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Category Archives: ks friday


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the fat seagull. [k.s. friday]

“you must begin by knowing you have already arrived. your true nature lives as perfect as an unwritten number, everywhere at once across space and time.” (richard bach – jonathan livingston seagull)

i followed the seagulls on my ten-speed. to the beach, always the beach. later, i followed them in my little blue volkswagen, their screeches out my open window, their soaring showing me the way. and i felt kin to richard bach, his writings about freedom and passion and dreaming and the meaning of life. we met at the beach – crab meadow – and talked telepathically. well, i talked. i don’t know if he was listening. he was on the west coast and i was on the east, though i suppose jonathan livingston may have been able to deliver any message of gratitude i had.

and so we arrived at the fat seagull. it is beyond me why we had never discovered this bar and grill tucked into the downtown of manitowoc. it’s a cheers! kind of place, people who know each other gathered at the bar and around tables, eating, drinking pints, playing games, talking. in the way of wisconsin pubs, there is a vast menu and we order a thursday special to split. the bartender tells us that the two wine glasses they had were broken so he gives us diminutive stemware and charges us less. we choose the bottle still corked, wondering who last drank out of the open bottle and how long ago that might have been. we are kind of strangers in a strange land…17 draft beers and traditional old-fashioneds surround us and our tiny wines.

we listen to live music and gaze around – at people, at the bar, the old wood floor, the ceiling. it is a study in perfection. we feel alive – out and about – a two hour drive each way – food we didn’t prepare – wine we didn’t pour. we talk about how it feels. we laugh and dance. we don’t realize it’s raining out; it had been a beautifully sunny day. we are glad to be there.

we end this week in uncertainty. we reach backwards, examining all we have done – so far – in life and work, what we have accomplished, what we have not. sixty-something is not youth, nor is it aged. it is somewhere in-between, located wherever we are. we bring all we know – and all we do not know – with us. we try to trust that we have arrived, that we are on the tarmac – or – in the terminal, that we – too – despite our lack of certainty – have flown, screeching and soaring.

“instead of being enfeebled by age, the elder had been empowered by it; he could outfly any gull in the flock, and he had learned skills that the others were only gradually coming to know.”

*****

TAKE FLIGHT ©️ 1997, 2000 kerri sherwood

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off the trail we know. [k.s. friday]

each time the trail curves, i can imagine it. next.

but as weeks go, this one has been harder. we tried our best to be positive, to believe that the new bend in our road is not so fraught. but, the fact of the matter is that it is. fraught.

we are pretty tough. kind of scrappy. definitely frugal. well, most of the time. we have both been presented with lean times in our lives. even our life together has had its lean times. we always eat leftovers. we always repurpose things. we always turn the shampoo bottle upside down. we always keep the heat low. we haven’t bought a vehicle in sixteen years. in some unknown intuitive move for which we are now grateful, we put off the big chimney-fireplace project, necessary but ridiculously expensive. we haven’t flown in three years. we find sanctuary in a forest we know well. we know where the trail curves.

and each time the trail curves, i can imagine it.

as the sun glimmers on what-looks-like the other end, i think – this is just one day, one week, one time in our lives. tomorrow will dawn and it might be a completely different day, starting a completely different week, a completely different time in our lives. and we just don’t know. again.

we are now in a woods we do not recognize, on a path we can not anticipate. off the trail we know. anxiety hikes with us, as do worry, sadness and disappointment. we worked hard on our plan, but the best laid plans are laid down. and this week, as weeks go, this one has been harder.

the sun quivers through the trees in front of us, setting. we keep walking.

day is done, 
gone the sun, 
from the lake, 
from the hills, 
from the sky; 
all is well, 
safely rest, 
god is nigh.  

fading light 
dims the sight, 
and a star 
gems the sky, 
gleaming bright. 
from afar, 
drawing nigh, 
falls the night.

