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Category Archives: not-so-flawed wednesday


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unfinished. [not-so-flawed wednesday]

while she explained to me the presence of the cross on the back of the donkey, he explained to david how he installed the sun-seeking solar panel in the barnyard. both exist here. the old world donkey and the twenty-first century solar panel. together.

he told us that they were about our age when they started to make plans for next steps. they sorted and listed and researched and made decisions for their next phase, moving to acreage further south – in a bit more temperate clime – closer to some family, out in the woods with ridges and ravines, living their dreams for the next of life. “you should start thinking about that now,” he encouraged us. he’s right. we think about it all the time.

“the world never comes at you all at once,” john o’donohue wrote. “you are not simply here. neither are you definitively and forever ‘you’.” … “no person is a finished thing.”

things you can count on. change and change and change.

we know change is imminent. and change has already arrived. and we have exited change, taken the doorway that reads “next”. and we can see more doors and more doors. they are a little further away, like trail markers, choices to be mapped, routes to follow, narratives with gaps to fill in.

maybe a coupla donkeys, a coupla horses, dogdog, mountains, cherry tomato plants, and trees. our lives will evolve.

in our mind’s eye, we paint ourselves older – hopefully wiser, but i know there’s no guarantee of that. we paint the hue of early morning sunrises over peaks near and far. we paint old porches and adirondack chairs. less stuff and more time. old world and new world. much like now, we paint in mugs of coffee and glasses of wine bookending the day. we paint in people we love. we paint in hiking and writing and new recipes and doing the art we do. it’s unfinished, this canvas.

life is not a paint-by-number. and solar panels and donkeys co-exist in barnyards. and we are not definitively any particular colors in any particular place doing any particular thing. we are made of dreams and change.

*****

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betty’s right. [not-so-flawed wednesday]

each of us can rack up the could-haves, like in a pool triangle, all stuffed in next to each other and ready to break with a cue. fragile, though. we can look back and think “why didn’t i…?” time and again. we can regret.

i suppose the gift of a new year – and those dang resolutions – is to sort and reevaluate the things that you consider important, the things worth continuing, the things worth letting go, the things worth learning. new practices of things-to-do and new practices of things-not-to-do. the lists permeate our brains and hearts, nagging, nagging.

there is a meme, well, many memes, circulating about betty white. it states something like “you have lived a really good life if, at 99, people say you have died too soon.” i realize that betty was inordinately popular, successful, always at the top of her game. but she was a real person, too. and she had to decide how to live. her positivity and laughter gifted each of us who have watched her or listened to her. in a recent interview she recommended, “taste every moment”. mmm. not at all corny, just a simplicity, a reminder.

we carry this pop-up-dinner table and stools around with us, switching from big red to littlebabyscion and back, depending on which vehicle we are driving. when big red refused to start for our road trip over christmas, we transferred the pop-up stuff into littlebabyscion and packed up to go.

we know we could have eaten at the sweet dining room table in our airbnb in the little mountain town. we ate there several times. but that last evening…we needed just a bit more time on the front porch, a bit more time outside, a bit more time admiring buffalo-plaid-man’s holiday decorations across the street, a bit more time in that town. we set up the pop-up table and stools, put up the luminaria again, lit a candle, brought out hors d’oeuvres for happy hour and, later, dinner. a little more effort, but not really much. everything tasted better out there. each moment.

before we even left home and while we were hiking in those north carolina mountains i thought about the new year approaching. i thought long about grasping onto the opportunity to just go, roadtrip to a new place, changing pattern. i thought about chances to amend, to let go, to reach out, to break the racked-up could-haves. big ways and little ways. i tasted a few resolution-ish moments, trying on for size – acting on – some of those thoughts-i-had.

and even in my first meager efforts – nothing earthshattering, nothing that will likely change the whole wide world – i must say, betty’s right.

