reverse threading

the path back is the path forward


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the way to fly. [kerri’s blog on two artists tuesday]

“and the spirit fills the darkness of the heavens
it fills the endless yearning of the soul
it lives within a star too far to dream of
it lives within each part and is the whole
it’s the fire and the wings that fly us home…”

(the wings that fly us home – john denver/joe henry)

and soon afterward, the sky was softer. and soon afterward, the clouds billowed like bubbles stacking up on a bubble-wand after gently blowing, finally releasing, floating off. and soon afterward, it softened to pink and pale lavender. and soon afterward, one single bird winged its way across the sky, blurring in flight.

and the shift in the universe brought a little bit of healing, a little bit of perspective. it eased the darkpain, the yearning for something different. it connected the dots from earth’s ground to the stars-so-distant. it lit hope and a freedom that had been elusive.

and afterward, my heart flew me home. back to steady. back, but with wings. for next.

“find out what you already know and you will see the way to fly.” (jonathan livingston seagull – richard bach)

*****

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fly. [k.s. friday]

the seagull looked at me furtively, side-eyed. he acted like i just wasn’t there, stepping along the harbor channel wall at his own pace, seemingly not too nervous about my presence.

writing, i’m holding my weathered copy of jonathan livingston seagull in my hand. jonathan thrived. he left the traditional flock of gulls so that he could fly, soaring higher than he had ever soared. he was an outlier but was kind and loving, generous with the skills he learned.

i’m thinking he was as much an artist as those of us who are artists.

ever since, well, forever, i have had a thing about seagulls. i have a seagull collection in a box in the basement. in the 70s, it was a popular tchotchke – a plaster or wood base that looked like a piling or rocks or shoreline with a thin metal piece atop which was a seagull. sold in every beachfront town, i was – back then – a willing buyer. i had seagulls everywhere in my room. they represented the beach for me – my winter/spring/summer/fall sanctuary. and then i read richard bach’s book. and i was hooked. it resonated with me back then, this story of breaking away, hopefulness, dreaming, accomplishing. i was 18 and i was a jonathan-livingston-seagull.

my soaring seagull days ended abruptly at 19.

but in these days now – as i walk the lake michigan beach or hear the gulls as they fly overhead our house – i am reminded. the caw of the gull is reassuring and, as i gaze up watching them swoop and soar, i feel vestiges of the surf – the sound and the ocean from long ago. tide out. tide in.

i walked along the channel and, in parallel lines, the gull started to step along the wall. and then he stopped, put both feet firmly on the cement.

and, still looking at me sideways, whispered, “don’t forget you know how to fly.”

*****

TAKE FLIGHT ©️ 1997 & 2000 kerri sherwood

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the fat seagull. [k.s. friday]

“you must begin by knowing you have already arrived. your true nature lives as perfect as an unwritten number, everywhere at once across space and time.” (richard bach – jonathan livingston seagull)

i followed the seagulls on my ten-speed. to the beach, always the beach. later, i followed them in my little blue volkswagen, their screeches out my open window, their soaring showing me the way. and i felt kin to richard bach, his writings about freedom and passion and dreaming and the meaning of life. we met at the beach – crab meadow – and talked telepathically. well, i talked. i don’t know if he was listening. he was on the west coast and i was on the east, though i suppose jonathan livingston may have been able to deliver any message of gratitude i had.

and so we arrived at the fat seagull. it is beyond me why we had never discovered this bar and grill tucked into the downtown of manitowoc. it’s a cheers! kind of place, people who know each other gathered at the bar and around tables, eating, drinking pints, playing games, talking. in the way of wisconsin pubs, there is a vast menu and we order a thursday special to split. the bartender tells us that the two wine glasses they had were broken so he gives us diminutive stemware and charges us less. we choose the bottle still corked, wondering who last drank out of the open bottle and how long ago that might have been. we are kind of strangers in a strange land…17 draft beers and traditional old-fashioneds surround us and our tiny wines.

we listen to live music and gaze around – at people, at the bar, the old wood floor, the ceiling. it is a study in perfection. we feel alive – out and about – a two hour drive each way – food we didn’t prepare – wine we didn’t pour. we talk about how it feels. we laugh and dance. we don’t realize it’s raining out; it had been a beautifully sunny day. we are glad to be there.

we end this week in uncertainty. we reach backwards, examining all we have done – so far – in life and work, what we have accomplished, what we have not. sixty-something is not youth, nor is it aged. it is somewhere in-between, located wherever we are. we bring all we know – and all we do not know – with us. we try to trust that we have arrived, that we are on the tarmac – or – in the terminal, that we – too – despite our lack of certainty – have flown, screeching and soaring.

“instead of being enfeebled by age, the elder had been empowered by it; he could outfly any gull in the flock, and he had learned skills that the others were only gradually coming to know.”

*****

TAKE FLIGHT ©️ 1997, 2000 kerri sherwood

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kitsch. [not-so-flawed wednesday]

i suppose if i opened my 1977 john h. glenn high school yearbook i would find these words. in fact, i am almost positive i would find them. scrawled in pen by more than one friend, on the big white space of the inside hard-cover or the inside back-cover, maybe across the page for the art and literary magazine. there would be other sage phrases too…like “life is a journey, not a destination”…as if there was a what-to-write-in-a-yearbook handbook or maybe taken directly from the blue mountain arts meaningful-phrases calendars of the time. my personal favorites were the susan polis schutz/stephen schutz calendars, books, bookmarks…the colors and shapes of the seventies. pause for a sigh…

hiking on our trail, i am whipping my camera left to right, capturing the gorgeousness of the underbrush, trees in their green glory, a very-blue sky.

the litter almost under my footfall gets my attention. it’s not just paper.

this time, it’s a succinct message – kitschy as heck – but, alas, to the point. “cherish yesterday. live for today. dream of tomorrow.”

i don’t know what to do.

i photograph the torn positivity mantra. richard bach’s words in “jonathan livingston seagull“, rearranged.

i try to decide. do i pick it up, as litter? do i leave it for someone else to read?

because i have been privy to the wisdom of the 1970s – in print form, not just IGs or memes or jpgs, i left it. i thought that someone might need to pick it up, tuck it into their pocket, keep it on their bedside table or tape it to their mirror.

who doesn’t need a reminder to truly cherish yesterday? who doesn’t need a reminder to truly live for today? who doesn’t need a reminder to truly dream of tomorrow?

kitsch has its place, after all.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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take flight. [k.s. friday]

take flight songbox

i have a seagull collection.  much like my horse collection, my seagull collection is much bigger in my memory than in the actual bin-in-the-basement.  when i opened what i thought was a big stable of horse figurines, i was shocked to find that my i-packed-it-in-1972-according-to-the-newspapers-in-the-box brain had overestimated the numbers…by a lot.  my seagull collection, on the other hand, was packed a bit later – more like 1980 – and i had a (little bit) better memory about how many jonathan livingston seagulls i had collected through the years.

growing up on long island i loved seagulls.  never too far from the beach, they were everywhere, but i spent great periods of time beach-sitting winter/spring/summer/fall watching them swoop and holler, screeching at their scavenged finds.  richard bach created a whole seagull community metaphor and i fell right in.

i can still smell the wet sand, see the seaweed washed ashore on pebbles i collected even back then, feel the sun, even the winter sun, on my face.  it all made me breathe differently.  it all made me think and grow and dream.

john denver’s song the eagle and the hawk spoke to me back then.  his simple lyrics prompted me to let those dreams TAKE FLIGHT.

“And all of those who see me, and all who believe in me
Share in the freedom I feel when I fly.
Come dance with the west wind and touch on the mountain tops,
Sail o’er the canyons and up to the stars.
And reach for the heavens and hope for the future,
And all that we can be and not what we are”

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TAKE FLIGHT from THIS PART OF THE JOURNEY ©️ 1997 & 2000 kerri sherwood