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Tag Archives: beautiful


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the bald eagle. [kerri’s blog on d.r. thursday]

though these are not the “amber waves of grain” from the song, they did bring the song to my mind -“america, the beautiful” (katharine lee bates / samuel ward).

some of the most awe-inspiring-catching-my-breath moments have happened out west. in the mountains, in the canyonlands, in the high desert, it is not hard to encounter beauty that takes your breath away. the vastness, the absolute splendor is hard to deny. i get overwhelmed pretty easily out there and both david and my daughter can attest to the fact that i will literally cry in those places.

but time and budgets and obligations keep us from being in those places as often as we would wish. and so, we must make sure to see the fantastic in places closer-by, in vistas familiar. 

we keep our eyes open. 

every time we hike our most familiar trail we notice something different. the other day, though, heavy equipment had restoratively decimated much of what we knew. so we decided to hike along the river, watching for wildlife that had been displaced. we looked for signs of an early spring, traipsing on muddy trails and noticing how high the water line had gotten. 

and then there was this bald eagle. perched high in a tree, overlooking all the newly mown-down woods, it was waiting. i saw it as i glanced up – noting the height of the trees that remained. and there it was. such a gift – seeing an eagle. 

a few times, weeks ago, i watched an eagle soaring there – over the woods, over the bogs. astoundingly, it was mere minutes after i whispered silently for a sign from the universe. the sudden presence of this eagle made me feel like maybe the universe was listening. we wondered aloud what other lessons were there for us out there, what other reassurances we might find in nature.

so we pay attention.

and we pass the waves of grass. 

and notice.

and – even in a time that is fraught with division, rife with political mayhem, with people jostling for power, people just wanting to be heard, people suffering from discriminatory inequalities of which there are far too many to list – i can still hear the song:

“o beautiful for spacious skies, for amber waves of grain. for purple mountain majesties above the fruited plain. america! america! god shed his grace on thee. and crown thy good with brotherhood from sea to shining sea!”

and i think about these spacious skies, the waves of grain, the purple mountain majesties…brotherhood – personhood – shared values – mutual support – in everything from sea to shining sea. and that grace comes into play, for i agree with the lyrics – we surely need divine wisdom, guidance, mercy, assistance…

and the bald eagle sits perched in its highest tree, looking out over the woods that remained. from there it can see the waves of grass, the tracks of heavy equipment in the dirt. it can’t see the purple mountain majesties or the sea or the other shining sea. 

yet, knowing all that was out there – somewhere – it sat. eyes wide open. and took in its world below. 

and likely thought about how fantastic it really is.

*****

read DAVID’S thoughts this D.R. THURSDAY

EARTH INTERRUPTED VI mixed media
50.25″ x 41“

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lace in the snow. [kerri’s blog on d.r. thursday]

it is in much the same way that arvo pärt appeals to me that this photograph is a win for me. it’s simple – a stem of queen anne’s lace, fallen on the side of the trail, iced in. i felt lucky to come upon such a shot.

one of these days we are going to take a trip – later than sooner, i suspect.  it will be solely for the opportunity to take photographs. we haven’t yet decided on a place, but it doesn’t matter too much – there are photographs everywhere just waiting. like this lace in the snow.

taking photographs reminds us to slow down. it’s impossible to trek fast if i have a camera in my hand. in the rare times i have left it in my bag ahead of time, planning to get a better workout, i inevitably stop and extract it – something has captured my attention, something needs to be on film.

ever since my first 35mm yashica i’ve been the one with the camera. there are big chunks of life where it looks like i wasn’t there. those are the times i was taking the pictures. very much there, just not in the frame. now i wish i had handed off the camera to someone else more – asking for a few more pictures in which i was present.

selfies have taken over today’s social media world. i must say, a selfie at 25 or 35 or even 45 looks waaay different than a selfie at almost-65. i am not a fan. unless of course it can be soft-focus, backlit, and overexposed. in that case, i’m in. otherwise, i want a photo to be taken from a bit further away than the end of my arm.

