reverse threading

the path back is the path forward


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peaceful coexistence. [kerri’s blog on k.s. friday]

we can’t wait for this evening. we will drive the backroads with hundreds of thousands of others in wisconsin – all out on a friday night.

we can’t wait for this evening. we will join with fifty-thousand others in milwaukee attending one of the three days of PRIDEFEST.

we can’t wait for this evening. we will be with the tens of thousands wandering the summerfest grounds for the friday evening shows.

we can’t wait for this evening. we will stand in the dance pavilion – out in front, in the house, or backstage – either place – with over five thousand other people in that same pavilion and gathered all around its edges – and we will watch our son perform.

we can’t wait for this evening. we will have the moment of his first downbeat, the moment he raises his hands in the air, the joy on his face under spotlights and between pyrotechnic fountains of sparkling stars and confetti releases. we will likely be standing and dancing and cheering with a group of his friends, a group of deric’s friends – deric who shares the stage with craig as they perform together as EDM artists DOGGPOUND.

we can’t wait for this evening. we will hug him after his performance, ecstatic with him on this day, on this journey. our own pride will be bursting and he will absolutely know it. just as he has absolutely known – since the very moment he came out – that he is loved and – with-no-exceptions – completely accepted, embraced and supported.

we can’t wait for this evening. we’ll watch him and a large contingency of friends and fans as they all go on their way, celebrating peaceful coexistence at this celebratory festival. we will walk around, buy rainbow trinkets, happily ensconced and feeling a sense of belonging.

we can’t wait for this evening when we drive home on those same backroads and talk about the night. we will be exhausted and exhilarated. we will be thrilled to have spent such amazing time with our son – we will be looking forward to the next.

and then, we can’t wait for chicago’s PRIDEFEST when we’ll take the train down and spend an afternoon and evening in the streets of boystown. we’ll stand with the setting sun on our faces and – again – watch our son perform. there will be many hugs – his friends will surround us and make us feel at home. and at the end of that day, getting back on the train, we will again feel exhausted and exhilarated, both. we will sit back and talk about the day and the people – the people – all of whom are there to just simply honor each other and their very important place in the world – peacefully together.

we can’t wait for a day when all the world is a continual pridefest, when all the world honors each other’s place in the world, when all the world feels that kind of love for one another, when all the world lives in peace.

*****

PEACE © 2004 kerri sherwood

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waiting there. [kerri’s blog on two artists tuesday]

it is with great anticipation that i wait for the peonies. it’s a long process, from the ground up. from the tiniest maroon sprouts to buds just waiting to burst furth into the world – it’s glorious and wonder-full, and each year now i am thrilled to see the arc of these beautiful blooms.

my son said something in a social media post the other day that really stopped me. i went back and listened again. and again. he said that music waits for you…it waits for you to “come to it on your timeline”…it waits for you to come back…”it waits to accept you, ready to understand you.” it’s “never gonna go away and it’s always going to be there for you.”

and in those words, he brought tears to my eyes. not only because what he was sharing in that post about himself was vulnerable, not only because part of what he was sharing made me very sad to hear. but because his joy in the journey back to music – his music – was so clearly buoying, so very triumphant, a mighty trajectory of his creating.

i’ve been turning on the salt lamp in my studio lately. it’s like i want it to stoke up good energy in there.

standing next to my piano, i held the crystal divinatory pendulum in my hand, thinking about what questions to ask it…understanding that my subconscious would likely dictate what the answers would be. there are times that one is not really sure of one’s own subconscious thoughts or biases, the ability to translate from desire or idea into reality, into do-ing. times when pain pushes aside artistry.

i purchased this pendulum in a cool hippie store in northport, my hometown. on purpose. i thought it was striking – even in its simplicity – but i also wanted to bring home a bit of the internal-intuitive-wisdom and lighthearted belief-in-the-universe i had lost in that place decades ago. in these days of falling back in love with that harbor town, i wanted ways to surround myself with what i remembered about myself from the olden days of being in love with that water, that sand, that place. twelve dollars wasn’t too much.

and so, the other day i took it out of the small suede bag and held it first in my hand, reminding it who i was. and then i held it up and asked it to show me yes – it circled around. i asked it to show me no – it moved in a straight line back and forth.

and in the following minutes i asked it – words to the effect because sharing my exact words is just a bit too much right now – whether i would return to the music that was waiting for me.

it was still and then – i suppose after accessing my heart, the wistful tendrils of hope, the very tentative wisps of maybe-it-can-be-so, it circled wildly.

i thanked it and quietly put it away, not wishing to go any further right then. it was enough. we’ll see. the arc is not closed. the peony is going to bloom.

