in the rare moments d texts me, my phone ringtone is john denver’s annie’s song.
“you fill up my senses like a night in the forest, like a mountain in springtime, like a walk in the rain, like a storm in the desert, like a sleepy blue ocean, you fill up my senses, come fill me again.
come let me love you, let me give my life to you. let me drown in your laughter, let me die in your arms. let me lay down beside you, let me always be with you. come let me love you, come love me again…”
and in those moments – daisy moments – i am reminded, once again, of the improbability of two tiny starflecks in the universe noticing each other, of the utter impossibility of our meeting, the sheer unlikeliness of our marrying, the astounding unimaginable gift of our time together.
even in the moments when my senses are overburdened, impatient, saturated, senseless.
daisies in any form, every stage – this wildflower fleabane – are just like hearing annie’s song. because i am me, they bring tears to my eyes.
“remember,” they whisper from the meadow on the side of the trail, “just remember.”
a long, long time ago my big brother penned a calligraphy print. it says, “may there be such a oneness between you that when one weeps the other will taste salt.”
it’s merely nuance. just the subtlety of shades, leaves begging for us to notice.
surrounded by meadows filled with wildflowers and a splendid array of color, these leaves are blend-inners, standing out only by their presence in size. so beautiful.
it’s like people, sort of. there are blend-inners and there are stand-outers. both are necessary in the balance of the meadow or the prairie.
the stand-outers are noisier, more assertive – colorful and obviously there, attracting attention, striding.
the blend-inners camouflage into the surroundings, quietly supporting efforts of others, tenaciously pursuing their own bliss, no wish to be flamboyant or noticed.
the surprising thing, however, is when – like this prairie dock plant – there is suddenly growth that is astounding. flower stems begin to shoot up skyward.
if you only passed by in early june you would not know this. you would assume that these broad leaves were in monochromatic zen with the rest of the meadow. you would assume that they would silently simply green their way through the season, other wildflowers growing up and around them, perhaps stifling them.
you would not know that later – just a little bit of time later – these seeming blend-inners would herald tall leafless stems – even as high as eight feet tall – sporting bright yellow daisy-like flowers. it becomes a towering plant, high above the rest, hardy and pretty much invincible. not so silent anymore.
you just can’t judge a book by its cover, can you?
the last thing i expected to see – when we left the building – was anything of beauty.
and yet, there it was. just a little down the hill. growing out of a crack on the city sidewalk, a prickly thistle – with all its thorns – in full bloom.
the flowers were dynamic and dimensional. spiny. seuss-ish.
the plant stopped me. it stopped all thought. it stopped all manner of anything. it was that unexpected. and suddenly, i was distracted. and it was all about the musk thistle blooms. the mystery of prickly and stunning co-existing, a plant that can grow where others cannot.
and for a few moments, i was lost to texture and color…fuchsia and pink, purple and maroon, my heart lifting.
it is said – in the celtic tradition – that the thistle represents resilience.
most of the time i can feel this. though sometimes, i am too busy or rushed. and though sometimes, i am frazzled with thoughts. and though sometimes, i am worried or distracted. and though sometimes, i have forgotten the simplicities in the midst of complexities.
i felt it though. and it was palpable.
the driveway greeted us as we pulled in – familiar cracks along its way. the wires overhead tugged and dipped in the wind. the leaves leftover from fall and winter blew in front of us. the house whispered, “welcome home.”
and this time – this time – i heard it. clear as day, as they say.
the whisper of a home – this place i have gone to for rest and nourishment, for creative work and rejuvenation, for the growing of beloveds and the gathering of friends, for belly-laughter and sob-filled tears, for refuge and solitude. this sanctuary. this place.
as we drove – on our way home – i could think of nothing better than to enter our home, hug on dogga, throw on my sweats and comfy boots, prepare a small meal. in this place.
my nest.
“this morning, in the fresh field,
i came upon a hidden nest.
it held four warm, speckled eggs.
i touched them.
then went away softly,
having felt something more wonderful
than all the electricity of new york city.”(mary oliver)
the front was obvious. the edge was unmistakable. i know there have been other days when it was so, but for some reason – this very week, this very day – it was profound. clear-cut demarcation. dense clouds meeting blue-blue sky – a distinct line.
though often – most days, really – the clouds co-exist with the blue sky, this made the front system – windy, cold, raw, a bit nasty – inordinately clear. there was no doubt where it was and where it wasn’t. this front did not hide in tall cumulonimbus plumes. this front did not pose as puffy cumulus clouds, lurking in wait for opportunity to tower and turn into thunderstorms. this front was what it was. it was not duplicitous.
i must say i appreciated that about this front. it was just so clear, so transparent, honest, if you can attach such an adjective to a weather system. i stopped at a light and grabbed my camera to try and capture the line in the sky. it was a good day to remind myself that lines like this really do exist. nature is straight-forward about its intention. it’s not pretending to be something else.
a front is a front. blue sky is blue sky. a storm is a storm. nothing two-faced about it.
as usual, humans could learn a lot from nature.
