i would be lying if i told you i didn’t cry at the string shop.
i did cry. i’m crying now.
i am a professional pianist. a composer. proudly a yamaha artist with an intensely beautiful C5 in my studio and fifteen albums plus of vulnerability out in the world. i play the guitar and the ukulele. i dabbled on the trumpet in college for five minutes or so. but, oh…the cello.
the moment i touched my cello i had a bond with it. and, holding the idea close of learning to play mournfully heart-draining melody lines, i purchased it. because artists dream, i played.
but reality is reality.
and now – with 45° of wrist forward range of motion – my cello needed a new home. it’s just a fact.
i held onto it long after i knew this. it’s hard to let go a dream. and i’ve never before sold a beloved instrument.
yet, cellos – like all instruments – need to be loved on: played, listened to, tweaked, played more. a paesold, german-made, warm and resonant in tone, it begged to come out of the corner of my studio. though i tried to ignore it, it is like ignoring the stare of an australian shepherd who clearly wants you to do something (and we have experience with this). so my cello kept staring at me and staring at me. even without entering my studio – for i have not spent much time in there in these most recent years – i could feel the stare of the cello through the wall.
until finally.
i know this cello is valuable. yet, the string shop i sold it to – for much less than its value – was full of string music and luthiers working, a performance space and a full marching line of cellos on the wall. it will not be lonely as it waits to be re-homed.
the shopowner knew how hard it was for me to sell this cello, to leave it behind, to leave at all.
i touched its maple and spruce, exquisitely varnished. i spoke to my cello. and i blew it a kiss as we left, entirely and utterly choked-up.
and i wondered how my cello-dream might morph into something else.
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en pointe, arm in fourth ordinary position, the queen lace stands in late winter. curved seed petal over her head she stands in the brilliant sun, ready to release all the rest, to grow, to start over.
way back in the day, one of my favorite times in each week’s schedule was when my little girl took ballet lessons. she had a pink leotard and tights and tiny ballet slippers. we parents sat on the wood floor in the hallway just outside the entrance to the dance studio, gazing in wonder at our little girls – dancing. tiny ballerinas. the sweetest ballet.
our play group back then gathered in our houses, with a revolving schedule. when we were anywhere near a piano, i’d play music and all the little ones would dance. it was amazing and inspiring to see all these tiny people dancing with abandon. so much joy.
we passed the queen anne’s lace and i could see these tiny dancers as we passed by – arm curved and raised overhead, on tippy-toes, swaying, twirling in the wind.
in my mind i raised my arm up – over my head – and pirouetted around. right there on the trail. what better way to greet the sun of each new day, i thought.
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and, just like thistles, prickly people tend to stick together. at least that’s been my experience.
one wonders what the point of thistles are in the world. what good might they do? the nectar and pollen are of nutritional value to pollinators; the seeds are feed for songbirds. but ouch! the packaging is a bit rough.
sandspurs were a way of life in florida. any time you stood on the swale of the road you would expect to encounter them. they were present on the coast of hilton head too, sticking to the bottom of your flipflops as you walked to the water’s edge. we encounter them on the trail – particularly if you step off, into the underbrush. sandspurs, like thistles, are unwelcome hitchhikers on socks and the bottom hemline of jeans, backpacks you laid down, beachtowels. they are about as prickly as thistles – and about as nasty.
i suppose if people were to assign flora to our personalities, none of us would prefer to be “thistle” or “sandspur”. i’m thinking more along the line of peony or daisy, sunflower or orchid or even cattail or meadow grass. definitely not thistle. definitely not sandspur.
and yet, there are people – out there – who seem to relish their prickliness. maybe it’s to stave off other people. maybe it’s a protective shield of some sort. maybe it’s the result of others’ prickliness to them. or maybe it’s the truth – they are just damn prickly.
and, as we know, thistles attract thistles. nasty attracts nasty. mean attracts mean. sandspur and thistle posses can be powerful, keeping out – repelling – anything softer, anything into which they can sink those stickers.
each day – as we continually learn of the challenges of others – i think that there is not enough time to be prickly, not enough time to be nasty like that, not enough time to be unkind, not enough time to be uncaring. we barely have enough time to be loving, to be kind, to care about those around us, to have compassion for those we don’t know.
and despite the many advantages of the thistle, the many advantages of the sandspur, i’m thinking that an outer shell that may or not may belie inner goodness is kind of a waste of precious time. it may be good for the underbrush, good for the meadow, but it’s not so good for humankind.
