reverse threading

the path back is the path forward

Tag Archives: grief


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y to the third power. [kerri’s blog on flawed wednesday]

and it’s time again. two years have gone by since the last time. it was two years prior to that.

and now, another. another Y. the third one.

appropriately timed, i’d say.

it’s not common to come upon a branch that is a literal letter y. most of the time it’s a stretch. but this is pretty obvious – and it gets my attention.. again.

like those previous two times – mid 2020 and mid 2022 – there is just as much reason now for nature to be asking “why?”. truth of the matter is – there’s more.

sometimes, there just isn’t time for a long, belabored, ponderous “why?”

this is one of those times. there isn’t. the time for this country is running out. we are accelerating down the pike toward the november 5 election day and it feels like things are beginning to spiral out of control.

i am truly having a very hard time grokking the current political state of affairs of our country. every day now it feels like the fabric of our democracy is on the verge of shredding. in extremist-agenda-riddled moves, at best, the destruction will be a demolition of this republic, at worst, it will be a hellish bend to authoritarianism. and the words of the declaration of independence “we hold these truths to be self-evident, that all men are created equal, that they are endowed by their creator with certain unalienable rights, that among these are life, liberty and the pursuit of happiness” will cease to exist for all men and women. full stop. period. what is the united states if not united? what is this democracy if not a democracy?

baffling me beyond reasonable comprehension, it’s being facilitated by people whose evil intent seems obvious and it’s supported by those who are not asking “why?” it’s downright frightening to watch others rabidly embrace any and every single thing that will ultimately destroy this nation as we know it.

now, don’t get me wrong. i’d love to write about something lighthearted, something trivial, something that doesn’t feel like the weight of the world is hanging in balance.

but it is.

and – before november 5th, i hope you ask yourself “why?” for who? for what? why?

*****

read DAVID’s thoughts this FLAWED WEDNESDAY

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glimmerwand. [kerri’s blog on two artists tuesday]

the magic wand – infused by the sun – stood tall in the reeds. if only i could pluck it out and take it with, still full of its magic, still glowing, i thought.

it was a brilliant day. the sky blue-blue, the air crisp, the trail ready for us, quiet, winding. we pass by marshes and bogs and woods – the hoofprints of deer preceding us, crossing the way from safe-place to water source.

and then the magic wand glimmered and reached out, tapping me on the head, bestowing glimmer magic, begging the question: and what will you do with this?

i carried the glimmer as we hiked. it was quite like carrying a toddler – full of energy and zeal, ready to get down out of my arms and run, run, run. the glimmer knew that it had work to do and there is no time to spare. for the power to light dark places is not to be underestimated, the ability to drop a spark into ash is not to be underplayed. the glimmer was anxious and excited, both.

and yet, the magic wand knows this: that relighting the dark and touching the grief of flame doused by others, the pain of trauma caused by others is not easy. dark cannot be readily relit if there are only shadows and no room for light. grief cannot be easily eased if there is no corner of the heart untouched by it. pain cannot be addressed without balm to the wound.

the glimmerwand was trembling at the end of the trail, still held in my arms. i wanted to hold onto it, to believe it would be that simple.

but the wand knew better. like the extended finger of ET the extra-terrestrial, it touched the center of my chest, through down vest and thick thermal and baselayer shirt, directly to my heart.

and it told me it would always be there – this light from the sun. it would wait and wait. and it would be with me – with me – diffusing fear, enlivening exhaustion. and i could reach down and touch it any time, this glimmer, and it would warm me up from inside out.

