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wisdom of the swoop. [two artists tuesday]

sitting against many pillows, the window by my side, i could hear the ruckus. i looked out the window and there were a zillion starlings in the gutter over our neighbor’s kitchen window and another zillion on their roof. probably another zillion in the trees off their house. i stared at them, foggily remembering the movie “the birds” and having a vague sense of unease. so.many.birds.

dogga jumped up next to me and stared too. we were transfixed by them. starlings everywhere. and then, in just a moment, they all swooped together and left. looking out the back window i could see them swooping over the yard, to tree heights, to the grass, swoop, swoop.

they were suddenly joined by a whole ‘nother group…the great-tailed grackles. i wondered if it was going to play like “west side story”, rival gangs of birds lining up in disagreement over turf. but grackles and starlings flock together, it seems, and, though the grackles don’t have swooping down like the starlings, it seemed they hung out together with no ill feelings.

because we are who we are, we looked up the meaning behind being visited by this giant contingency of starlings and grackles.

starlings are symbolic of communication. they are the picture of unity – a visual display that we are better and stronger together than alone. iridescent grackles are a symbol of courage. they are audacious, i read, not at all snobby, and, conveniently, they eat insects we do not care for, which is helpful. neither have a particularly beautiful birdcall, but they are not hung up on that. they make lots of noise anyway. they are protective and can be aggressive, but it has been said that their noisiness represents that an overwhelming percentage of problems may be solved with communication.

backyard swoop story. a movie. two gangs of birds. different yet the same, their qualities join them together. they swoop in murmurations in unity, with courage, communicating loudly and with great audacity, yet they are together. swooping, a bird dance of complexity and grace, of working it out.

so…relationship and courage, communicative and plucky. these are good things: bold and intrepid, enterprising and one-with-others.

it would seem to me that this ole people-world should be lookin’ to the birds a bit more.

*****

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the stuff we see. [two artists tuesday]

we cannot help ourselves. we see stuff. i usually don’t suppose that’s unusual, until someone stares at us – with that blank look on their faces that betrays the “oh-sheesh-they-are-SOOO-weird” thought they are having. and then i realize we might be a little unusual. i shrug it off. “we-are-all-worthy-we-are-all-worthy” i repeat.

the shark was on the side of the trail. lurking. all crusty and gnarly, his face. he was obvious. he was cause for conversation, tales of scuba-diving in cold long island waters and off the coast of tropical islands. we can’t help but see and we laugh and gasp out, “look! it’s a ……..!”

seeing. it’s a burden every artist carries. it’s in the backpack with the parmesan cheese and the twizzlers and the tiny box wine and the kind bars. it’s probably good that we are mostly alone during these moments; our imaginations fly wild and free and we crack ourselves up.

and isn’t that the point? the laughter? i can’t think of anything better than laughing together, even at our own expense. we tell stories to friends, emphasizing the goofy, the silly, the utterly-profoundly dumb, self-deprecating and reveling in it. getting my hair cut and claiming the highest forehead in the guiness book of world records of foreheads. having a pedicure and claiming the biggest big toe in modern history. even, recently, at the doctor’s office, asking, please, for a sticker or a gold star for passing my bloodwork. just silliness. we can’t help it.

but to walk with him and find the sharks on trail and the ducks stuck in trunks (see below) and the tree mooning us (see below) and the desert hills from space (also see below) is to walk inside laughter. it’s to have maybe learned – at long last – not to take everything quite so seriously.

it’s to learn how to get older and crusty and gnarly ourselves and to hold it all lightly.

because in truth, the shark tree was beautiful.

