“now, the idea is to get everything right – it’s not just color or form or space or line – it’s everything all at once.” (richard diebenkorn)
each time i have stood in front of one of the ocean park series paintings, i have been totally engaged. the light, the color, the form, the line, the space – richard got it all right in these. they are fantastic abstracts, luring you in. we left the san francisco museum of modern art with a richard diebenkorn book, one of those coffeetable type books – large with gorgeous illustrations and text. i keep it in my studio, to gaze at and sink into.
i do not know much about painting. at all. i have learned, though, that composition is, across the medium-board, still composition. a painting, a song, a dance, a poem needs someone to receive it, someone to interact, to respond, someone upon which it may fall. and for the artist, though imperative to do the work regardless, it creates the space for the flow to go back and forth, like a tennis ball across a court. each bounce and bounceback adds a little wisdom, a little emotion, breath. as i stand in front of richard’s ocean park paintings, it is as if i can hear his even breathing in my ear.
i stood on the dock up-north, gazing down at the water, light and sun playing on its surface. were i to have chosen colors to paint this, and not the black and white of the paintings i have spattered – the only paintings i have done as an adult, i might have chosen these tones. they are the colors i love to be surrounded by. this would be an abstract painting of getting outside without getting outside, to be there without being there.
but i did not paint this. nature took care of the color and form and space and line and i merely captured what nature made easy. there are many of these now – photographs of the abstract – all with strings tied to my heart and memories in my mind’s eye of outside. i keep thinking they would make a good coffeetable book…”getting outside inside”….a title, an invitation…for those sulky days when one needs the bounceback of the breath of the woods or the water, the space of the mountain trail or the rocky beach.
the gift of glassy lake reminds me that there are other mediums to explore, textures i might consider. i imagine richard diebenkorn and arvo pärt, on two sides of the court, two dimensions, lobbing the ball back and forth. abstractionist and minimalist – both extending an invitation. i start to answer.
one of the things i love about our old house are the sounds it makes. it’s like the house is talking to us, saying hi, greeting us, reassuring us. i know that i, more than most, animate inanimate things, including our house. yesterday, i got a little weepy just talking about the possibility of a different vehicle beyond littlebabyscion – ahhh…connection is both joyful and painful in all things. our house is among those, sweet connection to its every square inch.
between our old wood floors creaking, the radiators clunking, the vinyl lap siding expanding in the sun, the rain dripping off the roof onto the window, the gutters’ last licks after a storm, and just general sounds of 1928 settling into 2021, we have a symphony in this home. when you aren’t familiar with a place, these are all passive sounds that could keep you up at night, and i remember when david was first here, questioning the sounds i no longer really heard, the ones that simply faded into the blanket of “home”.
it’s one thing to hear the click of the deadbolt on the front door or the screen door slam or the wooden step-step-step thunks or the whoosh of clothing streaking down the laundry chute – these are all active sounds caused by another person…explainable. it’s the other ones – especially in the wee hours – especially with an empty nest – the ones that take you by surprise, make your adrenaline race, make you wonder and imagine and maybe get a littlebitscared. those are the ones that made him sit up and take notice.
the funniest moment was when our beloved babycat – quite the large cat – was upstairs and decided to come down in the middle of the night. his descending the steps – thud-thud-thud-thud – made david sit straight up in bed, whispering, “there’s someone in the house!”. as he looked around, unsuccessfully, for a weapon (perhaps a bedside book or an iphone plugged in?), i couldn’t stop laughing.
it doesn’t take decades of living somewhere to intimately know a place, to intimately love a place. but, decades of living somewhere makes that place love you back.
i started a business when i was young. nothing cost more than about a dollar but i was a zealous salesperson. i pulled a red wagon around my neighborhood, going door to door – in the days when that was actually safe – and sold cactus. my sweet momma had prolific succulents and would pot tiny offshoots and volunteers into cups or chipped mugs or little clay pots, turning them over to me to sell. it’s amazing how many people would buy a 25 cent baby cactus from an eight year old at the door. i was thrilled counting my earnings at the end of the day and would impatiently wait for the next proliferation of cactus pups.
