reverse threading

the path back is the path forward


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down and frizz. [k.s. friday]

it is likely the heron’s. we have seen a couple together out there – gliding through the marshland, standing regally by the side of the pond, walking sedately. we hiked past the downy feather, that had likely fallen from where down is hidden beneath the heron’s outer feathers, and i went back, the talcum powder white capturing my attention on the trail. sometimes i pick up feathers – to keep them, beautiful signs of divine and freedom and flight. i left this one on the trail, tucked between the pine and the cone, its texture begging notice.

under the outer layer of my straight hair is an unruly curly layer. the days i do not blow-dry my hair, i am banana-curled, little-orphan-annie-curled, a combo-platter-no-real-sense curled. i personally have found it annoying. most women desire hair which they do not have – a different kind of hair – a different color – a different texture, thickness, bounce, volume. it is the way of this society.

instyle magazine did an entire month of articles on women and their hair. i read the initial article from 2018 and, frankly, found it somewhat entertaining. the most common uniting hair complaint is frizz, which, i must say, i have complained about a time or two. d has trouble understanding frizz as he is a non-frizz-haired guy (incidentally, with better hair than me – which doesn’t seem quite hair-fair). regardless, hair has become a tool of empowering for women, especially in this nation.

according to what i read, we can be flushed with excitement or nervous as all get-out, challenged beyond our perceived limits or drudging our way through the day – but, if our hair looks good, we feel good, no matter.

i wonder if the heron – in its elegant wisdom and intuition – has concerned itself with its feathers. or has it just simply concerned itself with its basic needs, its instinctual movements and rituals, its patterns and place in nature. is it thinking about its frizzy down feathers? i suspect not. compare that with the reported 81% of human women who feel more confident if their hair looks great.

according to the majority of human women – none of the hair products out there reeeeally work. everything promises to de-frizz, de-curl, celebrate the curl, straighten, give volume, grant sheen, untangle, combat thinning, retain moisture, eliminate split ends, make it bounce, make it stay still, give a hairstyle hold. but nope, none of it really works.

if you add perimenopause, menopause and post-menopause to the hair equation, you are faced with a variety pack of even more hair concerns. for me, that means that – despite all my deliberate blowdrying intentions for straightening my hair, the instant a hotter-than-hot hot flash swings by, i am frizzed. drippy hot, frizzed and curled – definitely not a jennifer aniston hair look.

“in order to cool their body temperature, great blue herons will partially extend and droop their wings and open their mouths while fluttering their throat muscles. much like dogs panting, this helps cool their body through evaporation. this behavior is called gular fluttering.” (nps.gov) the innate wisdom of the heron – gular fluttering. who knew?

so…if you see me – curly hair askew sneaking out from under a few straightened hairs trying to hold on to their straight – fluttering my throat muscles (is this synonymous with talking too much in humans???) – you will know i am post-yet-another-hot-flash and am channeling my internal great blue heron. please don’t comment on my hair.

*****

I DIDN’T KNOW ©️ 1997, 2000 kerri sherwood

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pussywillows. [k.s. friday]

with gordon lightfoot crooning in my ear, i stroked the pussywillows on the trail. i can’t remember seeing these on trail before. i know i would have noticed – their softness begs touch.

“pussywillows, cat-tails, soft winds and roses
rain pools in the woodland, water to my knees
shivering, quivering, the warm breath of spring
pussywillows, cat-tails, soft winds and roses”

(gordon lightfoot, “pussywillows, cat-tails” 1968)

smooth silvery-grey under our fingertips, we each took time to touch, to marvel at the beauty. and gordon lightfoot sang on in my mind.

as a writer, composer, lyricist, there are decisions one must make along the way. we place ourselves in a vulnerable spot, not for our own purpose or indulgence, but, instead, in the hope of resonating with someone who needs the words or music or lyrics we write, in the hope of reaching someone else walking in similar shoes, in the hope of assuring someone out there who needs to know they are not alone. and so, at the risk of thus vulnerably over-sharing, i offer this:

but some things are triggers. and, as the verses and guitar continued, this particular gordon lightfoot song is one of them. my #metoo was at the hands of a musician, a serial predator who walks freely even today. he played guitar and charmed his way into the never-to-forget-lives of many susceptible young women. a man who softly sang gordon lightfoot and james taylor, who wrote love songs, new lyrics for gorgeous SATB hymns, and taught guitar surely was to be trusted, right? wrong.

i can appreciate these beautiful pussywillows, another harbinger of spring and new life. but i stop a moment and give nod to my much earlier self. in a watershed, i recognize the parallel of this earliest time working in the church and my latest work. bookends.

riding on the roadside the dust gets in your eyes”

it’s not the dust that brings tears to my eyes, it’s not the spring air laden with newness of pollen, the turning of season. it’s the raw bookended time in places i trusted as safe. i cannot help now but examine it all up close, process it, grieve the loss of innocence, the devaluing of women, abhor the loss of respectful truth and the reign of agenda. the bookends hold upright the time in-between, all the books of life, times and experiences and mistakes and successes, the laying down of any attempt to process, to make right, of any ramifications for the wrongdoer. the bookend of late was a stunning surprise. i am astonished at its destruction, now, no longer a teenager. i find it all shockingly galling.

“slanted rays and colored days, stark blue horizons”

the horizon is much like the horizon all those decades ago. it’s surprising to return to that feeling. i want to leave, to run, just like that other time, that other bookend. my physical life, however, is not at stake this time. it is me, my loss of community, my loss of position, stolen integrity. i cannot wrap my head around the slanted rays, the starkness.

“treasuring, remembering, the promise of spring
pussywillows, cat-tails, soft winds and roses”

treasuring, remembering. promises. but roses…the flower of love…it is hard to hear lyric of roses…my hope is to only hear gordon lightfoot in my mind’s eye and to forget the echoing bookends.

“shivering, quivering, the warm breath of spring”

to remember – spring is beginning to spring. the catkins of the willows are soft, cattails seed in the wind, warm circles us on the trail.

*****

WATERSHED ©️ 2004 kerri sherwood

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the burn. [k.s. friday]

they chopped down, chainsawed, mulched, chemicalized, burned. they decimated the whole forest to eliminate the invasives. and – in the way of oncological medicine, of environmental eradication programs, of corporate and organizational ousting – the good cells may somehow survive, burned edges and all.

to be a tree with burn marks is to be human. one cannot traipse through this life without them. we all carry with us whatever balm has helped us get through the fires. we lean on the surety that spring will come, eventually.

as we hike the trail, we know that it is not one hundred percent that only the good will keep on. it is not a certainty. instead, it is a risk, a gamble, that there may be cells that escape treatment, there may be invasives that escape annihilation, there may be people-in-power-with-ill-intent who either escape the pointed fingers or are the ones corruptly pointing them.

and in those cases, the worry is that those cells will reproduce, those invasives will take over and choke out the organic, those people will destroy the place. a ravaging burn. devastation. and the good cells, the good plants, the good people will be left to fend for themselves, to remain upright – stalwart – to grow despite the odds.

it is good friday for those who are keeping a religious calendar. a day of destruction following betrayal and many burned edges. as this sacred story goes, three days later there is a resurrection. and the targeted jesus rises.

as we hike the trail, we notice the green shoots growing out of the ground, their top leaves still blackened. we marvel at the tenacity of these plants as they garnered energy best-as-they-could, regardless of the burn. the good xylem and phloem somehow survived.

there are naturalists who are watching closely, tending to the native plants best as they can. there are doctors and nurses and researchers and clinical trial experts who are watching closely, tending to patients and health and life best as they can. there are, therefore, it would seem, allies who are dedicated to the truth, to transparency, to the best parts of an organization who are watching closely, tending to the burns of the sacrificed.

“i want to know if you will stand in the centre of the fire with me and not shrink back. (oriah mountain dreamer)

shrinking back will allow the devastation. standing in the fire – the center of the fire – will allow the resurrection.