*****

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cold french fries. [not-so-flawed wednesday]

he’s a convert. we weren’t out of this sweet holiday town a half hour when i asked him to take out the baggie of cold french fries.

my sweet momma is the one who taught me how to eat these. step one: you fry them up. (or bake them) step two: you eat them. step three: you put the leftover in some kind of container. step four: you take them out of the fridge the next day and eat them. cold. preferably with momma’s iced tea, but straight up if there is none of that around.

and so, we turned around littlebabyscion in the back part of the driveway, drove out onto the road, waved to buffalo-plaid-man across the street, drove up the hill to downtown and down the hill out of town toward the mountain range in the distance. stopped and got gas, cleaned our sunglasses and i asked about the french fries.

granted, it was early, but breakfast was way earlier and all that packing and loading and saying goodbye used up a lot of energy. it was time.

and so now, when it used to be that the baggie would solely be for me, we shared the remainder of the french fries that we made with baked clams last night for our pop-up dinner on the porch, our last night in this perfect little town. they tasted like crisp outdoors late at night and my sweet momma’s homemade-just-for-me all rolled into one.

we passed a tiny stand on the side of the road. “boiled peanuts” the sign read.

“yuck,” i said, curling my lip. he agreed, laughing.

but i’m pretty sure i could hear the guy in the sun next to the table he had set up as he turned to his companion: “have you EVER heard of ANYONE eating cold french fries?!”

*****

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old roller skates and skateboards. [not-so-flawed wednesday]

there are presents and, then, there are presents.

20 knew what my response would be – ahead of time – when i opened his smartly-wrapped gift, fancy homemade ribbon coordinated with the wrappings. but the absolutely delectable time – inbetween giggling over a really wonderfully simple-yet-perfect bow while guessing what was in the box and moving aside the inner paper – was full of anticipation. conversely, i could see it in him too. it is life-enhancing. both ways. those moments you wait as someone – who you know well and for whom you have found something exquisitely perfect – begins to open your gift. it matters not how big or small, free or expensive; you just know you paid attention to little details and you cannot-wait-to-watch-them-open-it.

i pulled out the brown paper in its role as tissue wrap and there was an old-old pair of sidewalk roller skates with a set of keys. circa 1950/1960 heavy metal with rugged metal wheels. vintage.

instantly transported back-in-time to the feeling of rollerskating on abby drive, i could remember strapping on the skates up at the front stoop, following the sidewalk down as it turned and then turned again into the driveway, struggling to stay on the concrete driveway ribbon – as we had one of those driveways with a ribbon of grass inbetween the ribbons of cement and skating into that was a sure way to fall. the end of the driveway had a little bump too; you’d have to stop there (stopping was always an issue) and step over the end of the apron. and then, the street. and freedom.

at some point, my big brother took the metal wheels off of a pair of skates and made a skateboard. i can still feel that board under my feet – the rough ride of metal against cement-aggregate mixture. we sought out asphalt, though, back then, it was in shorter supply. over by the long island lighting company on the sound there was a really long curving road downhill all made of asphalt. it was a little bit terrifying. and required either driving there or toting your skateboard on your bike a few miles. so – in our everyday world – rough rides on steel skate wheels was our destiny.

my brother made the next skateboard with rubber wheels and a bigger deck and, though it was slower, you didn’t feel as imperiled on it. he mostly used that one and the blue painted one with the red hang-loose was relegated to me. there is much to learn from a rough-ridin’ skateboard, a ribbon driveway and an apron-bump.

i wish i knew where those two skateboards were.

but finding them is unlikely, as i’m sure they are long-gone. about as unlikely as 20 stumbling into a pair of old roller skates and knowing they would be perfect.

*****

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around the barriers. [not-so-flawed wednesday]

so someone went around our rickety old adirondack chairs with the signs that said “sidewalk closed” in order to walk across the newly-poured sidewalk. clearly, this person wants to be remembered. judging by the print, this person is male, relatively long-legged, dons footwear sans brand markings on the sole and leans a bit heavier on his right foot than his left. since that is not much to go on, there is not much to be remembered. just that he wanted to make some sort of statement that day and marched right around the barriers and right through our new cement.

on the trail through the woods hiking on sunday we went along a train track for a ways. a new-looking black locomotive of a long freight train blew its whistle and we peered through the trees to watch. the train was really long and every car was the same, which seemed unusual. freight trains in these parts usually have all kinds of boxcars, flatcars, hoppers, tanktainers, double-stacked container cars. the only differing aspect of these silver hoppers was the graffiti on the side of the cars. most looked newer – or newly scrubbed – but some had lots of added color…the meaning-making marks of spray paint artists who somehow are able to find ways to paint, despite whatever barriers might exist in the rail yard.