i could feel it as we entered the woods. even in the cold. even on a mucky trail. especially in the damp fog. it wrapped around me, my body relaxed and i could breathe.
we are in the middle of a lot. like you, life swirls and dips and is taking us places we didn’t expect. like you, we don’t sign up for the angsts, the challenges, the aloneness of some of it. but it is there, nevertheless.
it’s in those times – in the fermatas of those times – that we need be in the cathedral. for us, that means stepping into the bowed trees in this forest, their very branches arching over us. for us, that means walking, hiking, trekking in the quiet. it’s then that i can hear.
and perspective – arriving on glorious air – reminds me. of my smallness in all of this. of an imperative to not take every single thing personally. of release and of healing in the mist. of a bigger presence that is indeed wrapping around me. and is always there. silently tapping my shoulder.
i step into the trees and i instantly can feel it – that this is the only day. i can throw it away, like i often have – for we all forget. or i can immerse in it. knowing it is now.
i can’t change – so much – what is. i can’t affect – so much – what will come. i certainly can’t transform what was. and all of that will be waiting for me, after the trail, post-cathedral.
but i’m slowly learning – ever-so-slowly – how to stand in it all. i’m learning how to accept it, how to move in it, how to move through it, how to get to next. sometimes.
the bigger picture – under the cathedral of sky – gives me air and every now and then – just in the nick of time – interrupts my moment of worry and chastens me to feel the right now.
that air is always with us – the exhale of wise old trees and the stardust of those before us.
“when she stopped conforming to the conventional picture of femininity she finally began to enjoy being a woman.”(betty friedan – national organization for women co-founder)
ripped jeans and boots are – most often – my dress of choice. i add a black thermal shirt or a long (black) tunic and feel like me. it’s my dopamine dressing, regardless of the colors, textures, ensembles on the dopamine charts.
my studio is not large. it’s one of the bedrooms on the main floor – in the front of the house. there are three double-hung windows – two of which face south – so nice light. there’s a chiffarobe holding a big old black-framed window, pictures of my parents displayed. there’s tin on the wall with photos of my children. there’s a painting by david and two framed collages with my first two albums. there’s a photo of me as a little girl, a rocking chair, music stands and mic stands. and there’s my piano. it’s a 6’5″ yamaha grand so it’s a presence.
and now – over in the corner opposite my bench – hangs this lampshade. i suppose it could be used as an actual on-a-lamp lampshade, but ever since i saw fabric-repurposed lampshades hanging in that iowa farmhouse we stayed at, i have been intrigued by the simple hanging of a lampshade. and so, a couple days after the new year, while out antiquing, we came upon this shade. it was hanging in the middle of a vendor’s booth, with no price tag. it wasn’t for sale. but – like the chunk of concrete – this spoke to me.
its femininity was appealing. torn strips of silk and organdy, a feathered hairclip, i was smitten by it. i could imagine it in my studio – softening the straight lines of plaster walls and crown molding. it felt – forgive me for this generalization – girly. in every good way.
i asked at the front checkout about it and the sales associate and i took a walk back to it. she double-checked, looking for a tag. it looked like it was there to dress up the booth. and, indeed, it did. it was charming.
we left without it, but the associate said she would contact the vendor and let me know the lampshade’s status: available/notforsale. my concern was that even if were available – or if the vendor made it available based upon my desire for it – the demand-cost equation might enter in and it would be out of my range (which, frankly, most things are).
the next day i got a text. $15. i re-read the text. $15. i wrote back, double-checking. surely it wouldn’t be only $15 for me to bring home this piece of softness – this very cool boho shade that reminded me of all the layers of who i am.
i wore – as usual – my ripped jeans and boots, a vest over my black thermal shirt. we walked in and the lampshade – the lampshade waiting for me – was on the counter.
there was a group of women standing near the checkout counter, all talking at once. they glanced over at the lampshade, admiring it, asking me what i was going to do with it. we all laughed together, visiting and having those amazing moments you can sometimes have with a group of women (or people, but in this case it was women) who don’t know each other at all but who all-of-a-sudden have a common interest. the lampshade.
this is a good time in my life for this, for the ripped ribbons of silk and shreds of organdy that flow gently from its structure, for the skeleton of a for-a-lamp shade to have new out-of-the-box purpose, for a reminder of femininity and of who i am.
on the way out, carrying my lampshade as i passed by one of the older women standing nearby, she turned to me and said, “it looks like you.”