(taps - d. butterfield/unknown)

*****

IN TRANSITION ©️ 1995 kerri sherwood

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thongophone. in the park. [k.s. friday]

flipflops and pvc. a marriage!

a merger between old navy and, say, dupont could bring play to the whole wide world. stands of thongophones could be simply everywhere. i can see it…people gathering, favorite flipflops in hand, making music.

it was hard to resist the pull of this two-octaved structure. flipflops – the paddles provided – were chained to the wooden stand, laying on the ground, waiting. it was just a delicious invitation – “try me, try me,” it called. and then, channeling the group chicago, “thongophone, in the park…”.

pretty crazy, it had good pitch for polyvinyl chloride, not necessarily known for its musical talent. and the flipflops? well, everyone knows how i feel about flipflops. they are the symphony of summer, so definitely a good choice.

i, generally, don’t walk up to faux musical structures like this. i usually stand back and watch others discover and play, reveling in their adventuring and exploring sound.

but this time was different.

i played first on the lower octave side. for some reason, the first piece i played was the first piece on my first album, galena. the first day i played galena was also in one of those situations i don’t usually take part in…instead, sitting back and watching others and supporting their fun.

that time was different too.

that time – encouraged (read: pushed) by three girlfriends, playing at the piano in the restaurant in galena, illinois – set me on a road i didn’t know was coming. less than a year and a half later, i released my first album. now, fifteen albums and a variety of singles and blahblah later, i look back.

and i look forward. i’m not sure what’s there. but this past week i stood at my piano and played and sang three songs for d and one of his dear friends. it’s been a long time. i apologized for the dust in the studio. i apologized that it was a little messy in there. d said rob cried. despite the dust and remnants of previous work piled around.

by sheer coincidence, today is the anniversary of that first album – 27 years ago. lots of flipflops ago.

today is a good day for a dustcloth, some garbage bags and a storage bin or two.

it’s not a thongophone in the park. it’s my piano.

*****

GALENA ©️ 1995 kerri sherwood

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it’s in our vote. [k.s. friday]

the midterms are rapidly approaching. the rhetoric is amping up. the tv ads, the phone calls, the billboards, the texts, the email messages, the political mail in the mailbox – all dedicated to sway our vote.

i realize that this is the way to raise money, that this is the way to get one party ahead of the other. many voters will elect to vote a straight party ballot. some will vote without asking any questions. some will vote without any information at all. some will vote for vapid minds, choosing the rough edges of spewed anger, covert scheming. they are voting on a bandwagon – with truth obscured – and haven’t looked past the exterior of the candidates.

i was chatting quite some time ago with a college professor. he was teaching a class three days a week and was talking about his experiences. “anybody can be brilliant for an hour and a half,” he quipped. i laughed, thinking how true that is.

but it’s the long haul that counts. it’s what’s at the crux that counts. i wonder what is in the center of what motivates the candidates we are considering. what is past the exterior, what are the things they affirm, believe in, wish to move forward?

anyone can look pious, even righteous, in brevity, for short spurts of time. but these same pedestalized people can bring to the table masked and unmasked agenda that is riddled with inequality, marginalization, discrimination, divisiveness, violence, a thwarting of social, racial, gender, financial equity all under the auspices of brilliance. it is our responsibility to peel back the layers, to poke through the season-of-midterm blahblah, to examine the intentions, the integrity, of the people we choose – truly, in every arena – to represent us.

how these people manifest in their communication, their compassion, their fairness, their steadfast evenhandedness, their actual brilliance – not the hourandahalf variety – should tell us something important. if a person does not represent the values we uphold ourselves, the ones we would lay out to each and every one of those we love, why would we elect that person to represent us, to reflect us? if our vote was revealed to our loved ones, our children, our family, friends, community, colleagues, would we take comfort, would we have pride, in what was revealed?

for it is in our vote that we truly show what is beyond the exterior. it is in our vote that we truly show what is in our heart.