*****

and you were there in all of my suff’ring.

you were there in doubt, and in fear;

i’m waiting on the dawn to reappear...” (you were on the crossm.mayer, k.butler, a.assad) 

TRANSIENCE ©️ 2010 kerri sherwood

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air streams. [k.s. friday]

and in the way that getaways slip into the wind, i know that this one will as well. time spent in the snowy up-north will slowly peel off and fly, seeds for the next time, the next few-days-away, the next memories.

this weekend we’ll have dinner with our son. he owns a new home – his first – and this will be our first actual viewing of it. i can’t wait! time spent with our adult children flies all too fast. already it’s been six months since i have seen our daughter; already it will be three months since we saw our son. their lives are busy and active and they are not in the same town. their homes have been anywhere from an-hour-and-a-half to twenty-seven hours away. it takes time and planning. and life is full of things – many things, for all of us – that take time and planning.

in what will feel waytoofast, our time spent together will zoom by. visiting and catching up and doing the yes-of-course-i’m-staring-at-you-i’m-your-mother will be followed quickly by goodbyes at the door and me, as ever, wiping happy (and wistful) tears as we drive away. and the tiny layers that comprise this time will feather, drifting into air streams where our mind searches for details and they are just a little further out than we can reach.

the wind brushes past us and time passes in its grasp. we – as ever – attempt to hold its filmy contrails, but time and vapor cannot be held. they are part of the wind that swirls and we simply are witnesses to its magic. we experience, we create memories, we stand next to those memories and gaze back as time’s half-life multiplies before our eyes. on friday, we are astounded by a long week’s end. on our 60th birthday, we are astounded by the six decades. as we sit at our child’s table, we are astounded by their maturity and place in the world, their mark.

we – and the stars – float in the basket of the hot air balloon of the universe and – if we are wise enough – glory that we are part of it.

*****

PART OF THE WIND ©️ 1996 kerri sherwood

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the pony. [k.s. friday]

and – up close – if you choose – you will see the foreleg of a winter-dressed pony, the extra cold-weather-coat trapping hair next to the skin of the horse, keeping him warmer. he is stopped, gazing at the distant field, ready to canter into it, the exploding of freedom of movement.

and you blink and it is a cattail. one of many in the field, waiting in the marsh through autumn and winter for early spring. as many as 250,000 seeds, white fluff sailing and transported by birds and breezes. and the life cycle continues.

it is winter in my studio. the rhizomes are gathering underground, together with the cattails. maybe around the spring equinox, maybe a bit later, the shoots will rise out of the ground – like a phoenix out of ashes – and new sprouts will grow and grow. the cycle germinates and pollinates and seeds will fly again. the birds and the wind and i will play for you – seeds and notes flying.

in the meanwhile, i wear my winter coat. it is keeping the heat in. it protects me. insulation for shelter in this long and cold winter, to shield in the storms, to brace in this fallow.

but soon, soon, with the sun and fresh air, the pony will run free.

*****

UNTITLED INTERLUDE ©️ 1995 kerri sherwood

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i’ll play for you. [k.s. friday]

green sounds different than red which sounds different than blue. green looks different than red which looks different than blue. green feels different than red which feels different than blue. so a color field of all three would seem to emit, depict, emote a wide spectrum.

i’m pretty sure that mark rothko and i would have been friends. his goal: “to capture the essence of basic human emotions on the canvas and then evoke those emotions from his viewers.” (masterclass.com) my goal: to capture the essence of basic human emotions on the piano and then evoke those emotions from my listeners. instruments – the canvas, the piano – that tap in. yes. friends.

in my mind’s eye, i can see a tour. all over the country to different art museums that house a mark rothko or two. a big yamaha concert grand on the wooden floor, placed in front of the giant color field painting, paused in silence, waiting. abstract expressionism on the canvas. and then, the translation – abstract expressionism on the piano. action. color field. repeat.