*****

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the pod of our diapause. [two artists tuesday]

the color of a palomino, the pod of milkweed off the side of the trail captures my attention. though i want to touch it, to feel what looks like a velvety ear, i don’t disturb it. this pod has burst open, its seeds scattered, waiting for verdant spring and the eventual arrival of monarchs. the butterflies left the midwest for the winter, migrating, traveling up to 2500 miles to shelter and hibernate through winter in coolness that is not cold.

their diapause is a period of suspended development. it is common in the insect world, this inactivity: “a state in which their growth, development, and activities are suspended temporarily, with a metabolic rate that is high enough to keep them alive.” it’s a kind of dormancy. it sounds a little like isolating in the middle of a pandemic, a little like a response to a few more-difficult years. a slowing down, an insulating, a turning-in, heartbeats enough to sustain yet not enough for vast inspiration. hmm.

back on our favorite local trail, we are watching it wake. we take note of the changes in color, the changes in the woods, in the meadows. sipping coffee this morning we listen to the new sounds – birdcalls we have missed in the quietude of winter, the middle of our diapause.

we start to feel the pull of the outside more, the draw of places to see, the falling-off of quilts we have wrapped around us. i begin to wonder – with a little more energy – what next and next look like. the sun streams in the window and stays up later, pushing back night like feet on a crab soccer ball.

we begin to break open the pod of our diapause, long after milkweed but before the butterflies come back.

*****

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even in waning. a firework. [two artists tuesday]

“do you know that there’s still a chance for you
’cause there’s a spark in you?
you just gotta ignite the light and let it shine
just own the night like the 4th of july
’cause baby, you’re a firework
come on, show ’em what you’re worth
make ’em go, oh
as you shoot across the sky
baby, you’re a firework
come on, let your colors burst
make ’em go, oh“

(“firework” performed by katy perry.*)

even as it wanes, it is clearly beautiful. stunning, really. the 0230-pantone-chart-heading-toward-rhodamine-red bloom is attracting attention, its droop the stuff of grand success. as its petals drop to the ground, one-by-one, it feeds next and next. and the flowers nearby sigh, “ohhhh.” and they know, despite anything – age, health, roadblocks, lack of nutrients, overabundance of tending worry, calendar of blooming-period – that there is still a chance for them.

artistry never stops. no matter. its imperative – to bloom – to shoot across the sky – is ceaseless, a perpetual poking, an unfaltering urge. the chance is never gone, never erased, never doused-left-with-no-embers.

i listened to a guided meditation a few days ago. it was merely four minutes long. “the mountain”, it – in only four minutes – made surprising tears stream down my face. its message…to be grounded and solid – rooted – just as a mountain – in all that is going on around you, regardless. to stand in it all. like a mountain. those four minutes were profound.

there are things i would choose to be different right now. many things. this season has been somewhat fraught. yet, there are reasons to be grounded, rooted, to stand here and just wait, to ride it out, to hold on.

all around us were orchids in shatter-the-silence gorgeous bloom. all around us was greenery, textural and rich. all around us were beginnings, closed buds with pent-up energy waiting to burst onto the stage-of-earth.

but this leaning-to-rhodamine caught my eye, in its waning no less, no more than the others. and it whispered, “baby, you’re a firework too.”

“even brighter than the moon, moon, moon
it’s always been inside of you, you, you
and now it’s time to let it through
’cause baby you’re a firework
come on, show ’em what you’re worth
make ’em go, oh
as you shoot across the sky
baby, you’re a firework
come on, let your colors burst
make ’em go, oh“

*****

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*songwriters: katy perry, mikkel s. eriksen, tor erik hermansen, sandy wilhelm, and ester dean


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plush, jammy, untamed & unbound. [two artists tuesday]

i will, henceforth, describe myself as “plush and jammy”. i also like “untamed and unbound” but i fear that my children would scoff at me, their almost-63-year-old mom “untamed and unbound” making them roll their eyes, but only for a moment or two so as not to waste too much time thinking about it.

plush and jammy sound like menopausal words so i pretty much adore their use on a lovely bottle of apothic. to be real, jammy, the opposite of earthy, refers to the fruit-forwardness of the wine and plush…well…it’s polished and opulent, soft, silky, round. earthy wines remind one of fall leaves, wild mushrooms, the forest floor aromas – which sort of sound like me (or the me i want to be), while jammy brings forth a syrupy sweetness that is not acidic, berry goodness. i may have to reconsider my descriptors.

untamed and unbound are the joey coconato words, er, the joey-coconato-wannabe words of wine. it is not necessarily a perfect pairing of words and merlot, but apothic stands in righteous pride with the words and i respect that. you have to LOVE those tags. it’s what everyone wants. it made us buy the wine. and, the wine was delightful, though we artists are not wine snobs.

we have all been subjected to questions like: what words would you use to describe yourself? we wrack our brains, trying to come up with adjectives that are accurate, responsible, fun, creative, that give clarity to who we are without being trite.

mine…i’m going with: a plush and jammy, aggressive and earthy, fermented and generally non-acidic, untamed and unbound logophile.

