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fervent fern. [kerri’s blog on k.s. friday]

they unfurled from their tiny seahorse stage into real-live ferns in what seemed like moments. all of a sudden, there they were – a whole corner garden of ferns. so incredibly green. lush.

but – even in their zealous and prolific growth – they are fragile. their fronds fall victim to the wind or the dogga’s curiosity, and they are knocked over, with – seemingly – no chance of revival. it seems – perhaps – safer to be in the middle of the bunch of ferns in the garden, rather than on the outskirts.

and i find myself nodding my head, as any artist might nod her head. yes. indeed. safer to be in the middle than on the outskirts, than life as an outlier.

when i finally felt safe enough – when the imperative was too much to ignore any longer – for me to pursue my own artistry – to leave the middle – i knew it was a different route. it would not be the interstate to success. instead, it would be a challenge to stay upright – to keep reaching – when the perils of the outskirts were plentiful.

i knew i should have kept on the road earlier, but there were things that precluded me – that hushed me – and i largely put aside that desperate voice inside of me begging to come back out – the one i had quashed so many years – decades – prior.

but the tiny seahorse fern in me didn’t give up. it kept nagging me until it was finally ok to face the perils.

and i began to write – with the fervency of the ferns in our back garden. my piano was never silent. i kept unfurling, reaching to the sun – an artist coming out of fallow.

and there was music. and more music. the compositions, the songs, the albums populated the garden rapidly – there was much time for which to make up. stages and boom mics and product boxes were the accoutrements of my life. and i could only imagine – and still wonder – what might have happened had it all started earlier, had i fronded in earlier life.

it remains a mystery.

even now – in which the unsuspected and life have mown down some of the outer fronds – there is a core, a center of gravity that holds the fern-muse.

though fragile on the exterior, we are never really broken to the core. there is still time – there is healing, there is a new spring.

there is a fern garden ripe for more ferns.

*****

WATERSHED © 2004 kerri sherwood

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streamers. [kerri’s blog on d.r. thursday]

though we love-us (as they say) a familiar trail, we found a new trail to hike recently.

it was a really windy day and we set out knowing we would not-know what we might find along the way. that – in itself – is one of the gifts of hiking. even on trails we know like the back of our hands.

i knew being a minister of music like the back of my hand. and, as the easter holiday just passed by, i thought a lot about the 35 or so easters for which i had been responsible – the decades i had shaped the music of these seasons. i always believed it was my job to help people connect to that which they could not see – thus, ultimately, to touch faith, to touch love.

a dearest friend of ours retired this past week. with great joy, we celebrated his new freedom and listened as he told about the party his colleagues had thrown for him. he told of their stories, their comments, their appreciation – it was a powerful validation for him and for all the time and energy and life he had spent working in that place. he finished with a flourish – full of affirmation – ready to walk into next. one door closed, others ready to be opened.

it brought up personal grief.

for my very last days – of that career – one of the professions in which i used my knowledge of music – that spanned three and half decades – these days were not lined with validation or gratitude or even a nod of thanks. instead – for me – they were fraught with being fired, what felt like a plethora of undistilled meanness, full of unanswered questions, betrayal and shock and – then – absolute quiet. an assault.

i never finished. there was no brunch, there were no casseroles, no sheet cake, no jello mold. there was no t-shirt, no mug to carry off and use each morning, warmed by the memories of time spent.

this was an awakening.

i suddenly realized that i wasn’t done.

for all the sorting and cleaning and throwing out, there was still something incomplete.

there was no flourish; there was no affirmation.

this was an epiphany.

since i can’t go back literally, there is something in me that wishes to find a way to closure. maybe it is to go back to this place we found on this new trail. to this gate that stands in the messy field of wild grasses next to the birch tree just a bit back from the meadow. maybe if i lift up that gate and just step – even just one step – into what is past it – what is on the other side – maybe it might feel – in some metaphorical-retirement-party-crepe-paper-streamers-strewn way – like there was a little flourish. that i will grant myself the validation, the affirmation – the acknowledgment of a great deal of dedicated time of my life – that others tore from me, disregarded – that i will know – deep inside me – that i gave that place – and all the 35 years in that particular spoke of my sedimentary-layered life of music – giant pieces of my creative soul and that i can finally – finally – leave the familiar behind and get about the new. whatever their agenda or issues – in an end that was not of my choosing – it should not detract from my own celebration of me.

i will never be a minister of music again. that part of my life – that arrow of dedication of the music within me – has finished. and – i was damn good at it. i understood it. i knew it like the back of my hand.

and now it’s time for a new trail.

right after i pull down all the streamers and toss them out.

*****

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the woods. [kerri’s blog on k.s. friday]

it had been two years. two years plus since we last hiked there. after the woods added a high ropes/adventure course we were less inclined to go there, less eager to go hike its trails. the tranquil quiet was interrupted with the sounds of groups on the contrived course, the echoes of planned adventure bouncing off ancient trees and the forest floor.

but the other day – on a blue-sky-slightly-warmer-less-windy day – we decided to go back. because it is still merely early-spring, the course wasn’t yet open, though the staff was there training. one of the guys – suspended in a harness on lines high above us – called down to us, telling us how happy he was to spend the day in the woods.

we set out on our trail, a bit eager to see how things might have changed, how the familiar might be a bit less familiar after so many seasons had passed.

seeing this much-trod-in-the-past place was sheer joy. there is something about knowing the bend in the path, something about knowing where the tiny ponds are tucked in the woods, something about knowing certain trees and where the green glow might be starting.

we took our news-weary eyes and placed them – instead – on the roots crossing the trail, on the rise and fall of our breathing. we focused on spring arriving in the woods in this place where we have spent so much time.

we were – gloriously – nowhere else for a couple hours.

“and into the forest i go, to lose my mind and find my soul.” (john muir)

*****

read DAVID’s thoughts this K.S. FRIDAY

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an invitation. [kerri’s blog on two artists tuesday]

each time we returned to our airbnb west of aspen we turned it on. the salt lamp seemed a beacon, warm light welcoming us. i don’t know if it was actually emitting any goodness – as they are said to – but it sure felt like it.

we have a salt lamp in each of our studios. they glow in those spaces and, whether or not they are scientifically proven to be goodness-in-a-lamp, they are soothing to us.

my studio is clean now. i removed a desk and all the extra stuff that was cluttering up the space, all the relics of jobs or times that felt negative. i have yet to go through the closet where there are a couple file cabinets of music, but the space – as i walk in – is a completely different place than it had been and every day i light my salt lamp.

it feels like an invitation.

for the first time in many years now.

and it makes me wonder what that might mean.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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a squall of light. [kerri’s blog on two artists tuesday]

it will surely get worse before it gets better.

it was while i was waiting for the person to arrive to pick up the desk that i started. it wasn’t really on purpose. it was simply a way to keep an eye out the window at the front of the house. i opened the small chifforobe cabinet and began to pull things out and stack them on the floor of the studio. then i went over to the small desk and did the same thing. before i knew it, it was chaos on the floor of the studio, piles on the padded artist bench, even small piles on top of my piano.

in the unearthing of space, i am finding notebooks of lyrics, slices of songs, chord progressions jotted on scraps of paper. there are piles of process cds – from demos of songs to recording studio takes, edits, production in all its phases, final products of albums released into the world. there are radio charts and encouraging cards, pencils and erasers and staff paper.

i think of my son – at the other end of the journey – the closer-to-beginning part of his artistry. though he is waaay past just-beginning, his heartbeat is quickened by his own growth in his music and by the outer reaction to and support of his EDM. i remember those days and i celebrate for him and with him. they are the days that feed artists when we are depleted, when we are in the midst of hunger, when we are pondering our place in our art form, when – if we are feeling disoriented – we are trying to see where it was – discern how it was – we got lost so that we might find our way, when it’s a little bit agonizing, when we are a lot a bit tender, when we are wondering.

later on – much after the computer desk was gone – after the frenzied muse had left the building – i groaned looking at the mess.

but there is no going back now. it’s time to keep going, to keep going through, eliminating, filing, re-designing the spaces and space in my studio. time to bring in new light, time to give it a chance.

in more than a bit of vulnerability, i must say that i don’t really know if that will change anything. i know that the studio will look more spacious, it will be slightly less muddled in there, more austere, more piano-focused. i feel like that could definitely be a good thing…a tiny step toward actually playing, actually composing. cleaning out will remove some of the tangible tokens of feeling remote, or of hurtful, harmful things that have undermined my artistry, that have waylaid me. it might remove some of the visible and invisible layers between me and my music. i guess that’s all to be seen. as overwhelmed as i am – thinking about all the work in front of me – i do see some magical bits of light in the dark, even amid the squall of chaos.

when my grand first arrived – over 25 years ago – it was the only thing in the room. just a big C5 on bare wood floors with high ceilings and freshly painted white walls of plaster and beadboard. it was pure and glorious.

since then – for various reasons – i added a chifforobe, a writing/reading chair, a desk, music stands and mic stands, other instruments.

maybe sorting through, reorganizing, removing the desk, minimalizing stuff, clearing the space will surface the essential reason for this studio, will distill the paralyzing fog that has settled over the space and in my heart, give light to a dimmed imperative. maybe a tiny bit of balance will return. maybe it’s all still relevant.

i stand in the doorway and acknowledge that i don’t know.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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stars in the cold. [kerri’s blog on two artists tuesday]

“your hand opens and closes, opens and closes…your deepest presence is in every small contracting and expanding.” (rumi)

brave thistle plant – even in the bitter cold – open. this star in the meadow reminds me to stay open…fluid in breath…in and out.

i sometimes wonder about my music. my grand sits in my studio, waiting. it is patient, although i can sometimes hear it in hushed tones, calling me. there has been much between the last time and now, much that has left me closed to it.

i’ve touched it a few times in a few years. i don’t want it – or anyone, including me – to overreact to that. it is beautiful and full-stick and keys-open and – like the thistle – it bravely stays starlit even in the fallow times. and so, it is – every now and then – inviting. but it is complex – complicated – and it’s obvious I haven’t sorted through all the layers yet.

it is an artist’s imperative to create. but there are no rules that state the medium must remain the same. and so…in these inbetween times…i write. to be open to something different is to dance with that imperative.

the heavy old mic stand tucks right outside the doorway to the studio. it’s holding a vessel for candlelight right now but – at the end of our hallway – it reminds me of microphones and wood stages, simple lighting and boom stands. and then i wonder again – about all that.

the real answer is that i don’t know. i don’t know what will happen in these nexts. i don’t know if i’ll compose more, record more, perform more. there are a lot of ifs between here and there, a lot of details, a lot of stars that must align.

but the little thistle plant in the meadow reminded me that even with all that – all in the galaxy that must cluster – constellations in the cold are possible.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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with barney. [kerri’s blog on k.s. friday]

“the longer i live, the more beautiful life becomes.” (frank lloyd wright)

if it wasn’t ‘copying’ i would also get this inked on my body. but my beloved daughter – a bunch of years ago now – chose this as a tattoo and copying it – despite the clear wisdom of this quote – would be taboo.

it is intensely true.

the longer you live, the more beautiful life becomes.

if you take sweet time to notice.

in a most wonderful day tuesday we jaunted about, gathering knowledge and trying on new hiking boots. we joked about falling arches and bunions, our feet – somehow – getting substantially bigger, the trail-running we won’t attempt, heck, the running we will never do again, pinky toes resistant to closed shoes. it is somewhat liberating to not have the same expectations we once had. there is a different bar.

at the end of this wonderfulday i stepped outside and was struck by the moon. we immediately took off – practically sprinting (note: not running) – down the road to the lake, so that we could watch the harvest moon rise and feel its moonbeam as it chased us on the shoreline.

we sat on the deck after a long walk in perfect night air along the lake. and we celebrated our day. for in it we had tended to things that feed us – writing, exercising, eating well, planning for future hikes, laughing.

we know that our next will not resemble our past. we know that there are no corporate or organizational positions in our future. we know that aging is perceived differently by the hiring crowd than by the aging. we also know that we have aged each and every day of our lives so we don’t place parameters on what is possible. we don’t underestimate the wisdom of the ages or the insights of aging, though the word sort of makes me shudder.

and then I wonder why. why does the word “aging” give me a bit of the heebie-jeebies? I looked up the word. multiple sources. and each time i discovered that 65 is considered “elderly”. sheesh. no wonder ageism is alive and well in this country. developing nations base their assignment of old age on a person’s ability to actively contribute to society. though the united nations considers old age to be 60 and beyond, i also discovered research that suggests only a tiny percentage of adults 65 and older actually consider “old” to happen before the age of 60. we are most definitely in the camp that rejects old-before-old.

according to britannica.com, “there is no single theory that explains all of the phenomena of aging.”

no single theory. well, of course not!!

barney is still out back, soaking in summer sun and winter snow and everything in every season. he houses chippies and is a resting place for birds and scampering squirrels. he doesn’t serve as a piano now, but his soul is still a piano. barney is more beautiful than the day he came out of the dank basement boiler room and arrived in our backyard.

barney and i say, bring on the mystery!

*****

read DAVID’s thoughts this K.S. FRIDAY

listen to IT’S A LONG STORY: https://www.youtube.com/watch?v=ofvt66SA_4s

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shadow wisdom. [kerri’s blog on k.s. friday]

the shadow knows.

on this part of our walk in the ‘hood, our shadows precede us. we follow them east down the sidewalk, never quite catching up. and, just as suddenly as they appeared, they disappear – as we turn a corner and head for home.

i, laughing aloud, wish for the long, skinny legs of my shadow. though we clearly can’t see our expressions in our shadow photograph, we both smile as i take a picture. it reminds me of times of confusion in my life when it was difficult to sort out the emotions of the time – and i smiled anyway.

when i was in junior high we were assigned the task of choosing an old radio show, writing a new script and recording the show onto cassette tape. my group chose “the shadow”. “who knows what evil lurks in the hearts of man? the shadow knows.” i don’t remember the script we wrote or the storyline we chose, but i do remember the commercial we made. it was about a product that could clean anything – from brushing your teeth to heavy grunge cleaning – the same product.