*****

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my cello. [kerri’s blog on k.s. friday]

i sold my cello this week.

i would be lying if i told you i didn’t cry at the string shop.

i did cry. i’m crying now.

i am a professional pianist. a composer. proudly a yamaha artist with an intensely beautiful C5 in my studio and fifteen albums plus of vulnerability out in the world. i play the guitar and the ukulele. i dabbled on the trumpet in college for five minutes or so. but, oh…the cello.

the moment i touched my cello i had a bond with it. and, holding the idea close of learning to play mournfully heart-draining melody lines, i purchased it. because artists dream, i played.

but reality is reality.

and now – with 45° of wrist forward range of motion – my cello needed a new home. it’s just a fact.

i held onto it long after i knew this. it’s hard to let go a dream. and i’ve never before sold a beloved instrument.

yet, cellos – like all instruments – need to be loved on: played, listened to, tweaked, played more. a paesold, german-made, warm and resonant in tone, it begged to come out of the corner of my studio. though i tried to ignore it, it is like ignoring the stare of an australian shepherd who clearly wants you to do something (and we have experience with this). so my cello kept staring at me and staring at me. even without entering my studio – for i have not spent much time in there in these most recent years – i could feel the stare of the cello through the wall.

until finally.

i know this cello is valuable. yet, the string shop i sold it to – for much less than its value – was full of string music and luthiers working, a performance space and a full marching line of cellos on the wall. it will not be lonely as it waits to be re-homed.

the shopowner knew how hard it was for me to sell this cello, to leave it behind, to leave at all.

i touched its maple and spruce, exquisitely varnished. i spoke to my cello. and i blew it a kiss as we left, entirely and utterly choked-up.

and i wondered how my cello-dream might morph into something else.

because it’s still raw.

*****

LAST I SAW YOU from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood

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the blue jays. [kerri’s blog on k.s. friday]

my sweet poppo died three years before my sweet momma. when she died, the tilt that my world had already felt dove down into a deeper angle, the axis of the earth struggling to keep it in balance. the loss of both parents is profound, no matter your age.

it had been years since i had heard or seen a blue jay. they were common where i grew up, the screeches of jays in the woods or the trees surrounding our home. they have husky voices, always a little bit raspy. but they make me think of home.

i still remember the first day i saw one – after. it’s a few years ago now.

we were hiking on one of our favorite trails and suddenly i could hear them. they flew across the path and i stood still, reveling in the moment, taking it in. since that day, there have been more sightings and i have heard their birdcalls, even out our bedroom window from time to time.

since they are a common bird in wisconsin, i wonder how it is i missed them.

and i realize that sometimes the way home – the sound of a blue jay – is something we just don’t pay attention to, something that falls down on the list of priorities. until one day.

the day comes that all the really important stuff comes into focus. and we realize that we have – maybe – taken for granted the stuff that really is a part of who we are. we slough off paying attention to those things, those places, those people because we believe that there is plenty of time – later. or perhaps there are reasons we cannot grant grace to those things, those places, those people and we somewhat haughtily, in some selfish kind of righteous amnesia of our own actions, put them to the side, the corners of our hearts. or maybe we are just too busy and we have gotten lost, overwhelmed in our very real and partly contrived busy-ness.

any way you look at it, i am surprised i didn’t see the blue jays. until after.

now i hear them, see them, find their feathers in the usualness of our days. each time it is like a tiny nod to home, to all the moments of goodness, to the realness of unconditional love in the midst of the ridiculous hardness of life.

and they were there all along.

*****

THE WAY HOME from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood

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not yet open. [k.s. friday]

i’m trying to decide just how vulnerable to be, how brutally honest, how much to share. it’s like sitting on the fulcrum in the middle of the seesaw…you can choose either way from the pivot point.

this lovely couple – who we considered extended family and saw every sunday – was next door at the garden club’s secret garden event. we saw them from our deck, waving to us over the neighbor’s fence. we gestured we’d meet them in the front yard. giant hugs later, we started a little catching up, having not seen each other in years now. they had family tales and travel tales and many tales of adventure.

they told us they missed us. we were grateful to hear they missed our “energy” and “the fun we brought”. they asked about us.

he asked if i had a position now. i don’t. being terminated during a global pandemic at the age of then-61 with an injury to my hand doesn’t naturally lead to a new position, particularly in the arts. i’m 64 now and we can both agree that age discrimination is alive and well in our country.

she asked if i was composing, if i was “doing my music”.

i sat in the middle of the seesaw.