*****

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evanescent. [two artists tuesday]

the eiffel tower stands in our front yard, along with niagara falls and hunter mountain and the atlantic surf and canyonlands national park and the rocky mountains and northport harbor. they are there, even without clear shape. each are shadowy remembrances of time spent, each are mementos of life and time, tiny moments passing, never to be identically repeated, always to be celebrated.

we watch the play of sun on the snow, the shadows of the trees, the clouds drifting across the sky, the night shroud filled with stars. never static. we bring gratitude for every second we have had, though sometimes we forget to appreciate them, sometimes we forget to acknowledge the fleetingness. in those times, we hold, with foolish tenacity, to thoughts of what’s-next instead of lingering in the delicious stew of right now, regardless of essences and elements that may not be to our liking. we wonder if it’s all maybe not enough, if we are maybe not enough.

we don’t realize that our shadow in the snow is perfect. it is also light and dark, interrupted by the brick wall and tree limbs. it stands tall as we learn about standing tall. it moves in grace as we step and change, all part of the never-ending flow, the coming and going of it all, the roll. it bows its head as we bow ours, thanking the universe for this evanescent time in the sun.

our shadow is right next to all we have seen, looking to all we will see. edges, a little less precise, a little less defined, softer, glorious, present. our shadow is right next to the eiffel tower, niagara falls, hunter mountain, the atlantic surf, canyonlands, the rockies and northport harbor.

*****

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brown bags, baby. [d.r. thursday]

i have fond memories of brown paper bags. the beginning of the school year – backpacks laden with new textbooks and letters home to us parents, new spirals and pencils and pens and dry erase markers, a box of tissues for the class, rulers and glue sticks.

the textbooks coming home required covers and i’d save up grocery bags for the job. i don’t know if i personally ever had a bookcover that was anything BUT brown paper in my growing-up years, so it seemed natural to cover my children’s books in the same. it’s free, it’s sturdy, you can decorate it any way you want.

for some reason, i really liked making bookcovers out of brown paper bags. i can still easily see clearing the dining room table off, grabbing the scissors and the shipping tape. loved it. even in the time-sensitive early morning with a teenager by my side and a sudden “oh-you-have-to-cover-this-now” announcement, i really loved it.

maybe it was this bookcovering fondness that generalized to wrapping gifts with brown paper. (think: “brown paper packages tied up with string”.) the organic look (and earth-friendly environmental responsibility of brown bags) tied with jute or burlap ribbon has a certain jours de vie flair. i have eliminated all glitter from my ribbon choices; there are only so many eyerolls from the children i can handle.

at one point in my wholesale show days i used old boxes and grocery bags as display materials. i spray-painted the old boxes and cut semicircles out of the front to exhibit cds and tore pieces of grocery bags to use as labels and signage. there were no display materials more lightweight and with raw-edged organic fabrics wrapping the booth and tiny spotlights it was pretty magical. i couldn’t believe that i had carried bricks – literally bricks – for a couple years of shows. sometimes it takes a while for good ideas to catch up.

so the paper bags on the counter after grocery shopping are full of potential. they beckon to me to save them for a bit before recycling, to give a little more thought before placing them in the bin. they suggest themselves as containers for clothing meant to give away. they raise their hands as dropcloths for art projects or handyman challenges, ready to be part of a new earth interrupted painting. they remind me that, if i ever run out of pa pads, they could serve as scrap paper, ready to remind me of tasks to be done, ready to be grocery lists. full circle.

the bag o’ bags in the stairwell is ready at any time for any job.