i continue to wander around with my camera…stopping often on the trail, pulling off to the side of the road in littlebabyscion or big red, grabbing photos of ideas in antique shoppes and boutiques, annoyingly taking candids and posed shots of my grown children when i am near them. i have about 35,000 photos on two iphones, but that doesn’t touch the grand total. 

some photos are obvious – all the tourists gather there, every visitor taking a picture of the iconic whatever-it-is. some photos are obvious – we want remembrances of times spent together, celebrations, festive occasions. some photos are obvious – we portrait our families, we feature our growing children, we capture our pets in everything silly or heartstrung. we photograph the beautiful, the magnificent, the moment-in-time.

and some photos…well, some are a bit more subtle. they are the shadows of the tall trees. they are the tiny birdfeet prints. they are the curl of the petal, about to fall. they are the dew on the grass, the horizon lost in fog, the patterns of an old brick wall. they are the nurselog, the feather, the breaking wave, the caterpillar. and they are lace in the snow. all just waiting to be seen.

*****

read DAVID’S thoughts this D.R. THURSDAY

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curling ribbon. [kerri’s blog on two artists tuesday]

wrapped for the holidays, nature put her best curling ribbon on this stalk, replicating it all over the meadow for us to see and appreciate. clearly, giftwrappers and bauble experts everywhere must be jealous of the ease with which nature decorates herself – always minimalistic, always beautiful.

for a smidge of time, i was hired – long, long ago – as a holiday giftwrapper at a beall’s department store in florida. i spent shifts of hours wrapping the unwrappable – really one of the reasons why people have their gifts wrapped at the store. now, there are folks (having gifts wrapped) who just prefer to have everything done-and-done by the time they pull in their driveway, but most of the time it was the unwieldy that was brought to the service desk, the customer wide-eyed with wrapping trepidation. 

i did my best, but i was no wrapping maven and had not yet learned any of the wizardry of the wrap. nevertheless, the customers seemed pleased, if only not to have to do-it-themselves.

in the years when our children were young – for reasons i still cannot figure out – we saved all the wrapping-of-presents (including stocking stuffers) for the night of christmas eve. there we were, in the middle of the dining room – having retrieved bags and boxes hidden all over the house – trying to quietly cut paper and wrap assorted gifts of all sizes and shapes – while our children were upstairs in their beds gazing out the window watching for signs of santa and his reindeer in the night sky. we’d leave christmas music on and close the swinging dining room door and the living room bifold doors into the hall, trying to disguise – or at least muffle – the clear sound of scissors meeting paper, hoping that the fact that it was quickly approaching the wee hours – like 2 or 3am or so – would mean they would have fallen fast asleep, dreaming of the next morning.

in later years – for the most part – i wrapped earlier, not saving it all for the elves-of-the-eve to desperately try and wrap as quietly as possible. though in later years the pressure of the magic was lessened, so quiet wasn’t quite as necessary.

in the latest years, we’ve had to ship presents. the boy and the girl who used to live upstairs live elsewhere and are not always home for christmas. it changes the landscape of the holiday. immensely. facetime never equals real time. and the holiday is quieter. 

to say i miss those days of reports of reindeer and rudolph’s nose lighting the starry sky would be an understatement. to say i miss putting out carrots and milk and cookies would be an understatement. to say i miss twinkling lights reflecting on the faces of my children – as infants, as toddlers, as children, as teenagers, as young adults – would be an understatement. to say i miss the chaos after midnight on christmas eve would be an understatement.

but time marches on. and every year things change. i peruse social media – seeing multiple stockings waiting on the mantels of people far and wide, stacks of presents under trees, gatherings and family parties – and i silently send my children a wish of love and light and joy. we hike on treasured trails and pass by nature’s curling ribbon and i’m reminded over and over of the miles of curling ribbon i’ve curled, the stuffed stockings under our trees over the years, the small mountains of wrapped packages, giftwrap strewn across the floor. 

and i am grateful. this holiday may be minimal in its festivity. but, sitting in the darkened living room with trees and branches and twinkling lights, holiday music or silence, cards to send out and presents to wrap on the dining room table – curling ribbon at the ready – it is no less beautiful. it is just different.

