this tiniest flower of spanish needles reminds me of tenacity…as every plant produces about 1200 seeds to ensure its continued propagation – its desire to be in this world.
to be in this world…to be a part of this universe…to be valued.
we walk – when we walk in the ‘hood – past this plant every day. and every day i am enchanted by these tiny blossoms, in each phase of their living, each season they exist.
and i wonder how so many people – so cavalier – so uncaring – right-here-right-now – in this country – find it so hard to care about the very existence of other people when it is really so very easy to be grateful for the even the tiniest flower.
“all things bright and beautiful, all creatures great and small. all things wise and wonderful, ’twas god that made them all.” (cecil francis alexander/edwin george monk/george mcbeth mcphee)
the striking thing about this song – a hymn in the united methodist hymnal i played from for many years as a minister of music – is the use of the word all.
whatever deity you may subscribe to, whatever you call a greater power, whatever your heart-faith attaches to, all things count, all creatures great and small.
i glanced up while at the sink washing a few dishes. and there, on the white trim next to the window, was this katydid. she didn’t seem to feel in peril – and she wasn’t. my first reaction was surprise. my second reaction was wondering how to safely remove her and place her out in the garden, where she might find leaves or flowers to munch, maybe drink from a fallen raindrop.
“each little flower that opens, each little bird that sings. he made their glowing colors and. made their tiny wings.”
it is not our first inclination to eliminate that which is different, that – because of size difference – which is helpless. we try – in most cases – to help the tiniest find its way. this katydid was lost in our house and likely would not have survived if we hadn’t found it and if we weren’t helping it along. it somehow feels like the same story as us – here in the universe. we are but tiny specks of dust, floating, floating, in a galaxy of stars and planets, lost and found, lost and found.
“the purple headed mountains, the rivers running by, the sunset and the morning that brightens up the sky.”
it is up to us to take notice, to care for – across our land, around our world – the extraordinarily large and the astonishingly tiny.
we are all here together.
and i hope that if someday we are lost, someone will gently pick us up and carry us to the garden so that we, too, might munch on flowers, drink raindrops and breathe fresh air available to all creatures great and small.
there was something about how these speckled leaves were nestled that got my attention.
and, in the way that everything makes me think of something else, it also brought to mind the nursery song five little speckled frogs:
“five green and speckled frogs sitting on a speckled log eating the most delicious bugs, yum, yum
one jumped into the pool where it was nice and cool now there are just four speckled frogs, glub, glub…”
but i digress.
maybe it was the symmetry of the trees. maybe it was the orange and green (which were the exact shades of my growing-up shag rug and the wall-to-wall carpet in our sunroom when we moved in.) maybe it was simply the happenstance of that particular branch of leaves, caught in the little crook made by two trees growing closely together, perhaps inosculated.
whatever the reason, i found it to be a thing of beauty. and those things are out there, everywhere, calling to us – to notice.
i didn’t disturb the leaves. just like i didn’t disturb the blue jay feather i passed on the trail. i left them there – like so many other times – so that others could see them as well.
on the contrary, there have been many snakes on the trail in these last hikes. garter snakes and brown snakes of all sizes – even the tiniest snake i’ve ever seen – sunning on these gorgeous autumn days. but the problem in that is that there are bikers who are populating this trail as well and there have been numerous times we have come across a snake that is deceased or struggling, having been run over by a biker who did not see it.
so, each and every time we see a snake – in the middle of the trail – we stop. we either prompt it to move, escorting it to the side of the trail to which it was headed or, in the case of the struggling or fatally wounded, we pick them up and place them gently in the grass, issuing a tiny blessing and saying, “you are not alone.” we know some of them are in their last moments and, in the way that this universe is all connected, we hope that our holding them for a moment helps them in crossing over.
we immerse in what the trail offers – everything – from helping the tiniest fuzzy caterpillar to taking in a sunset of grandeur. we are grateful for the deep breath it consistently brings to us. we get centered in the step-by-step repetition.
i suppose these are the reasons we find ourselves pondering – imagining – a giant thru-hike in the someday. the opportunity to hold such beauty and be held by such beauty – all around us – is enticing and, surely, delicious.
there were big trees where i grew up. solid oaks and maples, a woods behind our house. as dusk would fall earlier in late summer we’d play hide and seek, so many places to tuck behind. i remember the ease of finding a tree or bushes that would shelter your whole body from view. you’d wonder if you would be found and then you might wonder if they didn’t find you whether they would just leave you there wondering. you’d peek around the trunk, just to make sure the game was still going, not to be left behind. because being left behind – forgotten – is exactly what you didn’t want to happen. but sometimes kids can be not-so-nice, just like adults, and you would find yourself standing behind the tree or crouched behind the bush, and the game would move down the street and you’d hear spud starting up.
this morning someone posted the meditations before kaddish online, reminding me i had saved these words since the day we attended a touching memorial service on zoom. extraordinary.
“when i die give what’s left of me away to children and old men that wait to die. and if you need to cry, cry for your brother walking the street beside you. and when you need me, put your arms around anyone and give them what you need to give me. i want to leave you something, something better than words or sounds. look for me in the people i’ve known or loved, and if you cannot give me away, at least let me live in your eyes and not your mind. you can love me best by letting hands touch hands, and by letting go of children that need to be free. love doesn’t die, people do. so, when all that’s left of me is love, give me away.”
we walked up the hill away from the lake, knowing it was time to leave. beautiful places are always hard to leave and it feels that each time i do, i leave a piece of me behind in that space that gave me a chance to sink into its beauty. i peek through the trees on the way up and wonder if the lake will remember us or if it will forget.
i am reassured, though, now as an adult, believing – that in the way we eternally touch another in this universe – one tiny star to another – these birch and the lake and the path to water’s edge will remember our footfalls and our breath.
“perhaps we are here in order to say: house, bridge, fountain, gate, pitcher, fruit-tree, window . . . to say them more intensely than the Things themselves ever dreamed of existing.” (ninth duino elegy: rainer maria rilke)
every day i take a photograph. at least one. the photo-of-the-day was started by my all-grown-up children at the height of the pandemic and, for it, i am forever grateful. as a group text we’re not as singularly dedicated as when it started, but it still exists and i seriously cherish each and every picture and text on it.
but i know it must come as no surprise to you that i take a lot of pictures anyway. both my phone and what we call the island-phone have gigantic photo streams, backed up by the cloud’s extra coverage. it’s obvious that i stop often while hiking, but what might not be as obvious is that i stop often, period. there is always something interesting, something fleeting, something to record and there are times that i must steer myself away from the very thing begging my capture just to keep on keeping on.
today i write the 1013th post on my blog. we looked back at the mélange weekly screenshots, five days a week each week. i wanted to spend a few moments looking at the things i stopped at, the things i wanted to hold, the notes or quotes i jotted down, the things designed, our thoughts through the years.
i would like to think that each of these photographs have brought a bit more intensity to the ‘thing’ photographed, that which is featured. it makes me wonder. does the ladybug on this coneflower marvel about its photo being taken, does it hear me draw in my breath when i expand the photo on my iphone, not knowing it was there when i composed the picture. does it realize, when i quietly gasp, “look! there’s a ladybug!” that i am honoring its existence, tiny-in-a-vast-world?
and that makes me wonder. is the universe – whatever the divine you believe in – doing the same? are our names whispered intensely into the galaxy, weaving around stars and lit by the sun and the moon, honoring our existence, tiny-in-a-vast-world? i think it must be so.
“i believe art is utterly important. it is one of the things that could save us.” (mary oliver)
in those moments – so many of them – when all else fails to reassure – beauty reminds us. it keeps us present, in the moment, working to get to the next moment, breathing in deep breaths, slowly, slowly.
the work of an artist, in any medium, is as a pointer, just like the wooden ones with the rubber tip that your fourth grade teacher used as she pulled down the world map on the roll above the blackboard to show your class the track of an expedition or the location of a country. artists pull down the map and point to it, making it accessible to anyone, making it alive, bringing an infinity of beauty, pulling your attention away from the narrative inside, whatever it might be. it is a tool of healing, a balm, a salve. it is freeing. it is free.
we immerse in music, in the ecstasy of dance, in the flow of poetry, in the spectrum of paint on a canvas, the feel of clay pots in our hands. we sometimes forget and are driven into the angst of life’s dimensionality, missing the limitlessness of the simplest. these are the moments we turn to art.
for in the end it is not the accumulation of things or wealth or titles or power. it is simply and utterly the sheer beauty of being here, the absolutely stunning realization that we get to be here in this moment in a continuum of moments we share – albeit tiny within the vast – with the universe. inside the art.
“you can’t take it with you,” my sweet poppo would say as he would refer to money or stuff. in those pondering moments he had, he somehow knew watching the cormorants on the lake out the window, listening to music on their stereo, puttering and creating in his garage workshop, quietly coffee-sitting with my momma – these were the things of value. the day he threw caution to the wind and purchased a large painting at the splurgy karl’s mariners inn restaurant perched on northport harbor; he was answering the call of art – the pointer that drew him in and wrapped him, in this case, in the fjords of norway and endless dreaming. it moved home to home with them and always was a source of calm, a reminder of beauty and peace.
each day i walk downstairs and see this canvas on the easel. each day it reminds me of the trail we often walk, for it is the paused and erased beginning of a painting of the woods of that trail. i pay attention to it because it affords me tiny spaces of river trail within my day. it reminds me, as i scurry about attempting to get things done, to remember. it slows me down and i can hear the rustling of leaves, the birdcalls, the crunch of our feet on dirt, the chatter of squirrels. i can feel the sun atop my head, the breeze in my face, my arm looped through david’s. i can see the color of wildflowers, lush green underbrush, rough grey-brown bark, cloud-dotted blue sky. i can sense a bit of time on my hands, but just a bit. and i am right there, stepped out of the up-close worries, stepped into beauty. i am paying attention. art has done its good work.
to pay attention, this is our endless and proper work. (mary oliver)
the clock read 2:39am when i finally looked at it. i had been awake for some time already. because sleep remained elusive, i listened to the birds as they woke up to be with me, to be sure that i would know that the sun was soon rising, that the day was starting. 4:45 came and went. sleep stayed at bay and every thought that was ever present stayed wide awake. the white miniblinds glowed to the east. the sounds of the world waking: mourning dove coos, chattering squirrels, cawing crows, tiny finches, maybe a cardinal, maybe a blue jay, a lumbering train, robins, always songbird robins.
though deep slumber is a personal favorite of mine, i did not mind the night last night. the pondering of life, the listening, the sighs of dogdog and his paws running in his dream – all were a pre-coffee tapestry and i knew, as the sun rose and i finally drifted for a bit, that this day will blanket me with goodness. particularly if i sing. the dogdog song, all the incorrect lyrics of songs from the 70s i would sing back then at the top of my lungs, any random song that occurs to me, any song i invent in the moment.
for there is something about spontaneous singing, something about the making-up of lyrics or the repetition of well-worn lyrics spun into space that changes things. poetry in air. the frequency of happiness, of joy, of breaking into song changes what is happening in you, around you, sending its waves out, out, out.
i do believe in kindness. i do believe in mischief. and i do believe in singing. any old time. mary oliver and i might have sat together and chatted over tea, for we would have agreed about all matters of joy. and, even though mary and i never tipped cups or glasses, i consider all with whom i have, especially as dark turns to light and i am wide-awake and snug under blankets in a window-open-chilled room. i was lucky to sit with andrea, a love-filled free-spirit poet, songstress of peace. i have been lucky to sit with joan, thoughtful writer and ardent reader, her wisdom resonates and lingers in my pondering. i have been lucky to sit with susan, in her kitchen, writing songs with words and good food and cakes and so much music. i have been lucky to sit with jim, music at the ready, joined with him in improvisational weaving. i am lucky to sit each day with david, a word devotee, think-provoker, slow-dancer, and now, spontaneous singer.
the sky is brilliant and cloudless as i write this on sunday morning for monday. the sun is golden. the sound of the keys of two laptops punctuates my thoughts. a mug of coffee gets cold next to me as i type, as i am lost in musing. i think to the day ahead.
though my routine has been upheaved in recent months, though good sleep has been in hiding, though there are many things to worry about, to wonder about, this day begs my attention. it begs good mischief. it most certainly begs kindness, as the universe is full of goodness and has been gloriously kind. this day begs to be sung to.
even if i don’t sing aloud. because the songs are there with me just waiting to be chosen, to float.
mike described the night sky and ended with, “…and sometimes you can see the northern lights.” the blanket of stars in a deep inky sky are vivid with no city lights. magical and unending, the light from the moon and stars light the tiny island. a smattering of front lights or the warm glow through windows belies the notion that there is no one present on island. instead, it just shows the majesty of the infinity-sky and its luminous spheres, seemingly suspended for our delight.
you can feel it when things start to align. despite one’s tendency to question or even ignore the telltale signs or the pull of gravity, sometimes things are, indeed, in the stars, as the saying goes.
and so, this tiny island with this vast sky will also be our home. and i imagine that we will sit on the beach or in the purple adirondack chairs. we will look to the sky and marvel at the stars, both at their incandescent beauty and how they somehow line up. and we will be starstruck.
reverse threading 