“compared with the intense purity and cordiality and beauty of nature, the most delicate refinements and cultures of civilization are gross barbarisms.” (john muir)
even upside-down i recognized it. a chunk of concrete – architectural salvage – signed and dated 1978 – it sat there, with an assortment of other stuff outside the antique shoppe – and called my name.
my sweet momma wanted to be an architect. she was way before her time, though. born in 1921, she loved applying her love of mathematics, but the world – i guess – wasn’t ready for her. i, too, love math. and i love design, though i haven’t had any formal training in it. but when a chunk of concrete – or any other item – calls my name, i stop and listen – at least for a moment. there is a conversation to be had.
because it was upside-down and weighs a ton, i asked d to turn it over. i made an instant decision…one, unlike most other purchases, that would have no second-guessing, no post-purchase regret. i wasn’t sure yet what we’d do with this concrete, but it was coming home with us (after some new-york-style price-negotiating).
it’s in our living room now, in case you are wondering. it serves as a side table to a chair and is the right place for our ipod sounddock. it’s perfect.
i was trying to explain – at the antique shoppe – to a couple people there how i try never to buy things to be used for what they are designed for. it’s my own rule of repurposing. it’s also pretty scrappy. now, now, that doesn’t mean a pillow isn’t used as a pillow or a chair as a chair, but old vintage coffee pots are our tea canisters and suitcases are our special boxes. tin displays photos with magnets. a door is a table. you get it.
for years, i rented offices at an historic building on the lakefront. a fantastic old building with high ceilings and wood floors, only cold running water on my floor, big old windows facing the lake. when they were doing some reno work on the building, there were piles by the big dumpsters: vintage window frames, rectangles of radiator grates, old signs. it was a salvage dream. i miss those offices, but as i look around our home, the old window frames are comforting and remind me of days spent chasing concerts, wholesale accounts and mice.
the farm table in our sitting room holds a beloved heart leaf philodendron from my daughter. the old repainted chiffarobe in my studio holds photographs of my parents. ”sisu” is painted on a piece of old wood, created by my son. there are two old rocking chairs in david’s studio: mine and his…both full of stories of long ago.
so the chunk of concrete didn’t really surprise him. i thought for sure – as we pulled in – that he noticed it too. but he hadn’t. so i pulled him over to it, certain he, too, would love it. and he did. most of the time it doesn’t take much to amuse us.
we stood at the doorway from the hall to the living room, admiring our find. we – truly – couldn’t have liked it more. artifacts from time gone past – things that might sit out by the dumpster or in the weather in the parking lot – reclamation of interesting pieces – even roughhewn – loved in our home. we tie new narrative to these, like the doublebows on the boots we wear…a smidge of warmth, of security, of new use, another layer – this doublebow – the old stories and the new stories. we are certain of their place in our home.
sometimes i wonder why i am so attracted to peeling paint, wobbly-legged tables, old windows and doors.
and sometimes i don’t.
“every day we reconstruct ourselves out of the salvage of our yesterdays…”(james sallis)
we waited for it. and the bit o’ sun showed up on christmas morning – after several days of fog. it was a moment of hope – to see that shining orb trying to burn its way through. it didn’t last long – it ended up raining – but it counts that it was there.
i woke early the other morning. snugged under the comforter and the quilt, open window by my side, i could hear birds. it’s unusual to hear them quite so zealous in the winter, but for a few minutes – on this not-as-cold winter dawn – they were there and it was exquisite.
we walked through the antique shoppe and stumbled across the frame of a lampshade tied with bits of muslin, satin and gauze. i was immediately back in the old farmhouse in iowa where several fabric-ed repurposed lampshades hung in a corner. we walked on, but that time-spent surrounded me for a few minutes and i texted the owner of the airbnb – just to let her know about this visceral fondness – the memories. they were there, swirling around me.
some things are indelible. they etch into us as touchstones of comfort. the sun, early-morning birds, memories. they feed us in times of extreme hunger, times when we really need something to hold onto that is somehow tangible even in its fleeting.
and some things are meant to be laid down. they are shadows. they starve us, they compel us into deeper waters where it’s harder to differentiate good from not-good and we feel a bit lost, out to sea. it’s too noisy, too raucous, too frenetic – when we are merely seeking serenity. we work to lay it all down – that which impedes us, which makes us stumble, which blocks us.
in this very first week of the new year i am hoping that this is the year i personally may be able to put a few things to rest. we all have them – those open manila file folders in our heads or hearts. i – like you – yearn to take a sharpie, label them “done”, slap the folders closed and staple them shut.
but even in this rapidly-approaching-medicare age of mine, i know there is work to get there. nothing worth doing is easy…isn’t that the saying? though i don’t have the flip-the-page-a-day-over-the-metal-u-rings-at-a-glance calendar that my sweet momma had, i want to flip the pages over to get there.
we all take out the manila folders and peek inside. it’s a hunger. to get to “done” on those folders and to get to “start” or “start again” on others.
and sustenance helps. the generous. the most basic. even crumbs. even the most transitory, the most evanescent. if it was there – if it fed us – it counts.