i’m asked this fairly frequently – people expect someone who has 15 albums already and who has also spent decades as a minister of music – to be fully immersed in music now. after. usually, i somehow deflect, saying something like ” you know, the pandemic…” my voice trailing off. then i quickly ask what they are up to, how their family is, the new grandchild, the retirement, the vacation, the joint replacement…

this time, though, with these dear people standing in our driveway on a beautiful day – post-hugs – tears sprang to my eyes and i began by saying, “eh, this might be too much information.”

and then i told them that i am not composing, that i am not “doing my music” and that i haven’t been able to. that it’s too been too much, that it was too hurtful, that – as much as my studio is a part of me, my essence – being fired devastated me in more ways than anyone can really imagine. it is not as simple as walking back into the studio, sitting at my piano, grabbing pencil and paper, placing hands on the keys. it wasn’t just any old job they took away. it was part of my soul. and – to be honest – i am having trouble recovering. still.

the fulcrum teetered and the seesaw arm – the resistance arm or the effort arm, i wonder – fell to the ground, jostling me. i apologized for the over-abundance of emotion.

they stared at me. they looked surprised; they looked sad. we were quiet for a minute, while i regained my composure and climbed back onto the fulcrum pivot.

but the words were out there. and they were the truth of it all.

and i am this coneflower.

not yet open.

*****

blueprint for my soul ©️ 1996 kerri sherwood

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some questions for you. [merely-a-thought monday]

my son shares his name. it’s his middle name. wayne.

it was in the middle of my second pregnancy we lost my vastly-loved big brother. my little girl was two; my little boy not yet arrived. i had lost grandparents before that. but, somehow, despite our sadness in these losses, in their older-age, it seemed a natural part of the life cycle. my brother was different. it was today, 31 years ago. and he was merely 41, which is twenty-three years younger than i am at this moment.

though my brain somehow grasped the details of his cancer, my mind couldn’t wrap itself around how it was possible that the world could go on if he could no longer feel it. i still struggle with this. i am not naive enough to think it all ceases because of one – but the lack of the act of feeling, the passion of feeling, the tactile, the visceral of feeling – all this – it felt – no, feels – inordinately complicated to me. the full-stop. surely, in the moments i ponder this is when i realize how utterly futile it is to try and control anything, to be utterly absorbed in stuffff, to not stop and notice the tiny delicate flowers on the path.

we are reading a book together. though the actual book has nothing at all to do with this post or my brother or pausing on trails in the woods, the title – for me – is relevant: i have some questions for you.

i do, my big brother. i have some questions for you.

i know you know, bro, how adored you always were. did you take it with you? can you feel it on this other plane you are on?

i know you loved coffee ice cream, hot cups of coffee, birthday cake. are your senses as vibrant? did you smell the peonies in our backyard? can you now catch a whiff of the lavender, the mint, the basil? can you feel the sun? are you aware of the breeze – or – are you the breeze itself?

i know you loved to hear neil diamond, loved to play guitar and sing, loved to feel your hands on projects of wood. do you float in and out now, catching snatches of song, feeling the pick in your hand, hearing the scroll saw start up?

i know you loved. are you right here – loving – right now? are you right next to your wife, your beloved children and your grandchildren, and, if we could touch incandescence, the full spectrum of color, translucent gossamer, could we touch you?

i know you are not in a physical form on this earth. but are you simply unseeable? are you, in turn, coffeesitting with our mom and dad and then swooping in to somehow steadfastly drop wisdom or strength onto the rest of us?

i know you probably don’t have any questions. but i do. and, as my big brother, you will need to find a way to answer them, as i am counting on you to explain all this.

i’ll stop – wayne – at the delicate flowers in the woods. i’ll slow down and dance on the deck. i’ll try not to worry about the angst of the day-to-day. i’ll feel and i’ll drop into pause.

there are times i know you are here. there are times i know our sweet momma and poppo are here. i wish it were easier to see you.

in some kind of trust – right smack in the middle of grace and not-knowing – i do believe you are the wind.

