reverse threading

the path back is the path forward

Tag Archives: this society


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fuchsia shibui. [k.s. friday]

“rather than being a fall away from beauty, ageing can be the revelation of beauty, the time when the inherent radiance becomes visible.” (john o’donohue)

perhaps i would have noticed these leaves in the prime of their life, clotheslined on the branch, hanging in the sun. their verdant green might have captured my attention and the focus of my camera. but i kind of doubt it. for, indeed, they would have blended into the rest of the woods, the rest of the underbrush, the colors, the shrubbery, the landscape.

in the autumn of their lives, these leaves are ravishing. they gesture to the camera and invite my study. their ageing is their invitation to relish their presence, the visual “hey! look at me!”.

these days it is predictable. there is something – each day – we will say that is a reminder, though gently and with soft humor, of the very fact that we are ageing. we poke at ourselves, with self-deprecating comments about wrinkles or crepey skin or bellies changing or achy joints. we roll our eyes and then one of us reminds the other to be present in it and joyful and grateful, mostly grateful. we are not eloquent in those moments. they involve words like “sheesh!” or “stahhhhhhhhp!” or comparisons “but look at MY wrinkles!”. to suggest we are ageing gracefully is to ignore the american cultural emphasis on youthfulness, with ageing depicted negatively. in contrast, ageing in japan is revered. the elderly have the utmost respect. in the autumn of their lives, turning toward mid-life and beyond, the flaws earned throughout life are considered the very things that intensify beauty. shibui, it is said, is an aesthetic turn toward subtle and unobtrusive beauty, textural in elegance and roughness, diverse in spontaneous and restrained, a balance of simplicity and complexity, understated but not innocent, gorgeous words about meditation over spectacle. (wikipedia)

yesterday, in the middle of thinking about kneeling on the stripes, i found myself stumbling upon hearts. there was the heart – a random piece of ripped tissue – on the hinged lid of the stainless wastebasket. the hearts on the shower curtain, light somehow filtering through the holes holding curtain rings, reflected down onto the curtain itself. the heart leaf on the sidewalk. this morning the heart, shaped from the skin of the potato, on top of the tiny wedge of breakfast potato. it was a little uncanny. but was it?

or perhaps it is some kind of universe message – raising its voice over the din of flaw-noticing and in-the-pause-thinking and liminal-space-white-noise – reminding me of being loved. in this autumn-of-my-life. that the fuchsia is showing up, is a statement in the middle of a dense forest, raising the ordinary to extraordinary, the natural presence of shibui.

*****

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EVERY BREATH from AS IT IS ©️ 2004 kerri sherwood


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thriving. [k.s. friday]

there was a jaguar suv parked in one of the bays when we went to pick up littlebabyscion at the shop. it was shiny black and had an aura of extravagance. i joked as we walked in that it was “practically identical” to our little xb. our beloved – and stellar – mechanic laughed and said, “nah! it’s just ridiculously expensive! fancy doesn’t make it better.” because this society assigns value to things that cost more, i probed a little further, comparing our very-basic vehicle to this one, and he answered, “the reason people buy these – and many other vehicles like it – is for other people to see them driving it. it says ‘i am successful’ to the world.” i laughed and rolled my eyes, joking about the level of success us driving our scion speaks to and he replied, “nope. doesn’t matter.”

“…only about 0.000002% of musicians become ‘successful’.” (one of many statistics found when googling the rate of success for musicians.)

now that is a bracing statistic. it would suggest that there are a heck of a lot of musicians out there – including me – driving un-fancy vehicles with odometers pushing 300,000 miles. it would suggest, too, that there are a lot of musicians out there whose egos are not benefitting from the sideshow and stroke of other people’s ‘that-person-is-successful’ thinking.

but we still keep on keeping on anyway.

successful (synonyms): prosperous. profitable. booming. fruitful. thriving.

the prosperous is evasive. the profitable is of-the-past now that streaming is the preferred mode of listening over purchasing cds or even paying for downloads. the booming has slumped. the fruitful is fallow, often barren, depending on levels of frustration over thinking you should have been a financial analyst, software engineer or investment broker. and the thriving? well, that’s another story.

thriving is growth and growth rays out from the center in an artist. up against a challenge, we seek a different route, a different way. it is not our nature to give up, though an independent artist’s odds of success are clearly stacked. we simply “cannot imagine leaving”. (todd skinner)

instead, we channel the creative energy that keeps stoking up, that keeps us going. we funnel it out into threads of let’s-try-this or let’s-learn-that. when we can’t perform, we play. when we can’t play, we compose. when we can’t compose, we write. we find rivers we can enter and we wade in. we take risks.

in recent days i have come to realize that i still have much to learn…much growing to embrace. there are always more questions than answers. creativity whispers, “do not limit your future by basing it on the past, projecting what you can do based on what you have done. your goal is to be not just better than you were, but as good as you can ultimately become.” (todd skinner)

true in every arena of life…artistry, physicality, emotional health, motherhood, in community. much to learn. always. thriving.

it’s a mystery how it all will turn out. how, in the end, we will be seen. whether we will be prosperous or have a profitable life. if we will have boomed or been fruitful. whether we will have driven a fancy-car, a workhorse old truck or a steadfast littlebabyscion and what that all means to the world watching.

what will really matter – to us artists, adapting in ever-changing light and in each season – is if we thrived.

*****

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pudgy pigeon. [flawed wednesday]

the pudgy pigeon was in the doorway. it didn’t move as we approached. it didn’t move as we took photographs. it didn’t move as i spoke to it and it didn’t move as we moved on. i worried about it after. something seemed awry.

while we were in colorado, we looked at a shutterfly book of pictures taken in 2013 – what was columbus’ 80th birthday party – merely eight years ago, so little time, so much time. but the difference – for us – is between 50-something and 60-something. and there is, shall i say, a difference.

our bodies changing-changing. our faces morphing into, well, i hope, slightly more wizened faces with less self-consciousness and more solid aplomb. aging. we read in headlines today, “fillers, procedures are wiping out generations of beauty.” (jamie lee curtis) we stand firmly in the camp of less-is-more. mmm…firmly and, yet, still, a little shakily, noting this youth and body-image-society.

what does this pudgy pigeon think?

*****

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no way back. [d.r. thursday]

when i was little, going over bridges made me nervous. not because i was afraid of heights or because i was wary of infrastructure and thought it would fall down, but because i was nervous about not being able to get back. something about going over bridges made me feel like there was no way back, especially if we were heading in the wrong direction, taking a wrong turn. i did not like to feel lost.

texas is lost. they have traversed a bridge that appears to be a hellish dead end and, i fear, with no way back. the new abortion law in texas that the governor has touted is a despicable piece of legislation, currying to the favor of men and full-scale demeaning women. that the governor would couch this as concern for the “sanctity of life” elicits a visceral response, a sickened-gut feeling. that the governor would ignorantly speak to the six weeks of freedom-to-decide as plenty, as generous even, is a slap in the face of every woman in his state. that he would put a bounty on the heads of anyone helping in this situation is disgusting wild west gunfire into the crowd.

people have spoken since this decision with more eloquence than i might muster at this moment, but it would seem that every one every where needs to speak up. as more governors make moves to further control the rights of women, we need to – we must – speak up, speak out. the ironies stacking up are deplorable piles of dung as we sit and watch legislation and policy skewed against any kind of gender equality being written, being celebrated, being enacted. sanctity is not in the building.

i read an article about the use of words in statistics. number of girls and women raped. number of girls and women sexually assaulted. number of girls and women harassed. number of pregnant teenage girls. violence against women. the use of the passive construction – noting that these descriptors don’t state the number of boys and men who raped women or assaulted women or harassed women or impregnated women or were responsible for violence against women literally shifts the focus off the guilty parties, pretends that these things have simply happened to women.

it’s hard not to be hugely cynical, disenchanted, about a country that clearly measures women’s rights differently than it measures men’s, that cares about women differently than it cares about men. once again, that yardstick is two-headed and those wielding it speak out of both sides of their mouths.

cynical. disenchanted. yes. these words. from desiderata they seem so hopeful, yet… “neither be cynical about love; for in the face of all aridity and disenchantment, it is as perennial as the grass.”

perennial. usually a positive word. perennial flowers. perennial love. yet, in the docket of these days, what is perennial is the absolute denial of respect and rights for women. it is tiresome to watch the constant lostness. instead of bridges to better times, better health, equality and respect for all, a lifting up of those oppressed, bridges are being built to places of continual control, to power unleashed over others, to inequity and doubletalking agenda – with no way back.

it’s no wonder why i didn’t like bridges when i was little. no-way-back is a terrifying place, for a little girl and for a country.

*****

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aging-ageing. [not-so-flawed wednesday]

rejuvenate. anti-aging formula. anti-aging rejuvenating serum. skin repair and firming cream. anti-aging rice phytoceramides plant-derived capsules. advanced natural anti-ageing cream complex. crepey skin repair and firming cream. anti-aging supplement and multi-vitamin for energy, skin, bone and joint support. anti-aging organic flax seed oil and phytonutrient formula. multi-collagen capsules with hyaluronic acid and vitamin c. awakening hydraskin system. ageless cell life extension. anti-aging beauty spray vacuum. age-defying face lifting concentrate. night total facial rejuvenation system.

“achieve visibly younger skin.” “who wants to look their age?” “visible results in minutes of use.” “recommended for discerning patients.” “join me in the battle against ageing.”

i am wayyy wayyy behind the curve. the pink oil of olay hydrating lotion in my small cosmetic drawer in the bathroom has been around for sixty years. hmm, i should have written that sentence in a structurally different way. the little plastic bottle has not physically been in my drawer for sixty years; the product has been produced for sixty years. sheesh. other than a few pass-me-down gifted clinique products from my sister, this has been my moisturizer of choice. simple. done. i have not researched this nor have i had long conversations with girlfriends about moisturizer. joann has absolutely lovely skin. her face glows. one day i asked her what she used and, delightedly, she told me oil of olay. yippee! samesies. so, that means if i keep using oil of olay my face will glow? hardly.

the jowls i woke up with one day that my sweet dad and gravity so generously passed on, the wrinkles around my eyes, the sweet-momma crease in my forehead – these are genetics. webmd.com says that the intrinsic aging of skin cannot be avoided. and the time: time spent outside as a child, spud and kickball in the neighborhood, swimming in our round above-ground pool, teenage time spent on bike hikes and on crab meadow beach laying on a bazooka gum beach towel playing my radio, trips to florida beaches with woven bags holding tanning oil and iced tea and potato chips, motherhood time on backyard swings, at lakefront beaches, on soccer fields, at baseball diamonds, earlier-middle-age un-thinking time on adirondack chairs basking in the sun – though perhaps innocently skin-irresponsible, cannot be erased.

aging. ageing.

my dad received national geographic magazine for as long as i can remember. paging through were articles and photographs through which i was introduced to cultures i was likely to never actually visit but from which i could gain small bits of wisdom.

though i mostly understand the medical importance of taking good care of our skin and using spf products and staying out of torrid sun and hydrating and eating proper nutrients, i could see that the women and men of these other cultures – outside of our society – did not concern themselves with aging-ageing. indeed, they were not in a battle or a race against it. instead, they upheld it, celebrated it, honored it. and while i would probably prefer less jowls and less wrinkles and less crepe and less of the other stuff with horrendous names that advertisers have come up with for natural aging processes -god-forbid- i will choose to stand in it and feel fortunate to be here.

fortunate to be aging-ageing. winning the race either way.

****

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