*****

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EARTH INTERRUPTED ©️ 2012 david robinson


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vintage. [two artists tuesday]

the last time i bought a brand new car – right off the lot – was 2003 or 2004. littlebabyscion was almost brand new – with 250 miles on it and that was in 2006. the new-car-smell and negotiating with salespersons and then, of course, their managers…both memories in the distant past.

littlebabyscion is getting up there. 260somethingthousand miles on it now. wrinkles and groans and a little rust here and there and a few mechanical issues here and there, it’s a workhorse that just refused to start last friday. dashboard lights i don’t think i have seen before appeared right before my eyes. we suspect the alternator.

but – in our one car driveway – there LBS sat…in back of big red, blocking the path out.

the jumpstart hooked up to big red made LBS chortle. starting for a moment and trying to chug the engine alive, it stalled and the handbook and google informed us to “go to the scion dealer” and do not pass go. our truly amazing mechanic steve will be its destination when the tow truck comes.

but – on friday – we were left without any transportation.

saturday we pushed the scion down the driveway toward the apron and managed to thread big red through the space between the old brick wall and the front of LBS. the only way out was across the yard, but the yard – all trenched and mounded up from the water line replacement – has seen better days anyway. we rolled our eyes looking at the tire tracks across the snow in our front yard. david suggested moving the couch out front.

we have some real old stuff. between a 1998 ford f150 and our xb and our vw and our stove and mixing bowls and corningware and this very laptop – not to mention hand-me-downs and never-been-replaceds, we qualify as our own antique shoppe. when seeking a replacement adapter cord, the woman on the apple support line told me that my computer was “vintage” and that they didn’t even carry the cord for it. (she was actually wrong about that part as i directed her attention to the correct cord on the apple store.) see…you can rube goldberg things and keep them going when need be.

and as two artists for the majority of our lives – in between and in conjunction or simultaneously with other positions and career arcs – rube goldberging is of necessity. i’d like to also think of it as having a smaller carbon footprint. admittedly, the efficient energy consumption of a new stove vs the half-life of a decomposing stove in a dump somewhere leaves much room for debate. but we, as artists, don’t always have the luxury of replacing things at whim – or even in a longer term plan – and we try to do our best at being responsible citizens of this beautiful world.

i asked steve once what we were going to do when littlebabyscion reached 300,000 miles. he looked at me, surprised, and said, “keep driving it.”

yes, yes. i suppose we will.

we pushed littlebabyscion back up the driveway so big red could fit.

it may be time to start planning for new grass.

*****

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our mélange. still a toddler. [two artists tuesday]

every weekday for four years is kind of a long time. we kicked off our mélange on february 12, 2018 with the intention to blog each day using a mutual image. we’d see where those images would take us: down backroads of memory, forays into wondering, dropping into the tiniest cracks of things that happen in our days. they would generate stories and pondering and poetry and a dedication to a practice we both love: writing.

1106 blogs later – in the context of the mélange – and we are just as committed now as we were then. in these tens of hundreds of posts, we have been both succinct and verbose, grateful and snarky, questioning and certain. mostly, we have sat next to each other – every single post – typed on laptops and read aloud to the other what the chosen image evoked. it has been an absolute gift.

from an analytical standpoint, we can see that people all over the world are reading. we marvel at the number of countries where someone has opened up what we have blathered. it is not without wonder that we -every so often- hear from someone from afar. and then, there are those days that the analytics suggest perhaps no one is interested and our writing is for naught. yet, we write anyway. because, we have discovered, this is for us – a gift we have given ourselves.

in the beginning our monday-friday topics included two cartoon days: chicken marsala monday and flawed cartoon wednesday. those days have since morphed and changed into merely-a-thought monday and not-so-flawed (and sometimes flawed) wednesday. in the beginning, too, every day had products i designed for that day. we had (actually, still have) five stores on society6 where people could purchase prints and canvases and tote bags, mugs and phone cases, throw pillows and leggings and shirts with our original work. hundreds upon hundreds upon hundreds of products. and so much fun to design. we have featured morsels of david’s paintings and youtubes or mp3s of my music, tiny snippets of color and texture and devoted artistry. we dove into the telling-the-tale of these pieces and we have shared the soul of our work.

