reverse threading

the path back is the path forward


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a bounty of astounding. [two artists tuesday]

it is most astounding to me. each and every time. it doesn’t matter the shining of the sun or the drizzle or the misty humid air or dusk falling around us. and though it is familiar – oh, so familiar – it is new when we visit, our footfalls on the path erased and lasting as we walk. i’m comforted by this trail. and it teases me – into truly wondering about thru-hikes and exquisitely ordinary days that explode into extraordinary just by entering them.

this is an easy trail. we have hiked many others. easy trails, moderate trails, difficult trails. elevation gains, a little scrambling here and there. but when – and it is often – we need an old quilt of a trail and time to be quiet, to think, to talk, to sort, to sink into astounding beauty, stillness and ever-percolating life, we hike here, close by.

my camera is ready. i try to capture it all to remember. the trail is full of linear lines now as the underbrush succumbs to the season. a bounty of astounding. even in transition.

i believe – as we enter the woods – that it greets us back.

and as we leave – filled up – it waves and whispers, “see ya.”

“have you ever tried to enter the long black branches of other lives —
tried to imagine what the crisp fringes, full of honey, hanging
from the branches of the young locust trees, in early morning, feel like?” (mary oliver)

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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opus one. [not-so-flawed wednesday]

it’s a mystery.

though we tried to identify this arm, the watchband and the bracelet, we have no idea.

someone texted us this photograph – sans words – and left it at that.

granted, there are plenty of texts that arrive from political groups, fundraisers, smarmy this-is-amazon-we-are-shutting-down-your-account-give-us-all-your-information-to-save-yourself. even the occasional “hi” from a number we don’t recognize or, worse yet, inappropriately vulgar texts coming from who-knows-where. but never a bottle of wine.

apparently, this is an expensive bottle of wine. we looked it up. it ranges in price from several hundred dollahs to several thousand dollahs – neither of which we could or would spend on a single bottle at this moment.

when i had dinner shy of twenty years ago in nyc with a radio program director of the biggest adult contemporary station in the metro area he ordered a bottle of wine. he also ordered truffles flown in from france earlier that day. sharp cheeses for in-between courses. port to follow the meal. i hoped and prayed that we weren’t splitting the bill. my work was on radio, slowly gaining, but he had an expense account. the expense account that i had was from my label – which i owned. i kept every receipt and documented everything, but there is that small detail of having the money to cover the expense…

the wine he chose was $250. a merlot. i can’t remember which vineyard, what year, or what area of the world in which it was produced. i just remember the price and that it was truly a lovely glass of wine, with depth and complexity and a delightful finish. it could have been opus one.

the entire bill was nearing $800 and, though it was an experience i won’t forget, all i could think of was that we could have had big macs together and chatted the chat we chatted and he could have donated the rest to a food bank in the city. the fancy-fance was somewhat lost on me…the backpack-toting-jeans-boots-wearing scrappy yamaha artist recording in the city. when i arrived, i had walked into a chic place, a stainless bar going the length of the restaurant, exposed brick, program director on a stool in animated conversation with the bartender, and the hostess – or was she the maître d’? – asked, “would you like me to check your ….errr…. backpack?” i declined. at that moment, that errr-backpack had everything in it…my purse, my clothes, my composing notes, my plane ticket, fresh socks, my toothbrush and a travel blowdryer. i couldn’t check it.

so the other day when this photograph arrived in our textbox, we searched the area code to see if we could figure out who it might be from. no luck. and no follow-up. we wondered if it was an ad or – in a positive foreshadowing moment – a glimpse of a package to arrive. such teasing.

i suppose we won’t ever know. nothing has arrived via usps, fedex, ups. though yesterday i did get an email that said my dhl package was waiting to be delivered – if i would just supply them with all my payment information and signature.

payment information? uh-huh. if it’s for that bottle of wine – the 1999 signed opus one bordeaux red blend – i’m gonna need to pass. exquisite will have to wait. maybe until opus two.

*****

and an addendum – six months now after we got our opus one text message: greetings to you! it appears that this post is being read hundreds and hundreds of times – more than most any other post i have ever written. in the happy spirit of this continual opus one wine text circulation around the globe (for you are surely all over the world), please consider subscribing to this blog or reading some of the other posts i’ve written or purchasing some of my music on iTunes or stream it on pandora or listen on iHeart radio (it goes great with wine!) pass it on. i’d really appreciate it. truly. xo

and now – nine months later – this post has been visited a few thousand times. still a mystery.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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a chicken and a cow in autumn. [two artists tuesday]

my nephew called. i guess technically he isn’t my nephew now but neither one of us cares about the technicality of it. we talked a couple years ago but not since. no matter. he was ironing and he thought of me. he described how ironing makes you just kind of slow down and lets your mind wander. and so he followed his instinct and dialed. i told him i was glad he wasn’t thinking of me as he was washing the floor. he agreed and said that a washing-the-floor conversation wouldn’t be as whimsical.

whimsical.

i loved how he used that word. we slowed down our hiking, shuffling our feet through the leaves on the trail, david encouraging me to chat. my nephew and i laughed and told stories, asked questions, laughed some more. later, in some text-reminiscing, he asked me if i still had the beer cap earrings he had bought me when we were together up-north many years back. he said, “you’re one of my favorites.” i walked slowly into flashes of another time of life. it was a gift.

from the deck it looks like a chicken. suddenly a chicken leaf fell from the maple tree and landed squarely on our little curlicue-fence. i stopped at the top of the steps and drew d’s attention to it. “look at the chicken back there!” i insisted. we laughed at the chicken on our fence. ok, not exactly. but imagination is a funny thing. we make castles out of refrigerator boxes and gazelles out of cumulus puffs. we create out of thin air.

“have you noticed that autumn is like a yellow cow?” (pablo neruda) “have they counted the gold in the cornfields?”

we are not alone in our imaginings. pondering leaves, clouds, swirls in the lake’s surface, rocks on the trail, i wonder what it would be to not ponder these things. i feel like i might laugh a little less, like there would be a little less whimsy.

i’m not sure how autumn is like a yellow cow, though i am sure that is valid for pablo. it’s all good. it makes the world go round with a little more pizzazz. there is gold everywhere.

right now i’m just wondering where exactly my beer cap earrings are.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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math geek. [saturday morning smack-dab.]

mathletes. i loved mathletes. a math quiz team, we gathered and did math problems and equations and then went out and about, competing. apparently, it stuck. i blame woody p. and then, mostly, mr. h, everyone’s adored high school math teacher. i still cannot help myself. it’s constant, this figuring-out-thing. and, though i would love to maybe forget some of the number details, i simply can’t. i love math.

and so poor david is stuck listening to me as i study stuff, run the numbers, figure percentages and cost per ounce, apply coupon discounts, choose items or discard them as choices. even though i know it’s way-too-much-information, it spills from my brain and out of my mouth before i can help it. again, mr. h’s fault, making me a total math geek, but i love him for it anyway.

the fuel and heating guy came to check our boiler. it’s about thirty years old now, but a workhorse and there is a coupon that comes in the mail every year to remind you to have it serviced. as he went back out to his truck to write an invoice he asked, “do you have the coupon?”

do i????

of COURSE i do!!

and the best part (other than the a-ok on the boiler)???

figuring out how much we saved because we had The Coupon.

life is good.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2022 kerrianddavid.com


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just three. [k.s. friday]

we stood in the grocery store in brevard, right by the display. the food lion price for the charming smushy-flat white pumpkin was $8.99. it called to me, “you need me! bring me home!” but i got hung up on the price tag and we didn’t buy it.

we’ve had a pumpkin or two most years, often a pie pumpkin that we place on this funny wrought iron stand with arms, making it look like a pumpkinperson. we’ve gotten gourds – interesting shapes that tickle us. but not yet a white pumpkin, even though i really love how they look.

budgets are sometimes fun-oppressors. but any artist can tell you they are necessary. and any artist can tell you that there’s been at least one time that an $8.99 pumpkin – even one that might do the dishes and sorts socks – has not made the cut.

there is a sweet apple orchard out in the county. there is wine-tasting and a distillery at aeppeltreow, so there are spirits and spirited fun. there are a zillion apples and there are pumpkins and gourds and apple cider donuts. two years ago we picked out our tiny patch o’ pumpkins from their flatbeds and gardens of choices. coming home with a pear-shaped gourd and a couple smaller that were wart-laden we felt rich.

we bought pumpkins in aspen that same year and carved jack-o-lanterns at our airbnb with our daughter, leaving our artwork and extra candles behind for the next guests.

last year we featured our aging pear-shaped gourd in our sunroom, put out some orange happy lights and indulged in apple cider donuts at the orchard. despite the gluten they were worth it.

i think this year we will get a white pumpkin. and maybe two orange ones. three in all. just three.

but it will truly be magical.

*****

MILLNECK FALL ©️ 1996 kerri sherwood

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read DAVID’S thoughts this K.S. FRIDAY


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drum roll, please. [d.r. thursday]

we have waited.

it’s not like we will get a medal or a certificate or a trophy. we will not be featured in a newspaper article we can clip and put on our fridge with the pizza-place-magnet. we won’t be acknowledged on a who’s who list nor on a marquee.

but we waited anyway.

the fuel and heating company is coming on friday to do a check-up on our boiler. in the meanwhile, we have waited.

until now.

it is with a mix of pride and trepidation that i will approach the thermostat. under the flannel sheets and the comforter and the quilt all is well. but step out and whammo! the cold is biting. and that’s IN the house.

one glance at the grasses out front – oddly looking like a packer-backer display – and you know it’s fall. no doubtaboutit.

the weekend before this just-past weekend – that would be two weekends ago just to be clear – i pulled out a pair of boots with fake fur in them. the fur was visible at the ankle. i wore them out. and it felt completely wrong. it was too early. i put them on the steps to go back upstairs into the winter shoe bin.

but they never made it up there. because – suddenly – in the briefest of days passing – it was no longer too early. the autumn winds have found their way here and fur is in order.

so, today as i type – a few days before the day that this post publishes – my nose is cold and my hands are freezing. and i have to give in.

i need to turn on the heat.

there is something wistful about that. the end of summer. a time of fallow to come. it was christmas in the home improvement store the other day and it’s not yet halloween. for a few moments, i panicked, thinking about how i had not completed or even started any presents-shopping. i mean, whattheheck, i just started wearing furry-ankle-boots. i relaxed as we passed the trick-or-treat candy display and the plastic pumpkin pails and perspective returned.

so – though i am hoping the fuel and heating company might come a little sooner – maybe someone will cancel their check-up, deciding to tough it out ala life-below-zero folks, deciding that mr. we (as 20 calls the electric and gas company) won’t be racking it up – atleastnotyet – on them, deciding it’s not that bad and wearing one of those snuggies – the official blanket with sleeves – all day – i think that it just might be The Day.

at the very least, maybe we could have a drum roll.

*****

read DAVID’S thoughts this D.R. THURSDAY

earth interrupted vii (48″ x 36″)…the colors of deep fall
(the snuggie from my sweet momma)


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slowly. [not-so-flawed wednesday]

we almost did it. almost. almost ordered thai food for pick-up.

but we didn’t.

we’d been hiking and were cold and tired. and we didn’t reeeeally want to make dinner.

but we did.

eventually.

we got around to it.

slowly.

we pulled our adirondack chairs into the last vestiges of sun in the yard, sipped wine, had a happy snack. when the sun disappeared, we brought our glasses inside and painted rocks – from the sand near the beachhouse – at the kitchen table, for we had hidden all the ones we previously painted. time stretched out in front of us, slow, a glorious saturday night.

instead of pad thai, we made tacos with homemade seasoning, had one of the last two avocados from my sister, watched a hallmark – yes, hallmark – movie under a big sherpa blanket, had two squares of chocolate.

hiking – tough elevation climbs – on this last trip to north carolina reminded me to go slow. it was the lesson i brought home from vacation. set a slower pace, don’t set too high a bar, mosey a bit, let living happen.

so i planted the painted rock on our sunroom table on top of sandstone from those smoky mountain trails. the other side of the rock reads, “no. slower.” you know…take a backroad, linger in the setting sun, sink under a blanket, climb a little slower.

my snapchat alerted me to a flashback. two years ago. on a balcony in aspen. the caption: “i don’t want to leave.” i remember slowly packing up, slowly loading the truck, slowly driving away. it was hard to go – as always – but slower made it a little easier.

i leave summer slowly and i step into autumn – my favorite – slowly. i wasn’t really ready for flannel. i pulled off the summer sheets for the last time in the season, thinking about how it feels on a hot night to place your face on a cool spot of the pillow. flannel isn’t like that.

but at the end of the night, after hiking and tacos and wine, chocolate and blanketed-movie-watching, in a house chilled by blustery northwest winds, the flannel was warm and i found myself snugged in soft stripes, slowly drifting off.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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witnesses. [two artists tuesday]

out of the corner of my eye i caught a glimpse of him leading her over to the edge of the garden. something about his tenderness made me stop and linger. he had his hands on her shoulders and was looking right into her face. and suddenly, he got down on one knee.

they were strangers – and remain strangers – but i had goosebumps of excitement as i watched him on his knee. we couldn’t hear anything, really, but when she threw her arms around him and he was beaming, it was pretty obvious. family and friends spilled out of the places they had hidden in the botanic garden and surrounded them, celebrating.

it was a moment in time. and we were witnesses to it.

we walk along the shoreline and marvel at the expanse of lake michigan. often – after the work day is over – the sun is lower in the sky to our west, so the sky over the lake is starting to turn all crayola-like as we walk. our shadows get longer, longer. it would seem we are on stilts. we stop for a minute to appreciate it all, take a picture, hug. witnesses to the end of day, one that we cannot recreate no matter how hard we try.

we walk on, sometimes entirely quiet, sometimes reviewing our day. we marvel that it is mid-october. already. witnesses to time flying, warp-speed, flimsy tendrils floating you cannot harness.

our trail was mostly empty on saturday. hiking there – in the woods – is like wrapping in a comforter. the turns and twists, the meadows, the fallen logs…they are known to us, familiar. it had been a couple weeks. many leaves had fallen. the ones that remained were yellow, some red, some orange. some of the trees were hanging on – their leaves were still green, but i imagine the color changing tiny bit by tiny bit even as we passed by. witnesses to autumn.

we often photograph our shadows. there is no worry about smiling in a photograph of your shadow. funny thing, though…we almost always smile anyway. the capture in time we got to be in a place, together, passing through, witnesses to a moment.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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102. [merely-a-thought monday]

102.

my sweet poppo would be 102 today. were he here, i would treat him to a scotch on the rocks, a good steak on the grill (that he doesn’t have to stress over), chocolate ganache cake, a hot cup of coffee. i would tease him and poke at him, asking him if he remembered to get my momma an anniversary card (for they were married on his birthday and it would be their 79th anniversary and, for some reason, this was always my job through the years – to take on the angst of wondering if my dad remembered…).

i wish he were here.

we were in our airbnb in the little mountain town.

we had just arrived that day. took a walk downtown, had pop-up happy hour on the porch, made a sheet-pan dinner, relished being there.

a warm and welcoming old house, there was a wine bottle stand in the dining room that held books and brochures of the area, menus and hiking trails, places to forge metal and horsebackride, guides to hundreds of waterfalls. good resources to plan our next days.

i randomly pulled out the small book on the end of the shelf and flipped it open. this was the page it flipped to. “how do you like them apples?” because i am redundant (yepyep) and because some things stick in my mind more than others, i have already written about how my dad always said this. kind of a nonsensical phrase, sometimes appropriate in context, sometimes not so much. it is with tremendous fondness i hear or see this phrase. it goes along with “do you think the rain will hurt the rhubarb?”

i held it open, photographed it, wanted to pack it away in my backpack. i was held – suspended – in a moment with my dad. he smiled from afar and thought he was pretty clever to pull it off.

he wanted to live to 100. if you asked him how he was, he would tell you that he was going to live to 100.

but he didn’t.

i wonder if he’s shaking his head on the other side, incredulous that things just work out how they work out, in spite of our plans, saying, “how do you like them apples?”.

though we loved that they were there – particularly me – we didn’t open the brochures much. we just punted and found ourselves on gravel roads in the woods seeking trailheads and climbing to waterfalls and granite outcroppings in forests of rhododendron, surprised again and again by howdoyoulikethemapples moments.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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thinking notes. [not-so-flawed wednesday]

“thinking notes,” ken calls them. lingering on the same note for an extra moment, an extra beat, sorting what’s next. well, technically, it would rarely just be only one beat or one moment, but that would require more explanation. i suppose most composers are familiar with this.

writing on the fly – improvisational but with a sense of theme – is surely plotting and scheming, figuring out in the nanoseconds ahead what will come. the moments you are deep into a recording and you somehow skew the rhythmic pattern – or the melodic gesture – you’ve developed, and you know that twist will change it all. your brain delivers a quick “plot twist” faceslap to your hands and you keep going. and, for the most part, no one is the wiser for the turn in the road, save for your producer.

outside the bookstore in the little mountain town the sign made us stop, nodding our heads. sometimes it’s the plot twists – and the unanswered prayers – that save us. we think we know best. we etch the plans in stone.

but those moments come and nothing stays the same, for even the tiniest twist in the road changes latitude or longitude, beat pattern, melody line. and they deliver with them the grace to play a little thinking note, take a little breath, close your eyes tightly and then reopen them – and then keep going.

hold your plans – and your plot twists – gently.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY