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and then, lacy cirrus. [two artists tuesday]

there is a plethora of information about contrails. and when i say a plethora, i mean a lot. you can glean all kinds of knowledge – the kinds of planes that emit contrails, the weather necessary, specific atmospheric conditions, the altitude likely for formation, the effect on climate, additives to the engine that preclude the emission of a contrail. three kinds: short-lived, persistent non-spreading, persistent spreading. tons of information about something to which we pay scant attention.

sitting on the adirondack chairs on our back patio sipping wine early in the evening, we both leaned back against last year’s pillows. the sun streamed at us through the gap between our house and the garage and we gazed at the blue blue sky at this end of an unusually warm early spring day.

contrails.

it’s not unusual for us to see planes – our home is located between two major airports. milwaukee’s mitchell airport is to our north and chicago’s o’hare is to our south. the only times i truly remember the skies being quiet were right after september 11th (2001) and in the earliest days of the pandemic (2020). otherwise, we regularly have planes on final, planes circling, planes practicing aerobatics, helicopters big and small, air ambulance helicopters, helicopters transporting dignitaries, helicopters doing rescue maneuvers over the lake, news helicopters. add in drones and it’s busy airspace. because we are who we are, we always ponder who might be flying over, where they are going, what they are thinking as they look down, where home is for them.

there was this one day – years ago – when we were walking along the lakefront. we looked up to see a fiery flying object moving at a fast rate of speed over the lake. very high in altitude it made an abrupt turn to the east and disappeared into the distant sky. to this day we talk about that, wondering. we have absolutely no idea what it was; it seemed propelled with this fiery exhaust. we googled, but to no avail. who were they? where were they going? what were they thinking? where was home?

in 1986 i was living in florida. if we stood on our driveway and looked up in to the eastern sky we could witness the space shuttles as they were launched into the atmosphere. the contrails were fiery, smoky vapor, and the anticipation always left us marveling. it’s astounding to think about taking off into space. the day of the challenger space shuttle dawned just as thrilling. we planned around the launch so that we might again bear witness to this scientific achievement, these explorers. but, as we stood on the driveway and peered at the sky, it was obvious – even to us 130 miles across the state – that something was amiss. the contrails were wrong. and, in those moments, breaking down into tears, the contrails told a different story.

there isn’t a contrail that goes by now that i don’t have a throwback to that profound day late in january in 1986.

we are all explorers. we have varying tasks of courage, summits that require us to trust ourselves, to trust others. i can’t help but think of this every time i board an airplane, every time i drive a car on a road with rules for all drivers, every time i partake in a community, every time i try something unknown-to-me or dream a new dream.

we all leave contrails behind us, though the vapor trail itself is not necessarily visible. what will the answers be when people wonder who we were, where we were going, what we were thinking, where our home was. were our contrails fiery or short-lived, thin-lined or ever-spreading? were they full of hot air and blather? were they generous, kind-hearted, remembered with a softness?

i think i would choose to be a persistent spreading contrail, eventually a lacy cirrus cloud. floating out-out-out.

*****

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a mission of symphony. [two artists tuesday]

though not quite as at-home as the cranes walking the edges, we know this pond. we knew it as a marsh. we knew it as dry dirt. we knew it with mulch strewn throughout as they eradicated invasive species. we watched as the rains began to fill it. we listened to the quiet wind ripple across its surface. and then, one day, we heard the first frogs. though we cannot see them, the orchestra pit is filled with frogs in chorus. the static becomes a symphony.

such is the way of a choir. for well over three decades, i conducted groups of people who chose to sing – in choir. they gathered, sitting in folding chairs cold with mid-week evening thermostat dips. they gathered, weary from their days at work or home, filled with activities of responsibility, of life. they gathered, to become a symphony.

the thing about choir rehearsals is that – with good leadership – they go from a meeting of a group of individuals to a collaboration of musicians, from quiet chatter to boisterous song, from people who possibly feel ill-at-ease to people whose voices are heard, whose hearts are seen. choir rehearsals are community events and – led with joy – become places that are generative, places that are accepting not competitive, places of great learnings and tremendous laughter, places that are spaces filled with concern for the other, lifting up of each other, a place with a mission of goodness, a mission of symphony.

i’ve missed being a choir director. it’s been over two years now and the lack of vocal choirs, ukuleles, handbells, worship bands is palpable for me. directing was always about the community – building it, reinforcing it – life-giving, loving. my resume shows seven churches along the way. seven communities in which i offered all i could give, responding to their individual needs, their particular circumstances, their strengths and their weaknesses. seven fluid rivers of music-making.

seven ponds with symphonies. rippling out.

quietly static to extraordinarily alive.