after a while and some market research, i decided to add candles to my stock. i purchased wax and three-dimensional plastic molds, tape and had a perfect little finnish knife to trim the wax after taking it out of the mold. i never lit any of those candles. they seemed more like decorations and less like candles-to-burn. funny to think about not-thinking-about-lighting-them and i wonder how many of the candles i happily sold on the streets of my growing-up were ever burned. though i’d love to revisit that project now, for fun and maybe to actually try the candle as a candle, my supplies are stuck somewhere – since 1979 – in the somewhat-finished attic room closet of a methodist church on long island, where i had helped with a youth group and taught them how to make candles.
i wonder now about what someone will think when they stumble upon all of that – my dad’s old hard plastic luggage case with molds and wax. i wonder if they will laugh thinking about the simplicity of it. after all, for my tiny business all i really did was melt the wax in a double boiler, choose a color dye, place the wick, tape and set up the molds, pour the wax into the molds and wait. once they were set, i trimmed along the seam line to create a seamless looking alligator or snail or mushroom or a variety of other marketable shapes of candles i can’t recall. i simply changed the form of wax.
i suppose it’s all like that. changing the form. the notes float and the composer grabs them out of the atmosphere, placing them together into a piece of music, changing the form of their ethereal bobbing-around-out-there. color bursts around us, nature offering us every iota of choice, and the painter gently retrieves them and places them together on the canvas, translating the iron oxide red of delicate arches into a vibrant sunrise or the flower of a still-life. the butterfly on the wing dances and the ballerina’s steps mimic the form, an expression of freedom and joy. words and expressions whirl around and turns of phrases hide inside dictionaries and the writer plucks and chooses, creating poetry and story from the raw.
my sweet momma and poppo discovered ikea in their 80s. they were intense fans. from time to time i would get big ups packages from them – ikea runs – with new wooden spoons or lanterns or cork trivets or tealights or whatever was their latest discovery there. and so i became a tealight fan. we burn them often. to light the table on our deck, to light our pop-up, inside all around the house, to honor someone with a flickering flame all day, safely burning on the stove. i guess that these are a lot easier to make than alligators or snails. and i know that they are obviously a lot easier to light and actually burn.
i still have a round yellow happy face candle i received years ago. i haven’t burned it. something about not messing with its form, i guess. why do we have candles we aren’t going to burn?
today, i think i might take out that round happy face candle. maybe i will put it on the stove, in a safe-to-burn-all-day spot. maybe it will infuse inspiring form-changing into the air around me. there’s much to purge from more recent times and much to welcome in next days. it’s worth a try.
the tomato plants are coming to an end. the temperatures are dipping at night and, three times now, we have covered them in plastic to keep them warm, encouraging them a few more days, a few more days.
i’ve read up on what to do with all those green cherry tomatoes. i know the time is near. i’ll put them all in a brown bag with a banana, hoping that the ethylene gas released by the banana will aid in the ripening of those tiny green orbs. i’m not anxious to pull the plants out of the pots and clear the potting stand. it all feels like it went by fast. but there is no doubt that fall is here. the sun isn’t bathing the barnwood stand in light anymore and there are not happy red tomatoes beckoning picking each day.
regardless, our tiniest of farms was a grand success and we are looking forward to having a repeat season next summer, maybe with a few additions besides the tomatoes and basil and a little more wisdom.
the thing we guess for sure that helped was the nurturing. every morning we greeted those sweet plants, watering gently and snipping off stems of browned leaves. we watched carefully as they grew, adding support for the branches, checking for disease, trying to provide the most positive environment for their growth. since we are not tomato or basil plants ourselves, clearly, we intrinsically knew that most of the work would be done by these tiny living things, most of the wisdom would come from them and we would follow their lead, researching to aid them and not deter them, to encourage them and not quash them, to provide all the essentials for them and not undermine them with anything toxic, to extol goodness on them and not to be aloof or reckless.
it occurs to me that these are likely ingredients for any successful growth. in a garden, in a family, in a community, in an organization or business. it’s too often nurturing goes by the wayside. i think of all the fine meals nurturing these little tomatoes and basils provided. i think of all the bursting-with-possibility families provide each other. i think of the fantastic synergy of a community based on wholeheartedly and without prejudice nurturing each other. and i think of all the collaborative, congenial camaraderie, the good work done by an organization actually based on truth, transparency, nurture and goodness.
and i stood in the stream with incandescent bubbles parting around the boulder i was on, watching the miracle of light and sun and dimension and water and rock. every color in the spectrum was represented; none got top billing. mostly, it was gorgeous and inspired happy. i cannot think of a mountain stream that doesn’t.