i suppose we all have an imperative to leave a mark. to say “i was here” in one way or another. we visit antique shoppes and tease that my cds and his paintings will someday be piled in tiny booths with 20%-off-sale signs and no curator or record-spinning-dj to “explain” our work. one of these days it will be difficult to find a way to actually physically play cds – so for that, i guess i’m happy a lot of it is digitalized, mp3s, like jpegs and tiffs of david’s paintings that are floating about the internet. marks.

this is our 201st consecutive week of writing these blogs for our melange. 201 weeks, five days a week (and more recently six). rapidly approaching four years of writing in this context, together. if each post is about 500 words – or so – that is over 500,000 words. each. together – in just these last 201 weeks – it’s well over a million words. lotsa marks. blogsites can be cumbersome. they can be barriers to leaving-a-mark because of the technology. but not insurmountable. social media can barrierize one’s efforts, particularly social media that indiscriminately shuts down profiles for community standards that have not actually been violated. but one walks around the old adirondack chairs and figures it out. because marks take a little effort sometimes.

i’m hoping that person-x is feeling more acknowledged by the time the utilities come back out in the spring to pour a permanent cement sidewalk out front. as someone who put tiny initials in a zoo sidewalk thirty years ago, i can’t say i don’t understand. i just hope that if we put up better barriers, the only marks in the new sidewalk will be ours.

*****

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we have red! [not-so-flawed wednesday]

we have been witnesses to a transformation worthy of notice. in an uncovered ziplock plastic container on our kitchen counter, no less.

we placed the cherry tomatoes in the container on october 30. just the tomatoes. not knowing what to expect, wondering if we needed to aid them along at all. we had read about ethylene and apples and bananas and paper bags. but, we thought, for a few days we would leave them alone and see what happened.

on november 6, only a week later, a few tiny orbs had turned orange and were suddenly red. “we have tomatoes!” i wanted to gloat…the second time in this season of boomer-container-farmer living. it was astounding. we had read that they should not touch each other and yet, these tomatoes were thriving in community with each other.

we watched the progress and photographed every few days.

on december 6, these deliciously sweet red cherry tomatoes, along with zucchini and baby bella mushrooms and onion and garlic and red peppers, were tossed with olive oil over penne and became dinner. and to think what we might have missed had we just left them on the vine when we put the plants in the informal compost pile behind the garage.

at a time when ministers of music all over are stressing about advent, i am reminded of building cantatas…much like van gogh’s words, “great things are done by a series of small things brought together.” to try and rehearse an entire cantata start-to-finish with a choir is to overwhelm them. to introduce songs, one by one, allowing singers to bond with the music, to sink into it, to want to really sing it, invest in it, is to give music the space it needs to grow. integrating all the pieces together works when each individual piece is honored within the context of the whole. a common goal. the green turns to red. the ethylene of each choir member – so to speak – transforms each other. it’s all about the spirit brought together.

the quiet of the season this year – the second year sans adventpush – is punctuated by small measures of rest, time pondering unanswered questions, moments of noticing tiny miracles. i walked to the piano the other day and played the opening strains of “what child is this” and listened as the sound faded.

i’ve gone from cantatas to cherry tomatoes, it seems. it is not without learning.

at the end of growing season, just before advent, the lessons: one tomato gone bad in the container will have a drastic effect on the others. the farmers’ almanac offers guidance: tomatoes that have spoiled or molded should be removed. the offending tomato will cast a toxic shadow over the rest and one must be cautious to discern where the toxic is actually coming from. keeping ripe tomatoes in a plastic bag will make them go bad quickly, so one must be cautious not to suffocate one’s tomatoes. not all green tomatoes off the plant will ripen well; the tomatoes at a mature green stage will. some tomatoes are just not ready to be red. and…it is much easier to ripen tomatoes together.

as the season passes and we move into the new year, i think about this transformation we have watched. we were perhaps overly giddy, a tad bit too enthusiastic, slightly too fostering of potential, a little too encouraging of our little tomato-team. but – red! we have red!

and no bananas or paper bags were harmed in this transformation.