i am aware of shadow work – the shadow – the place where unprocessed trauma is found, where pain is stored, where we somehow try to protect ourselves. the work to help recognize what has become unconsciously present in our lives. it would seem important for all of us to have an opportunity for the quiet time to step into our shadow – the place that knows. because we are human, there are always places in our heart to heal.

in the meanwhile and here in the sweet phase, we walk arm in arm around the block a few steps behind our shadows. we binge on happy moments and hoard them for trying times, sad times, confusing times, times when our shadow tilts its head and asks us to feel something else.

we carry the wisdom of time we have already spent living. there’s a knowledge we gain as we experience the blisses and the traumas of this life. and smiling – even in the shadow times – stokes the fire, keeps the pilot light on, reminds us of the here and now and the evanescence of it all.

*****

read DAVID’s thoughts this K.S. FRIDAY

listen to GOOD MOMENTS: https://www.youtube.com/watch?v=WbiKiz1NZYs

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in the grace of joy. [kerri’s blog on k.s. friday]

“yes, joy is the thing that has returned, and not a moment too soon.” (john pavlovitz)

like you, i’ve interviewed for many positions in my life. many of them were positions in non-profits. i spent thirty-five years as a minister of music in churches. i was asked the question “what do you bring to this job?” multiple times. i always answered the same way: “joy.” “i will always lead with joy,” i would add. and then this: “if you want perfection and not a joy-filled music program, i am not your person.”

as an entrepreneur, recording/performing artist and in managing roles i’ve also interviewed many people. i always looked for joy. for without it, life is flat. for without it, there is rote drudgery. without it, things seem dark. without it, there is doom and gloom, there is no hope, there is no light. without it, worthy projects, generosity and communities will not survive, will not thrive.

in the last two weeks i have been absolutely struck by the absolute change in vibration of the air around us. suddenly – with the advent of change in this election – we can see, hear, taste, FEEL joy. JOY.

“it’s a mystery.  grace.  it falls on us like morning dew, each and every day.  we rise, buoyant or troubled, joyous or grieving, in clarity or murky, in the light or in the dark. we step into next, knowing we have yet another chance.” (nov. 22, 2019 & august 20, 2021)

we are in the grace of joy.

we are feeling hope and light. we are feeling the freedom to laugh, to dance. we are feeling open hearts. we are feeling possibility. to live life. to experience – in all its complexities and differences – in grace – living together. we are tasting the future.

we passed by this nametag sticker stuck to the street merely three days before our president ended his re-election campaign and passed the torch of election to our vice-president. we were crossing the street and when we reached the other side i went back to photograph it. in an incredibly fraught time, “grace” caught my attention. we didn’t know then that a few days later we would be in a different election. we didn’t know that less than two weeks later we would be remembering what real joy is.

in joe’s love for this country and sacrifice of personal ambition and in kamala’s vibrant love of life and dedication to this democracy, we can dream, we can aspire – once again – for the best of what these united states of america can be.

joie de vivre…is falling on us like morning dew…we have yet another chance…

we can choose this. we can vote for this.

“…so everyone can pursue happiness unfettered…” (john pavlovitz)

*****

GRACE ©️ 2010 kerri sherwood
JOY ©️ 2005 kerri sherwood

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salty daisies. [kerri’s blog on k.s. friday]

in the rare moments d texts me, my phone ringtone is john denver’s annie’s song.

“you fill up my senses like a night in the forest, like a mountain in springtime, like a walk in the rain, like a storm in the desert, like a sleepy blue ocean, you fill up my senses, come fill me again.

come let me love you, let me give my life to you. let me drown in your laughter, let me die in your arms. let me lay down beside you, let me always be with you. come let me love you, come love me again…”

and in those moments – daisy moments – i am reminded, once again, of the improbability of two tiny starflecks in the universe noticing each other, of the utter impossibility of our meeting, the sheer unlikeliness of our marrying, the astounding unimaginable gift of our time together.

even in the moments when my senses are overburdened, impatient, saturated, senseless.

daisies in any form, every stage – this wildflower fleabane – are just like hearing annie’s song. because i am me, they bring tears to my eyes.

“remember,” they whisper from the meadow on the side of the trail, “just remember.”

a long, long time ago my big brother penned a calligraphy print. it says, “may there be such a oneness between you that when one weeps the other will taste salt.”

we are beyond fortunate.

and salty and grateful.

*****

read DAVID’S thoughts this K.S. FRIDAY

AND NOW ©️ 2015 kerri sherwood

GRATEFUL from AS IT IS ©️ 2004 kerri sherwood

download music from my little corner of iTUNES

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