saturday night, because there was no mountain stream nearby, we stared into the bonfire, listened to the pond gurgle and clinked glasses as the night fell. we lit the tiki lanterns and our treasured small gas firepit and stoked the fire with dry wood we had gathered from our yard and limbs that had fallen in recent months. it was chilly but the fire was warm and we decided to eat outside right next to it, setting up our pop-up-dinner table and stools for some homemade chicken soup lit by candles. some things are magical even in simplicity.
dogdog ran around until he conked out on the patio next to us and the dark settled in, interrupted by tealights and fire and bulbs strung over the pond. there may not have been any mountain stream to sit and tarry by, no bubbles to reflect the light of day, but the fire licked the darkness and its dance…just as gorgeous and inspiring happy.
when i was twelve, my parents took a six-week vacation to europe. pre-departure, they arranged to purchase a brand-new 1971 volkswagen super-beetle in germany, picking it up and then driving all over for adventures at hostels and relatives’ homes and small inns in the countryside that served family-style pork chops. they talked about this phenomenal trip for the next forty years or so, reliving memories and favorite moments. in the end, the last time i saw my sweet momma was the day we delivered her cherished blue notebook to her at the assisted living facility and she clutched it to her chest, cooing, “this is it. this is the notebook.” she had written everything down – diary entries and details to remember – and having this spiral was like re-vacationing with my poppo who had died three years earlier. we had searched high and low for it for a couple days and found it in the very last bin we opened in the garage. a treasure. the one thing she really wanted.
there were other trips – indeed, they attempted to visit each of the united states. never extravagant. always cherished.
when i was eighteen i rode in the backseat across the country with my parents in the front seat. they purchased a cb radio before we left and i spent long hours “10-4”-ing as “goldilocks” across the great plains states and up pikes peak and next to the wasatch mountain range and through the flint hills of kansas, which was clearly on a mission for spare change as they pulled my dad over twice within a half hour, deputies standing on the side of the road waving over long lines of cars they then escorted into tiny towns so that you could place money in an envelope at the post office. (i still invoke my dad when i drive through kansas, especially since we’ve had a few breakdowns in that state.) i developed a huge crush on a cute boy in colorado springs at a motel 6 and almost signed on as the touring piano player for the band that this boy and his brothers were in, their parents befriending mine poolside. i pined for days and days after we drove off with four new tires we got at sears and a broken heart i got in the desert meadows behind the motel. i clutched the record they all signed for me and stared at the cover art. no amount of stuckey’s sticky pecan log rolls helped. but my camera and gorgeous scenery were eventually soothing and, even now, as i chalk it up to opportunity not chosen, i remember my mom’s encouragement to consider an unusual path, a road rarely traveled.
in the middle 70s my mom and dad took advantage of what they called “dunphy weekends”. i couldn’t find any details when i quickly googled that, but i remember three day weekends, in places like providence, rhode island – not too many hours from new york – that hotels offered for dirt-cheap, prompting reservations. because they were thrifty, they also would sign on to drive cars to destinations and be flown back, ever the road warriors willing to take on a highway and add to their growing list of states-they-had-been-to.
when i was much littler, i climbed into the pink lilco (long island lighting company) van that my dad and my big brother had converted to a camper and rode upstate with them. never disappointing their rube-goldberg leanings, the camper would always break down on some back road near basically nothing. my dad would take out wire cutters and, clipping wire off of fencing they found on roadside pastureland, they’d figure out ways to fix the van, while i would ponder being lost and never getting home again. their laughter and bantering on those trips was the key to a successful camping trip and we beverly-hillbillied our way across the catskills and the adirondacks.
camping some, airbnb-ing lots, hampton-inning in between, i’ve spent a lot of time on the road on trips and for work, both. when my children were small, we would drive, drive, drive, hiding easter baskets in the stow-and-go compartments of the minivan and toting all the age-related child-paraphernalia we needed. living away from family means that most of your vacation trips are to go see them. as time goes on, that’s really still the case.