soon it will be a year since we first added saturday morning smack-dab, our smack-dab-in-the-middle-of-middle-age cartoon. we’ll be setting up an additional separate page for smack-dab, the cartoon. some people want less words and that will be the place to go for the less-is-more approach. this cartoon is one of the delights of my week and the scripting, layout, colorizing, design work give me a distinct honor of co-cartoonist.

we have learned – in this practice – to photograph, to look, to listen – even more carefully and intently than before. so much to notice, to pay attention to. life is about how you take it in and respond to it all.

the learning curve on anything worthwhile can be steep. toughing out the vulnerability factor, finding your voice, using it to write, putting-it-out-there, brings a mélange of emotion. for us, it has been about 1106x joy.

thank you for reading.

*****

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our first mélange post

click here for our mélange

and – if you are in the mood for browsing:

CHICKEN MARSALA SOCIETY6 STORE

TWO ARTISTS TUESDAY SOCIETY6 STORE

FLAWED CARTOON SOCIETY6 STORE

DAVID ROBINSON SOCIETY6 STORE

KERRI SHERWOOD SOCIETY6 STORE

THE MÉLANGE ©️ 2018-2022 kerri sherwood & david robinson


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the stock pot. [two artists tuesday]

i have kind of a wild-harebrained-dream.

in my wild-harebrained-dream we own a food truck called “and sauce.” and we drive around the country in big red pulling our food truck and selling sauce on pretty-much-anything.

i blame the whole30. or credit the whole30. i suppose there’s a difference between blaming and crediting.

the whole30 is a diet for 30 days (clever, eh?) during which you only eat whole foods and do not eat any: grains, legumes, dairy, added sugars, alcohol. you pare down your menus to fresh vegetables and meats and seafood and, after 30 days, deliberately add things back in to see how your body and digestive system react to various ingredients. it was back in early 2018 and it truly helped me get a tummy that was having a rebellion under control.

in many ways, it kind of stuck.

one of our staples was my homemade tomato meat sauce. but, at the time, we could not have it over pasta – regular or gluten-free. so we had it over spaghetti squash, which was, surprisingly, amazing. then we had it over oven-roasted chopped sweet potatoes. then we had it over roasted brussels sprouts. and over a hamburger. and over a baked potato. when we could add gluten-free products back in, we had sauce over penne, over rotini, wrapped in corn tortillas. sauce, we had discovered, is good on pretty much anything.

and the ideas were born. “and sauce”, the cafe, the food truck, the home delivery service. with the entrance of the pandemic, the food truck seemed like an apt adventure. i mean, who needs to even think about pianos and stages when you can travel around with stock pots and a food truck?

perhaps i am romanticizing this a tad bit, but, since this is my dream and not my reality, i am giving myself grace to daydream.

in those moments where comfort is sought and food that soothes the soul is paramount, we turn to the stock pot, to sauce or soup. the biggest pot comes out, the apron goes on (i adore over-the-head aprons), the cutting boards sit on the counter and life instantly slows down.

chopping and measuring (sort of) and sauteing and stirring with the giant wooden spoon from finland and sampling…it’s all heaven. there is not much that smells better than onions and garlic being sauted in olive oil. (though i recently read how you could re-create the williams sonoma store scent, which is very popular, by simply simmering vanilla extract, rosemary, lemon and peppercorns.)

just walking into the kitchen and seeing the stock pot on the stove is a reassurance. whether there is sauce in that stock pot or veggie soup or – drumroll – my sweet momma’s chicken soup (with the addition of spinach leaves and shredded parmesan, of course), it brings everything back into focus.

and as we ladle out sauce or soup into bowls or onto baked potatoes or penne, we, in turn, put worries and concerns and out-of-sorts-ness into the big pot. cause that’s actually the job of big stock pots. balancing out life.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

to find TRUCKMEISTER – a really fabulous milwaukee-based food truck we had at our wedding, please click here. i might have used a photo of their truck for my rough-hewn AND SAUCE food truck pic. lol.

TAKING STOCK from RIGHT NOW ©️ 2010 kerri sherwood