most of the time i can feel this. though sometimes, i am too busy or rushed. and though sometimes, i am frazzled with thoughts. and though sometimes, i am worried or distracted. and though sometimes, i have forgotten the simplicities in the midst of complexities.
i felt it though. and it was palpable.
the driveway greeted us as we pulled in – familiar cracks along its way. the wires overhead tugged and dipped in the wind. the leaves leftover from fall and winter blew in front of us. the house whispered, “welcome home.”
and this time – this time – i heard it. clear as day, as they say.
the whisper of a home – this place i have gone to for rest and nourishment, for creative work and rejuvenation, for the growing of beloveds and the gathering of friends, for belly-laughter and sob-filled tears, for refuge and solitude. this sanctuary. this place.
as we drove – on our way home – i could think of nothing better than to enter our home, hug on dogga, throw on my sweats and comfy boots, prepare a small meal. in this place.
my nest.
“this morning, in the fresh field,
i came upon a hidden nest.
it held four warm, speckled eggs.
i touched them.
then went away softly,
having felt something more wonderful
than all the electricity of new york city.”(mary oliver)
and the deadened stalks of underbrush began to show signs of life. instead of the greys and browns of winter, its lack of light and its deep shadows, the sun has drawn out buds of newness and there is a slight glow of green in the woods.
soon, that green glow will grow and it will push out all the shadows of what had been, of the eradication that had happened in the preserve, of the fires and the heavy equipment’s tearing and grinding of buckthorn and other invasives. soon, the green glow will reflect back the warmth of the sunlight of spring and regrowth and we will walk in places that are not heavy with the press of toxic plants or trees. soon, the green glow on stems of underbrush, on trunked branches of trees will distinguish goodness from that which chokes out life.
walking – in the woods – last summer, last fall, early winter – it was hard to imagine – almost impossible – to really grok – that the beauty of the underbrush and the forest was being overrun by that which would utterly ruin it.
walking now – in the woods – in late winter/early spring – still with its juxtaposition of the echoes of the dark and the light, new vegetation and old chokemonsters, goodness and destruction – it’s ridiculously easy to see the difference.
the magic wand – infused by the sun – stood tall in the reeds. if only i could pluck it out and take it with, still full of its magic, still glowing, i thought.
it was a brilliant day. the sky blue-blue, the air crisp, the trail ready for us, quiet, winding. we pass by marshes and bogs and woods – the hoofprints of deer preceding us, crossing the way from safe-place to water source.
and then the magic wand glimmered and reached out, tapping me on the head, bestowing glimmer magic, begging the question: and what will you do with this?
i carried the glimmer as we hiked. it was quite like carrying a toddler – full of energy and zeal, ready to get down out of my arms and run, run, run. the glimmer knew that it had work to do and there is no time to spare. for the power to light dark places is not to be underestimated, the ability to drop a spark into ash is not to be underplayed. the glimmer was anxious and excited, both.
and yet, the magic wand knows this: that relighting the dark and touching the grief of flame doused by others, the pain of trauma caused by others is not easy. dark cannot be readily relit if there are only shadows and no room for light. grief cannot be easily eased if there is no corner of the heart untouched by it. pain cannot be addressed without balm to the wound.
the glimmerwand was trembling at the end of the trail, still held in my arms. i wanted to hold onto it, to believe it would be that simple.
but the wand knew better. like the extended finger of ET the extra-terrestrial, it touched the center of my chest, through down vest and thick thermal and baselayer shirt, directly to my heart.
and it told me it would always be there – this light from the sun. it would wait and wait. and it would be with me – with me – diffusing fear, enlivening exhaustion. and i could reach down and touch it any time, this glimmer, and it would warm me up from inside out.
daisies were on my shopping list. our daughter was coming into town and i wanted some fresh flowers on our table and in her room. so, daisies are our go-to.
but the pink tulips caught my eye. long slender stems and the palest pink buds, i could feel my whole body slow down gazing at them.
every time i look at them it feels the same way.
the buds never opened. yet, the tulips are still proudly standing tall, ten days later. it is an image of potential. a visceral right-in-front-of-us portrayal of stately beauty. or maybe it’s an image of choice – of taking a different road. these tulips are stunning. and it is not in their blossoming open.
both of us artists, i can tell you there are many, many unopened buds. they stack in corners and in notebooks, in the recesses of our minds, on our laptops. they are pale pink and soft. they are deep-red and fiery. they wait for their moment.
and some buds don’t open. i read those buds may have faced a particularly cold winter, or had too much — or too little — exposure to heat and sunlight. i’d add that they may have had naysayers naysaying at them. they may be competing for sun with other buds, other flowers, other ideas.
or maybe they just like it that way. as buds. standing tall and quiet, emanating peace and tranquility.
every time i have looked at these pink tulips i have thought about their color. i have imagined it on a wall – the palest pink – with white crown moldings and trim. never having had a pink wall, i’ve wondered about how it might feel to be in such a room. i’ve wondered if it might feel the way it feels gazing at these buds.
i’m cheering our tulips on for another few days, maybe even another week. i want to keep them around. they are making me breathe differently. they are giving me pause. they are making me imagine.
and maybe that’s the point. it’s not always about the blossom.
i would be lying if i told you i didn’t cry at the string shop.
i did cry. i’m crying now.
i am a professional pianist. a composer. proudly a yamaha artist with an intensely beautiful C5 in my studio and fifteen albums plus of vulnerability out in the world. i play the guitar and the ukulele. i dabbled on the trumpet in college for five minutes or so. but, oh…the cello.
the moment i touched my cello i had a bond with it. and, holding the idea close of learning to play mournfully heart-draining melody lines, i purchased it. because artists dream, i played.
but reality is reality.
and now – with 45° of wrist forward range of motion – my cello needed a new home. it’s just a fact.
i held onto it long after i knew this. it’s hard to let go a dream. and i’ve never before sold a beloved instrument.
yet, cellos – like all instruments – need to be loved on: played, listened to, tweaked, played more. a paesold, german-made, warm and resonant in tone, it begged to come out of the corner of my studio. though i tried to ignore it, it is like ignoring the stare of an australian shepherd who clearly wants you to do something (and we have experience with this). so my cello kept staring at me and staring at me. even without entering my studio – for i have not spent much time in there in these most recent years – i could feel the stare of the cello through the wall.
until finally.
i know this cello is valuable. yet, the string shop i sold it to – for much less than its value – was full of string music and luthiers working, a performance space and a full marching line of cellos on the wall. it will not be lonely as it waits to be re-homed.
the shopowner knew how hard it was for me to sell this cello, to leave it behind, to leave at all.
i touched its maple and spruce, exquisitely varnished. i spoke to my cello. and i blew it a kiss as we left, entirely and utterly choked-up.
and i wondered how my cello-dream might morph into something else.
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i am writing this on the next day. the day after spring. it is now winter again. the seasons are getting shorter and shorter these days. i’m wondering if that is a product of age and stage, as 20 says.
mostly, it convinces us that we need to have a sense of humor. about all things. even the weather.
we sit writing this – snow outside – windows closed – heat on (though not much because i am a curmudgeon about the heat). yesterday we sat writing – birds and sunshine outside – windows open – heat off. it is off again, on again. the tease of time.
tomorrow it is march. and suddenly, i am in the month of my 65th birthday. i am in the month of medicare. i am in the month of the supplement vs the advantage plan. i am in the month of part d. i am in the month of whoa!!
and i wonder – where did the time go? wasn’t it spring yesterday? wasn’t it summer and delicious fall? how is it that i glance in the mirror and an almost-65 stares back?
it truly is the tease of time. the seasons are getting shorter and shorter. and – more and more – my investment in them is getting bigger and bigger – each individual day in each individual week in each individual month in each individual year.
the next day is all well and good. but it’s today that matters right now.
they are everywhere. if you are open to them. hearts just sort of show up. it’s our job to notice them.
this one is simply a dogga-fuzz on the quilt. but it’s clearly a heart and i had to take a picture of it before dogdog rolled over and it disappeared forever. a simple symbol. a breath of warm air.
she bought a heart clock in a sweet antique boutique up north a bit. my dear friend is a collector of hearts and this one – well, it was obvious. a small red heart clock with sweetly-fonted numbers and a tiny heart at the end of the hour hand. it’s her. and i really love that about her. she surrounds herself with hearts and exudes warmth just the way you’d anticipate from someone who has hearts all around her.
i don’t have nearly the number of hearts she has, but i have a zillion photographs of hearts. naturally occurring as puddles or stones or leaves. purposely created – hearts in sand, in snow, painted on rocks.
it doesn’t take much to see them. but to stop all action and photograph them is a commitment.
yet, every time i do – stop traffic – stop all movement – stop our hike – stop the dog from rolling over – i feel like the universe smiles. and one more time i am reminded of love. every kind of love, every display of love, every bit of love that surrounds me.
maybe that’s why i notice hearts all the time. to remember just that.
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en pointe, arm in fourth ordinary position, the queen lace stands in late winter. curved seed petal over her head she stands in the brilliant sun, ready to release all the rest, to grow, to start over.
way back in the day, one of my favorite times in each week’s schedule was when my little girl took ballet lessons. she had a pink leotard and tights and tiny ballet slippers. we parents sat on the wood floor in the hallway just outside the entrance to the dance studio, gazing in wonder at our little girls – dancing. tiny ballerinas. the sweetest ballet.
our play group back then gathered in our houses, with a revolving schedule. when we were anywhere near a piano, i’d play music and all the little ones would dance. it was amazing and inspiring to see all these tiny people dancing with abandon. so much joy.
we passed the queen anne’s lace and i could see these tiny dancers as we passed by – arm curved and raised overhead, on tippy-toes, swaying, twirling in the wind.
in my mind i raised my arm up – over my head – and pirouetted around. right there on the trail. what better way to greet the sun of each new day, i thought.
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though these are not the “amber waves of grain” from the song, they did bring the song to my mind -“america, the beautiful” (katharine lee bates / samuel ward).
some of the most awe-inspiring-catching-my-breath moments have happened out west. in the mountains, in the canyonlands, in the high desert, it is not hard to encounter beauty that takes your breath away. the vastness, the absolute splendor is hard to deny. i get overwhelmed pretty easily out there and both david and my daughter can attest to the fact that i will literally cry in those places.
but time and budgets and obligations keep us from being in those places as often as we would wish. and so, we must make sure to see the fantastic in places closer-by, in vistas familiar.
we keep our eyes open.
every time we hike our most familiar trail we notice something different. the other day, though, heavy equipment had restoratively decimated much of what we knew. so we decided to hike along the river, watching for wildlife that had been displaced. we looked for signs of an early spring, traipsing on muddy trails and noticing how high the water line had gotten.
and then there was this bald eagle. perched high in a tree, overlooking all the newly mown-down woods, it was waiting. i saw it as i glanced up – noting the height of the trees that remained. and there it was. such a gift – seeing an eagle.
a few times, weeks ago, i watched an eagle soaring there – over the woods, over the bogs. astoundingly, it was mere minutes after i whispered silently for a sign from the universe. the sudden presence of this eagle made me feel like maybe the universe was listening. we wondered aloud what other lessons were there for us out there, what other reassurances we might find in nature.
so we pay attention.
and we pass the waves of grass.
and notice.
and – even in a time that is fraught with division, rife with political mayhem, with people jostling for power, people just wanting to be heard, people suffering from discriminatory inequalities of which there are far too many to list – i can still hear the song:
“o beautiful for spacious skies, for amber waves of grain. for purple mountain majesties above the fruited plain. america! america!god shed his grace on thee. and crown thy good with brotherhood from sea to shining sea!”
and i think about these spacious skies, the waves of grain, the purple mountain majesties…brotherhood – personhood – shared values – mutual support – in everything from sea to shining sea. and that grace comes into play, for i agree with the lyrics – we surely need divine wisdom, guidance, mercy, assistance…
and the bald eagle sits perched in its highest tree, looking out over the woods that remained. from there it can see the waves of grass, the tracks of heavy equipment in the dirt. it can’t see the purple mountain majesties or the sea or the other shining sea.
yet, knowing all that was out there – somewhere – it sat. eyes wide open. and took in its world below.
and likely thought about how fantastic it really is.
reverse threading 