in this last not-quite-a-decade, we have driven together thousands and thousands and thousands of miles and snacked and laughed and sang and were quiet across the country. we’ve slept in rest areas and in mcdonald parking lots. we’ve found hiking trails all along the way and have cooked in lots of kitchens from the boundary waters of ely to the beaches of the gulf to up-north wisconsin to high elevation of colorado to the cape. we’ve raced storms through alabama and through wyoming. we’ve had happy meals in montana and california and washington and tennessee and new hampshire and new york and florida and most of the states in-between. we’ve walked through tiny towns, toasted life on long island, combed the beaches of hilton head and had coffee in unexpected places in appalachia. the four days we spent in paris, as an add-on after work in the netherlands about seven years ago now, was exquisitely low-key. we walked everywhere, training only once or twice. we carried baguettes and cheese and wine and tiny salads into parks, onto cathedral steps, up montmartre and into our boutique hotel, choosing picnics over restaurants and never feeling like we had missed out.
the list of places i’d like to go grows. from a night or two to full-immersion for a longer stay, i look forward to all of it. i’m guessing i come by it honestly.
so i’ve never been on a luxury vacation. never taken a cruise. never stayed at an all-inclusive resort. i’m 62 and haven’t done the let’s-just-go-lay-around-and-do-nothing-or-anything-we-want-and-get-waited-on thing. i don’t know if i ever will. but it hasn’t stopped me from loving vacation. it’s all really one giant blue notebook.
they are addictive, particularly on the road. we will be innocently driving along and, suddenly, one of us mentions munchos, those doggone salty dehydrated potato chips, and we are instantly on a quest. maybe it’s the ferrous sulfate, niacin, thiamin mononitrate and riboflavin, but i’d prefer to think that it’s all about the “light-tasting crispy snack” that’s not greasy like other chips. there are 160 calories in about a quarter of the bag, so that’s a significant snack and salt-fix when you need it without a vast amount of guilt, despite the fact that it would take 45 minutes of walking to burn off those 160 calories. like teenagers and skittles, when we need it, we are singularly focused. we have driven in and out of mini-marts and convenience stores and service areas looking for munchos, sometimes to no avail, leading to desperation. i wonder what the looks on our faces say. i’m guessing they belie the calmness we are trying to exude.
our dogdog is food-driven. we laugh about it all the time. he will do most anything for a treat, learn any new trick for a tiny snack. i bet he snickers at us from the back seat watching us on our munchos-hunt.
there was a jaguar suv parked in one of the bays when we went to pick up littlebabyscion at the shop. it was shiny black and had an aura of extravagance. i joked as we walked in that it was “practically identical” to our little xb. our beloved – and stellar – mechanic laughed and said, “nah! it’s just ridiculously expensive! fancy doesn’t make it better.” because this society assigns value to things that cost more, i probed a little further, comparing our very-basic vehicle to this one, and he answered, “the reason people buy these – and many other vehicles like it – is for other people to see them driving it. it says ‘i am successful’ to the world.” i laughed and rolled my eyes, joking about the level of success us driving our scion speaks to and he replied, “nope. doesn’t matter.”
“…only about 0.000002% of musicians become ‘successful’.” (one of many statistics found when googling the rate of success for musicians.)
now that is a bracing statistic. it would suggest that there are a heck of a lot of musicians out there – including me – driving un-fancy vehicles with odometers pushing 300,000 miles. it would suggest, too, that there are a lot of musicians out there whose egos are not benefitting from the sideshow and stroke of other people’s ‘that-person-is-successful’ thinking.
the prosperous is evasive. the profitable is of-the-past now that streaming is the preferred mode of listening over purchasing cds or even paying for downloads. the booming has slumped. the fruitful is fallow, often barren, depending on levels of frustration over thinking you should have been a financial analyst, software engineer or investment broker. and the thriving? well, that’s another story.
thriving is growth and growth rays out from the center in an artist. up against a challenge, we seek a different route, a different way. it is not our nature to give up, though an independent artist’s odds of success are clearly stacked. we simply “cannot imagine leaving”. (todd skinner)
instead, we channel the creative energy that keeps stoking up, that keeps us going. we funnel it out into threads of let’s-try-this or let’s-learn-that. when we can’t perform, we play. when we can’t play, we compose. when we can’t compose, we write. we find rivers we can enter and we wade in. we take risks.
in recent days i have come to realize that i still have much to learn…much growing to embrace. there are always more questions than answers. creativity whispers, “do not limit your future by basing it on the past, projecting what you can do based on what you have done. your goal is to be not just better than you were, but as good as you can ultimately become.” (todd skinner)
true in every arena of life…artistry, physicality, emotional health, motherhood, in community. much to learn. always. thriving.
it’s a mystery how it all will turn out. how, in the end, we will be seen. whether we will be prosperous or have a profitable life. if we will have boomed or been fruitful. whether we will have driven a fancy-car, a workhorse old truck or a steadfast littlebabyscion and what that all means to the world watching.
what will really matter – to us artists, adapting in ever-changing light and in each season – is if we thrived.
our favorite thing in the woods, when i was about eight or ten or so, were the salamanders. red-backed salamanders had a red stripe down their spine and, back then, were all over the woods outside our rustic cabins in the upstate new york state parks.
we stayed at many of them: selkirk shores, chenango valley, watkins glen, green lakes, letchworth. my sweet momma and poppo were not tent-campers, but they fully embraced the very-bare-minimum cabins in the woods and my mom would pack for a week ahead; we had to bring everything with us, including pots and pans. the bunkbed frames and mattresses were about all you got, with basic kitchen and bathroom necessities. we’d go for a week and for that glorious week, i would roam the forest and swim the lakes and ride bikes all over the park with my best friend. we didn’t do fancy vacations, but, for me, these trips were heaven. i think about my momma now – for her it was a lot of work, but she seemed happy to be “roughing-it” as she said. and she would run around each night, can of raid in her hand, singsong voice, announcing “raid! raid!” while we buried into our sleeping bags on our bunks and tried not to breathe.
before we discovered the lifeguards, we would hike through the forest, looking for anything interesting we could find, devising paths and mysteries to solve. mostly, we looked for the salamanders. one year, we found one that was particularly sociable with us and we were convinced it would stay around and be our friend. for obvious reasons, we named him sal. once you’ve named something, it is much harder to say goodbye.
now, the thing that’s hard to say goodbye to – out in the woods, high in the mountains – is the whole visceral experience. the cool fresh air, the trail under our feet, the sun filtering through the trees, quaking aspen leaves, the absolute drop-dead-amazing smell of a pine forest, the quiet.
we haven’t found salamanders in colorado woods, though we haven’t been seeking them as i did when i was in elementary school. instead, we have sought the feeling you get after you have hiked miles and some decent elevation. that exhausted adrenaline bursted rush of ahhh. the slightly burning lungs-are-in-your-chest feeling. the your-legs-want-to-sit-down-on-a-stump-for-a-moment tiredness. a little bit of wind-sun-scorched face. and the overwhelming desire to keep going.
the amazon truck pulled up and the driver got out, ran a package to our door and ran back to the truck. but he didn’t pull away. he pulled up a bit and stepped out again with his phone, aiming it up at the big old tree at the end of our driveway. in the notch of branches was a giant mushroom, super-sized by humidity. he poked at it and a chunk fell off for him to investigate. from inside i couldn’t tell what he was doing, but once i walked down the driveway i could see the giant ‘shroom. perhaps a northern tooth fungus, it was beautiful and mysterious. it’s no wonder the amazon guy stopped to stare and photograph it.
there are years that we have had mushroom rings in our yard. you’re thinking, wow, they mustn’t have great grass. no, we don’t have great grass. but a fairy ring of mushrooms is common and apparently take about a year to form, all underground. superstition says that if you enter a fairy ring, you will dance with nature’s creatures and you will be unable to stop. since we like snacks and sleep, we have chosen not to enter the ring, avoiding the off-chance that this inexorable dancing take over. but the presence of fairies and elves seems magical and since these rings are associated with luck, i choose good luck over bad and we haven’t done anything to prevent them from being there.
one evening as we sat having a late dinner at our covid table in the sunroom, happy lights on and a couple candles flickering, i looked more closely at snakeinthegrass. i was surprised to find the presence of tiny mushrooms, sprouting up and living in community with this sansevieria plant. perfect little fungi, they stood tall and steadfast for a few days and i imagined tiny invisible-to-the-human-eye fairies waltzing under their domes. we laughed at the ballroom on our table.
as fascinating as mushrooms are, i would never be one to go out into the woods to arbitrarily pick them; there are too many doppelgangers out there and we are not informed. but in the way of learning new factoids, it’s amazing to note that mushrooms actually breathe oxygen – just like humans – and emit carbon dioxide, the opposite of plants. and the genetic makeup, the actual dna, of mushrooms is more similar to humans than plants.
as i look at the coming and going of these tiny mushrooms in our potted plants and high in our maple tree and ringing in the yard, i think about the necessity of their existence in our ecosystem. fungus, they give back and make it possible for plants to survive. they are synergetic without exception. perhaps their dna is even more advanced than humans.
reverse threading 