i’m pondering this painting green, red, blue. in thinking and feeling green, i ponder what i’ve already composed that sounds, feels, looks green. in thinking red, i ponder what i’ve already composed that sounds, feels, looks red. in thinking blue – specifically blue-around-the-edges in this case – i ponder what i’ve already composed that sounds, feels, looks blue.

in a push of creative courage, i can see this tour. in a room void of people or full of people, i imagine me and the painting and a piano. high ceilings, the swoosh of the sustain pedal brushes against the walls and swirls around. no other sound. yet. and then.

i’ll play for you
i’ll play for you
i’ll play for you

(seals & crofts)

and you will hear green and red and blue as you will see green and red and blue. and maybe, if you are open to it, you will feel green and red and blue. and mark and i will have done our job.

it’s the work of all artists – really, everywhere: play for you.

*****

EVERY BREATH ©️ 2004 kerri sherwood

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waterfall stars. [k.s. friday]

we saved an article last sunday: “the best waterfall in every u.s. state”. from alabama to wyoming, we scrolled through to see how many waterfalls we had seen. there were aggressive falls and double falls, falls that trickled from natural springs and, of course, niagara falls. we have missed many. like the articles about the best small towns or best places to retire, it’s all about dreaming. a list of waterfalls.

we hike or walk many miles each week, either on the weekend or squeezed into the rest of the sun at the end of the weekday. yesterday and the day before we noticed a tiny waterfall on our trail. it didn’t make it to the list of “the best” but it gave us pause and we stopped to watch and listen. the sound of a trickling stream, the sound of a minute waterfall…both unquestionably sounds of peaceful flow. we drank it in. we stood together in a silent, still dance.

as i looked at the list of waterfalls, it occurred to me that it is not likely i will ever see all of them. there is much on our bucket lists and, though i can appreciate – very much – adding this list into the bucket, i also know that it’s not the award-winning, the listed, that will always touch us.

the best waterfalls – for me – haven’t been the grandiose waterfalls. though i can appreciate their grandeur, it is the waterfall you stumble upon in the woods, the waterfall that shows up just when you needed a waterfall, the waterfall that will never make the list that negative-ions you into a feeling of well-being.

when i was in my thirties and composing i started to dream. in my forties – composing, recording, performing – i was headed to niagara in my dreams. sometimes i’d watch the grammys and wonder. but the smaller waterfalls – despite their beauty, despite their ability to resonate or to bring peace, despite the number of times on “repeat” – will not likely show up at the grammys. nevertheless, they have fault-in-our-stars impact. even to one.

charts – the top 100, say – are compiled by detecting the songs played on a select panel of top 40 radio stations. this is not objective, nor is it not machinated. many, many integrated, financial and complex symbiotic relationships go into the positioning of a song, the charting of a song. “the best songs” lists beget “the best songs”.

back in 2002 – waaaay back…up the waterfall, upstream, backaways – one of my songs charted on the secondary adult contemporary radio chart. “slow dance” made it up to #13. i was inordinately thrilled but, like many things, it did not come without a price tag. the radio promoter was steep, not to mention a little slimy. it’s a system and, at least back then, those guys had it wired. it wasn’t long before i realized that the charting did not help. it quickly flowed over the riverstones, past the boulders at the peak of the cliff and dropped – the waterfall never stopping for pause.

i don’t necessarily need to see the “best waterfall in every u.s. state”. instead, i think i’d rather see the ones that will invariably touch me, will give me moments to stop and drink them in. i’d rather see the ones that go mostly undiscovered. for even in their relative obscurity they are a gift and they count.

stars. noticed.