*****

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shamash, all. [not-so-flawed wednesday]

we lit the first candle with the shamash on sunday about a half hour after sundown. and then we lit the first candle on the left. our tiny menorah has a place of distinction on the table in our sunroom. the festival of lights began surrounded by tealights and happy lights and two people wanting to bring more light into the world’s hearts as well as our own. we honored my uncle tony’s family as we lit the candles, read blessings in mispronounced hebrew and sat and gazed silently at our simple newly-purchased menorah. beautiful. a celebration of the right to exist, i read. a time to remember courage, to bring divine light into inky, murky corners. we seek connection to the spiritual universe all around us in manners familiar and unfamiliar to us. on purpose, respectfully, with intention.

joshua davidson, a rabbi in new york city, spoke about his views of “the deep meaning of this year’s hanukkah”. with so much darkness and brokenness in this country he has chosen to ascribe meaning to each of the eight candles he will illumine – “the smallest bit of light to push back the darkness”. he includes: advocates of justice and fairness, black americans, women, members of the LGBTQIA+ community, immigrants around the world, the aged, planet earth and our children.

the rabbi continued, “each of us will identify our own lights — on our menorahs, in our windows, or on our trees. however we celebrate, the act of kindling light can be, if we wish it, an act of illuminating the sparks burning in every human being and all created things. when we learn to look at the world and at others — no matter their color, their ethnicity, their gender, their age, their ability, their faith, their education, their wealth, or their politics — and recognize those sparks; and when we accept our responsibility to make them glow again; then we will have taken a first step toward kindling the light and restoring the hope that will heal our dark and fractured world.”

joshua wrote, “the shamash, the helper candle, will represent me — my power to become better in the new year; and through my own moral growth, my ability to spread light in the moral darkness that surrounds us.”

no matter our choice of religious or non-religious belief system, the black and white of it is that we all have the potential of the shamash. we are all light in the middle of twilight, luminous branches in the middle of darkness, in the middle of early-morning dawn, miraculous sparks of change and growth. it is a season of light.

*****

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mike and arvo at dinner. [not-so-flawed wednesday]

mike oldfield played during our dinner on sunday evening. we hadn’t listened to his voyager cd in quite some time and put it on after arvo pärt’s piece “spiegel im spiegel”. we all sipped wine and chatted, catching up.

and then, in the way of surprise moments, i heard it. somehow i had forgotten. “mont st michel“. i jumped up to run into the sunroom, telling them, “wait! you have to listen to this. really listen. hear what happens!” i pushed the button on the cd player to go backwards on the track and found a spot before the moment. i went back into the kitchen to make sure they were listening. i pointed out the swell as it happened and my heart crescendo-ed with it, spilling into tears i could not help. stunning texture, orchestration that raises and tosses you around in mid-air, holding you up in the clouds, swirling around you, steadfastly not allowing you to fall. it opens you, gives you hope and elevates every single thing, and then gently, tenderly sets you back down again. words rushed out of me as i marveled – again – at this piece, a composer of impressive standing, mike oldfield at dinner.

because i had the floor, i put arvo’s piece back on – a definitive difference in texture and absolutely no less tantalizing, no less seductive as it draws you into the play between piano and cello. utterly gorgeous.

and then, because i had the floor – and they were encouraging me – i put on two of my own pieces: “last i saw you” and “peace“. i talked about composing and structure and the weaving of emotion, about ken’s orchestration and producing, about the rise and fall. i described the moment we slid the sliders forward on the mixing board during last i saw you – a moment i will never forget, ever. the lift.

and, then, as suddenly as it began, i stopped, realizing i had just talked nonstop for the last half hour or so. they sat quietly. so did i. the texture in the air was palpable and i was grateful to see tiny tears forming in the corners of their eyes as mine were not hidden and were threatening to overflow.

the path from dinner to dessert was full…our conversation deep with the fresh air only heartstopping beauty can bring. like this beloved path around dory lake, lined with aspen and pine, grasses and reeds, the path to pumpkin pie was lined with talk of cellos and french horns, piano lines and the effect of a crescendo on hearts hungry for a little release.

mike and arvo left after dinner, and i put away what was left of the pasta fagioli in the stock pot.

*****

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like wisconsin. [not-so-flawed wednesday]

it smells like florida outside this morning. it’s milder and dewy and distinctive. it makes me think of many, many mornings waking up in florida, ready for sunny and warm. clouds hung low in the early day, burning off as the hours passed. here, this day will stay mostly cloudy, rain passing by, the sun not really having a chance. having passed through a couple days of really-cold, a day in the 50s feels like a reprieve. and that smell…

there have been some days in the summer when something in the air shifted and we could catch a hint of fishy from the lake. the air hung a bit heavier and the seagulls were noisy. these were the days i felt long island, images reaching across time and the miles inbetween here and there, beach days, boating days, old bike-hike days, days on the stoop of my growing-up house…

and the days when the leaves on the ground in late fall or the pine forest in the middle of our river trail place me back hiking in our favorite breckenridge, the scent of evergreen forest ever-present. those high mountains…

there are two small bottles of cologne on the windowsill of our bathroom. neither is mine. the estee lauder pleasures was my sweet momma’s and the small travel size marc jacobs daisy is one that my girl left behind. if my son was represented on the sill it would make me smile to see the abercrombie fierce his sister and i bought, long ago, for him to wear – talkaboutdistinctive! just a whiff of each of those…

the memory of fragrance is powerful and emotional.

we have cleared the deck of summer. the outdoor rugs, the table and chairs and new umbrella, the cushions and pillows, the old door and the ficus tree. all are put away. soon the dog’s water bowl will come inside as well and the last two pillows too. the rugs left lines on the wood, which will fade as time goes on. it looks blank out there. it seems like such a short time ago we were planning and shopping ever-so-wisely to make that space the perfect après spot. now, winter is on its way, taunting us even this week.

we left the small firepit on the deck. i figured we could light it outside the window and watch it from the table in the sunroom. it has been our favorite purchase of the summer and too much change too fast is, let’s face it, too much change too fast. we can still enjoy it for a bit more time, tucking it away on the most extreme days. après has moved inside.

but i suspect there will be a morning we wake up…some wintry day…probably soon…when we rise and open the back door for dogdog. we’ll have a burst of cold air and then, a long breath.

the snow will smell like frosted magic, crisp and white, sparkling. the sun will glimmer off flakes that have fallen on the deck. it will conjure up memories of snowmen and holiday decorating, christmas shopping and wrapping stocking stuffers late-late at night, the fireplace and shoveling and snow angels, walks in the woods and the crunchy sound of snow under your feet…

and that morning i’ll think, yes, this smells just like wisconsin.

*****

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out that window. [not-so-flawed wednesday]

first glance would suggest this is a black and white photograph. an image taken through the window over our kitchen sink, a view i have seen first thing in the morning about 12,000 times and the last minutes at night just before turning out the kitchen light and moving into a time for sleep, about 12,000 times. and any time inbetween, in the day as morning marched into noon and noon glimmered into midday and midday waned into evening. each time, gazing out, about 12,000 times.

that is likely paralleling how well ansel adams knew the american west, images of wild and rugged yosemite etched into his heart. how many times this maestro of his art must have studied those vistas, photographing morsels and overviews, contrast and shading in all seasons. striking focus, his work inspires adventure-out-there-juju and, more importantly, an environmental awareness in these times of climate crisis. without color, the attention of the aperture pivots to grandeur, is not distracted, but is challenged by shape and line and form and composition.

taking a photograph through a window is different than taking it without some kind of membrane between photographer and subject. it gives space for other kinds of interaction. the play of reflection, the underside of raindrops, never-minding the swipe of window-cleaner-rags. opportunity to see, a unique peek into the familiar, wherever you might be.

this is not a black and white photograph. it is the stuff of october days heading full-steam toward november. it is the drear of rainy and damp and cold. it’s wishing 65 degrees was not vanishing into the calendar.

and yet, having looked out of that window maybe over 100,000 times all told, i know that the view, framed by a painted cornice, kitchen cabinets and our old porcelain sink, is different each day, that the days are not identical and never really the same, that change is always a constant. and that some days, when i point the camera out the window it will capture intense color, vibrant sun, blue sky, leaves the colors of fire and rust and squirrels running on the wire.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY