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Tag Archives: the life of an artist


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on a wire. the universe of all. [ kerri’s blog on k.s. friday]

it was by itself. high on the wire that’s included in the squirrel highway system, it perched, alone.

mourning doves are usually together, in pairs. cooing in our backyard, pondside, they are cleaning up under the birdfeeder, welcoming the day or bringing an enchanting beginning to the evening. we have a particular fondness for them.

but it has been rare to see one by itself.

if i had to imagine what it was doing, i would say it was talking to the universe. way high like that, it would seem to be a little bit closer to infinity, to whatever it perceives as divine. it sat there, quiet.

i don’t require an intermediary either. my prayers are whispered on the trail, on the pillow, blowdrying my hair, chopping onions. in my own life, i have now found – after repeated learnings – that grace is all around and the divine is not in some building somewhere.

on the contrary, i wonder about those buildings now. for i, personally, have experienced the worst hypocrisy there – in communities that are waxing poetic in mission statements and disappearing in actually participating in those sentiments.

and so, i sit on the wire with the mourning dove. we both find this universe beautiful. we both find it challenging. we both lift longings up and we both ask for mercy in our living. we both live in the mystery and immensity of faith. i would imagine that sole bird does not wrestle with religious underpinnings, historical narrative stories or philosophical questions. that bird-on-the-wire is not concerned with the begats nor the maps of supposeds. i’m guessing we are kind of in alignment with the basic tenets – goodness, kindness, love, peace, generosity, fairness, grace. just like me, like, well, all of us, it has a direct-connect with its deity and the universe.

it is not likely – though i have learned never to say “never” – that i will ever be in a church again. i gave my entire heart to working at one at 19. they did not warn me of any danger, protect me or aid me. i gave my entire heart to working at one in latest life. they did not warn me of any danger, protect me or aid me.

i don’t blame god. for my god isn’t stuffed into nooks and crannies of the church. my god isn’t clinging to any specific denomination. and my god isn’t justifying any wrongful behavior because of some building.

to be in a sanctuary, one must feel in a place of refuge or safety. stone walls, brick, wooden altars, pews, organ pipes, artifacts, relics with touted significance – these are not naturally-occurring as safe or as refuge. the leadership and the community must bring that. and, in bookended experiences – on either end of my three-plus-decades of such work – though i brought every ounce of heart in, i walked out with my heart destroyed.

and so, the mourning dove and i sit on the high wire sanctuary together. we gaze at the sky and the divine tethers us in gently-held gossamer threads, tied to all the rest. i’m not sure what my dove friend is thinking, but i know that i am in prayer. that the universe yearns to hear each of us. that, even though i may feel alone on the wire, i am now more in the community of truth than in those fraught buildings.

i and the mourning dove are in the “church of nones” and the universe of all.

*****

ALWAYS WITH US from AS IT IS ©️ 2004 kerri sherwood

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proud at pride. [k.s. friday]

and tomorrow we will go to chicago. we’ll metra downtown and walk to boystown. there will be sooo many people. and with them, we will stand on the corner of halsted and waveland and watch our son perform on-stage outside in the rainbowed city.

and we will celebrate pride.

to say i am overjoyed at his producing of music these days would be an understatement. his zeal is full-on and he is squeezing every last minute of every day as he works in his professional position full-time and djs edm (electronic dance music) the rest of the time.

at his condo in chicago, in his studio, he demonstrated to me how he creates. as an analog artist, it was a fascinating experience to glean this complex digital mixing of tracks, layering, feathering, a sedimentary piece of music produced with great intention. it is hard not to dance as i watch. it’s hard not to be aware of the invisible bit of baton i hold, poised to pass. and i am aware of the contagious quivering of excitement, the gift of his sharing his process, how much i understand – on a cellular, heart level – how this creating feeds him. and then…then, there’s the joy…

different genres, but i still grok how my son feels. knowing that what you are producing is resonating with someone – someones, if you will – is powerful inspiration. i won’t forget the release of my first album and, even at number fifteen years later, it was with both the same excitement and vulnerability as the first. time and study and experimenting and lessons bank courage, though, so we each keep on keeping on, growing – much like anything in life to which we give time and attention.

i’d imagine that the day my yamaha c5 was delivered into my studio felt much like the day he upgraded his decks and gear. i’d imagine the day i stood in the sitting room with the chicago radio station on – waiting – and then my music aired – the first airplay ever – feels much like his tracks being signed to major edm labels, waiting to be released. i’d imagine the applause, stepping into the apron, at the end of a piece, feels much like the exhilarated dancing and cheers of the crowds at his gigs. i get it.

you know you are merely one artist in a universe of artists. humility. relevancy. there is much to learn. for both of us. always. the arc of an artist is never really done.

we have spent nights watching our son stream from clubs. 2am is later than it used to be but it’s a thrill to watch him in his element. we’ve listened to every single track he has sent us, every idea, every gesture in whatever iteration. we’ve connected our remote speaker and played his music during our happy hour, i’ve listened with ear buds on soundcloud, spotify, iTUNES. but tomorrow…

it is with much pride we will stand and watch our son. it is with much pride that we will be surrounded by his friends and by the community. it is with much pride that we’ll dance and cheer along with the gathered crowd. it is with much pride that we celebrate pride.

*****

UNFOLDING ©️ 2004 kerri sherwood

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tiny fountain. [two artists tuesday]

in 1969, when i was ten, i stood on the viewing deck and stared at a motionless niagara falls. they had turned the falls off, so to speak, building temporary cofferdams to divert the water from the american falls to the horseshoe falls on the canadian side. my parents had pitched the trip to me as something very few people would see – in comparison to those who have seen the falls with water. but as i stood there, gazing at a waterfall sans water, i had deep disappointment to not see the majesty of that landscape as it usually existed. the next time i went to niagara falls i was sixteen and there was water, glorious water, and the static electricity made my hair literally stand on end. it’s powerful watching waterfalls…powerful and meditative and inspiring. simply water. falling.

for years it sat motionless on a living room window seat. i suppose it, like the american falls, was waiting. “un-dam the coffers” (or just add water and plug it in), this little fountain was thinking. i would dust around it and wonder why i was holding onto it, my tiny 1969-niagara.

and then one day, a few weeks ago, i picked it up and took it outside to the deck to clean it up. i added water and plugged it in and watched it come back to life. instantly, its flow, a gentle trickle, spoke to me, reminiscent of standing in a cool woods next to a stream flowing just a bit downhill. i moved it inside to the sunroom, put it on the old table we have in the eastern window that catches rays of the sunrise, and plugged it in.

this little fountain’s presence, the sweet sound of water moving, is inescapably soothing. a simplicity, the element of emotion and wisdom, moving freely, continuously, a reminder of the fluidity of these days – the coming and going of change, gentle adaptability. all good as we sit near this tiny fountain full of big lessons.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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fluid. with wings. [k.s. friday]

“when she transformed into a butterfly, the caterpillars spoke not of her beauty, but of her weirdness. they wanted her to change back into what she always had been. but she had wings.” (dean jackson)

“trust the wait. embrace the uncertainty. enjoy the beauty of becoming. when nothing is certain, anything is possible.” (mandy hale)

i had an IME on tuesday. an IME is an independent medical exam. it is a brief exam ordered by an insurance company and the physician is both chosen and paid for by that insurance company. it is defined as an independent assessment of an injury or illness, in my case, my wrist, and the determination by the doctor-chosen-and-paid-for-by-the-insurance-company-paying-for-treatment will be placed next to the reports of the medical hand specialist and the occupational therapist who have been treating me consistently for the last five months. a basic review of articles about IME reveals that the insurance-company-paying-for-treatment will pick the report they wish to concur with and that will decide if there is to be future, in this case, my future, treatment. so be it.

there is nothing to do now but wait.

my OT is wonderful. she has encouraged me, pushed me, held me accountable and she has brought me from twenty degrees of forward right wrist movement to fifty-five. this is big news, since, at first, six degrees was all i could muster. brutus and my OT have caused me much pain, but what’s that saying? no pain, no gain. we have worked hard. and, in the way of hard work and healing, there are things i can do now that i wasn’t able to do a few months ago. and there are things i fear i will never be able to do again. uncertainty.

there is nothing to do but wait.

sometimes i wonder what life will look like in a year or two years. i wonder what i will be doing. if i looked back a year i would never have guessed back then what this year would have looked like. no, last july looked very different than right now. it just suggests that truly everything is uncertain, that everything is in the act of becoming, in the middle of the fire, maybe everything is ashes transitioning to riches over and over again. possibility, evidenced in tomato plants bearing fruit on an old barnwood potting stand, evidenced in a nest-home created in a birdhouse hanging empty for years, evidenced in the smell of the rain bringing cool on a summer morning.

there are times, when you are simply going about your business, going about life, that you don’t expect change. you don’t expect to be thrust into ‘different’. times when you find out the caterpillars were talking about you all along. after reeling from the surprise, after trying to grab the wheel to stabilize, after railing about the unfairness of it all – for life does not seem to be fair, you find yourself out of the deep, dark water – in the shallows.

and in the shallows there is abundant life, abundant food, abundant shelter. in the shallows we can rest and nourish and breathe. we can sit in uncertainty and the unknown. we can imagine new. because anything IS possible.

there is nothing to wait for and everything to wait for. it’s now.

i’ve written here about transition before. and again. and again. and i suspect i will yet again.

because life, i am learning over and over, is one transition after another. fluid. with wings.

*****

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IN TRANSITION from RELEASED FROM THE HEART ©️ 1995 kerri sherwood


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ladders. [two artists tuesday]

ladders.PNG

gay pointed to the ladders in the backstage of tpac and said, “see those ladders?  the front silver one on the right is where you are.”

this is true.  we are clumsily perched on that front silver ladder.  there are people scattered about on the other ladders, many of whom are on the top of the tallest orange ladder up against the wall.  our view, on the shortest ladder, affords us the opportunity to look out, to look up and still to be able to easily see the ground.  the view from the highest ladder, extended well up the wall, is a view of vast height, a view without a cluster of other ladders, a view more singular.

it has been our experience as artists that we must explain our livelihood, we must fight for acknowledgement of experience, we must advocate for our own fiscal equality.  our work is not easily measurable, our effort not easily defined.  we bring to every experience all we have learned about what touches the hearts of others, what resonates, what we can do to lift a message, how we can craft a concept, how we can build a program and forge a community, how we can help others see what is inside each of them.  from our rung, we can still see the ground so we know that there are others less fortunate than us and we remember pretty clearly the route up this ladder, each rung a step, each rung a gratitude.

it has also been our experience that, in a world defined by financial success, there are many on those tall extension ladders, firmly grasping the tippy-top, who have lost the story of getting there.  it is my belief that, too often, there are those who, each rung they clamber up, have forgotten what it is like to be on the rung below.  the climb to success foregoes memory, it exempts empathy, it elicits a sense of superiority; it is not kind.  the naysayers poke at those who are on rungs below, prodding them but, alas, with no reality for where those below-climbers are.  assumptions are unfairly made about ability, intelligence, budgetary decisions, effort.

in this world of bills and responsibilities, work and play, absolute joys and deep sorrows, brilliant hopeful sunrises and exhausted sunsets, i wonder about the tippy-top.  i wonder if it is possible to be clinging to that tippy-top and still remember.

as much as that tippy-top sounds like a world without worry, i don’t mind being on the silver ladder in the front.  and every step we step, i want to remember the silver ladder in the front.

i know that each day there might be someone who just may need me to understand, without feigning it, where they are.  to be able to really grasp how they feel, despite not being in their very shoes.  i don’t want to be the person who looks back at them, fear filling their eyes with tears as they tell me they don’t have enough to make it, and condescendingly ask them if they want me to point them to a budget counselor.  instead i want to understand their frustration in poverty, be complicit in their growth – real growth, empathetic in their fear.  i want to hold their hand on the rung they are on and remember what it felt like on that rung.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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