*****

FIGURE IT OUT ©️ 2010 kerri sherwood

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stretching, not ripping. [k.s. friday]

the threads are stretching, stretching…but not ripping.

barney stretches and yawns, still a piano, always a piano. his soul – tenacious and flexible and resilient – centering back to itself, despite weather, despite weathering. it’s late day and the shadows are long. there are small mounds of birdseed, assorted fallen leaves, bits of white at the leading edge of the keyboard. no matter. his aging exterior belies the zeal inside of him, the sorting of memories being played, sustain pedal lifting notes into the air and holding them there. barney has come to knowing that all the notes are still there – stretched across the atmosphere, lingering. he is not fearful of this process in the sun and the rain, snow and blustering winds.

“if you let your fears control your actions, then you are not going 100 mph through it, enjoying it.” (sue aikens)

barney does little these days. he is home for wildlife, the birds, the chippies, the squirrels – they know him well. but he is still going 100 mph through it, whirling and dancing in his beautiful body in our backyard. one day he will look even less like an upright.

but the chickadees and house finches, the cardinals and robins will glance over at him and think, “there’s that sweet piano.” for they, too, will still recognize him.

*****

HOLDING ON, LETTING GO ©️ 2010 kerri sherwood

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just three. [k.s. friday]

we stood in the grocery store in brevard, right by the display. the food lion price for the charming smushy-flat white pumpkin was $8.99. it called to me, “you need me! bring me home!” but i got hung up on the price tag and we didn’t buy it.

we’ve had a pumpkin or two most years, often a pie pumpkin that we place on this funny wrought iron stand with arms, making it look like a pumpkinperson. we’ve gotten gourds – interesting shapes that tickle us. but not yet a white pumpkin, even though i really love how they look.

budgets are sometimes fun-oppressors. but any artist can tell you they are necessary. and any artist can tell you that there’s been at least one time that an $8.99 pumpkin – even one that might do the dishes and sorts socks – has not made the cut.

there is a sweet apple orchard out in the county. there is wine-tasting and a distillery at aeppeltreow, so there are spirits and spirited fun. there are a zillion apples and there are pumpkins and gourds and apple cider donuts. two years ago we picked out our tiny patch o’ pumpkins from their flatbeds and gardens of choices. coming home with a pear-shaped gourd and a couple smaller that were wart-laden we felt rich.

we bought pumpkins in aspen that same year and carved jack-o-lanterns at our airbnb with our daughter, leaving our artwork and extra candles behind for the next guests.

last year we featured our aging pear-shaped gourd in our sunroom, put out some orange happy lights and indulged in apple cider donuts at the orchard. despite the gluten they were worth it.

i think this year we will get a white pumpkin. and maybe two orange ones. three in all. just three.

but it will truly be magical.

*****

MILLNECK FALL ©️ 1996 kerri sherwood

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alive. [k.s. friday]

marty was the first man i knew who was a breast cancer survivor. we also learned he was deathly allergic to shrimp – while we were all at joe’s crab shack devouring seafood. yiiikes. it feels like a zillion years ago, but it was a great community of folks – all who were dedicated to their craft and showing at large wholesale shows, lining up accounts with small and large shops across the country. it was before streaming was really The Thing and i was moving boxes and boxes and boxes – thousands – of cds with displays, all to be sold by real people in real places. the days were long – yamaha delivered in a piano and it was hours upon hours of playing, talking, writing purchase orders, selling cash and carry. in the evening we would all sometimes gather together somewhere, to share stories, to unwind. that one night, joe’s crab shack made us a little bit nervous. we traded seats around so marty wasn’t near any shrimp and wondered why we didn’t go to a steakhouse.

community makes a difference. in this latest lean time of community that is now particularly pronounced.

i watched as my dear big sister shared her breast cancer story on facebook. she is now, thankfully, on the other side, mostly healed from surgery and radiation, slogging slowly through a period of difficulty adjusting to a long-term hormone blocker. i know, without a doubt, that the people who sent her their love – even online – helped her. a community that rallies around is the village we all need, especially in desperate times.

heidi and i spent so very much time together. our mutual work was in the oncological field – performing at large and small cancer survivor and breast cancer awareness events. there are many posts in this blog about places we have been and i consider them to be moments i was honored to be a part of the supportive oncology community and a part of the story.

my grandmother-who-i-never-knew, my dad’s mom, died of metastatic breast cancer. my sweet momma had a double mastectomy at 93. my dad was a lung cancer survivor and my brother died because of lung cancer. this year my sister’s breast cancer diagnosis scared us.

in the middle of the night, when things are raw, i decided that a “sisu” bracelet was in order so i found an artist who designed and crafted it out of silver so that my sister could wear it and know i was with her, a part of her community, holding her close. i ordered one for me as well. because the middle of the night can be a scary time when you are thinking too much.

marty didn’t mention the whole shrimp-thing until we were already at joe’s. i guess he had decided to just go-with-it, to just live. he had already been through so much.

though i really wouldn’t change it – as i love my “sisu” bracelet – i wonder if it should just say “alive”.

*****

click here for a few other words about “i am alive”

I AM ALIVE ©️ 2005 kerri sherwood

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faces on a bridge. [k.s. friday]

this darling face was larger than life, a giant print by simon te tai hanging on the wall at our airbnb in charlotte. many times we would find ourselves standing in front of it. it compelled you to do so. is there a “hug-a-sloth” day? we both would like to participate.

other than our sweet dogdog, the next animal face we were close to was the hawk’s.

it was out front in the yard, seemingly enjoying the sprinkler. d watched it out the office window, checking on it while he worked. when he went to turn the sprinkler off and remove the hose from the lawn, it stayed there and watched him. he sent me a photo of it, merely ten feet away, calm and steady. the next time he looked out, it was in the street and in trouble. grabbing a blanket he ran down to it. we have brought other birds to rehab centers so this would not be our first. the hawk was in distress and laid while david talked quietly to it. as he went to gently scoop it up, it flew off, straight up into the tree limbs above.

when i came home d was standing in the middle of the street, staring up, so i knew it had to be something to do with this hawk he had photographed.

there it was. a small raptor perched on a limb 25 feet above us.

we watched it for a while and then thought we should leave it be, believing it must be recuperating from – perhaps – being somehow stunned.

just a bit later, from across the street, at the front door, we watched with horror as this beautiful creature flapped its wings up in the tree and then fell out. grabbing a bin and the blanket we tore out the front door and ran across the street.

i implored him to wait. the eye i could see was closing and i caressed him softly, telling him how grateful the world was for his presence in it, how stunningly beautiful he was.

i don’t know when his tiny spirit floated away.

it was profound for both of us. david wrapped him carefully in a blanket and we placed him in the bin, hopeful that our suspicion was wrong and that it might be possible he was simply unconscious for a bit. but the time went by and each time we checked on him revealed no change. we called all the bird rehabilitation centers.

wisconsin dnr asked us to photograph the hawk. “take as many pictures as you can,” she instructed, “that way we can try to determine what kind of hawk it was and maybe a little information about what might have happened.” there were no obvious signs of injury and we know that the avian flu has been seriously problematic, especially for waterfowl and birds of prey.

his face was truly beautiful. feathers the color of bold coffee and caramel, amber eyes just like dogdog’s, a bit of green above his curled beak. really beautiful.

it’s these two faces of wildlife i will remember this past month.

the face of a sloth – though not three-dimensional – friendly and open, practically begging for a giggly snuggle.

and the face of a hawk – transient, evanescent and spirit-filled – visceral and, quite astoundingly, stroked by our fingertips – a moment we shared we will not forget – when this creature crossed over and we were all one, together. on a mysterious bridge that goes both ways.

BRIDGE from AS IT IS ©️ 2004 kerri sherwood

*****

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quilts > duvets. [k.s. friday]

…and i will comfort you…

given a choice, we will stay in airbnbs. they are homes – real people’s places where they laid their heads – and they offer a comfort that hotels just can’t.

perhaps i have never stayed in a hotel resort that reaches its arms around me, snugged into its chest. it is true. i haven’t ever been to an all-inclusive. when we hotel-it, we stay at the hampton inn, where they offer breakfast and wash the duvet cover daily. they are very clean, mostly updated, the beds are goldilocks-worthy and there is a refrigerator and microwave for the food we are carrying with us.

we arrived in richmond, kentucky on a thursday evening. a fire truck was diagonally across the road, blocking it, and my heart flipped a little, wondering what might have happened. instead, a small town, it was the night of the homecoming parade. we got to the corner by our airbnb, but only to the corner. it was the final approach for the parade route and the police officer at the corner stopped us with a sheepish smile, “just pull over and watch.” he added, “sorry”.

we weren’t sorry. it was a delight to see the parade up close and personal and we cheered and the high school football team threw us candy. after all the convertibles with king and queen candidates drove by and the final police car with lights, the police officer allowed us to turn toward our lodging.

we wrote to andrew, the host of our roomy and perfectly-appointed loft, just to let him know what a joy it was to pull into his town and find such fun. he responded immediately. a real person. a real home. he pays attention. we sat on the tiny balcony and sipped wine while the church carillon rang out post-parade. after more than eight hours on the road, we felt comforted.

the little house in brevard was known to us. we stayed there before. so we knew exactly what we would find…a home with a front porch… our window into the tiny mountain town. we chose to stay there again because it had held us the first time…in comfort. home away from home.

the ukulele band i directed played the van morrison song “comfort you”. “i want to comfort you. i want to comfort you. i want to comfort you. just let your tears run wild like when you were a child. i’ll do what i can do. i want to comfort you. you put the weight on me…i want to comfort you.”

comfort, invisibly wrapping us, giving us pause.

i can think of nothing more important in these times – really, any times – but especially these times – than people comforting other people. the capacity for a human to give reassurance and hope to another must surpass all efforts to compete, to one-up, to undermine. surely as the south begins to clean up from hurricane ian, the evidence is obvious.

i will comfort you – words unspoken perhaps – but deeds spell it all out. people loving one another.

quilts > duvets.

*****

AND GOODNIGHT ©️ 2005 kerri sherwood

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and the parade greets us as we arrive


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vertically. [k.s. friday]

they move them vertically. not horizontally. vertically.

the yamaha CFIIIs is a powerhouse 9-foot grand. a piano, it is a canvas waiting, blank, black and white.

they move it in, attach the legs. the technician shows up, tunes, voices, listens. the artist plays. the technician futzes some more. it’s a dance, making sure it is ready. the piano is patient and steady.

i have had the good fortune of being a recipient of these pianos. they have been delivered to recording studios, to stages, to televised venues, to big outdoor parks. the CFIIIs and the C7 are THE pianos. hands down.

at the elton john concert in charlotte, north carolina with d, my daughter and her boyfriend, he marveled at the load-in-load-out that it must take to move the ej piano, band, set, lighting, media show every night or so on the “farewell yellow brick road tour”. mostly, he talked about the piano, about how amazing it was, and how much it must cost, and how it must be moved, and how not just anyone gets to play that, for sure.

because most people believe it is moved as is – horizontally – i explained that it’s moved vertically, on its side.

but i didn’t explain how i knew. i didn’t talk about how many extraordinary pianos had been brought to me that way, how many on which i had performed or recorded. we were at elton john’s concert and he is – truly – a shining star.

inside, though, i knew. i could feel it, that urge to run up on stage, grab a boom mic, stand at the piano and play and sing. poking at me like a snickers bar. “i’m still standing. yeah, yeah, yeah.“

the other day – at the daniel stowe botanic garden – there was a small grand in the atrium. my daughter looked at me when we walked in and said, “it says you can’t play it.” i went over to look at it. “no worries,” i said, laughing.

but at the ej concert….now that’s another story. he played and sang and i was proud to also be a yamaha artist.

“my gift is my song and this one’s for you.” (elton john – your song).

the words rang in my ears and my heart attached the exclamation mark. my gift IS my song…all of them…the ones with words and the ones without. the ones with music and the ones without. the ones written and the ones not written yet.

maybe there are still vertical pianos out there waiting. for me.

*****

WAITING (from JOY) ©️ 2005 kerri sherwood

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