*****

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castings. [two artists tuesday]

back in the day, when i was a small child, we laid shells in sand cavities we had carefully dug out of the beach, filled in plaster of paris and a little water and made sculptures, castings of shapes. mine was a fish. not a very good fish, i might add, but a fish nonetheless. my brother made an anchor and my sister made a seahorse. the castings instantly came to mind when we passed by this leaf impression in the snow.

soon, others would walk on the trail and it is likely that their footprints covered the leaf. or, possibly, the sun came out and the edges of the leaf – so clear on our passing – melted. i don’t know. what counted is that the leaf was there when we passed by.

the last time i sat by my brother’s side, he told me a few stories about being my big brother. i still remember how that felt. his words – a little fuzzier, with a little less clarity – echo in the bank of memories i have, my heart ever-full, his little sister. though the impression has melted a bit with the thirty years of sun since he died, it is no less profound than it ever was.

even if it doesn’t look quite like a fish – or a leaf – each impression is actually indelible and its invisible sculpture takes up a tiny space in our hearts and minds. castings you can look at any time you want.

kind of makes you want to make sure each moment is worthy of plaster of paris, a few shells and a little time to cure.

*****

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we are naked trees. [two artists tuesday]

it is entirely and utterly exfoliated. delaminated. naked.

the slender tree stands alone in the marshland, like a graceful ballerina in allongé. barely a side branch, it is stunning against a blue blue sky.

and, yet, in all its raw nakedness, its vulnerability, it stands proudly, stalwart, determined. it is still alive.

we stand next to our canvases, in front of microphones, in recording studios, on wooden stages, at qwerty keyboards, poised in front of 88 keys, with ballet shoes or tap shoes or jazz shoes, behind the cine-camera, in front of the cine-camera, at the potter’s wheel, baton in hand, holding sculpting tools or playscripts, focusing lens and aperture, holding written words in our fingers.

we are naked trees in the marsh. we stand – vulnerable to the elements – unprotected. we brave lack. we brave abundance. we withstand the inbetween.

we are exfoliated every single time we put it out there. we are artists.

*****

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the softer side of selfies. [two artists tuesday]

it’s the softer side of selfie.

i take many photographs of us in shadow. it lowers the how-do-i-look bar to practically zero. though it does leave me a tad bit curious about why my head always looks bigger than his. i think it’s my hair poofing out; his is pulled back neatly, while mine is helter-skelter flying in the wind. nevertheless, whether we are smiling or not, whether our eyes are open or closed, whether we have a funny look on our faces – none of this matters.

some of my favorite shots of us are in shadow. we are on the dock at northport harbor. we are on trail in breckenridge. we are at the john denver sanctuary in aspen. we are on a frozen lake up-north. we are walking barefoot in florida, carrying our flipflops. we are in the sun on our back patio.

i know i might be accused of over-documenting. so many photos. “1.81 trillion photos are taken worldwide every year, which equals 57,246 per second, or 5.0 billion per day,” according to photutorial.com. at least they are not all mine.

yet i know that it takes many, many shots to get the right one. my dear friend scott is a world-class photographer with a compositional eye to die for. he shoots thousands of shots at a-list events. which makes me feel justified in my overshooting. i have loved being behind a camera since my parents gifted me my first 35mm when i graduated high school. crunch and i would go out and about for hours on end, on escapades, taking pictures and dreaming of what they would look like developed. the advent of cellphone cameras – as they are today – makes it infinitely easier to snap, snap and over-snap. and, though i can confess to that, i will not stop.

because every now and then, when i go through all the photographs i’ve taken on a hike or at home or traveling or with one of my children, i find a jewel. like the lyrics that are tucked into notebooks-upon-notebooks, scraps of paper of melodies, pa pads with ideas for smackdab cartoons and blogposts, sometimes something special turns up. “practice makes perfect,” my sweet poppo would always quip.

so, the other day, while we were hanging out with richard diebenkorn, i thought i would document our time together. not a gem of a shot, but – truly – they aren’t always gems. sometimes they are just reminders of time spent, thready mementos of moments, scraps of lyrics or color samples or heart rocks. they are a diary of time, back and forward, threaded clockwise and reverse.

despite the vast ponderings of art critics and pedantic curators, it would seem that richard might just be trying to create mood, evoke emotion. this ocean park painting – like the whole series – depicting shimmering light and air, his extended time in santa monica sun. he painted and re-painted 145 canvases in this series. a diary of time.

selfies and shadows, smiles and light. all stuff that counts on the way to 1.81 trillion.