*****

THE LIGHTS from THE LIGHTS – A CHRISTMAS ALBUM ©️ 1996 kerri sherwood

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zinnia-time. [kerri’s blog on two artists tuesday]

and – just when it was beautiful enough – nature raised the bar. and the zinnia produced a round of tiny yellow flowers – a crown atop the center of the already-stunning flower. beauty squared.

it’s like adding a weep-worthy soaring cello line or a mournful french horn to a solo piano piece of music. beautiful enough, raised up.

i’ve been going through old bins in the basement, boxes in the attic. i’ve found old photos and old journals i had forgotten about: pictures of early life in new york, early life in florida. they catapult me way back in time, back to hanging out on the beach, roadtripping with my cherished friend sue, early days of choir-directing, youth groups i led. i took pictures of nearly everything, so it’s the absence of pictures of people or places or events that is noteworthy.

life isn’t always a zinnia.

and sometimes, it’s the long story that makes the short stories more bearable. we survive periods in our lives that seem unsolvable, painful, unending. years later we open the bins and see evidence of our enduring, our fortitude, even our clinging to flotsam and jetsam.

so it must be during the time in-between that we grow a second row of tiny flowers inside, ready and waiting for us, whenever we are ready for them, for those times we couldn’t see the beauty.

the weather this past weekend was stunning. with an invitation to autumn, this september saturday and sunday were blissfully sunny and cooler. a good time to sit on the back patio. a good time to marvel at the plumes on the grasses, to watch the cherry tomatoes ripen. and a good time to work in the dirt, to tend to the herbs, to take a hike, to brush the dogga, to witness the dance of the hummingbirds. in the middle of several ongoing projects – really important things that need our attention – we took the good time.

zinnia-time.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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the wise garden. co-existing. [kerri’s blog on merely-a-thought monday]

and all the plants live together happily ever after.

it’s a beautiful place to just wander. the walkways through bushes you may have to duck under are not edged or over-weeded. it’s not perfect, yet, in its imperfection, it is perfect.

most of all, the natives and the regional perennials co-exist, nurturing each other simply by existing.

i suppose it might be wise for us to take a few cues from these plants. somehow, they are growing and thriving – side by side – without thwarting the growth and thriving of another. somehow, they are weathering the seasons without resistance, falling into fallow and rising out of the dirt. somehow, they are just being, without overly exuberant displays toward each other, without angsty concern, without aggression. somehow, they are blooming and verdant and glorious, trusting – implicitly – that the next plant will understand, that the next plant will also weave its way in the midst, working together to find the light-space they each need. somehow, they are symbiotic, bringing their best, setting aside differences, instinctively empathic. somehow, they are aware of the precious time they have in the sun.

and the garden is vibrant. beautiful. healthy.

and the garden is wise.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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on a wire. the universe of all. [ kerri’s blog on k.s. friday]

it was by itself. high on the wire that’s included in the squirrel highway system, it perched, alone.

mourning doves are usually together, in pairs. cooing in our backyard, pondside, they are cleaning up under the birdfeeder, welcoming the day or bringing an enchanting beginning to the evening. we have a particular fondness for them.

but it has been rare to see one by itself.

if i had to imagine what it was doing, i would say it was talking to the universe. way high like that, it would seem to be a little bit closer to infinity, to whatever it perceives as divine. it sat there, quiet.

i don’t require an intermediary either. my prayers are whispered on the trail, on the pillow, blowdrying my hair, chopping onions. in my own life, i have now found – after repeated learnings – that grace is all around and the divine is not in some building somewhere.