*****

RIVERSTONE ©️ 2004 kerri sherwood

SLOW DANCE ©️ 2002 kerri sherwood

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carrots and bottom lines. [k.s. friday]

someone peeled carrots into the pond and then it froze over. shavings of those multicolored organic rainbow carrots on the ice surface, just below the surface…it made me laugh to see so many carrots in one place. only they weren’t carrots. they just looked like carrots. instead, it was bits of bark and dried grasses and small sticks – no nutritional value or nurture to bunnies and squirrels and chippies, deer and birds.

it brings to mind the children’s book “the carrot seed” – the little boy plants carrots despite the fact that practically everyone around him tells him – basically – that the bottom line is that they won’t come up, despite his care. the last frame of the book shows him – having persisted nurturing the seeds he had planted – pushing a wheelbarrow with the biggest carrot you’ve ever seen. the value – the power – of true nurture.

nurture: to care for and encourage the growth or development of someone or something.

at this moment, for me, it is a hop, skip and a jump from there to thoughts about healthcare and insurance, keeping wellness forefront.

insure: to secure or protect someone against (a possible contingency) this definition would lead one to believe that “to insure” is somewhat parallel – or at least supplementary – to “nurture” – seeking to keep someone safe, healthy, attempting to look out for someone’s best interests.

“insurance is a means of protection from financial loss in which, in exchange for a fee, a party agrees to compensate another party in the event of a certain loss, damage, or injury. it is a form of risk management, primarily used to hedge against the risk of a contingent or uncertain loss.” (wikipedia)

“insurance plans will help you pay for medical emergencies, hospitalization, contraction of any illnesses and treatment, and medical care required in the future.(an insurance company)

our current (and unfortunately necessary) gap coverage insurance company states they are dedicated to a simple goal: “making health care easier for the people we serve.”

the insurance plan that will take effect in five days believes that “health connects us to each other” and that “what we all do impacts those around us”. and so, they say they are dedicated to “delivering better care to our members”.

nevertheless, the united states seems to have a grotesque insurance problem. the earnings pie – or say – the carrot cake only goes so far, particularly with major medical insurance. but then, there’s dental insurance, vision insurance, life insurance, home insurance, car insurance, major appliance insurance, small appliance warranty insurance, laptop and tablet insurance, recreational vehicle and boat insurance, travel insurance, personal, general, property damage liability insurances. americans are slicing away at their own cake…for most, never quite big enough to start with.

and then there’s business insurance…various insurance plans that companies, organizations, institutions purchase to cover costs associated with property damage or liability issues and to keep their employees safe and healthy – because companies and organizations and institutions care about their employees and want to look out for their best interests.

“your employees may be your business’ most valuable asset.” “… protect your employees …” (an insurance company)

yes.

ahh, but here’s the rest of that insurance company’s statement:

“your employees may be your business’ most valuable asset.” “… protect your employees – and your bottom line…”

hmmm.

though it may look like carrots, there are no carrots there. no nurturing. no nutritional value. just a bottom line.

just dried marsh grass and sticks.

*****

NURTURE ME ©️ 1995 kerri sherwood

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idling. [k.s. friday]

in the middle of the night – as i lie awake – i can hear the trains. not just the haunting whistles of freight chugging by or a late passenger railcar, but a train or two in the yard, idling. the sound hits me at just the wrong frequency – i am hyper aware of its rise and fall, the pulsing of it. once i hear it, i cannot un-hear it. it stays present and i stay awake.

nevertheless, the tracks hold sweet mystery and, each time i see a train, i wonder its destination, i wonder its journey, i wonder its freight or its passengers. i had not ever stood in the middle of a rural track, bent down – almost kneeling, photographing, until recent years. the track – a classic portrayal of perspective, narrowing further away.

i stood in the middle and looked both ways. south and then north. the south curved into the woods, the north was a straightaway. i turned back south.

in the right-now there seems no straight path, no tight focus, no horizon point that is clear. the tracks curve into the woods, beyond my sight, beyond my imagining. i meander. it makes me wonder.

we seek next and idle in our thoughts in the night, not-knowing. it’s liminal space, a diesel engine that needs to be kept warm for the next day, a time to be present on the tracks, bent down, looking for classic perspective. we are attendants.

i hear the haunting whistle in the wee hours and consider this journey.

