, “if i were a man, would you have handled me this way? would you have spoken to me like this? would your behavior toward me have been acceptable? would you have pushed me down? would anyone have spoken up?” it is way past time for egalitarianism. way, way, way past.
we walked out in the county, sun setting in the western sky. the sunflowers rose high above us, glorious, though waning. is it the end of summer or is it the beginning of fall?
we moved the sunflower. it was on the deck for a few years now, rusting behind the aging wooden glider, tucked between the kitchen window and the bedroom window. it greeted us each day we left and came home. it watched over my girl as she house-sat during the summer, a couple ago now, when we were on island. she didn’t know it, but i had asked it to keep her comings and goings safe and each time she left and came back to smile good days upon her. it came home from a cedarburg festival with us, having called us over to ponder its purchase. we walked the length of the festival and talked about the sunflower. then we went back, after more debate than most probably make about purchases, and bought it. about two weeks ago we moved it. now its place is next to barney, surrounded by peonies and wild geranium and daylilies and snow on the mountain. it is happy there.
when you’ve lived somewhere for quite some time there are naturally places that you go that feel better than others. for me, there are places in this town that have immediate warm responses for me, places that have held me, places that are part of my cairns, places where i have dreamed and imagined, places where a community has meant the world to me. there are other places that conjure up memories i would rather forget with visceral responses i can actually feel; i generally stay away from those spots not wanting to relive moments of grief or poor judgement or anger or betrayal or grand disappointment. i have learned, though, that sometimes the best way to process those is to drive past, to acknowledge, to breathe deeply, to maybe weep. in the same way that actual places remind us, mementos from places we hold dear make it into our special boxes or find their way into our home like sticks accumulating in the walking stick vessel in our sitting room or rocks added to the stones around the pond. some mementos are bigger than others, like the sunflower from a gloriously sunny festival-going day in a town we adore browsing or the 5′ long driftwood from a long island beach that graces the mantel or the high mountain aspen branch wrapped in lights in the dining room. and then there’s barney. there’s no escaping this beautiful piano in our backyard, aging with us.
i’ve shared barney’s story before…how he escaped the junk man’s junkyard destination and, for a small price, came here to share life with us. from a basement boiler room to a place of honor near the pond in our tiny yard he sits and invites the company of beautiful plants, munching squirrels and cutie-pie chipmunks. yet he is a memento. and the place he came from is no longer a favorite place. instead, it is a place i now avoid, with emotions that elicit a physical response and a little vibration i can feel in my chest when i think about it. and so how do i avoid attaching these feelings to barney, i have wondered.
my growing-up piano is in our basement. movers moved it there many years ago, before there were walls in the stairwell. i wonder what will become of it if we ever move. it proudly holds art books and a small stereo and sits in david’s painting studio with a couple rocking chairs and his gorgeous old easel. i have thought about ways to repurpose it. and yet, it is so dear that it will, for right now, stay there just as it is, with music in its bench and the little index card on which is carefully printed in eight-year-old font “practice makes perfect”.
there is a piano of size in my studio. it sits at full stick, waiting patiently. i was in there yesterday and it whispered to me, but, for right then, i was consumed with the finishing of putting things away. there is still music to file, organ music still to go back into cabinets. i must decide what to do with the poster that hung on the choir room wall that reads, “if you ask me what i came into this world to do, i will tell you i came to live out loud” or the metal cut-out words “it’s all about music” or the white strands of happy lights that were woven around the blackboard that listed rehearsals and demonstrated strum patterns and had dates of parties for that well-loved community held at our house.
maybe once i decide what to do with all of it – including the emotional wreckage part – i will again sit at my piano. drive past, acknowledge, breathe deeply, weep. my piano is full of empathy i can feel and some day, soon i hope, i will be able to sit and play – in a studio cleaned and inviting with mementos of goodness and intentions of evolution. then i will walk out of the studio and down the hall, through the kitchen and the sunroom and outside onto the deck. and i will sit on the old settee and listen to the pond and the birds and watch the chipmunks scurry across the top of the old piano that shares space with the sunflower and a couple green-eyed metal birds.
in answers that have come with a few months of time, i have found that the piano-ness of barney has overcome the where-it’s-from-ness. the peeling back, the wrinkles, the embrace of its tiny community in our yard…these things have usurped the rest.
instead, barney and the sunflower together greet us upon leaving and greet us upon returning home. together, they both bring joy and reassurance to our backyard and they both smile good days upon us.
at 1am, we walked to the lakefront. away from as many lights as we could get away from, we laid on some old steps, bricks and mortar digging into our backs so that we could gaze straight up, watching the night sky for the meteor shower. the late air was cool, gentle breezes sneaking past us in our vigil. the meteor shower information site said that at 1am cst we would be able to see 50-100 meteors an hour, shooting across the night sky. now, how they know this is a scientific study that i am not familiar with. but it is magical. and it is vast.
the streaks of white light across navyblueblack make us draw in our breath. i’m wondering how far away this meteor is…how it is that we, here on earth, can see this amazing sight. such a big sky. such tiny bodies in contrast lying on the ground, waiting for the symphony to start, waiting for the downbeat, the symphony that has been continuously playing, the downbeat lost in centuries upon centuries of time gone by. like any good piece of music, it’s the rests in between the notes, the rests in between the meteorstreaks, that build the anticipation, that create the emotionflow, that bring tears to your eyes. each burst, each streak, of whitelight was a miracle, a tiny moment exploding in time, so far away, in vast vastness.
this morning over coffee on the deck i watched a bumblebee fly to the big jar of sunflowers on the table. it, with seemingly intentional purpose, landed on the sunflower’s large head. i studied this bumblebee and, as i did, it occurred to me that it, too, was a tiny being in the middle of its own universe. that sunflower, i come to learn, is not just one flower. instead, it is composed of a mass of hundreds of flowers, all growing individually and from where each sunflower seed will originate. the yellow rays of petals are there to protect the interior of the sunflower. the sunflower, before blooming, will track the sun through the day, leaning in to garner its energy, intent on its own purpose in its own universe. it is, indeed, its own little universe, offering nutrients and life to that very bumblebee, who pollinates the flowers within the flower…and the circle goes on. looking even closer, i could see small quarter-inch-inchworms inching their way around the brown center of the flower(s). for that quarter-inch-inchworm this big brown field was such a big sky, and its tiny body was in great contrast. magical. vast.
time stretches out in front of us. and behind us. we are tiny and we are big. we gather in the moments, we breathe them, we rejoice, we worry, we ponder, we move. there is no downbeat and the symphony is already playing, has been playing and will continue to play. always. it is magical. and it is vast.
reverse threading 