“music…it’ll be waiting there, ya know,” my wise son said.

*****

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enchanting. [kerri’s blog on k.s. friday]

we’ve gotten a few plants now. a couple sweet potato vines, a couple licorice plants. we also have our basil, chives, parsley, cilantro, jalapeños, cherry tomatoes and lavender. in the last few days we transplanted them into clay pots for our potting stand or their new home on our deck or patio.

our first day at the nursery was completely about reconnaissance. the second – at a different nursery – was to be wowed and make a few purchases…four to be exact. we were directly behind someone who had ridiculously-loaded carts of plants and flowers, along with a ridiculously-loaded price tag. we were just as excited as she was, only our joy was about our four plants, not a multitude. there is a reality to budgeting and we try to plan our purchases wisely, particularly in these times.

our third day out was crowded with people, the nursery was messy and the plants were picked over, but we still managed to find some herbs and tomatoes, lavender, salvia and sweet purple flowers whose name escapes me. our fourth day we filled in the gaps. the nursery had resupplied and we picked up the mint, jalapeños, and little white with purple flowers to contrast with the purples we had already gotten.

d lined up all the pots and planters on the patio and i took out my gloves from the old cabinet we had placed on the deck. and then it started.

from individual elements – these small (though not inexpensive) plastic pots of baby plants – turning into our own backyard sanctuary, filled with potential of beautiful flowers and edible produce. exquisite. each morning we look out the window – in the earliest morning light – to see these new residents of our home. each morning they are enchanting.

one day – over a century ago – all the pieces of barney were put together into an upright piano. where he went from there is unknown, but we found him in the church’s basement boiler room, not exactly a prime location for this musicmaking instrument.

after we managed to have him delivered to our backyard instead of to the junkman, we were thrilled with his presence. his aging might have been preserved by some marine wax, but we chose to go organic with barney. he’s way more of a granola piano than a botox piano.

through the years we have now had him, he has become more and more gorgeous, more and more a part of our backyard, offering shelter to the wee critters, a landing pad for those who fly or scamper. barney’s higher-purpose presence is grounding and part of the peace we feel when we step out our back door.

it’s hard to believe that it is almost june again. already. summer is at the edges.

the last two nights we have had dinner outside on the deck. as the sun just begins to slightly wane – to fall off into acute angles with the horizon – we sit and chat while the garden lights reflect in the pond. we wait for hummingbirds to zoom to our feeder. we watch breck quake in the breeze, marvel at the play of birds and squirrels, adore our dogga laying on the deck in the shade. it is all enchanting.

as the dark begins to settle into the alcoves of our yard – the ferns breathe deeply, the peonies stretch – we yawn and make our way inside. as we settle in under our quilt we talk about our day. we talk about the delights of new plants, marvel at the perennials we are astounded to see again. we are grateful for plastic adirondack chairs, a tiny bistro set, two old gravity chairs and a couple round rugs – the trappings of our deck – a place we truly find enchanting.

as it turns out, we don’t require much to be enchanted.

*****

GRATEFUL © 2004 kerri sherwood

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surviving creepy and invasive. [kerri’s blog on k.s. friday]

the snow on the mountain groundcover creeps under the fence. it tries to take over the ornamental grasses, winds its way around our peonies, fills in spaces we didn’t necessarily need filled in. it’s invasive dressed in pretty. it has even given the wild geranium a run for its money. fortunately, the geranium – particularly under barney – has survived the overbearing groundcover and its sweet pink flowers are getting ready to bloom now.

i saw a post the other day that was a gut-punch. the words on the post read: “it’s illegal to feed wildlife at national parks because they get dependent on handouts and forget how to survive. it kinda sounds familiar, doesn’t it?‘ the photograph with the post was depicting minority moms and children in line with shopping bags and grocery pushcarts.

it literally made me ill. because it was posted by a neighbor with a comment that read, “hmmmm.” just despicable. and downright hard to believe that there are people who really feel that way. haughty. sickening. overbearing. uncaring. bigoted.

creepy and invasive.

that kind of bullshit post enrages me. it’s unconscionable. the hatred is just exhausting. how dare he/they be so righteous, so pompous, so entitled? with clearly no heart at all – no empathy – no love-one-another in their soul, no we-are-our-brother’s/sister’s-keeper. the judgment and demeaning attitude.

i could go on.

but i won’t.

because i am hoping that most of us in this country will be like the intrepid wild geranium. that we will bloom despite the invasive stuff that purports to be pretty.

that we will be able to spread goodness and kindness and compassion.

that we can possibly be the nation we were destined to become in a world that needs the caring interdependence of all people.

that we aren’t dreadful people who believe despicable things and then share those extreme racist views with the world, hoping for “likes”.

snow on the mountain is “incredibly invasive and will spread indefinitely if not restrained.”

*****

sorry about the language. but sometimes it fits. 🤷‍♀️

*****

PULLING WEEDS © 2010 kerri sherwood

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listen harder. [kerri’s blog on merely-a-thought monday]

“sometimes you have to listen harder to hear it, but the music is always playing.” (rob shaver – the life we have)

there have been plenty of times i didn’t listen hard enough.

i wonder. maybe it’s different if music is what you do, what you are. maybe sometimes it’s harder to hear because i have so much invested in it, because it winds around everything. maybe sometimes it’s harder to listen to because it sits heavier on my heart, with imperative and expectation. maybe sometimes it’s harder to hear because it is mixed up with cellular strands of pain, with the memory of the painful, with reinvigorated pain. sometimes i choose not to listen.

in those times it is quiet i seek. there are no melodic gestures that invite me in, no harmony, no beat pattern of rhythm. it is blank staff paper. skeletal. it is silence.

and then – like now – i begin to discover – rediscover – that it was there all along. it was the thing that carried me from one measure of rest to another. it was the beast of burden that enabled me to rest in the rest, to climb when necessary. it was the universe that offered it up – always playing – as breath. healing. not a bandaid kind of thing, but a gut-punch of adrenaline, a reminder of melody-flits in my mind, a few keys on a piano i can feel in my fingertips – prompts for an intuitive artist, shoulder-taps, a wistfulness i can’t avoid.

and every sound becomes a symphony, ready for my own ovation. every chance at a riff, an arpeggio, a singular line of potentially-exquisite melody is the divine. it plays always – off to the side, in the wings of our individual stage, just waiting for the curtain call, for the downbeat, for the crescendo, for the fader to bring up the volume.

sometimes i have wished that my work was left-brained, measured, predictable, with less of a low-tide-tidal-wave spectrum. but the spectrum – the kaleidoscopic roller coaster – is my continuum and i know – particularly now – when one note arrives at a time – that i wouldn’t trade it.

if you listen you will hear it.

*****

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setting seed. [kerri’s blog on k.s. friday]

tiny parachutes – white filament – catch the breeze and lift the seeds – about 200 of them or so – from their home – the head of the dandelion – scattering them about in the world. the dandelion plant is left behind to generate a new flower head, more seeds, more parachutes. it is not singularly connected to any of these. its job is to simply be prolific, to produce more flowers and, thus, more seeds which will germinate more plants. and the beat goes on.

i would not be a good dandelion. i could not be so disconnected, so cool-y aloof. it is not in my nature to let go so easily, to ride on the wings of apathy. my children could tell you differently. my thready connection with them hangs on, even with all their efforts at asserting their independence. my thready connection – sans parachute – will never cease. motherhood – as i experience it – is like that.

fistful of dandelions is now kind of an old song – recorded in 1999 – which is 27 years ago. i hesitated a moment before i sent it to a newer friend – someone who i doubted had ever heard any of my music. i wasn’t sure if it was the best song to send her way, since it is only the second vocal recorded professionally in the second phase of my artistry – the phase that started in 1995. i know – in my library – there are better-sung songs, better-sounding songs, better-written lyrics, better-performed tracks.

i sent it to her anyway.

because i have found that this song speaks to moms and she is a mom. because it was more raw – desperately honest – an earlier piece sort of buried on an instrumental album, whereas other vocals are more readily accessible, easier to peruse if you wish. because – maybe, hopefully, we’ll see if possibly – someday i may record others and, just as time keeps moving on, so does style and relatability and such.

and so i sent it to her.

i haven’t heard anything back, which is always a tad bit disconcerting for an artist – any artist. we all know that it is how a piece of music, of art, of writing hits another that gives it life, gives it lift, sets its parachutes in motion so that it might float and swing on a breeze, setting seed in yet another place, with other people, new gardens to receive it.

i bent way down on the trail to capture this particular dandelion. its job was not yet done – there were more seeds, more parachutes; there is more possibility.

the same is true of my children.

and i will hang back at the flower zone, in the garden, while they fly around the world seeking rich soil in which to experiment and grow, in which to continue to grow their own wings, those stunning kaleidoscope wings of color and texture and challenge and success and brilliant brilliance – those iridescent shimmers – a myriad of sheen – though invisible to the naked eye.

and i will be astounded.

“…it overwhelms me what i feel, this heart outside of mine/is walking in another person, in another life…”

*****

happy mother’s day.

*****

FISTFUL OF DANDELIONS ©1999 kerri sherwood

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maypole dancing. [kerri’s blog on k.s. friday]

wearing a traditional scandinavian jumper, i danced around the maypole. holding a ribbon tethered to the pole, i danced to and fro with other young girls also holding ribbons. it was an ancient spring festival – at an arboretum on the island – and my sweet momma happily got us involved in taking part in it.

may day – the first of may. it seems impossible that we are already at may. time has a way of zipping by while at the same time taking-its-sweet-time. langsam – slowww – one of the few german words i remember from six years of studying the language.

but the return of spring it is and we are both grateful for it, despite its exceedingly stormy arrival.

we wake in the morning even earlier now, the sun streams in on our quilt, the breeze through the open window. everything is greening…gorgeous new-green crayon tones against easter-egg blue sky…tiny buds bursting into leaves, stalks of peonies growing taller before our eyes. the aspen is filling out, the ferns are unfurling, the daylilies are daylilly-ing – they require no help whatsoever.

and the birds and squirrels and raccoons are taking full advantage of our zeal to keep the feeders full. they linger on the top of barney, on the top of the potting stand. they gather in the pine tree next to the birdbath, waiting turns at the water.

and we can hear the call of the cardinals – beautiful song punctuated by sharp chirps. they stick around during the winter; their presence is always reassuring…a sign from the universe reminding me that my sweet momma and poppo are nearby, just on the other side, having slipped from this dimension to the next.

we’ve sat on the back patio a few times now, on the back deck in the sun. we’ve watched these creatures of our yard, narrating for them as they move about. wanting a photo of the cardinal at the birdbath, perched on its side, getting a drink, i grabbed my phone. but i was, regretfully, too late and he took off as i snapped the picture.

it wasn’t until much later – hours, really – as i looked at my photos of the day when i saw this photograph, the cardinal taking off, flying away from the birdbath.

so much better than a static perch photo, the cardinal taking flight – its may dance – its own celebration of the arrival of spring, of renewal, of new life.

we sit in our adirondack chairs and plot out our spring. we talk of our gardens, of an annual flower or two we might choose, of the herbs and vegetables we will grow on our barnwood stand.

it is hard not to feel passion for our very earth watching it come back alive all around us. it is impossible not to take deep, cleansing breaths, to turn our faces to the sun. it is time – for all good things – to dance around the maypole, to take flight.

*****

TAKE FLIGHT © 1997, 2000 kerri sherwood

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wings in the harbor. [kerri’s blog on k.s. friday]

“a ship in the harbor is safe, but that’s not what ships are built for.” (john a. shedd)

i daresay that any artist understands this. there is no pursuit of artistry without the taking of risks, the exposure of vulnerability, the stepping out of one’s comfort zone. our job – as artists – is to seek growth, to encourage growth, to open up vast space of potential instead of squeezing complacency.

our trip back reminded me of this. the sailboats, the cruisers, even the skiffs in the harbor are protected…from the challenges of the elements and any stormy surf. but these boats will not stay in the harbor. people will take them out on the sound, perhaps around the island to where the sound and the atlantic meet, perhaps further into the ocean. they will explore and adventure; they’ll follow a star they alone can see.

we followed the star here. this is my chance to reclaim it all, to find the 19 year-old i lost, to hold her and assure her that she is now safe and that i have taken on that which attempted to squelch her forever. ships weren’t built to stay in harbors.

i have found my way home – intentionally. and in that finding, i have found her. and in that finding, i hope that the so-many-years lost will come rushing forward – music in every star i can see, in every star i can capture.

and the ships in the harbor will bear wings and, all together – with me at the helm – will sail into next.

*****

the way home © 1997, 2000 kerri sherwood

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our theme song. [kerri’s blog on merely-a-thought monday]

i have listened to this song – rascal flatts’ stand – just shy of a million times. on every trip back and forth across the northern part of this country – driving from the midwest to the east coast to perform, sell cds, do a radio or tv gig – it would be blaring on the stereo, this song from the me and my gang cd on repeat.

because we have all discovered life IS like a novel with the end ripped out. every bit of careful planning, every end result we purport to know will happen, every time we are sure of it all, something else happens to throw an itty-bitty wrench into things, to wreak havoc on our tidy landscape, to make the horizon a tad bit blurry, to utterly decimate what we thought would happen.

i suppose we can take it all as it comes, lie down and let the steamroller roll over us – succumb – in any and every arena of life.

but the chutzpah that has come with listening to this song almost a million times – the chutzpah that comes with, well, just living itself – changes that succumbing-to-the-steamroller tune.

“cause when push comes to shove you taste what you’re made of/ you might bend ’til you break, cause it’s all you can take/ on your knees, you look up, decide you’ve had enough/ you get mad, you get strong, wipe your hands, shake it off then you stand, then you stand…”

and so, i find myself driving again – across the northern part of this country – from the midwest to the east coast – standing.

because when you can do something about that which has the potential of undermining every single thing, when you can do something about that which is life-arc-havoc-wreaking, when you can do something about that which has been too much – when you have decided you’ve had enough – when you are mad – when you get strong – then you must stand – in any and every arena of life.

“every time you get up and get back in the race/ one more small piece of you starts to fall into place…”

we blasted the song over the external speaker our boy gave us – because big red doesn’t have a cd player or any capacity to play music that is not on the radio or a cassette. i sang along. loud.

d listened to the lyrics. over and over again.

and suggested that this song be our theme song now.

*****

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abundance. [kerri’s blog on k.s. friday]

for reasons we will not elaborate on, we are writing these blogs ahead. and, in true fashion of the times we are living in, there are zillions of things that have happened or are happening between now – as i write this – and now – as you read this. in the chaos in which we now exist, it is impossible to stay afloat of all of it…

because we care about the littlest creatures around us, we have several surfaces we line with birdseed, in addition to our birdfeeder. barney, the upright piano in our backyard, is one of them. another is our potting stand, these pieces of barnwood that stretch beyond our deck, sitting on metal piping, waiting for planting season when it will sport our basil and jalapeño, dill and chives, rosemary and cherry tomatoes.

our birdies love dining on these flat surfaces and gather together on the piano or the stand or off to the side, waiting their turn. the squirrels are zealous about these flat surfaces, as the birdfeeder gives them a tiny run for their money, a small challenge that is, however, most definitely not insurmountable. either way, they fill up to run off and provide food to the others.

we try to keep these surfaces with food, replenishing them to help these little creatures, particularly through the winter. we want them to feel abundance, not lack.

because helping others – people or creatures – to feel abundance seems like goodness, kindness, the right thing. and, in a world where we all unintentionally do things that are right and things that are wrong, it is a good thing to intentionally do some right things.

last week the administration of this country declared in unconscionable screeds that he was going to obliterate an entire civilization. that he was going to make them live in hell. there were moments – after that particular weekend of his screed – that i could not breathe.

in a really stunning opening to his show the night that the administration decided on a two week reprieve before reconsidering his big obliteration, lawrence o’donnell called it what it really was – an obliteration of OUR nation – THIS place – every ideal for which we have EVER stood. i could not agree more.

we sometimes intentionally do things that are wrong – start an argument, go over the speed limit, fail to put recycling in the correct bin. we sometimes unintentionally do things that are wrong – step on someone’s foot, push the grocery cart into the back of someone’s ankle, cuss in the wrong situation, cough suddenly without covering our mouth. most of these things are presumably forgivable, solved by apologies or decisions not to do it again. sometimes there are wrongs that are bigger, that require grace, true humility, olive leaf amends.

we sometimes intentionally do things that are right – give a bigger tip than recommended, donate money or food or other staples to a person, an organization, a pantry, help our neighbors, friends, family without being asked, pick up trash on the trail, listen when someone needs a listener. sometimes there are rights that are bigger, that are stunningly altruistic, that set examples.

we wish those around us to feel that we are generous in those things – the right things – that we hold abundant love and care for those around us.

we watched the rescued hearts film. it is an incredibly moving piece about the heart that horses hold in space with humans. with abundant love, these big, beautiful creatures reach across any boundary of language to extend love – in heart-opening abundance. these horses are catalysts for healing. it is not a film about control – it is a film about connection. it is a film about transformation. it is a film about sheer potentiality of what we – with all of nature – can provide each other.

this film is the antithesis of the threat of obliteration. it is not about lack. it is the epitome of abundance.

the rescued hearts film and this squirrel on our potting stand also make me catch my breath. because goodness is all around us.

and how anyone could not choose goodness over the worst cruelty is beyond me.

to hell with THAT.

*****

YOU MAKE A DIFFERENCE © 2002 kerri sherwood

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