on a cold and cloudy day, the colors are muted. it is stunning. the trees have reached out and caught the snow as it flew by. the branches have held onto it, inches of white topping a narrow spectrum of greys and taupe, some tree trunks black in the dim. it’s quiet. we are – on most of the trail – first there, save for the deer and squirrels and rabbits who have left behind evidence of their passing. gorgeous. i am not cold, though the temperatures have plummeted. i feel wrapped by the woods, embraced. the paradise of winter is not on some beach somewhere. it is right here, in the middle of fallow.
it occurs to me that the colors there – in the woods – are the colors in our living room. i see now why – both – they are the colors we have chosen and why they feel so peaceful. the woods is in our living room.
i turn out all the lights – each lamp – the standing lamp, the side-table lamp, the lamp in the window nook, the lamp on the secretary – but leave on the twinkling white lights on the tall branches. they light the room just enough. they are the outside, brought in, a branch from the cherished tree in the front yard, a branch from the woods. they rise high above the old wood floors and bathe this room with starry light. they do not hold the snow as it falls any longer, but they hold memories and profound reminders of the rhythm of nature.
this is, yes, i suddenly see, why this is the palette from which our living room has evolved. it is muted, a quiescent slate from which anything can grow, in which any burst of new color blossoming is celebrated, a serene woods any time we need it.
we had never parked in that section of the daily parking garage, so we never saw it. creatures of habit, we didn’t park there this time either, but we walked across the driveway to use the elevator and the interior moving walkway on that side. for how many times i have flown out of the milwaukee airport, i was surprised to find we could walk inside instead of through the cold terminal parking garage. the walkway was much warmer than the damp parking structure and, since we were going to florida coatless, it was a much better choice.
we rounded the last corner – the one that takes you to the third-level-skywalk to the terminal – to find ancient words of wisdom marking an entrance to the airport’s meditation room. simple, beautiful, quiet – we never knew it was there, though it was completed in late 2017. “airports can be busy, hectic, and stressful places. the MKE meditation room provides a quiet, tranquil location for thought, reflection, prayer, and meditation.” (www.mitchellairport.com) we stopped into the meditation room on our way home. we sat for a few minutes, reading the inspirational words on the wall, closing our eyes in contemplation. it was surprisingly silent. it was right as the liminal space between the flight and home.
a few days ago – in the later afternoon – we hiked one of our favorite trails. we were stressed and needed the space and quiet of this familiar woods. we had been there days before, boots and snowpants through deep snow, trees stunning against the whiteness. it was beautiful. we find the ancient words of the talmud on this trail…we are sustained by its peace, we feel more hope for truth and justice as we walk in nature.
but this day was not quiet. and, though researching the mayhem revealed that it was a “woody invasive species clearing project,” we found the noise, the machinery, the devastated forest disturbing. nothing looked the same and, as much as we know this trail, it was hard to locate within it; without familiar trees and underbrush each bend in the trail looked different.
“removing invasive shrubs and trees in oak communities allows for enough sunlight to reach the ground level to encourage the growth of young native tree seedlings and other native vegetation.” (www.lcfpd.org) we felt somewhat relieved reading these words after our hike, understanding that these big changes were intentional and that the purpose was growth and sustenance of the savanna, prairie, and marsh wetland.
the talmud, the milwaukee meditation room, the preserved woods in northeastern illinois…all the same, i suppose.
it is the removal of the invasive, the obnoxious, the noise, falsity, injustice, all that is conflict-riddled, that allows the sun, that encourages, that sustains the world.
there used to be a lot of stuff on the counters. a breadbox, coffeemaker, fruit basket, basket with random mail and school dittos, microwave, paper towels, cookie jar…it makes me shudder now. the counters – back then – were yellow formica – bright yellow circa 1960 or earlier. i suppose the stuff on the counter helped disguise the counters a bit, but the backsplash was the same bright formica and there was plenty of that as well. i tried to think of it as cheery – every kitchen needs to be cheery. but…
the people who owned the house before us – back in the 80s and prior – had applied woodgrain contact paper to the counters and to all the shelves in the pantry and to the inside of the drawers, really anywhere it would stick. when we bought the house they asked us if we wanted a lesson on re-applying contact paper. i was horrified at the thought, and we politely said no. after we moved in i peeled all the contact paper off the counters and backsplash and elbow-grease-scrubbed off the sticky residue. yikes. what a mess. it was bright and it wasn’t without dings, but the kitchen went from peach cabinets and woodgrain to white cabinets and yellow. it seemed freshened, even with the yellow. it was supposed to be temporary.
there were other oddities – there was a door from our kitchen to the sunroom which they had kept on its hinges, blocking space that we filled in with an antique kitchen table that my dad refinished. we still eat around that table now. i suppose anyone touring our home who might consider it as theirs would utter “gut job” entering our kitchen but that’s for some future time. though we will make some updates to it, we love it the way it is. even temporarily.
at some point – a few years back – we decided to see what was under the formica. climbing into the cabinets i looked up and saw really lovely panels of good wood. we assumed that was the counter prior to the yellowness. it wasn’t so, as the first peel revealed. plywood was the countertop material and i literally starting panicking, running to the computer to google how to fix this dreadful mess. a sander, sandpaper, chalkboard paint and food-safe wax was the prescription and it achieved a kind of black soapstone look. black and white. it was supposed to be temporary.
we have pared down what’s on the counter. just the coffeemaker, the microwave and a wooden bowl of fruit – oh, and the roll of paper towels on a wrought iron stand. less busy, it makes it all feel less frenetic, tidier. it feels more orderly and that makes it feel more serene.
the florida national cemetery is the epitome of orderly. it is pristine and it invites you – without words – to wander. it would be easy to spend hours of time just walking among the big oaks and the lines of headstones, to weave in and out of the columbaria. its orderliness lends peacefulness and reassurance, its vastness a reminder of the temporal nature of this life – transitory, fleeting.
we arrived back home after a few days in florida with family, after interring my sweet momma’s ashes, after spending time with the adorable non-stop two-year-old and sat at our kitchen table with 20 who had soup and bread and glasses of wine waiting for us when we got there.
i love traveling and exploring and – simultaneously – always have a little homesickness when we are away, so i gazed around at our old kitchen and all its supposed-to-be-temporary fixings. my heart was full and i could feel all the time spent in there – my dad proudly placing the refinished table, my mom waxing poetic about the happy-yellow, my children in high chairs and suddenly on college breaks and suddenly adults. my kitchen counters and their timeline of transition, their sweet legacy.
one of these days we will update. but, in the meanwhile, i know it’s all temporary anyway.
reddi-wip was always on her list. any holiday, any winter-hot-cocoa-possibility day, any waffles-and-ice-cream-up-a-notch day. my sweet momma was a reddi-wip fan. so i can’t help but think of her when i look in the fridge right now and see the familiar red and white canister, just waiting…
we don’t buy ice cream. i can’t have it and, though it wouldn’t really bother me – unless it was coffee ice cream – in which case i would be ridiculously jealous, d doesn’t want to eat it in front of me. so we don’t put it on the list. we will – from rare time to rare time – pick up frozen cashew milk or some other dairy-free option. just a pint. but a treat and oh-so-good.
instead, we freeze bananas. and we take out one of those appliances you buy in one of those we-need-this moments. it’s a yonanas and, even though it isn’t a front-and-center machine, when it makes an appearance from the shelves in the laundry room in the basement, it reminds us of the deliciousness of a littlebitta dessert, a little something sweet.
frozen bananas become ice cream in this miracle-machine. we top it with berries. or really anything you might put on an ice cream sundae. and then – if it’s really a fancy moment – there’s reddi-wip. swirls and white fluffy clouds of whipped cream on top – it becomes an occasion. we look at each other and wonder why we don’t make this more often. what day – really – doesn’t deserve to be an occasion, we wonder aloud. what day – really – doesn’t deserve dessert, we insist.
i’ve been thinking a lot lately about the word “indulgent/indulgence”. i’ve sat with it, pondered over it, journaled about it, discussed it at length. it is one of those yin-yang words, one of those words that is both inspiring and guilt-producing. the dark and light of self-indulgence, the expansive greyness of indulging, judgement and justification invisible partners. i had to decide if i would indulge in some looking-back, in processing some times of great difficulty. i had to choose between indulgence and necessity. it was a seesaw for a bit.
the reddi-wip made its way into the shopping basket as i planned for a special holiday meal. and now, as i gaze into the refrigerator, i realize it’s still there – there is more in the container – more fluffy whipped cream – for any day. it’s an every-day possibility. some things that look like indulgences are not. some things are necessary.
“joy is not made to be a crumb.” (mary oliver – don’t hesitate)
it’s exactly how i draw horses. back in the day i had a book that taught me how to draw them. i was horse-crazy and i studied this book and practiced over and over. i did not retain much of all that study – or all of the other books i read about horses – but i can still draw a horsehead. so when we flew over this island on our approach to the tampa airport, i was astounded to see the first vestiges of my own drawing. i named it van gogh horse – for obvious reasons. high tide and angle and an active imagination helped, but i sure do think it looks like a horse.
it had been three and a half years since i had flown. we’ve read many articles about aggressive passengers and, i must admit, that doesn’t sound too enticing. i can’t imagine being rude to people who are tending to your needs as you zoom through the sky. not to mention all that recirculated air and the folks in the seat behind us hack-coughing. ahem. so it was a little nerve-wracking.
but it was also magical. you forget. i spent a lot of time looking out the window, mesmerized by the cloud formations and the landscape below, checking the flight plan on my phone to see where we were (technology is pretty amazing!) and taking photographs. i looked – i am sure – like the quintessential tourist-on-the-airplane. but i didn’t care. we have driven everywhere in the last years so it was like a small miracle to jaunt from milwaukee to tampa in two hours and forty minutes.
i remember days i flew often. midwest express airlines and real plates and real silverware and gourmet meals and mimosas in the morning or wine in the afternoon. and, the pièce de résistance…warm chocolate chip cookies. it was an experience – a whole experience. i flew midwest as often as i could, flights to los angeles and nashville and south and out east.
the most memorable experience was the – only – one time the airline lost my luggage. i had concerts and appearances in boston and all my attire was in my suitcase. a midwest express representative – jimbo – who is still my friend on facebook – immediately set to helping me, told me to go buy some necessities, including concert attire, and send midwest the bill. i am mostly a jeans-wearing performer – though there were some exceptions that particular trip – so that kept the costs down a bit, but they covered every last thing i needed. customer service at its best. i called all those items “my midwest express collection” and flew midwest loyally until the airline was no longer.
in a memory-filled moment with the smell of baking chocolate chips in my mind’s eye, i googled the milwaukee-based airline and was jazzed to see it is hoping to make a comeback one of these days. i wish them well. here is the best news:
“the airline plans to bring back the cookies if it starts flying again.” (milwaukeemag.com)
i know that can take some time and some luck. but warm chocolate chip cookies fresh out of the airline’s tiny kitchen could encourage me to start flying more again. i mean, people can’t be ornery with cookies.
if i had to draw an airplane experience – even though i am clearly not gifted at drawing – i would draw people in cushy two-across-seats, trays down, real plates and silverware, coffee cups and mimosas, warm chocolate chip cookies, linen napkins. smiles and horses out the window.
a large-moving-truck-sized asteroid missed the earth. apparently, not by much. npr called it a “very close encounter” and nasa said it was a “near miss”. it kind of puts things in perspective. i mean, what does anything angsty mean when all could be destroyed in a moment by a united-van-lines-projectile?
i suppose the wise among us would nod slowly at that question. they’d take a deep breath and exhale audibly before speaking. and then they’d point out that there are no guarantees – for any of it – and perhaps lighter hearts would be a better way to fly through this universe, skimming along, soaring, aerial acrobatics from moment to moment.
it’s been seven years. my sweet momma glimmered her way to heaven seven years ago and now, seven years later, we are interring her ashes. the wooden box that my brother-in-law holds gently in his hands is added to my dad’s niche in the columbarium. his ashes are in a hard cardboard heart-shaped box and my dad grins as her wooden box is added next to his, relieved that it wasn’t the other way around or my momma would have had something to say about his box being wood and hers being cardboard. nevertheless, our son said it best, “happy they are resting together.”
i brought my ukulele and a songsheet and we all gathered around and sang “always” before the niche was closed. it was simple. and short. and the service a row behind us had a twenty-one gun salute followed by taps – just in time as the caretaker replaced the granite door.
it’s sobering to be in the veteran’s cemetery. pristine and beautiful, but sobering. so many headstones. so many little granite doors.
i looked up – i wanted to remember the sky – perhaps the heavens – the moments we stood there, after. the sun was shining and there was a gentle breeze.
my sweet parents whispered “thank you” to us and my momma got that stink-eye look she gets. “now go live life,” she added. and my dad reached out his hand and diverted the asteroid’s path, just a little. but enough to make a difference.
we checked our bags. southwest airlines lets you check two and, as long as you trust that they will actually get them to the same destination to which you are traveling at the same time that you are traveling there, it’s a relief for the prior-to-travel packing frenzy.
there were many golf bags going ’round the baggage claim conveyor. none of them were ours.
i have golf clubs. in the basement. or maybe in the garage. no, i think the basement. i am not much of a golfer, though i have golfed. let’s just say that i am not gifted at the swing…or the stance…or the putt. really, none of it, save driving the golf cart.
i think golf would be more fun without the scorecards and the tiny pencils. so much pressure. everyone – despite their ability level – chasing after this one little ball, getting all crabby-like and self-deprecating…all under so much pressure.
one time i got a 91. people seem relatively impressed with this score. they comment, “wow! that’s pretty good for a total novice! (they can’t think of a word that is lower on the golf-ladder than novice.) really, that’s good! a 91 on 18 holes!”
i take my time replying.
“it was 9.”
“9 holes.”
their look tells all – they are trying not to burst into laughter or look astounded and are likely internally blaming me for all the divots on the course – every last one of them. because i have swung the club a zillion more times than any of them, in every part of the course. at least twice as many times as they have. and i am exhausted just thinking about how tired my arms – and really, every part of my body – have been after a “fun” round of golf. yes, indeedy.
i do think that d and i should go play golf together. we would likely laugh our way through the course, so we need to go when no one is behind us, grousing about how long we are taking or commenting on our pathetic swings. if no one was around we could replace our divots without judgement or sneers from the sideline. a smirkless round of golf could actually be fun. pressureless. pencil-less. one of these days. first i need a few golf lessons from sisu sue. she would be the best teacher.
we walked on the bike trail a few times recently. once, it was just after a few snowflakes fell. the tiny divot in the asphalt caught the flakes just so we would notice the heart as we hiked by. prior to that – though i put my heart into every one of those swings and they all just didn’t notice – the word “divot” made me cringe a little, thinking of my personal golf je ne sais quoi.
there is something so delicious about going away. we left town and the cold north for florida. it was just for a few days, but the difference in climate is stunning. when you are not – in general – wearing your 32 degrees base layer or your earmuffs on a walk or your furry boots and you have traded it all for cropped jeans and flipflops and no-sleeves, it is a joy. the sun shined down on us as we visited together – our family – a ridiculous and unbelievable four years since we had seen them. we stuffed conversations into nooks and crannies of time and cheered glasses and cooked and took walks and played thomas-the-tank-engine with the tiny two-year-old-miracle who is now in the fam as well. in the middle of it, we suddenly realized how fast it was all going. and then, it was time to board. masks on – two of like four people in the entire tampa airport – we got on the plane and zipped through the air back home.
there is something so delicious about getting home. behind us we had left dogdog in the ever-capable hands of our 20. behind us we had left the worries and angsts of the moment, of this time. behind us we had left our 32 degrees base layers and hats and gloves. behind us we had left all vestiges of our normal schedule and normal routines.
we exited the plane, stopped at the meditation room at milwaukee airport and got into a cold but completely happy-to-see-us littlebabyscion (i may be projecting here) and drove home, getting more excited each minute. 20 had soup and bread ready for us when we got there. he knows how to tend to those basic comforts – those things that reassure when you have left part of your heart behind somewhere else. and then…that deep tiredness – that happens after you have been away and have arrived back home – sunk in.
sleep came early and then we woke early. looking out the window we watched the snow fall. it’s winter in wisconsin and it looks like winter. i like that. i need the seasons to go by…it’s part of my own process as well.
as the flakes get larger and i write this i know that today is a home-day. i just need to stay home, do the laundry, look at the lists i left, process leaving family-i-love behind. tomorrow i will go out. tomorrow is soon enough.
today i just need to absorb the “welcome home” and listen to the quiet snow fall.
“…eat bread and understand comfort….” (mary oliver – to begin with, the sweet grass)
flannel is like that. flannel shirts, flannel sheets, flannel pjs. the touch of flannel on our skin and we become swaddled babies, small children held in the arms of a loved one, cozied, reassured, comforted.
though there are expensive flannel sheets ‘out there,’ our flannel sheets are from target. two sets of them now. both soothing, serene, bread-like.
we sat in paris – on park benches, cathedral steps, in the grass – with baguettes and cheese, bottles of wine, olives. when i think of paris now, i think of this…comfort – sinking in to the place, like sinking in to flannel sheets on a cold winter’s night, gordon lightfoot’s webs of snow drifting outside our window. i wonder how we could have had a better time – i know…the butter, the starred eateries, the crepes, the cuisine. but we are flannel people, i suppose, and we learned – for us – the way to really feel paris was to sit on its steps, in its parks, in the grass. it was to shop its markets, its boulangeries, its tiny groceries. it was to simplify and to feel the flannel.
because we ate bread and understood.
“…i have become older and, cherishing what i have learned, i have become younger….” (mary oliver)
we know the trees well. on all three of the hikes we usually take in our area. we watch them as they change through the seasons, giving their leaves over to fallow, holding snow, reawakening. their portraits shift against the sky – from dense to sparse and back to dense. we notice when limbs fall and when nests are built in their branches. we watch as they turn from photographs of trees to graphic images, of dark and light. ever-changing. evolving. we use no filters.
eyes wide open – sort of – we move about our days. we see the people we see, do the work we do, go the places we go. some days are all about the familiar, the patterned, the every-day-ish-ness of it both reassuring and maybe a little stifling. we look at the days without noticing the days, at the people without noticing the people, at the work without noticing the work, at the places without noticing the places.
sometimes i stand just inside the front door of our home and look in. i try hard to pretend that it is my first step into this home. and i look – really look – to see what i see, feel what i feel, notice.
reverse threading 