*****

you’re the wind ©️ 2005 kerri sherwood

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

ANGEL YOU ARE ©️ 2002 kerri sherwood (this song is not jazz, nor does rumblefish own any portion of the copyright or publishing rights of this song)

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our parents. [not-so-flawed wednesday]

neither one of them knew what it was. clearly, they both lived in a cave before i came along in their lives. but still.

“it’s a butterspreader,” i informed them. for your corn-on-the-cob. you put the butter pat in it, hold down the handle and the curved plastic screen perfectly spreads melty butter on your cob.

they stared at me as if they had just landed on plymouth rock and – supposedly – were the ones who literally discovered new land.

in unison, the choirboys said, “i’ve never seen one of those!”

i laughed. as a non-butter-user, it doesn’t matter to me if i pull the cornbutterspreader out of the drawer, but i knew that it might matter to them – one potential butter-user-depending-on-the-day and one devoted butter-user.

my sweet momma had these kind of snazzy devices. she had the yellow metal-pronged corn thingies to hold corn-on-the-cob as well. long islanders, we were pretty loyal cobcorn eaters in the summer. back then, it was all about the biggest aluminum pot in the house and boiling water. but now, my sweet momma would have loved to see 20 cut off the ends of the cob (including the stringy end), putting the whole thing into the microwave for 4 minutes. as an alternative, we could have placed it on the grill as well – unshucked – but the microwave was a little quicker.

it was a day that kind of celebrated our parents – without our really knowing or planning it.

i carmelized the onions before i added the beer – milwaukee’s best. i knew columbus was watching, laughing with glee as i put the brats in to boil. momma jeanne said they were just like his when we made them in iowa, so we have a stamp of approval. we had beans – because my momma and my poppo never had brats or dogs without having beans. and sauerkraut because, well, 20 was raised by his momma on sauerkraut. (you don’t want to know how often he eats this.) and watermelon…well, every one of our parents loved watermelon. we were our parents – wouldabeen 102, 102 today, 90, 99, still 100 and still 88.

today’s my sweet momma’s birthday. she’s the wouldabeen 102. in the way of grief, the moments sneak up and take me by surprise. suddenly, i am pitched forward into desperately-missing-her from the ever-present missing-her. it doesn’t take much.

it’s the cardinal in the backyard. it’s telling her about the new birdbath. it’s the triumphs i want to share and the failures when i wish for a hug. it’s a cup of tea or morning coffee. it’s early rising or wee-hours-pondering. it’s chicken soup. it’s rye toast. it’s upside-down shampoo bottles. it’s blue eyes. it’s hearing “to thine own self be true”. it’s her “don’t underestimate me”. it’s “i know you can do it”.

and it’s the silly corn butterspreader.

happy happy birthday my sweet momma.

*****

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the red adirondacks. [two artists tuesday]

these chairs – privy to a lot of life – over just a few days – in warm iowa sun.

we gathered to celebrate columbus’ life, to inurn his ashes, to solemnly and with great gaiety – for that is how columbus lived – say the final-of-the-final goodbyes.

it was the game of bags (cornhole for the rest of you), the bubble wands, the hula-hoops and columbus’ old 33rpm records we brought with us i think he really loved. we made his brats with beer and onions. we made the pasta sauce he liked. there was more; a lotta-lotta food – just the way he liked it. mason jars with wine and a cooler full of water and sparkling hard seltzers and beers-just-up-a-notch-from-columbus’-favorites. and he – from the next plane over – held his beloved wife’s hand as she navigated this time in his growing-up land.

the three adirondack chairs from the east-facing porch were moved, following the activity. down the big grassy hill for bags and around the south side of the house closer to gracie-cat’s-plugged-in-water-bowl to escape the howling wind. back to the porch for happy hour and in a big circle in the lawn to toast his momma’s first hostess cupcake, bag chairs a little teetery on the uneven ground.

you had to watch for the thistles in the grass – you couldn’t just run around willy-nilly without being – yowsa! – aware. but somehow that reminds me of life itself.

it was a time of red. bright bright red. a time of brilliant stand-out moments we will clutch onto, like the hugs we shared at the cemetery and at the old screen door past nightfall the last evening.

though life is like a box of chocolates – yes, forrest gump – it is also like an adirondack chair you drag from place to place. it’s about comfort, simplicity and peacefulness. an intention.

you can sit and watch life, take it all in.

you can do life and then, rest.

both, and.

we took turns with the red adirondacks. that’s what family does.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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pussywillows. [k.s. friday]

with gordon lightfoot crooning in my ear, i stroked the pussywillows on the trail. i can’t remember seeing these on trail before. i know i would have noticed – their softness begs touch.