on the contrary, i wonder about those buildings now. for i, personally, have experienced the worst hypocrisy there – in communities that are waxing poetic in mission statements and disappearing in actually participating in those sentiments.

and so, i sit on the wire with the mourning dove. we both find this universe beautiful. we both find it challenging. we both lift longings up and we both ask for mercy in our living. we both live in the mystery and immensity of faith. i would imagine that sole bird does not wrestle with religious underpinnings, historical narrative stories or philosophical questions. that bird-on-the-wire is not concerned with the begats nor the maps of supposeds. i’m guessing we are kind of in alignment with the basic tenets – goodness, kindness, love, peace, generosity, fairness, grace. just like me, like, well, all of us, it has a direct-connect with its deity and the universe.

it is not likely – though i have learned never to say “never” – that i will ever be in a church again. i gave my entire heart to working at one at 19. they did not warn me of any danger, protect me or aid me. i gave my entire heart to working at one in latest life. they did not warn me of any danger, protect me or aid me.

i don’t blame god. for my god isn’t stuffed into nooks and crannies of the church. my god isn’t clinging to any specific denomination. and my god isn’t justifying any wrongful behavior because of some building.

to be in a sanctuary, one must feel in a place of refuge or safety. stone walls, brick, wooden altars, pews, organ pipes, artifacts, relics with touted significance – these are not naturally-occurring as safe or as refuge. the leadership and the community must bring that. and, in bookended experiences – on either end of my three-plus-decades of such work – though i brought every ounce of heart in, i walked out with my heart destroyed.

and so, the mourning dove and i sit on the high wire sanctuary together. we gaze at the sky and the divine tethers us in gently-held gossamer threads, tied to all the rest. i’m not sure what my dove friend is thinking, but i know that i am in prayer. that the universe yearns to hear each of us. that, even though i may feel alone on the wire, i am now more in the community of truth than in those fraught buildings.

i and the mourning dove are in the “church of nones” and the universe of all.

*****

ALWAYS WITH US from AS IT IS ©️ 2004 kerri sherwood

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a very very very fine house. [saturday morning smack-dab.]

“our house…is a very very very fine house…” i can hear crosby, stills, nash and young gently singing this sweet domestic-bliss song in my ear. it makes me smile and nod my head.

everyone has their bliss. some need gigantic homes with every upgrade. some need rv’s that give freedom to roam. some need high-floor-city-dwelling. some need acreage in the middle of nowhere.

the things we need change.

we are finding that we need less and less. nothing fancy, nothing real shiny, nothing ostentatious, our house is simply an old house. it was built in 1928 and has all the trimmings of a sturdy old home – thick crown moldings and wainscoting panels, solid six panels and windowed french doors, creaking wood floors, glass doorknobs, high ceilings, double-hung roped windows. it also has all the quirks.

and we love it all.

now, don’t get me wrong, these last few days i would have been a very happy girl to have had central air conditioning. other days, i’ve pined for an island in our kitchen or maybe a master suite or a connected two-car garage. but…it’s not so and we don’t get all hung up on that stuff.

instead, we just love our house. and we feel like it knows it. because we can feel it loving us back.

yes. our house…is a very very very fine house.

*****

read DAVID’S this SATURDAY MORNING

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the nails popping. [k.s. friday]

barney’s nails are popping, its layers are peeling back even more, rust is gathering on surfaces subjected to air and moisture. this is not a surprise. barney has been outside in the sun and the rain and the snow and ice and wind and humidity and drought for almost ten years now. a decade has a way of peeling things back. i wonder what barney might look like in another decade or maybe two. its soul will be intact; its boxy exterior will be falling away, opening strings, hammers, soundboard to the world. and always, its soul, present, true.

barney is no less beautiful now than the day it arrived in our yard. in fact, as it changes, its transformation is a metamorphosis into an aged piece of art sans any expectations. it stands as a stalwart symbol of constancy in our backyard. it reminds me that soul is resilient, fluid. no matter the weathering, the chippies and bunnies nesting, the birds stopping off to rest, the squirrels sitting and taunting the dog. no matter only eleven white endpieces of keys are left. no matter the line of popped nails in a row along its upright top. its soul – exposed – carries on, aged and stronger than before.

“this is the first, the wildest and the wisest thing i know: that the soul exists and is built entirely out of attentiveness.” (mary oliver)

if barney needed to express itself, tell stories of its past, the narrative of a life of a hundred years, it would merely stand and speak – firmly planted. time and nails have loosened its jointed wood and the container of a million tales, and have – figuratively – unlidded the top of the shoebox under the bed or on the top shelf of the closet. every story counts and, as we sit in the backyard, we pay attention. we listen to barney, giving credence to its voice, glad that even in its aged appearance – and its agedness – it is not silent.

in ways i can’t explain, i can feel the nails popping.

*****

THE BOX ©️ 1996 kerri sherwood

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blurry from here. [d.r. thursday]

it’s all blurry, isn’t it?

we are mutually reading a book – the measure – in which every person in the world over 22 years old is gifted a box. in that box is a string which represents the length of one’s life. we are about a third of the way through so making our way along the trail of this story. we can’t help but wonder if we would open the box.

it’s all blurry from here – the future. no matter what, we do not have any idea what’s out there, what is to come, what will or will not happen. even with the best of planning, the field of vision is not crystal clear.

our video of choice on-pillows was a pct hike. no surprise there. but the youtube we watched was extraordinary. an “older” couple – 61 and 60 – backpacking this thru-hike, exquisite photography, even more exquisite narration. more than a few times we wished we had jotted down his words, wisdoms from the trail, wisdoms from blurry life. they called their hike “a pacific crest trail coddiwomple documentary” and he explained that “coddiwomple” means “to travel in a purposeful manner towards a vague destination, ” to “keep moving forward even when you’re not quite sure where you’re going”.

blurry. life.

we could seriously relate. even without being on trail, we pay attention to just how blurry things really are. the rearview mirror can give you hints, but never quite enough information and, besides, it’s not the direction any of us are headed in our timelines. they keep going and going. focused, unfocused.

i have found myself peering at the future…as if through those tiny opera glass binoculars…trying to see what is out there in front of us. the aperture is narrow in diameter, the focus is not all-consuming. anything outside of the zone is out of focus. blurry from here.

i went through photographs the other day. i take hundreds each week. the unintentional rothko showed up in my camera feed. studying what came before and what came after gave me clues as to what it was a picture of. i now know what it is. but it doesn’t change the feeling the photograph evoked. the painting of color fields, blurry and without clear lines of distinction. a rothko created by accident.

life is kind of like that, i guess. you are out there, coddiwompling around, living life, breathing in and out, never really sure of the destination, always surprised along the way. you paint what you think will be the future. and then, in any given moment, it all gets blurry. blurry, but nevertheless – surprisingly – beautiful.

i’m not sure i’d open the box.

*****

read DAVID’S thoughts this D.R. THURSDAY


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in our favor. [k.s. friday]

and the snow fell gently in the woods, rendering it muted, like the tones of ansel adams’ pine forest, snow.

it was breathtakingly beautiful.

snowflakes slid from the sky, landing on our faces, our eyelashes, our hats and scarves and coats.

everything slowed – a 78rpm record playing at 33.

stretched out into slow motion, we stood and gazed up into the trillions of perfect flakes.

and, in the way of water – a balm, worries washed away and all that was left was peace. achingly gorgeous, we stayed in it, in the serene, a cloud, unwilling to leave the soft-focus-world moments, the snow sanctuary.

“know that the universe is always conspiring in our favor.” (paulo coelho)

*****

PEACE ©️ 2004 kerri sherwood

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