“… the road is long with many a winding turn that leads us to who knows where, who knows where but i’m strong strong enough to carry him he ain’t heavy, he’s my brother
… so on we go his welfare is of my concern no burden is he to bear we’ll get there
… for i know we would not encumber me we ain’t heavy, he’s my brother
… if I’m laden at all i’m laden with sadness that everyone’s heart isn’t filled with the gladness of love for one another
… it’s a long, long road from which there is no return while we’re on the way to there why not share?
… and the load doesn’t weigh me down at all he ain’t heavy, he’s my brother
… he’s my brother he ain’t heavy, he’s my brother he ain’t heavy, he’s my brother
(bob russell / bobby scott – he ain’t heavy, he’s my brother)
queen anne’s lace does not bow down under the weight of the snow. it stands – upright – proudly holding what looks like a single-scoop of snowfall. despite the wind, despite the force of gravity – queen anne’s lace bears the burden, singing along with the hollies “and the load doesn’t weigh me down at all…..”
we have a thing or two to learn from nature. long roads, winding turns, shared concern for welfare, love for one another.
we are witness to miracle after miracle out here. they are tiny; they are vast. we stand at the wayside of nature’s rest area – in the fallow that is late autumn and early winter – and we watch as the journey of the woods marches on. working side by side, arm in arm, shoulder to shoulder, the forest and its inhabitants are thrust onto the long cold road ahead, eventually seeking spring. the ecosystem is symbiotic and nothing is encumbered more than the next. even in any not-knowing, critters and plants and trees alike trudge on, sans complaint. they carry with them the exchange of energy and the work of the fallow. they are strong. and it ain’t heavy. they are brothers-sisters together.
and they are waiting for us – the humans – to catch up to their simple wisdom.
it was as we were hiking that the snow started again. it had already laid down a couple inches and the wind was a bit blustery. and then…
they drifted down around us – as if we were in the middle of a snowglobe and someone had given it a gentle shake. we watched them – individually falling – cold enough to see them land without melting.
most of the time, in landing, they are more en masse – like toddlers playing soccer – a beehive of tinies running after a ball – snowflakes swirling together landing, tumbling, piles of tiny colliding flakes sticking together.
but as i watched, cellphone in hand, this one snowflake – all by itself – landed on this leaf. and the leaf, cold enough to keep the flake intact, held the magic so that i could see it. exquisite doesn’t begin to capture it. sometimes adjectives are so incomplete – superlatives even anemic.
this time, the tiny snowflake held its ground, its unsung miracle-ness distinct against the leaf. i was startled to see it as we stood in the falling snow. i was – also – ridiculously thrilled.
its oneness – this singular the-only-one-there-is snowflake – quiet individuality. its presence – without trumpets blaring or the dinging of any notification – silently suddenly here. its tiny-ness – in this vast world – the same as us. a gift.
we are snowflakes falling. it is up to us to choose how. with or without fanfare, conforming or not, with or without humility, a gift or not.
lake michigan – and its looming presence – it’s always there, though sometimes we don’t notice.
i’ve been around water my whole life: long island and florida and here. i’m not sure if i have thought about what that means to me. i’ve lived most of life at or around sea level. i have always been able to – via a short walk, short bike hike, short drive – get to a large body of water. and, regardless of whether or not i am on the shore of that immensity, i can feel it.
the last few days have pulled me out of center – whatever center i have mustered in recent times. in the middle of the middle i can’t feel the grounding gravity that usually helps – perspective that keeps the rest at bay. i know the flailing time is limited and that we are not trapped there. adrift in the onslaught of emotion, i tune in to the things that balance me. i listen for the windchimes outside, i stand in the living room and look at the lit trees, i sit at the kitchen table opposite d, we take hikes in cold air, we light a candle.
i fend off the pining for the high mountains, knowing i can’t get there right now. in guided imagery i sit at the side of the brook – on a log – in the lodgepole pine forest – high on the mountain. i – curiously – am never on the shore – of rock or of sand.
have i always taken the water for granted? do i take this presence – merely a block away – for granted? is it human to pine for the things we don’t have, things that are harder to access?
yet, if i imagine being away from the water – any water – i have a visceral reaction. for it’s always been there and i hardly know what it would feel like without it.
the days i have sat on the coast – sandy beach beneath me – i can feel the deep breath that powerful surf affords.
the days we have hiked streamside up the mountain, the days we have sat on its bank or on rocks in the middle of rushing water – i can feel the the deep breath that the flow affords.
the days we hike along our favorite local trail – river at our side – i can feel the deep breath that its familiarity in all seasons affords.
the days we choose to walk by the lake – on its bouldered shoreline or on its beaches – i can feel the deep breath that an unbroken horizon affords.
and the water – the innate healer – is always there. grounding.
“take a course in good water and air; and in the eternal youth of nature you may renew your own. go quietly, alone; no harm will befall you.” (john muir)
reverse threading 