it’s like having bob marley on our refrigerator. every single time i glance at this bookmark, i can hear mr. marley and the wailers singing. it’s not a bad thing. i mean, what could be bad about hearing reggae in your head? it’s a reminder: don’t get mired in all the blankety-blank of life. in the end, it will all be ok.
i was gifted the book “don’t sweat the small stuff” decades ago. the book spent 101 weeks on the ny times bestseller list. clearly, the stress consultant/psychotherapist richard carlson had some idea what he was talking about. the rest of the title of his book is “and it’s all small stuff” and the tagline subtitle is “simple ways to keep the little things from taking over your life”. yes. it’s THAT stuff.
we humans tend to immerse in worst-case scenarios – i suppose it’s our nature. and i suppose it depends on all the baggage you have carried with you. it predisposes us and we are burdened by all of it, weighed down by magnifying the things we worry about, convinced every little thing is worthy of our angst.
but then, there are those moments we are reminded – yet again – of the very preciousness of all this – this life.
we have a stack in the basement. there are spare suitcases, backpacks, small carryons, small totes with zippers. baggage that holds baggage. they are in line to go. next to all the other things that don’t spark joy, next to all the other things that are extraneous, next to all the other things that other people might need more than us.
with that stack – little by little – i am placing the baggage i have carried internally. as space is created in the basement, in the main part of our house, in the attic, i am lifting the darkness off other spaces that need air. i have no idea what that will mean, how that will change me in any way, what light i will feel.
but the postcard bookmark at the antique shoppe spoke to me. and we purchased it, brought it home and put it on the refrigerator.
on sunday we parked littlebabyscion in front of big red – closer to the garage on our one-car driveway. it was making a funny noise, so, access to big red instead. then on monday, big red refused to start. tuesday morning the browser on my old laptop stopped letting me into my blogsite. last night my crown fell off my tooth. the bathroom sink doesn’t drain quite right. the fridge is still tinkling on the floor every so often. and then, there’s much bigger stuff…things that have impacted me or us dramatically…things that we are dealing with…things on which we spend great deals of emotional and intellectual energy. big stuff. or so we think. at least right now.
but there’s also this: we snuggled under the comforter and the quilt with the window cracked and fell asleep last night. we ate leftovers from a meal we had shared with 20, listening to music our son created and the piano music of kostia – both feeding us. our dog is laying on the bed with us, even as i write this. i can hear the tenor windchimes out back. i have a hydroflask from my daughter that is filled with bold coffee at my side. my dentist is making room for me in his schedule. and we are cleaning out. things that center us.
you just never really know. anything.
on page 185 of “don’t sweat…”, chapter 76 is titled “get comfortable not knowing”. richard must have heard bob marley in his head too.
luckily, we had covered the parsley and rosemary and lavender. the mint and basil are far gone. now i have to figure out how to save these others.
i read that you can simply snip off the parsley and rosemary stems and freeze them, so that seems the best solution. the lavendar, though…
i used to have a lavender garden out back. it was thriving until my eastneighbor’s snow-on-the-mountain continuously grew under the fence and suffocated it. that is some aggressive groundcover. i suppose it’s too late in the season now to try that again. over there, next to barney, the perfect spot. i wonder if it’s beyond the time to transplant it into the ground. maybe the next frost will hold off…
i could bring the whole plant inside to winter – it’s a really large pot, though.
i could snip off the lavendar and hang small bunches of them upside down, maybe create some sachets after they’ve dried.
i’ll have to decide soon; i may have waited too long already. the snow was a bit of a surprise and it caught me off-guard. it’s like this weird time-between seasons. sort of like a mixed-berry jam. not just one. not just the other.
in some ways, i feel like i need a pause button. just to pause fall for a minute or two – to drive out in the county and stop at the farmstands with pumpkins and gourds. to go to the apple orchard that has homemade wine tasting and apple cider donuts. to take some more time to crunch on leaves underfoot in the woods. to wear boots and jeans and not-yet-a-heavy-coat.
but winter’s coming on and, even though we sat on the deck late-night last week with shorts and our fire column burning, time keeps moving.
glancing out back as i write this – ahead – snow lingering on the grasses – there is no doubt.
we have been tracking them. like really good private investigators – ok, not so brilliant but quietly watching – we watch the map that shows when they might get here. the map plots everywhere a hummingbird has been sighted and so we are anticipating seeing one anydaynow. we are waiting. with no promise at all.
“waiting for a train to go or a bus to come, or a plane to go or the mail to come, or the rain to go or the…” (dr. seuss – oh, the places you’ll go)
it seems that waiting is a thing. “i can’t wait till….” we find ourselves saying. impatient for time to slip by and for the anticipated moment to arrive.
yet, exquisite it is to sometimes simply linger, to stretch out minutes, to wade in the shallows of right now. waiting need not be passive. instead, it is filled with arrows-forward-arrows-back present-time. it is the only thing we can really feel, the only air we can breathe, the only. it is all that we have at the moment.
i’m sitting against the headboard, my pillows falling into the abyss between the iron bars. i can feel wrought iron against my back as i think about readjusting my stack of fluffy polyester and down alternative. i can hear the taptaptap of david typing next to me. i can hear the gentle easy breathing of dogdog at my feet, dozing and dreaming. if i stop typing i can hear birds outside, the pond gurgling, wind in the trees, every now and then chimes. if i close my eyes i can taste the last sip of coffee and see the maypole i thought about on monday’s mayday.
there are many things i cannot wait for. to see my daughter, hug her, hear her voice in the same room. to watch my son perform at pride festival in chicago. to take a roadtrip. to finish a long chapter that has had challenges.
but i am reminded – every day – that to rush would be to miss it all along the way. i am reminded to stroll or, at most, skip.
our trail has signs that designate a trot as the terminal gait. were i on horseback i would be tempted to canter – for the thrill of it. but i would go back and do it all again – walking and, maybe but not likely, trotting. i would stroke the mane of my horse and talk quietly about all we were seeing. i wouldn’t worry about the end nor would i gallop cause i couldn’t wait to get there.
i’d go slow. and try to relish the now, pushing back impatience so as to wait to feel the restlessness of waiting.
with gordon lightfoot crooning in my ear, i stroked the pussywillows on the trail. i can’t remember seeing these on trail before. i know i would have noticed – their softness begs touch.
“pussywillows, cat-tails, soft winds and roses rain pools in the woodland, water to my knees shivering, quivering, the warm breath of spring pussywillows, cat-tails, soft winds and roses”
smooth silvery-grey under our fingertips, we each took time to touch, to marvel at the beauty. and gordon lightfoot sang on in my mind.
as a writer, composer, lyricist, there are decisions one must make along the way. we place ourselves in a vulnerable spot, not for our own purpose or indulgence, but, instead, in the hope of resonating with someone who needs the words or music or lyrics we write, in the hope of reaching someone else walking in similar shoes, in the hope of assuring someone out there who needs to know they are not alone. and so, at the risk of thus vulnerably over-sharing, i offer this:
but some things are triggers. and, as the verses and guitar continued, this particular gordon lightfoot song is one of them. my #metoo was at the hands of a musician, a serial predator who walks freely even today. he played guitar and charmed his way into the never-to-forget-lives of many susceptible young women. a man who softly sang gordon lightfoot and james taylor, who wrote love songs, new lyrics for gorgeous SATB hymns, and taught guitar surely was to be trusted, right? wrong.
i can appreciate these beautiful pussywillows, another harbinger of spring and new life. but i stop a moment and give nod to my much earlier self. in a watershed, i recognize the parallel of this earliest time working in the church and my latest work. bookends.
“riding on the roadside the dust gets in your eyes”
it’s not the dust that brings tears to my eyes, it’s not the spring air laden with newness of pollen, the turning of season. it’s the raw bookended time in places i trusted as safe. i cannot help now but examine it all up close, process it, grieve the loss of innocence, the devaluing of women, abhor the loss of respectful truth and the reign of agenda. the bookends hold upright the time in-between, all the books of life, times and experiences and mistakes and successes, the laying down of any attempt to process, to make right, of any ramifications for the wrongdoer. the bookend of late was a stunning surprise. i am astonished at its destruction, now, no longer a teenager. i find it all shockingly galling.
“slanted rays and colored days, stark blue horizons”
the horizon is much like the horizon all those decades ago. it’s surprising to return to that feeling. i want to leave, to run, just like that other time, that other bookend. my physical life, however, is not at stake this time. it is me, my loss of community, my loss of position, stolen integrity. i cannot wrap my head around the slanted rays, the starkness.
“treasuring, remembering, the promise of spring pussywillows, cat-tails, soft winds and roses”
treasuring, remembering. promises. but roses…the flower of love…it is hard to hear lyric of roses…my hope is to only hear gordon lightfoot in my mind’s eye and to forget the echoing bookends.
“shivering, quivering, the warm breath of spring”
to remember – spring is beginning to spring. the catkins of the willows are soft, cattails seed in the wind, warm circles us on the trail.
reverse threading 