*****

MEANDER ©️ 2004 kerri sherwood

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there. together. [k.s. friday]

people-who-stick-by-us for $1000, please.

roller-coaster-soap-opera-never-a-dull-moment-ever-changing life gifts us with people along the way.

some of them are in it – with us, as it’s said, for a season. we fill each other’s cups with the companionship of friends or loved ones, but time has a way of placing itself between people and proximity of place or heart push at the ability to spend time. schedules and responsibilities and changes interrupt the flow together and we drift.

some people are in it – with us – for specific reasons. they are colleagues, they are universe-drop-ins who walk alongside as we grow and evolve, in our work, on a walk we have chosen, a trail we have been set upon. they stop at waysides as we travel on and we lose touch.

others are just there. they may be constant companions; they may be in-and-out. but, whenever we wish or they wish, they are there and we are there. they ride the coaster with us, laugh with us, ponder with us, cry with us, get pissed with us, celebrate with us. we share stories, we share the truth, we share disappointments, challenges, impossible summits. it can be weeks, months, years and it is just as easy. they are touchstones in our lives and, likely, always will be. we spend time together and time apart, but they are never far away. they are our posse. and we could not do life without them.

we stopped on the trail and i sat on a bench, pulling off the boots that were making my feet beyond sore. jen offered her socks; she offered her boots. instead of rendering her shoe or sock-less, i used her bandaids. we loaded up my feet with bandaids and i didn’t tie the boots, clomping through a few miles in the snow, curling my toes to keep them from falling off. i whined about it and i apologized for whining about it. and i promised that next week – in our next hike – i would wear different boots. two times hiking in these was enough. we talked about feet most of the way back, for there is not much we won’t discuss – at length. brad yawned through my health insurance rant, but he listened intently anyway. we cheered with dark beer and brandy-old-fashioned-sweets at a neighborhood bar next to the railroad tracks. we made plans and talked about life and the previous week, another episode in the sitcoms and serial drama miniseries of our lives. right there, listening and caring. there.

we’ll have snacks at happy hour – though it will be followed shortly by a huge dinner together. but we all love to eat and the up-north gang does it well. we’ll talk about everything under the sun and we’ll laugh. nothing is off the table as we all age together, listing the things we are concerned about. we are an all-inclusive in-service about all that stuff, comparing notes, making recommendations, giving advice. it’s totally reassuring. we know who to call if – any time of day or night – there is water in the basement or if the tv antenna falls or if we need new tires or a pair of glasses. there. they are right there.

the perch a couple nights ago was done to perfection, as were the potatoes and cabbage slabs. 20 was in his glory; his wheelhouse includes fishhhh (as he says it) and cabbage. we eat together twice a week. every week. we take turns cooking and every meal includes wine and chocolate. he goes way back – 30 years almost – and his presence is a rock for us. through thick and thin he has remained steady. we keep track of the week by our mondays and thursdays together. there.

and there are those people – who can call on the phone from far away or across town – and with whom we can pick up as if no time has passed. we can laugh about the seinfeld episodes of mutual time, we can pine for time spent, we can rue how quickly time has passed. the thing we know – no matter what – is that they – and we – are there. whether we see them or not, no matter if it has been a long while, these people are always part of the very fabric of our lives and they are vital. they remember who we were, how we changed, what we went through. they know the gumption it took to get us to where we are now. they recognize us. they are from our elementary schools, our high schools, our colleges, our first jobs, our professional ladder rungs along the way. they are the people we met on airplanes, while shopping, at tennis tournaments, across the street. they are random and superbly unique and we celebrate meeting them – wherever it was. they are in our mind’s eye standing aside us through it all, whether in person or in spirit. their souls entwine with ours.

and then there are the beloveds. people whose dna is connected to ours in some way, people whose curve-of-face resembles ours, whose expressions we know by heart, without whom we would never be who we are. they are scattered, too, around the world and, though we wish – yearn – to see them often and more often, it is not so. nevertheless, they hold the prime spots in our hearts and are always right there, a breath away. our families.

so many chances to love, to feel love. so much time spent together. so much gratitude on the coaster.

people-who-stick-by-us for – well – infinity.

*****

TIME TOGETHER ©️ 1997, 2000 kerri sherwood

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