*****

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tiny heart. big love. [two artists tuesday]

that babycat would be 14 today. it’s an unofficial birthday because he just showed up and no one was there to tell us all about his birth, about the litter of kittens he was from, about his momma or his papa. february 28 was the day chosen for him and we celebrated it – and him – each year.

it’s been almost two years since he became an angel-cat. and, in the way that our sweet pets profoundly impact us, we miss him every day. our babycat had a big presence in our home and lives. he still does.

i just read an article about love written by neuroscientist Stephanie Cacioppo in which she reminded the reader that it indeed is “better to have loved and lost than to never have loved at all”. all love. including our amazing animals, i’d insist.

though his own life was not nearly as long as i wished it to be, babycat saved mine. his tiny heart in the universe changed me.

*****

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antlerless in grace. [two artists tuesday]

in a weekend of weather whiplash, it was stunningly beautiful out. the temperatures reached the fifties, the sun was out, the snow was melting, the breezes were mostly gentle. we spent most of the weekend outside. it was revitalizing – in a week we particularly needed a bit of revitalizing.

we usually take the trails – and stay on them – but this was a week of off-trailing. we trudged our way through the marsh, feet sloppy wet, laughing, just so i could get a good picture of the stand of birch. it put us in territory we hadn’t been and the geese stared at us, wondering what we were doing there. miles later, it was no wonder our legs were tired, but oh-so-worth-it.

and then – something caught my attention sticking up from the dried straw of marsh grasses. i reached down to look at it more closely and drew in my breath. a set of three-point antlers. likely not seen by anyone except us. just touching their smoothness we could imagine the white-tailed deer that had shed them. i took pictures and laid the antlers back down in the marsh, knowing that’s where they belonged.

in the days we have hiked since that day, we have seen many deer in the woods and fields. sunday was a gift of a day – alone on the trail, we had so many visits we lost count. gentle faces peered out of the brush at us – we all stood still, silent. these beautiful creatures of grace and intuition and agility, so welcome as reminders to us. they were – seemingly – everywhere around us – off the trail by the river, in the woods next to the trail, crossing our path time and again, watching us. they knew we meant them no harm; we didn’t even move to photograph them. we just watched and our heartbeats slowed down, worries abating in these shared moments.

antlers are said to signify strength, determination, alertness, and protection. in a time during which i need strength, determination, alertness and protection, i will carry them with me – in my mind’s eye. the balance of things of beauty and things from which we would choose to shield ourselves…the deer are powerful nudges to remember both exist, to be gentle with oneself, to move with conviction, to be devoted to truth and not be mired in others’ agendas, to stand – even antlerless – in grace.

*****

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found hearts. [two artists tuesday]

it was snowing and we were walking along the lakefront – on third avenue. we cut in through the park and walked along the shoreline. though it wasn’t obvious in just a glance outside, the wind was pretty fiercely blowing the falling snow south, so walking north meant keeping our heads down and imagining that we would look like all our pals on life below zero after our walk – frozen eyebrows, d’s beard all crusty with icicles, my hair frozen to my hat. later, on our return trip home, it was easier walking south than north.

i’m not sure how the tree above the sidewalk melted the snow to be a heart. no person was involved – ours were the only prints on the walk or anywhere nearby; i suppose no one else wanted to be outside in the storm. it was a mystery. but it was a perfect heart.

it’s our tenth valentine’s day. we don’t celebrate this holiday in a big way. it is also his birthday, a valentine baby for his momma. a few years ago he sent me a dozen roses for the first time. expecting them to be exquisite, they arrived – as you remember – disheveled and mostly petal-less. all the buds had fallen to the bottom of the hefty delivery box. i gathered them into a crystal bowl. rose petal lemonade.

it is not likely that he will have roses delivered again. but hearts – on the other hand – we find them together everywhere. on-trail rocks, caramel autumn leaves, tucked inside acorn centers, maple tree winged seeds, puddles, morning glory leaves, pieces of shredded prayer flags, raindrops lingering on the leaves of plants, in snow. i don’t think we actively look for them. but they show up. much like real hearts.

found hearts are different than purchased roses. in pretty much every way. they don’t try to be beautiful. they don’t arrive all glitzy and wrapped. they don’t make statements. they are not haughty nor does the color matter. they are simply waiting to be seen, to be recognized. and they don’t cost anything.

they are a gift – like real found hearts are.

*****

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our living room. [two artists tuesday]

on a cold and cloudy day, the colors are muted. it is stunning. the trees have reached out and caught the snow as it flew by. the branches have held onto it, inches of white topping a narrow spectrum of greys and taupe, some tree trunks black in the dim. it’s quiet. we are – on most of the trail – first there, save for the deer and squirrels and rabbits who have left behind evidence of their passing. gorgeous. i am not cold, though the temperatures have plummeted. i feel wrapped by the woods, embraced. the paradise of winter is not on some beach somewhere. it is right here, in the middle of fallow.

it occurs to me that the colors there – in the woods – are the colors in our living room. i see now why – both – they are the colors we have chosen and why they feel so peaceful. the woods is in our living room.

i turn out all the lights – each lamp – the standing lamp, the side-table lamp, the lamp in the window nook, the lamp on the secretary – but leave on the twinkling white lights on the tall branches. they light the room just enough. they are the outside, brought in, a branch from the cherished tree in the front yard, a branch from the woods. they rise high above the old wood floors and bathe this room with starry light. they do not hold the snow as it falls any longer, but they hold memories and profound reminders of the rhythm of nature.

this is, yes, i suddenly see, why this is the palette from which our living room has evolved. it is muted, a quiescent slate from which anything can grow, in which any burst of new color blossoming is celebrated, a serene woods any time we need it.

*****

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rooting for midwest express. [two artists tuesday]

it’s exactly how i draw horses. back in the day i had a book that taught me how to draw them. i was horse-crazy and i studied this book and practiced over and over. i did not retain much of all that study – or all of the other books i read about horses – but i can still draw a horsehead. so when we flew over this island on our approach to the tampa airport, i was astounded to see the first vestiges of my own drawing. i named it van gogh horse – for obvious reasons. high tide and angle and an active imagination helped, but i sure do think it looks like a horse.

it had been three and a half years since i had flown. we’ve read many articles about aggressive passengers and, i must admit, that doesn’t sound too enticing. i can’t imagine being rude to people who are tending to your needs as you zoom through the sky. not to mention all that recirculated air and the folks in the seat behind us hack-coughing. ahem. so it was a little nerve-wracking.

but it was also magical. you forget. i spent a lot of time looking out the window, mesmerized by the cloud formations and the landscape below, checking the flight plan on my phone to see where we were (technology is pretty amazing!) and taking photographs. i looked – i am sure – like the quintessential tourist-on-the-airplane. but i didn’t care. we have driven everywhere in the last years so it was like a small miracle to jaunt from milwaukee to tampa in two hours and forty minutes.

i remember days i flew often. midwest express airlines and real plates and real silverware and gourmet meals and mimosas in the morning or wine in the afternoon. and, the pièce de résistance…warm chocolate chip cookies. it was an experience – a whole experience. i flew midwest as often as i could, flights to los angeles and nashville and south and out east.

the most memorable experience was the – only – one time the airline lost my luggage. i had concerts and appearances in boston and all my attire was in my suitcase. a midwest express representative – jimbo – who is still my friend on facebook – immediately set to helping me, told me to go buy some necessities, including concert attire, and send midwest the bill. i am mostly a jeans-wearing performer – though there were some exceptions that particular trip – so that kept the costs down a bit, but they covered every last thing i needed. customer service at its best. i called all those items “my midwest express collection” and flew midwest loyally until the airline was no longer.

in a memory-filled moment with the smell of baking chocolate chips in my mind’s eye, i googled the milwaukee-based airline and was jazzed to see it is hoping to make a comeback one of these days. i wish them well. here is the best news:

“the airline plans to bring back the cookies if it starts flying again.” (milwaukeemag.com)

i know that can take some time and some luck. but warm chocolate chip cookies fresh out of the airline’s tiny kitchen could encourage me to start flying more again. i mean, people can’t be ornery with cookies.

if i had to draw an airplane experience – even though i am clearly not gifted at drawing – i would draw people in cushy two-across-seats, trays down, real plates and silverware, coffee cups and mimosas, warm chocolate chip cookies, linen napkins. smiles and horses out the window.

i am rooting for midwest express.

*****

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