“pussywillows, cat-tails, soft winds and roses
rain pools in the woodland, water to my knees
shivering, quivering, the warm breath of spring
pussywillows, cat-tails, soft winds and roses”

(gordon lightfoot, “pussywillows, cat-tails” 1968)

smooth silvery-grey under our fingertips, we each took time to touch, to marvel at the beauty. and gordon lightfoot sang on in my mind.

as a writer, composer, lyricist, there are decisions one must make along the way. we place ourselves in a vulnerable spot, not for our own purpose or indulgence, but, instead, in the hope of resonating with someone who needs the words or music or lyrics we write, in the hope of reaching someone else walking in similar shoes, in the hope of assuring someone out there who needs to know they are not alone. and so, at the risk of thus vulnerably over-sharing, i offer this:

but some things are triggers. and, as the verses and guitar continued, this particular gordon lightfoot song is one of them. my #metoo was at the hands of a musician, a serial predator who walks freely even today. he played guitar and charmed his way into the never-to-forget-lives of many susceptible young women. a man who softly sang gordon lightfoot and james taylor, who wrote love songs, new lyrics for gorgeous SATB hymns, and taught guitar surely was to be trusted, right? wrong.

i can appreciate these beautiful pussywillows, another harbinger of spring and new life. but i stop a moment and give nod to my much earlier self. in a watershed, i recognize the parallel of this earliest time working in the church and my latest work. bookends.

“riding on the roadside the dust gets in your eyes”

it’s not the dust that brings tears to my eyes, it’s not the spring air laden with newness of pollen, the turning of season. it’s the raw bookended time in places i trusted as safe. i cannot help now but examine it all up close, process it, grieve the loss of innocence, the devaluing of women, abhor the loss of respectful truth and the reign of agenda. the bookends hold upright the time in-between, all the books of life, times and experiences and mistakes and successes, the laying down of any attempt to process, to make right, of any ramifications for the wrongdoer. the bookend of late was a stunning surprise. i am astonished at its destruction, now, no longer a teenager. i find it all shockingly galling.

“slanted rays and colored days, stark blue horizons”

the horizon is much like the horizon all those decades ago. it’s surprising to return to that feeling. i want to leave, to run, just like that other time, that other bookend. my physical life, however, is not at stake this time. it is me, my loss of community, my loss of position, stolen integrity. i cannot wrap my head around the slanted rays, the starkness.

“treasuring, remembering, the promise of spring
pussywillows, cat-tails, soft winds and roses”

treasuring, remembering. promises. but roses…the flower of love…it is hard to hear lyric of roses…my hope is to only hear gordon lightfoot in my mind’s eye and to forget the echoing bookends.

“shivering, quivering, the warm breath of spring”

to remember – spring is beginning to spring. the catkins of the willows are soft, cattails seed in the wind, warm circles us on the trail.

*****

WATERSHED ©️ 2004 kerri sherwood

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tiny heart. big love. [two artists tuesday]

that babycat would be 14 today. it’s an unofficial birthday because he just showed up and no one was there to tell us all about his birth, about the litter of kittens he was from, about his momma or his papa. february 28 was the day chosen for him and we celebrated it – and him – each year.

it’s been almost two years since he became an angel-cat. and, in the way that our sweet pets profoundly impact us, we miss him every day. our babycat had a big presence in our home and lives. he still does.

i just read an article about love written by neuroscientist Stephanie Cacioppo in which she reminded the reader that it indeed is “better to have loved and lost than to never have loved at all”. all love. including our amazing animals, i’d insist.

though his own life was not nearly as long as i wished it to be, babycat saved mine. his tiny heart in the universe changed me.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY